I’ve been a writer of nonfiction and fiction and full-time editor since my college years, and a publisher (Smart Rhino Publications). I’ve read horror and suspense fiction all my life, but it’s only been in the past decade or so that my reading has turned more and more toward police procedurals, noir, and crime fiction. It was only natural that I’d turn to writing a police procedural series, starting with Harvester of Sorrow. I hope you’ll read all the wonderful books I’ve recommended!
I’ve always enjoyed Bill Pronzini’s work (including his work with wife Marcia Muller). The Flimflam Affair is the first book I read from his Carpenter and Quincannon series. This is a perfect example of how to embed historical fact into crime fiction. Although this is not a police procedural novel (the lead characters are private detectives), procedural elements are certainly included throughout. I’m envious of Pronzini’s ability to use the beginning of the 20th century as a backdrop for this fine series.
The Flimflam Affair is the latest charming historical mystery in Mystery Writers of America Grand Master Bill Pronzini's detective series.
Carpenter and Quincannon, Professional Detective Services is a fixture in San Francisco at the dawn of a new century. While the future is unclear, Sabina and John know one thing for certain; they will protect their clients from flimflammers, thieves, and murderers, and do whatever it takes to run these dregs of society into the arms of the law.
Sometimes, that requires a subtle touch. Professor A. Vargas, self-styled medium extraordinaire, and his partner Annabelle, use guile and trickery to…
I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
I’ve always enjoyed mysteries, especially police procedural stories. Harry Bosch is the kind of detective that you want to root for. During his lengthy career, Bosch followed the motto that ‘everybody counts or nobody counts.’ That approach speaks volumes to me, especially when writing my own stories.
Investigating a cold case homicide requires turning over all the evidence, digging into the interviews, and developing new theories and suspects. This is dramatically different from a ‘fresh’ case, where there can be pressure from multiple directions to find the guilty party and bring them to justice quickly.
I like Connelly’s style and have read every one of his books that I can get my hands on. Bosch ruffles feathers, but gets it done!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
A few short blocks from the safety of the museums and monuments on the National Mall, a ruthless killer prowls the streets of Washington, D.C. Federal prosecutor Jeff Trask joins a team of FBI agents and police detectives as they try to solve the series of brutal murders. As the body count rises, the investigation leads to a chilling confrontation with the leader of an international drug smuggling ring, and no one is safe, not even the police.
Written by former Washington prosecutor Marc Rainer, Capital Kill is a swirling thrill ride through the labyrinth of a major federal investigation…
I’ve been lucky enough to have a happy childhood and enjoy a fulfilling life. Nevertheless, I’ve always been drawn to the darkness… the macabre, the sinister, and the bizarre. My selection of books has, in one way or another, helped to shape me as a writer. I’m constantly fascinated by the process of creating truly disturbed, twisted, or hideous characters. I enjoy the process of working out what makes them tick; shedding my own moral compass and experiencing the world through their eyes… wherever that ends up taking me.
This is the first in Mark Billingham’s excellent series featuring D.I Tom Thorne. He’s a compelling main character and in many ways the archetypal maverick cop who hates authority. What sets this book apart for me is not so much the antagonist, but the author’s treatment of the victim. She has been forcibly placed in a coma-like state, but fully aware of what’s going on around her. The reality of her locked-in syndrome is heartbreaking.
“A British police procedural as good as those produced by crime queens Elizabeth George and Ruth Rendell.” —USA Today
His first three victims ended up dead. His fourth was not so fortunate . . .
Alison Willetts is unlucky to be alive. She has survived a stroke, deliberately induced by a skillful manipulation of pressure points on the head and neck. She can see, hear, and feel and is aware of everything going on around her, but is completely unable to move or communicate. Her condition is called locked-in syndrome. In leaving Alison Willetts alive, the police believe the killer…
Part
of the LAPD Harry Bosch (#23)/Renee Ballard (#4) police procedural series, The
Dark Hours, is primarily told from Ballard’s POV.
The dark hours is cop-speak for midnight to seven on the night shift, but the title equally sums up
Ballard’s struggles in her personal life and career. Perfect narration by Titus
Welliver (Bosch) and Christine Lakin (Ballard), with Connelly at his best. I
love the way he’s allowed his characters to not just grow older, but to change
and evolve through the years. Brilliant.
A Wall Street Journal and South Florida Sun-Sentinel Best Book of the Year
“A masterpiece”—LAPD detective Renée Ballard must join forces with Harry Bosch to find justice in a city scarred by fear and social unrest after a methodical killer strikes on New Year’s Eve (Publishers Weekly).
There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop…
Do you see the pattern in the five books I’ve recommended? In each of them, a woman writer explores the darker side of human nature and lures the law-abiding reader to explore it, too. I do not expect to ever commit a murder or to have to cover one up for the sake of a loved one. But could I? Could the person next to me in the grocery store line? Hmmm, I wonder. Traditional mystery stories and police procedurals reassure the reader that in the end, justice will be served and order restored. The women writers of noir/psychological suspense make us contemplate the world very differently.
The Vault is the sequel to A Sight for Sore Eyes. It is a police procedural with the detective trying to identify several dead bodies found in an abandoned coal cellar. The dead seem to have no connection to each other, so the detective must also puzzle out how each of them came to be there. I recommend it because the reader has some fun: She knows the answers to all those questions from having read the first book. It’s a great twist on mystery-as-riddle whodunits.
INCLUDES AN EXCERPT OF RENDELL’S FINAL NOVEL, DARK CORNERS
In the stunning climax to Rendell’s classic 1998 novel A Sight for Sore Eyes, three bodies—two dead, one living—are entombed in an underground chamber beneath a picturesque London house. Twelve years later, the house’s new owner pulls back a manhole cover, and discovers the vault—and its grisly contents. Only now, the number of bodies is four. How did somebody else end up in the chamber? And who knew of its existence?
With their own detectives at an impasse, London police call on former Kingsmarkham Chief Inspector Wexford, now retired and living…
I have a special place in my heart for books set in Australia, and Her Buried Bones instantly transported me to the heat, the wide open spaces, and the vernacular of the Outback.
Once there, the author, Fiona Tarr, took me on a thrilling ride as young police constable Jennifer Williams solves a baffling murder... and earns the grudging respect of her male colleagues in the process.
I’m not usually into police procedurals, but this story has it all – great characters, great plot, fast pace, and a wonderful sense of place.
After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy.
James Herbert was, for me, the king, and The Jonah is brilliant. Jim Kelso, undercover cop, is a man with dark secrets. Shunned by others in the Police, he is seen as the eponymous Jonah as everything he touches seems to go wrong. Sent off to investigate a suspected drug factory on the coast, Kelso finds himself not only fighting the drug dealers he has been sent to bring to justice, but also with his own horrifying past. Part police procedural, part terrifying horror. Brilliant stuff.
The shadow of the past was always with him. But he never knew what it was, or when it would strike next. In James Herbert's The Jonah, detective Jim Kelso is sent to a small coastal town to investigate drug smuggling and stumbles on a dangerous organization. Suddenly more than just his life is at stake. It's his past, his future, his sanity. Through torture and drugs he discovers the terrifying secret of The Jonah. And learns, in the most horrifying way that it can destroy him as well as others . . .
Considered one of the foremost explanatory writers and literary stylists in American journalism, Margalit Fox retired in June 2018 from a 24-year-career at the New York Times, where she was most recently a senior writer. As a member of the newspaper’s celebrated Obituary News Department, she wrote the front-page sendoffs of some of the leading public figures of our age. The author of three previous books, Conan Doyle for the Defense, The Riddle of the Labyrinth, and Talking Hands, she lives in Manhattan.
In January 1971, the Scotsman Dougal Robertson embarked with his wife and children on what was to be the dream of a lifetime: an extended sea voyage aboard their 43-foot wooden schooner, the Lucette. Eighteen months later, as she plied the Pacific some 200 miles west of the Galapagos, the Lucette was rammed by a pod of killer whales; the Robertsons had barely enough time to flee the ship before it sank. They spent the next 37 days adrift, first in the ship’s inflatable raft and later, after the raft gave out, in its tiny dinghy. They braved storms, sharks, and the perpetual lack of food and fresh water before they were rescued by a passing ship. First published in 1973, Robertson’s gripping, day-by-day account of their ingenious survival tactics is a classic of the castaway-narrative genre.
In June 1972, the 43-foor schooner Lucette was attacked by killer whales and sank in 60 seconds. What happened next is almost incredible. In an inflatable rubber raft, with a 9 foot fiberglass dinghy to tow it, Dougal Robertson and his family were miles from any shipping lanes. They had emergency rations for only three days and no maps, compass, or instruments of any kind. After their raft sank under them, they crammed themselves into their tiny dinghy.
For 37 days-using every technique of survival-they battled against 20-foot waves, marauding sharks, thirst, starvation, and exhaustion, adrift in the vast reaches…
I’ve been fascinated with the paranormal since I was a little girl and used to talk to the old lady on the edge of my bed. That old lady turned out to be my grandma, who had passed when I was in my mother’s womb. My entire family is touched by the curiosity and love that comes with the paranormal, so much so my mother is a working psychic medium. For years, I have spent every birthday attending haunted houses with a paranormal team to “investigate.” For some strange reason, I love to be terrified, and I fear I will never stop chasing the thrill.
This book is not for the faint of heart, there are trigger warnings a mile long and it is one of the most gruesome books I have ever read and yet like a car crash, I couldn’t peel my eyes away from the book.
I listened to it on audiobook and the narration of the story added to the thrill and terror of it all.
'One of the boldest thriller writers working today' TESS GERRITSEN 'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY _________________________________________ AS RECOMMENDED ON HIT CRIME PODCAST MY FAVOURITE MURDER A heart-racing thriller from the No. 1 Sunday Times bestselling author
Sisters. Strangers. Survivors.
More than twenty years ago, Claire and Lydia's teenage sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has…
