The best books about the Nile river

Author and biologist Thor Hanson’s research activities have taken him around the globe. He has studied Central American trees and songbirds, nest predation in Tanzania, and the grisly feeding habits of African vultures, but bees rank among his favorite subjects of all. He wrote Buzz to explore their fascinating natural and cultural history. No other group of insects has grown so close to us, none is more essential, and none is more revered.

I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.

I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.

I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.

I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.

I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres. 

I traveled the length of the Nile River from source to sea through Uganda, South Sudan, Sudan, and Egypt to write a book that the Daily Beast called "a masterful narrative of investigative reportage, travel writing, and contemporary history," and that the Village Voice named to its ten best books of the year.

I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.

Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and published Liber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.

As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!

When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.

When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding.  Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.

When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding.  Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.

In the 1950s, my mother and father left the red dirt of Oklahoma for the forests of Idaho to escape their families’ poverty. Instead of sharecropping, my father became a logger, but my aunt and her husband, a drilling rig roughneck, moved to the deserts of Saudi Arabia to work for Aramco and live in the American compound of Abqaiq. I remember the gifts they brought me: camel hide purses, Aladdin slippers. The Saudis, too, were experiencing rapid modernization and expanding wealth. I became fascinated by the conflict inherent in the sudden enmeshing of cultures and meteoric shift in power and privilege.

When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding.  Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.

I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.

Growing up during the Cold War, I became interested in Communism early. I read about how the Communist International worked to spread the world revolution. Despite its Eurocentrism, Communism appealed to people in Asia, Latin America, and Africa. However, it failed to make meaningful inroads in the Middle East. I wanted to know why. When I trained to become a historian, my curiosity turned towards the Arab world. I decided to combine my two interests and research the history of Arab Communist movements. I discovered a fascinating world of firebrand activists struggling against the tide of nationalism, fascism, and religious bigotry. I hope you find these books as gripping as I did.

I traveled the length of the Nile River from source to sea through Uganda, South Sudan, Sudan, and Egypt to write a book that the Daily Beast called "a masterful narrative of investigative reportage, travel writing, and contemporary history," and that the Village Voice named to its ten best books of the year.

As a child I was an avid reader, my brothers’ books, my mother’s magazines, and anything in the bookcase. The library was my favorite place to go and I was proud of my library card. Today, I am a romance and cozy mystery author who is passionate about writing books that feature strong, compassionate characters that I would want to be friends with in real life. I hope you enjoy the books I've recommended but remember to pace yourself as you read through these authors' extensive lists. Allow yourself to sink into their fictional worlds and save each story.

I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.