The most recommended Cairo books

I have to say that I do sometimes judge a book by its cover and this one blew me away. I could already tell it would be a fun account of women in 1920s Cairo. I loved learning about the positions in society these divas held at a time when women around the world were just starting to get some rights—maybe. 

This book, from Black and Mortimer series, is characterized by wide imagination and attention to details, it may be flawed by some verbosity in the narration, but this was appropriate for that period.

Perhaps the modern generation gets bored of the abundance of descriptions, but if you begin reading this story you will not leave it before the final scene. The events take place in Egypt in the forties of the 20th century, and as an Egyptian I realize how faithful Jacobs was in conveying the image of Cairo in the forties with the utmost honesty and accuracy.

The historical background here is the fact that there was a historian named Manethon, and that Pharaoh Akhenaton existed, and his tomb had not been found yet.

It’s rare to find a war diary that makes you laugh out loud, but this had me snorting tea through my nose. Lady Ranfurly broke the law by following her new husband, a British officer, to the North African front in 1940 and staying there for the duration. No pampered aristocrat, she’s a hard-charging career woman who ends up working for, and spying on, a secret war organization running covert missions, and then becomes personal assistant to the Supreme Allied Commander (nicknamed “Jumbo”). Her diary is hilarious and touching as she weathers fear, tragedy, and colossal male egos with maximum moxie. 

Flinders Petrie was the first, and remains, the greatest of all those who have studied Giza. Over many years he physically measured and surveyed the entire Giza site. It is those mathematical results that prove the complex was put there as a message for generations to come, rather than the more favoured ideas of burial complexes for obscure kings. He identifies tiny details, that I too identified on a visit to the Cairo museum, that just could not be done. The necessary lasers suitable are only just being developed over 100 years later.

I've chosen this one not only because it's about growing up in Cairo, where I spent five years of my adult life as a teacher in an international school, but also for its astute analysis of how and why the memories we form in childhood differ fundamentally from those we acquire as adults. Another reason for its inclusion on my list is that it belongs to two childhood memoir subgenres for which I have a particular penchant, those by authors raised by people who were neither their biological nor adoptive parents and those by under-appreciated women novelists.

Published in French or Arabic, this richly and attractively illustrated book dives headfirst into nostalgia for the nightlife of the 20th century Middle East. Loaded with short vignettes and stories, accompanied by Ziade’s own drawings, this book takes the reader on a tour of nightclubs in Cairo and across the wider Middle East. It is a beautiful, misty-eyed elegy for a lost age.

The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners. This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.

In November 1849, Gustave Flaubert and his friend Maxime du Camp hired a boat and crew in Alexandria, Egypt and set off on a three-month trip up the Nile. At that time a trip on the Nile was still an extremely unusual and exotic adventure for Europeans. This book comprises Flaubert's letters to his mother and his friends back home in France. Flaubert was a man who deeply disliked his own country, had a longtime love of things oriental, was interested in the baser aspects of humanity, and was capable of writing to in a letter to a friend that women generally confused their cunts (his word) for their brains and thought the moon existed solely to light their boudoirs. 

You'll find here Flaubert's amusing descriptions of Egypt's bazaars, temples, and people, as well as his graphic and honest (possibly even exaggerated) descriptions of his sexual experiences in Egypt's numerous… show more.

Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili. 

I bought this catalogue many years ago in the crowded, chaotic store that used to sell books just inside the front door of the Egyptian Museum in Cairo.

It remains one of the best sources for descriptions of artifacts displayed in the museum for many decades—everything from King Tut’s gold mask to lifelike statues of scribes, detailed models of boats, and illustrated passages from the Book of the Dead on sheets of papyrus.

Many of these artifacts have recently been transferred to the new Grand Egyptian Museum (GEM) and other state-of-the-art facilities. I’m going to have to start noting in this book where my favorite things have ended up.

This book is a novel written by an Egyptian activist, Omar Hamilton, who lived through the 2011 period. The fiction approach gives the author greater freedom to explore the inner lives of the Tahrir Square activists who he knew well and the momentous events in Cairo. The non-factual approach of a novel offers something missing even in the best journalism because the author brings to life the motivations and personalities involved in the leftist movements which overthrew the Mubarak regime. His first-hand experience of the time fuels the narrative as these revolutionaries faced the failure of the uprising in the long term. The book explores these harsh realities of politics through well-developed characters and expressionistic writing that brings to life this time in Egypt.

Gorgeous to behold, this graphic novel opens from the seeming-ending, because it was originally written in Arabic, which is read from right to left.

Despite mainly being in black and white, it draws the reader in, more easily than blue Will Smith, to ask deeply philosophical questions – what do people want, and why? – which turns personal – what do I want, and why? – in the back of the mind, while the brain engages with sympathetic characters Aziza, Nour, and Shokry, who fight against corruption, depression, dragons, and the patriarchy, one wish at a time.

The war in Africa, where Rommel’s tanks seem unstoppable, sets the stage for this novel of intrigue and spies, with Egypt and The Suez Canal the prize. Follett is a master of suspense and he makes great use of it here as two secret agents lock horns. The German agent with a wonderfully appropriate name, The Spinx, enlists the wiles of a belly dancer and the British agent, seeks the help of a beautiful young Jewish woman, who plays a key role in unmasking the German agent and the final defeat of Rommel. I always love reading Follett. You’re never sure what.

Until read this book, I took it as a given that countries had a right to request the return of antiquities that ended up in (mostly) Western museums, narratives that are now making headlines in our anti-colonial present.

Cuno explains how complex this issue is ethically, legally and philosophically. Many of the peoples whose heritage these objects represent have disappeared or no longer occupy the countries in question.

Also for the sake of the objects themselves should they be studied and maintained and made available to a wide public in a museum rather than be returned to a corrupt government?

I could have chosen any of the three in Manning’s Balkan Trilogy, about a young couple who rush to get married on the eve of war and find themselves living first in Romania, then Athens (the setting for this book), and finally Cairo. I love the portrait of Athens in the period before the German invasion: the beauty of Greece in springtime, the shortages of food, the strange collection of people making up the expatriate community, and how the marriage of two young, probably mismatched people, is tried by the constant presences of war and death. The characters who drift along with the Pringles are beautifully drawn studies in their own right.  

Translated from Arabic and 101 pages in length, this wonderful 1958 short novel is the first longer work of this legendary Egyptian writer, activist, and feminist. If you like it, you are in for a wonderful exploration of the life and work of this astounding writer and thinker. Trained as a doctor in Cairo, El Saadawi is also a riveting reporter of her experiences in a world where doctors were almost always men.

Who doesn’t love a couple who bicker one moment and save each other’s lives the next? That defines married archeologists Amelia Peabody and Radcliffe Emerson, who fight off graverobbers and murderers while excavating the great tombs of Egypt in 1917. Amelia, who tells this story with wit and panache, is my kind of gal—she fights off villains with her ever-present sturdy umbrella. Dashing Radcliffe is devoted to her and exasperated by her antics. As the series has grown, so has the family. I adore the introduction of their son, Ramses, who is as brilliant, daring, and foolhardy as his parents.  

When I first decided to write a historical novel that takes place in Egypt, I stopped by my local falafel joint in Brooklyn and asked the owner for pointers. He said, “Read Mahfouz, that’s all you need.” These are three interconnected stories that span the period from World War I to World War II. Without getting too deeply into the plot, I’d say they do what all the best historical novels do; they give you a sense of life’s movement, with the specifics that allow you to enter another time and place.

I met Mahfouz on my first trip to Egypt in 2005, shortly before he died, and asked him something about the country’s late leader Gamal Abdel Nasser. Mahfouz said he didn’t know the immediate answer himself, but “when I see Nasser, I’ll ask him.”

Nahri is a con artist with dreams of becoming a doctor, if only she can ever make enough money to get out of Cairo. When a con goes terribly wrong, she realizes the magic that she’s always scoffed at is real–and deadly. The only way to get the target off her back is to get to Daevabad, the City of Brass.  

I have loved Egypt since I was a small girl, and Chakraborty’s mystical world of djinn encapsulates everything I ever wanted from an Egyptian-inspired story. There is magic, intrigue, and absolutely incredible religious inclusion and diversity. There’s a little slow-burn romance too, to top it off. While the story starts in a real-world Cairo, it quickly heads towards the fantastical setting of Daevabad.

I tend to think that Christopher Bollen and I are similar writers in that we both write literary thrillers with gay main characters set in exotic locations (Cairo in the case of The Lost Americans).

Cracking the cover of any Christopher Bollen novel is a guaranteed door into a new world, even if it’s one you think you already know. His stories, always credible, suspenseful, and filled with engaging characters, have so many unexpected twists that you can’t guess the ending. You don’t want it to be finished when you turn the last page because getting there was so gripping.