I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
While this book is problematic in that it tries to posit ancient Egyptian art as “Western art”, it includes excellent articles by esteemed scholars of Egypt and Nubia as well as copious images of ancient art from the Nile Valley (Egypt and Nubia) and Greek and Roman art depicting Black people. Despite the incorrigible racism expressed in the Introduction, the scholarly articles included in the book are replete with detailed information about the Africans who lived along the Nile River.
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.
The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation…
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This is a beautifully written tale of the author’s time living in rural Egypt in the 1980s.
Ghosh’s accounts of his meetings and friendships with Egyptians unused to foreigners resonate with my own experiences in rural Africa, and the way he pieces together the long-forgotten history of an anonymous twelfth-century Indian slave and his Arab Jewish trader master and weaves it into the story is astonishingly deft.
I read it again recently and enjoyed it just as much as the first time.
Once upon a time an Indian writer named Amitav Ghosh set out an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.
Umm Kuthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her popularity in a society which discouraged women from public performance. The text examines the careful construction of Kulthum's popularity; from childhood her mentors honed her abilities to accord with Arab and Muslim practice, but ultimately, she created her own idiom from local precedents and traditions, and developed original song styles from both populist and neo-classical traditions. Danielson seeks to show how Umm Kulthum's music and public…
As a child I was an avid reader, my brothers’ books, my mother’s magazines, and anything in the bookcase. The library was my favorite place to go and I was proud of my library card. Today, I am a romance and cozy mystery author who is passionate about writing books that feature strong, compassionate characters that I would want to be friends with in real life. I hope you enjoy the books I've recommended but remember to pace yourself as you read through these authors' extensive lists. Allow yourself to sink into their fictional worlds and save each story.
If you love crime fiction there is no one who writes it better than Agatha Christie. Each one of her books transports you on an adventure where you become part of the crime scene, working to solve the murder before he or she gets away. In Death on the Nile, the vivid descriptions of the ship, the pyramids and the slow winding journey, and even the funny Belgian detective is so well developed you can’t help but be transported. It’s like traveling to exotic locals via armchair.
The tranquillity of a cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish and beautiful. A girl who had everything... until she lost her life.
Hercule Poirot recalled an earlier outburst by a fellow passenger: 'I'd like to put my dear little pistol against her head and just press the trigger.' Yet in this exotic setting nothing was ever quite what it seemed...
I traveled the length of the Nile River from source to sea through Uganda, South Sudan, Sudan, and Egypt to write a book that the Daily Beast called "a masterful narrative of investigative reportage, travel writing, and contemporary history," and that the Village Voice named to its ten best books of the year.
Water expert, academic, and documentary filmmaker Terje Tvedt fell hard for the Nile decades ago. His third book on the life-giving river is an expert weaver's tapestry of history, ecology, and politics on the Nile.
"[A] vivid travelogue." New Statesman
"Has much to offer." The Spectator
"Sparks the imagination." BBC History Magazine
"A fascinating study." BBC History Revealed Magazine
"Essential reading." All About History
"Valiant, valuable and entertaining." Times Literary Supplement
The greatest river in the world has a long and fascinating history. Professor Terje Tvedt, one of the world's leading experts on the history of waterways, travels upstream along the river's mouth to its sources. The result is a travelogue through 5000 years and 11 countries, from the Mediterranean to Central Africa. This is the fascinating story of the immense economic, political and mythical…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The Sudanese music scene of the 1970s is legendary. With stars like jazz king Sharhabil Ahmed and the girl group al-Balabil, the Nile was really swinging. Jamal Mahjoub, a British-Sudanese author who also writes crime fiction under the name Parker Bilal, has fun with this golden age in his new novel, The Fugitives. An English teacher in Sudan receives a surprise invitation to perform in America and has to re-form his father’s old band, The Kamanga Kings, who rocked Sudan in the years before Omar al-Bashir’s dictatorship and take them to Trump’s America.
The Kamanga Kings, a Khartoum jazz band of yesteryear, is presented with the opportunity of a lifetime when a surprise letter arrives inviting them to perform in Washington, D.C. The only problem is . . . the band no longer exists.
Rushdy is a disaffected secondary school teacher and the son of an original Kamanga King. Determined to see a life beyond his own home, he sets out to revive the band. Aided by his unreliable best friend, all too soon an unlikely group are on their way, knowing the eyes of their country are on them.
I
have been dreaming of Egypt recently (an inevitable consequence of five years of working
away on my own book on Napoleonin Egypt). The monuments, the glories, the lone
and level sands which stretch far away. And the Nile, giver of life, benefactor
of bounty.
It would never have occurred to me to tell Egypt’s story by following
the course of that great waterway as it rises, flows through Cairo, and on to
meet the Mediterranean.
But this was Robert Twigger’s way, and his book is one
of the finest on Egypt and why the Nile is so central to the country and to the
civilizations whose ebb and flow mark the passage of Egyptian time.
A rip-roaring yet intimate biography of the mighty Nile by Robert Twigger, award-winning author of ANGRY WHITE PYJAMAS. 'A tour de force' FINANCIAL TIMES.
So much begins on the banks of the Nile: all religion, all life, all stories, the script we write in, the language we speak, the gods, the legends and the names of stars. This mighty river that flows through a quarter of all Africa has been history's most sustained creator.
In this dazzling, idiosyncratic journey from ancient times to the Arab Spring, award-winning author Robert Twigger weaves a Nile narrative like no other. As he navigates…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.
The popular culture of pre-revolution Egypt did more than entertain-it created a nation. Songs, jokes, and satire, comedic sketches, plays, and poetry, all provided an opportunity for discussion and debate about national identity and an outlet for resistance to British and elite authority. This book examines how, from the 1870s until the eve of the 1919 revolution, popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
Ordinary Egyptians shifts the typical focus of study away from the intellectual elite to understand the rapid politicization of the growing literate middle classes and…
Growing up during the Cold War, I became interested in Communism early. I read about how the Communist International worked to spread the world revolution. Despite its Eurocentrism, Communism appealed to people in Asia, Latin America, and Africa. However, it failed to make meaningful inroads in the Middle East. I wanted to know why. When I trained to become a historian, my curiosity turned towards the Arab world. I decided to combine my two interests and research the history of Arab Communist movements. I discovered a fascinating world of firebrand activists struggling against the tide of nationalism, fascism, and religious bigotry. I hope you find these books as gripping as I did.
I first came across this book as an undergraduate student many years ago. I was drawn to the book because it covered a topic that was not very common at the time, namely the Egyptian working class. Beinin and Lockman’s study of how the working class navigated the three major intellectual currents of the late nineteenth and early twentieth centuries—nationalism, religion, and Communism—opened my eyes to social history as no other book had done. Workers on the Nile analyses how Egypt brutally is drawn into the global capitalist system in the nineteenth century and how this process produced a native working class (alongside a large community of European ex-pat workers). Gradually the working class comes of age by organising its labour, and eventually, this gives rise to more radical politics in the shape of Communism, Islamic activism, and nationalist tendencies.
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
The White Nile is another classic, telling the story of how European explorers “discovered” Africa’s greatest river in the second half of the nineteenth century. It’s a rollicking tale, featuring cameos from everyone from Herodotus to Churchill, packed with wild tales of bull-headed men marching into areas which were, for them, literally blank spaces on the map. Some of the prose inevitably feels a little dated these days, but it overflows with drama and detail, and provides a fascinating insight into the history of a region which many people still know too little about. I lived near the source of the Nile in Uganda for quite a while, and have many happy memories of reading this before heading out for a swim.
Relive all the thrills and adventure of Alan Moorehead's classic bestseller The White Nile -- the daring exploration of the Nile River in the second half of the nineteenth century, which was at that time the most mysterious and impenetrable region on earth. Capturing in breathtaking prose the larger-than-life personalities of such notable figures as Stanley, Livingstone, Burton and many others, The White Nile remains a seminal work in tales of discovery and escapade, filled with incredible historical detail and compelling stories of heroism and drama.
