The most recommended popular music books

I’m deeply interested in the history of music and the industries that surround it.

This book is a magisterial and original look at the history of popular music in the late 20th century, told through a selection of different genres. I learned immense amounts about music I thought I was already quite knowledgeable on, and was introduced to swathes of new artists and ideas as well.

Dickerson’s book was the first book by a Prince associate written while Prince was still alive.

Given how carefully his former boss guarded his history, it must have been nerve-wracking to write. But it’s impossible not to imagine Prince being charmed by this sweet account of their early years of making music and their adventures on the road.

I’m told by those who knew him that the book sounds exactly as he used to talk. This provides an essential insight into one of Prince’s most productive periods.

My interest in music takes its roots deep into Louisiana because the first music was vocal.

Not only music but all literature had its beginnings in the words of history and folk songs. This book brought light into my young life. It was the beginning to understand American culture through its clearly defined early music. I carried various printings of Gumbo Ya-Ya with me through my early travels through Memphis, Louisiana, Como, Mississippi, etc. The book opened my mind to the history, and because of the book, the traveling opened my mind to the music.

As a child, I sang along with the song of the same title; the thought of picnicking teddy bears was totally enchanting! This book brings the haunting song to life with luminescent watercolor illustrations depicting fun-loving bear families in the mysterious woods. When I discovered this book I bought it immediately for my preschool daughter.  Reading the story we both wanted to be part of it! The day ends as it should for bear children, making it the perfect 'before bedtime' read for human ones.  

If your favorite song is “You Belong With Me” try I Hate You, Fuller James, by Kelley Anne Blount.

It’s very much the story of a nerdy awkward girl pining after the handsome jock, and is full of sweet moments. I love the similarities between it and 10 Things I Hate About You and the nods to other 90’s rom coms.

I’m a sucker for the enemies-to-lovers trope, and it was fun to watch a young female character fall in love but also learn to stand up for herself.

In addition to being an author, I'm also a singer-songwriter, with two albums released. I loved the way The Singer Sisters told a story across decades about two sisters who sang the folk songs they wrote.

Prior to this book, most works on the long history of terrorism applied contemporary definitions of the term to various incidents throughout world history. Wilson turned the page on this framework. Killing Strangers analyzes the gamut of political violence in Western Europe and North America since the late eighteenth century to explain how we’ve arrived at a contemporary reality characterized, in part, by recurring fear of impersonal atrocities carried out in public gathering spaces. Wilson shows how, on one hand, the rise of the modern bureaucratic state’s “monopoly” on legitimate force pushed most violent challengers to the fringes of society. On the other hand, various technological innovations—from dynamite and automobiles to commercial airlines and satellite television—offered new possibilities for those intent on violent havoc. 

Revolution in the Head should come with a warning. This one is only for the most serious of Beatle fanatics. It’s an encyclopedic tome listing every song they ever recorded, who played on it, and even what days it was recorded (Strawberry Fields was recorded over five different sessions through November 1966). There are also many longer sections dealing with the particular cultural moments surrounding the writing of the songs and a whole lot of controversial opinion-making about just which ones are good songs and which are not.

My Spice Girl-loving heart would have died to be in an SG fan club at my school. Back in my day, we had to settle for quick half-memorized dance routines under the monkey bars during recess. But in Akemi Dawn Bowman’s sweet story of niche interests and building a community person by person, the characters’ shared love of a music group is only the tip of a huge and fulfilling friendship iceberg. 

I’m a sucker for a good Beatles’ read, and Help! delivered.

It’s my favorite type of music history book: a new lens (songwriting) through which to view a subject I don’t know well (Duke Ellington) alongside one I’m well-acquainted with (the Fabs).

Brothers’ book is packed with detailed explanation of the artist’s songwriting, arranging, publishing, and production processes. His insights taught me a tremendous amount about the larger context and process of songcraft and collaboration.