I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.
Umm Kuthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her popularity in a society which discouraged women from public performance. The text examines the careful construction of Kulthum's popularity; from childhood her mentors honed her abilities to accord with Arab and Muslim practice, but ultimately, she created her own idiom from local precedents and traditions, and developed original song styles from both populist and neo-classical traditions. Danielson seeks to show how Umm Kulthum's music and public…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Published in French or Arabic, this richly and attractively illustrated book dives headfirst into nostalgia for the nightlife of the 20th century Middle East. Loaded with short vignettes and stories, accompanied by Ziade’s own drawings, this book takes the reader on a tour of nightclubs in Cairo and across the wider Middle East. It is a beautiful, misty-eyed elegy for a lost age.
Dans ce livre il y a les cabarets du Caire, les studios, villas, casinos du Caire, les maris, les amants, l'alcool, les somnifères, l'argent, les suicides, les brownings, les scandales, les palaces. Il y a le chant, la musique, la voix, les ovations, les triomphes, la gloire. Il y a l'audace, le génie, l'aventure, la tragédie. Il y a des poètes et des émirs, des danseuses, des banquiers, des officiers, des imams, des cheikhs, des actrices, des khawagates, des musiciens, des vamps, des noctambules, des révoltés, des sultans, des pachas, des beys, des espionnes, des prodiges, des rois d'Égypte et…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners.This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.
Cairo is a 1,400-year-old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people's equanimity to the very limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that colour and shape lives. Packed with incident and anecdote "Cairo: City of Sand" describes the city's given circumstances and people's attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world's most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition…
Author and biologist Thor Hanson’s research activities have taken him around the globe. He has studied Central American trees and songbirds, nest predation in Tanzania, and the grisly feeding habits of African vultures, but bees rank among his favorite subjects of all. He wrote Buzz to explore their fascinating natural and cultural history. No other group of insects has grown so close to us, none is more essential, and none is more revered.
This quirky little title captures a wealth of information about the deep relationship between people and bees. Ransome delves into mythology and folklore from around the world and across a huge span of history. Every page seems to offer some new and unexpected connection or story, from ancient Egyptians ferrying their honeybee hives up and down the River Nile to the Mayans cultivating a rainforest species with the agreeable trait of lacking a sting. No other book gives the reader such an exhaustive and entertaining exploration of how bees, more so than any other insect, have been part of human cultures since the dawn of civilization.
No creature has provided man with so much wholesome food as the honey bee. Equally impressive is the number of beliefs and superstitions the industrious insect has inspired. Its honey, which was known to the ancient Greeks as the “food of the Gods,” played an important role in early religious rites and was also mentioned in the folklore of many peoples. Hilda Ransome's well-documented and copiously illustrated study of bees focuses on this valuable byproduct of nature and its creator — the "sacred" bee. Chapters cover the folklore of bees and bee culture — from Egyptian, Babylonian, Chinese, Hittite, and…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The Sudanese music scene of the 1970s is legendary. With stars like jazz king Sharhabil Ahmed and the girl group al-Balabil, the Nile was really swinging. Jamal Mahjoub, a British-Sudanese author who also writes crime fiction under the name Parker Bilal, has fun with this golden age in his new novel, The Fugitives. An English teacher in Sudan receives a surprise invitation to perform in America and has to re-form his father’s old band, The Kamanga Kings, who rocked Sudan in the years before Omar al-Bashir’s dictatorship and take them to Trump’s America.
The Kamanga Kings, a Khartoum jazz band of yesteryear, is presented with the opportunity of a lifetime when a surprise letter arrives inviting them to perform in Washington, D.C. The only problem is . . . the band no longer exists.
Rushdy is a disaffected secondary school teacher and the son of an original Kamanga King. Determined to see a life beyond his own home, he sets out to revive the band. Aided by his unreliable best friend, all too soon an unlikely group are on their way, knowing the eyes of their country are on them.
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This is a beautifully written tale of the author’s time living in rural Egypt in the 1980s.
Ghosh’s accounts of his meetings and friendships with Egyptians unused to foreigners resonate with my own experiences in rural Africa, and the way he pieces together the long-forgotten history of an anonymous twelfth-century Indian slave and his Arab Jewish trader master and weaves it into the story is astonishingly deft.
I read it again recently and enjoyed it just as much as the first time.
Once upon a time an Indian writer named Amitav Ghosh set out an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all…
As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!
Marking a turning point in women’s travel writing and scholarly publications, British artist, writer, and Egyptologist, Amelia Edwards, brought unparalleled expertise and knowledge of Egyptian antiquities to her narrative, in the process helping to found the modern study of Egyptology. Written by a gifted writer and accomplished novelist, her book follows her trip up the Nile River to investigate some of the world’s most important ancient archeological sites and is beautifully illustrated with her own watercolors as well as witty, insightful stories of everyday life in nineteenth-century Egypt.
As enthralling as any work of fiction, A Thousand Miles up the Nile is the quintessential Victorian travel book.
In 1873, Amelia B. Edwards, a Victorian gentlewoman, spent the winter visiting the then largely unspoiled splendors of ancient Egypt. An accurate and sympathetic observer, she brings nineteenth-century Egypt to life. A Thousand Miles up the Nile was an instant hit in 1876, and is received with equal enthusiasm by modern readers.
Fans of Elizabeth Peters' Amelia Peabody Emerson mystery series will see similarities between the two Amelias. More importantly, A Thousand Miles up the Nile provides a wealth of background…
This book came out at a time when I was working on a Zoom class on great river explorations and also contemplating my own trip to Egypt to sail on the Nile.
I love this author and her other work; this book is equally enthralling.
Historians and casual readers seem to hold no middle ground on the two protagonists, Burton and Speke, and their memorable adventure to find the source of the Nile. Millard gives us both sides of this debate, which has raged for over a century, about these two legendary explorers, presenting the odd lives of both men with a balanced perspective that allows her readers to arrive at their own rational conclusions.
This is a story of “the life and times of …” that is told with the excitement of an adventure novel, romance, and tale of endless controversy, which will grab any reader interested in exploration,…
'This complex, compelling tale is told with simplicity and grace' - The Times
A story of courage and adventure, set against the backdrop of the race to exploit Africa by the colonial powers.
For millennia the location of the Nile River's headwaters was shrouded in mystery. In the mid-19th century, Richard Burton and John Hanning Speke were sent by the Royal Geographical Society to claim the prize for Britain. Burton spoke twenty-nine languages, and was a decorated soldier. He was also mercurial, subtle, and an iconoclastic atheist. Speke was a young aristocrat and Army officer determined to make his mark,…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.
The popular culture of pre-revolution Egypt did more than entertain-it created a nation. Songs, jokes, and satire, comedic sketches, plays, and poetry, all provided an opportunity for discussion and debate about national identity and an outlet for resistance to British and elite authority. This book examines how, from the 1870s until the eve of the 1919 revolution, popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
Ordinary Egyptians shifts the typical focus of study away from the intellectual elite to understand the rapid politicization of the growing literate middle classes and…
I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.
I loved Miriam—one of many of Mesu Andrew’s novels of Old Testament women—because this aged woman brings a fresh perspective to the well-known story of the Exodus from Egypt. Her lived experience from slavery to freedom—and from despair to hope—as she searches for the God of her brother, Moses, is both familiar and utterly new. Mesu Andrews weaves a beautiful tapestry of a story that breathes new and fascinating life into a familiar story.
The Hebrews call me prophetess, the Egyptians a seer. But I am neither. I am simply a watcher of Israel and the messenger of El Shaddai. When He speaks to me in dreams, I interpret. When He whispers a melody, I sing.
At eighty-six, Miriam had devoted her entire life to loving El Shaddai and serving His people as both midwife and messenger. Yet when her brother Moses returns to Egypt from exile, he brings a disruptive message. God has a new name – Yahweh – and has declared a radical deliverance for the Israelites.
