From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.
This book describes the rich multi-ethnic, multi-cultural, and multi-lingual communities that co-existed peacefully in Alexandria and Cairo in the 1940s and early 1950s. They forged close ties in such public domains as commerce and schooling, while keeping their family and religious lives mainly private and marrying within the community. By the mid-50s as Arab-Israeli problems spread to Egypt, the Nasser government stoked animosity against the Jews and other non-Muslim communities, forcing many to migrate. The book shows graphically how even during normal times cultural communities distinguish between areas where it is safe to mingle with outsiders and those where it is better to draw tight boundaries against penetration if they are to sustain their uniqueness. The latter are mostly areas that define them, including religion, values, and bloodlines.
In vivid and graceful prose, Lucette Lagnado re-creates the majesty and cosmopolitan glamour of Cairo in the years between World War II and Gamal Abdel Nasser's rise to power. Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence,…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
I have to say that I do sometimes judge a book by its cover and this one blew me away. I could already tell it would be a fun account of women in 1920s Cairo. I loved learning about the positions in society these divas held at a time when women around the world were just starting to get some rights—maybe.
One of the world's most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and '30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a "modern" Egyptian. Women came to dominate the Egyptian entertainment industry-as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry.
Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo's most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
I grew up exploring the semi-decayed air-raid shelters near my grandmother’s home in London—to her horror: she said they were full of rats and drunks. The Second World War and its effect on people, especially women, off the frontline has long fascinated me. To pursue my obsession with writing stories on this subject, I have made trips to genocide memorials in former Yugoslavia, bunkers in Brittany, and remote towns in Poland. My novels concern themselves with how the violence, and sometimes heroism, of the past trickles down a family’s bloodline, affecting later generations of women.
I could have chosen any of the three in Manning’s Balkan Trilogy, about a young couple who rush to get married on the eve of war and find themselves living first in Romania, then Athens (the setting for this book), and finally Cairo. I love the portrait of Athens in the period before the German invasion: the beauty of Greece in springtime, the shortages of food, the strange collection of people making up the expatriate community, and how the marriage of two young, probably mismatched people, is tried by the constant presences of war and death. The characters who drift along with the Pringles are beautifully drawn studies in their own right.
It is 1940, and Guy and Harriet Pringle and their friends in the English colony in Bucharest find their position growing ever more precarious. The 'phoney war' is over and invasion by the Germans is an ever-present threat. Harriet finds her new husband's idealism clashing with her own more down-to-earth attitudes, his generosity to all comers frustrating her attempts to survive in a city of shortages. Their easy life among Bucharest's cafe society is gradually eroded as rumours become reality, and the Germans march in. The Spoilt City is a dramatic and colourful portrait of a city in turmoil -…
I grew up during the war years and remembered the backouts, ration cards, and the newscasts from the front and worrying about my cousins who were in the middle of it. My cousin Gerald always made sure I had a model airplane kit every Christmas, even though he was fighting in Europe. As a journalist, I was lucky to work with a few war correspondents that covered Dieppe and D-Day and heard what they went through. One of those people was Bill Anderson who died two years ago. I recorded a video interview of him when he was still 97 about his experiences in Canada and Europe
The war in Africa, where Rommel’s tanks seem unstoppable, sets the stage for this novel of intrigue and spies, with Egypt and The Suez Canal the prize. Follett is a master of suspense and he makes great use of it here as two secret agents lock horns. The German agent with a wonderfully appropriate name, The Spinx, enlists the wiles of a belly dancer and the British agent, seeks the help of a beautiful young Jewish woman, who plays a key role in unmasking the German agent and the final defeat of Rommel. I always love reading Follett. You’re never sure what.
Ken Follett's The Key to Rebecca took readers and critics by storm when first published forty years ago. Today, it remains one of the best espionage novels ever written.
A brilliant and ruthless Nazi master agent is on the loose in Cairo. His mission is to send Rommel's advancing army the secrets that will unlock the city's doors. In all of Cairo, only two people can stop him. One is a down-on-his-luck English officer no one will listen to. The other is a vulnerable young Jewish girl. . . .
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
I've chosen this one not only because it's about growing up in Cairo, where I spent five years of my adult life as a teacher in an international school, but also for its astute analysis of how and why the memories we form in childhood differ fundamentally from those we acquire as adults. Another reason for its inclusion on my list is that it belongs to two childhood memoir subgenres for which I have a particular penchant, those by authors raised by people who were neither their biological nor adoptive parents and those by under-appreciated women novelists.
Using memories of her childhood among the privileged expatriate society of Egypt in the 1930s, Penelope Lively provides a slice of autobiography which is also an exploration of childhood perception. In snapshots of recollection, we build up a picture of her happy, self-absorbed early years in a familiar land of canals and palm-trees, mud-brick villages and water buffalo, under the ever-watchful and loving eye of her nanny, Lucy. Even World War II barely proved a disruption to an idyllic childhood which was shattered by adolescence and her parents' divorce. Penelope Lively's account of the childhood that has remained so vivid…
Some of my earliest memories are of exploring megalithic sites such as Stonehenge. I guess I can blame my parents for making me a history buff, fascinated by ancient cultures, ancient religions and ancient mysteries. It’s no surprise then that I ended up a fan of mystery fiction. Most people would turn immediately to Dan Brown for this genre, but there are many excellent authors in this genre for fans to discover. I didn’t end up as a historian, but a scientist. So, when I began writing thrillers, I combined my scientific knowledge with my love of ancient mysteries. The result, The Bergamese Sect, is a religious conspiracy thriller masquerading as science fiction!
Despite the similar title to my previous recommendation, James Becker’sThe Lost Testament is a very different beast. The sixth installment of Becker’s Chris Bronson series, the testament concerned is an ancient parchment stolen from the Vatican Archives. It later shows up for sale in Cairo; soon the body count rises as various factions fall over themselves to find it and protect its damaging revelation. I think Becker is a vastly underrated author; his use of plot decoys and his descriptive passages are second-to-none. Becker is another author I admired enough to ask him to cover-review my book.
For thousands of years we guarded it. But now it has been found. This could be the end – for us; for our organisation; for the world. You must destroy it, and those who have taken it.
An ancient object is discovered in a Cairo souk. Hours later, the market trader who sold it is tortured to death. As the bodies begin to pile up, a request for help is sent to British Museum historian Angela Lewis.
Angela travels to Spain with her ex-husband, undercover police officer Chris Bronson. There they discover…
I tend to think that Christopher Bollen and I are similar writers in that we both write literary thrillers with gay main characters set in exotic locations (Cairo in the case of The Lost Americans).
Cracking the cover of any Christopher Bollen novel is a guaranteed door into a new world, even if it’s one you think you already know. His stories, always credible, suspenseful, and filled with engaging characters, have so many unexpected twists that you can’t guess the ending. You don’t want it to be finished when you turn the last page because getting there was so gripping.
A young woman finds herself in the crosshairs of powerful and very dangerous enemies when she travels to Cairo to uncover the truth about her brother’s mysterious death in this smart, atmospheric, and propulsive literary thriller from the acclaimed author of A Beautiful Crime and Orient
“Bollen writes expansive, psychologically probing novels in the manner of Updike, Eugenides and Franzen, but he is also an avowed disciple of Agatha Christie."—Daily Telegraph (UK)
When the lifeless body of Eric Castle, a weapons technician for a major American defense contractor, is found under his hotel balcony, both his employer and the Egyptian…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I loved this quirky, surreal novel, which is set in Cairo during the time of the Mamluks. Alternating between dreams and fables, the novel also takes us on a tour of Cairo. He uses the mock diary of a traveler for every section of old Cairo, but then diverges into the individual stories of characters in the city.
Balian, a British pilgrim who has come to visit St. Catherine’s Monastery in Sinai, is really a spy sent by European powers to scout out the power of the Mamluk force, as well as the political intentions of the Sultan. Soon over his head, he finds himself meeting a variety of flamboyant characters. An Italian spy, Giancristoforo, is soon arrested and disappears into state custody. Balian has bizarre dreams at night, but even during the daytime he can’t distinguish between dream and reality.
Arabian Nightmare is a book which has hung around…
' ...a classic orientalist fantasy tells the story of Balian of Norwich and his misadventures in a labyrinthine Cairo at the time of the Mamelukes. Steamy, exotic and ingenious, it is a boxes-within-boxes tale featuring such characters as Yoll, the Storyteller, Fatima the Deathly and the Father of Cats. It is a compelling meditation on reality and illusion, as well as on Arabian Nights-style storytelling. At its elusive centre lies the affliction of the Arabian Nightmare: a dream of infinite suffering that can never be remembered on waking, and might almost have happened to somebody else.' Phil Baker in The…
I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed “hybrid memoirs.” Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story.
I am acquainted with Janet and was eager to read her book. This tale of her marriage and the huge trip she and her husband made from South Africa to Cairo is extraordinary, even as a travel book, but the story of her marriage as they made their journey is equally compelling.
They faced many challenges, but then they faced an ultimate challenge on the journey (I won’t give it away!)
Despite having everything she could ask for, Janet Wilson couldn't shake a sense of emptiness in her life-or her desire to return to the continent of her birth. After much back-and-forth, she and her husband reached an agreement: they would embark on a daring adventure, driving 25,000 miles across Africa. What they couldn't anticipate then was how this trip would challenge almost every belief, opinion, and value they held.
Over the course of their journey, Janet and her husband collided with the world and each other. There were tears and laughter. They shared thrilling highlights and challenges that forced them…
