The most recommended police procedural books

The late, great Ed McBain inspired a whole generation of crime fiction authors (including me) and influenced television too. Hill Street Blues was based on his character-driven novels and changed cop shows forever.

Ten Plus One is just one of the many in the 87th Precinct series, and as close to the perfect crime fiction novel that a mere mortal can get.

Part of the LAPD Harry Bosch (#23)/Renee Ballard (#4) police procedural series, The Dark Hours, is primarily told from Ballard’s POV.

The dark hours is cop-speak for midnight to seven on the night shift, but the title equally sums up Ballard’s struggles in her personal life and career. Perfect narration by Titus Welliver (Bosch) and Christine Lakin (Ballard), with Connelly at his best. I love the way he’s allowed his characters to not just grow older, but to change and evolve through the years. Brilliant.

I seem to be addicted to long-running series with British detectives, though not all written by British authors, and A Clubbable Woman is the first book in this twenty-one-book series by Reginald Hill.

When I began to write fiction and worked on creating Corelli and Parker, Hill was one of the authors I looked to for inspiration. Although his Yorkshire detectives, the abrupt and rude Detective Superintendent Andrew "Andy" Dalziel and the educated, calm, and well-mannered Detective Sergeant Peter Pascoe, did not fit my vision for my own characters, I enjoyed their antics and read the entire series. The books are fun and challenging and this is a great beginning.

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

This is the first in Mark Billingham’s excellent series featuring D.I Tom Thorne. He’s a compelling main character and in many ways the archetypal maverick cop who hates authority. What sets this book apart for me is not so much the antagonist, but the author’s treatment of the victim. She has been forcibly placed in a coma-like state, but fully aware of what’s going on around her. The reality of her locked-in syndrome is heartbreaking.  

I discovered Kirschman through her non-fiction—a book called I Love a Cop: What Police Families Need to Know—when I was working on my first mystery.

Later I discovered she also writes a darned good story herself. Like this one, featuring Dot Meyerhoff, newly hired police psychologist. Dot’s job? Help the police cope better with their stress—those daily dangers, risks, uglinesses.

First client—Ben Gomez, a rookie who just encountered his first corpse. He strikes Dot as a little too sensitive. When Ben becomes a corpse himself, it looks like another cop suicide. Shouldn’t Dot have seen this coming? But she didn’t.

The secondary theme is significant and well handled: the prevalence of police suicide. I learned a lot. Hint: it’s a cozy, not a police procedural.

Doctor Sarah Linton, the star of an earlier series before this one, is now a medical examiner and her partner is Will Trent of the Georgia Bureau of Investigation. When a group of domestic terrorists and survivalists bomb two hospitals and the office of the Center for Disease Control, Sarah rushes to the scene to help. The group kidnaps her and she’s forced into a male-dominated commune where she has to rely on her wits and her acting skills to survive, while trying to get word out to Will and his colleagues where the group is hiding…hopefully, before they strike again to unleash an environmental disaster that will kill millions of people. 

This is the first book in the Valorian Chronicles, and boy, I wish it was a tv series! I like to think of this book as CSI: Paranormal (or Otherworld Crime Unit as it is named in the book). It’s a dash of police procedural in a world much like ours but with vampires, werewolves, and more creatures that live in a society that goes by their own rules. This book is mixed with a dose of sexy chemistry between the leads wrapped in a happily ever after bow. It’s great for those nights where I’m looking for a bit of suspense and mystery with my romance featuring a vampire hero.

Ghosts was the first book of Ed McBain’s 87th Precinct series that I read, primarily because I was interested in the paranormal aspect—I’ve always been a sucker for ghost stories. This was the first true police procedural I’d read, and I was most impressed with McBain’s mastery of writing dialogue. I was hooked and I’ve read most of the series since. As I wrote my own debut novel I referred to McBain’s novels many times to see how he handled dialogue tags and beats throughout his books. His dialogue is almost seamless. I’d recommend the 87th Precinct series to any writer serious about writing police procedurals.

In January 1971, the Scotsman Dougal Robertson embarked with his wife and children on what was to be the dream of a lifetime: an extended sea voyage aboard their 43-foot wooden schooner, the Lucette. Eighteen months later, as she plied the Pacific some 200 miles west of the Galapagos, the Lucette was rammed by a pod of killer whales; the Robertsons had barely enough time to flee the ship before it sank. They spent the next 37 days adrift, first in the ship’s inflatable raft and later, after the raft gave out, in its tiny dinghy. They braved storms, sharks, and the perpetual lack of food and fresh water before they were rescued by a passing ship. First published in 1973, Robertson’s gripping, day-by-day account of their ingenious survival tactics is a classic of the castaway-narrative genre.

Zoe commutes to her job every day on a crowded train on the London underground. She discovers that someone is posting advertisements in a local paper saying which women take which trains. And there's a photograph of herself, claiming she's up for some "discreet casual action." Who is behind this and why? Zoe becomes suspicious of everyone in her life—her boss, her significant other—wondering who is cruel enough to set up unsuspecting women that commute by train. She's shocked when she finds out the truth, part of which she never discovers. A final zinger.

Windsor Horne Lockwood III is quite simply one of the best characters I’ve read in years.

Lovers of Harlan Coben’s Myron Bolitar series will already be familiar with his incredibly wealthy, psychopathic best friend. It was always obvious that there was much more to Win than what we saw in those stories and so a spin-off was perhaps inevitable. But this is more than just an attempt to expand an already successful franchise.

Win is complex, flawed, admirable, and arguably despicable in equal measure. Told in first-person, Win is remarkably honest and self-reflective and like all the best anti-heroes leaves you feeling a little guilty for cheering him on.

Add in Coben’s trademark wit and a cracking investigation and you have an absolute Winner (sorry!).

This series has a character seen too rarely in this genre.

DI Isobel Blood is a middle-aged woman with a teenage daughter. We see her trying to juggle her often emotionally draining work with parenting duties. This is a really good introduction to DI Blood and a strong cast of supporting characters.

Set in Derbyshire, it has a really strong sense of place. The story is tightly plotted, with deeply satisfying reveals and reversals, and the author balances the investigation with Blood’s personal challenges.

The mystery itself is imaginative and original and difficult issues are dealt with sensitively and compassionately.

For more than three decades Ian Rankin has been the master of “tartan noir” – police procedural fiction set in Scotland. The curmudgeonly, hard-faced, no-nonsense detective Inspector John Rebus has a tendency to bend the rules as investigations take over his life.

A Song For The Dark Times starts with Rebus’ daughter Samantha calling him to say her husband is missing. Rebus fears the worst and from his experience realises that his daughter will be the prime suspect. You’re always on the edge of your seat wondering whether Rebus will have to prevent the truth from coming out and compromising his position as an upholder of the law.

Architecture is always a collaboration between the architect who conceives the project, the builder who must realize it, and the client who starts it—and pays for it The protracted building process, which is often stressful, is always a complicated pas de trois. No one has written about this better than Tracy Kidder, who describes the complex choreography by following (in real-time and in detail) the construction of a family home in New England.

The Vault is the sequel to A Sight for Sore Eyes. It is a police procedural with the detective trying to identify several dead bodies found in an abandoned coal cellar. The dead seem to have no connection to each other, so the detective must also puzzle out how each of them came to be there. I recommend it because the reader has some fun: She knows the answers to all those questions from having read the first book. It’s a great twist on mystery-as-riddle whodunits. 

The 28th and final Inspector Alan Banks mystery novel was released in April 2023, six months after the death of its author, Peter Robinson. Reading Standing in the Shadows is a bittersweet farewell to an old and dear friend. We know this will be the last we’ll see of Inspector Banks.

The story is told from two viewpoints. One storyline is narrated in the first person by University of Leeds student Nick Hartley, who learns that his former girlfriend has been murdered. The second storyline kicks in 40 years later when a skeleton is found in Yorkshire. Inspector Banks and his team are called in.

There is so much to like in this mystery, all reminding me of what I’ll be missing: the palpable sense of place in the Northern England settings; the wide range of music Banks listens to, from rock bands to classical music and opera; England’s social… show more.

Anne Hillerman follows her father Tony’s tradition of taking me into the world of Joe Leaphorn of the Navajo Nation. Her knowledge of the superstitions and practices of the Navajo weaves through the Leaphorn’s, Jim and Manuelito Chee’s criminal investigations. I was fascinated by the twists, turns, and dangers they faced and the obstacles created by tribal and governmental regulations. Their corroboration and determination were an inspiration. I was reminded again of the importance of working together rather than trying to go it alone.

I can’t even tell you how many times in many years working for newspapers that I rushed out after hearing a body had been found in an empty house or neglected alley. In almost every case, I would arrive to have police officers tell me, “No story here. No homicide. Just another overdose.” The newspaper didn’t tally overdose deaths as it did murders, even if many fatalities are linked to heroin that has been mixed with fentanyl without the users’ knowledge. It’s very rare for those who sell the killer substance to face homicide charges. 

The city is basically another character in this book. While the opioid epidemic had touched communities across the country, Philadelphia’s Kensington neighborhood is widely acknowledged as a disaster zone. A 2018 New York Times article called Kensington is the largest open-air narcotics market on the east coast. 

The plot centers on Philadelphia police officer Mickey… show more.

I bought this book in Hatchard’s bookshop because I liked the cover, and because I like stories about Hell. A great choice on my part—this wonderful crime/fantasy novel features a detective called Thomas Fool in the most lawless land there can be. Thomas has to investigate a series of grisly murders which threaten the Devil’s domain; and to make his police procedural story work Unsworth has to invent a whole new mythology of Hell in which murder is even possible. The writing is stunningly evocative and the logic of the world building is remarkable even if it is,  ultimately, bonkers. This book and its sequel, The Devil’s Evidence, are the noirest of noirs and are completely unputdownable.