10 books like Gender, Branding, and the Modern Music Industry

If you read just one book on The Beatles, read Womack’s Long and Winding Roads. It is a lively account of the development of John, Paul, Ringo, and George as individuals, as musicians, and as artists. At every turn, Womack gives insight into The Beatles’ work from their earliest to their final recordings. It is an outstanding study that celebrates and illuminates the glory of the Beatles and, yes, their sometimes very human failings.

Hoskyns’s biography of The Band takes us on journey. We travel with these five distinct individuals as they form a brotherhood as they back Ronnie Hawkins for tour after tour for some seven years before becoming Bob Dylan’s backup band for a couple of more years. The first two albums, Music from Big Pink and The Band (The Brown Album) are now regarded as classics signaling the advent of a new genre, Americana. However, The Band’s story is ultimately sad as their tight brotherhood unravels in a swirl of drugs, alcohol, exhaustion, jealousies, and accusations. Yet despite all the tumult, Hoskyns celebrates the music.

Not many books are written about bands that labor in the trenches for over thirty years with little success. The Fleshtones formed in New York City in the mid 1970s, one of many new wave/punk bands seeking to fulfill their rock-‘n’-roll dream. Today, they are still looking to achieve that dream. Since 1982, they have released over 20 albums, none achieving commercial success. With just the right combination of humor and seriousness (like The Fleshtones themselves), Sweat documents the band’s bad luck, bad management, bad record contracts, bad decisions, and self-destructive behaviors. Always on the brink of breaking through, “The Fleshtones,” as lead-signer Peter Zaremba put it, “have stared in the face of success and laughed.”

This book tells the story of Craig Smith, a musician and songwriter who had a brush with fame in the sixties before developing mental health issues while on the hippie trail in Afghanistan. Thereafter, he adopted an unusual alter ego, Maitreya Kali, under which he recorded two bizarre and now excruciatingly rare albums. Through years of research, author Mike Stax tells the story by patching together court and medical records, interviews with associates, and other shreds of data, even trying to track down Smith, who had been homeless for many years.

This is a sad but captivating work that uncovers the mysterious story of an obscure cranny of music history.

In the early 1990s, a group of women-centric punk bands and their young fans created a radical feminist movement, one that is still deeply inspiring. This book of Riot Grrrl is a fascinating look at the interplay between music and revolt, as well as an enraging analysis of how media took young women’s anger and turned it poisonous. I have long been obsessed with Riot Grrrl; although I was of the age to participate at the time, I lacked information and access. So I look back now at my Gen X peers and celebrate the music and rage that created this holy thing. And in my book, some of my stories are based on these songs and the spirit of these girls.

This is a compelling, detailed history of three influential singer/songwriters – Carole King, Joni Mitchell, and Carly Simon. Their early careers were wildly different, yet intersected in unexpected ways as they each found their unique paths to success. What I love most about this deftly written account is that specific songs are set in their historical context, so you better understand what was happening with the artist at that time and gain new insights into the songs that still resonate today, fifty years later.

I’ve read this book twice. Both times, I couldn’t put it down. Alice Bag can tell a story, and my neurodivergent ass loves books parsed into bite-sized sections. Alice’s stories begin with her childhood and end with her becoming a teacher. 

I look up to Alice and relate to her a lot. We both grew up in difficult family situations; we were both ambitious teens who were able to befriend just about anybody; and then we both learned to express our creativity and exercise our demons through punk. Growing up a bit and reigning in our talents, we both became public school teachers. Not to mention, we both love to write our memoirs. It’s cool to see her grow and reflect on her experiences, and a perfect read for anyone wanting new stories about all the characters in the early LA punk sphere.

I happened to have spent time with Patti Schemel when my band Scarce toured for a month with Hole in 1995. Patti is the real deal when it comes to being a musician. She’s a badass on the drums, and in real life. I really enjoyed the intimate moments she shared about Kurt Cobain. They are tender and sweet, and show a very different side of his public persona. She takes us into the back scenes of what was like to be in a band as it took off, backing up the very unpredictable Courtney Love onstage, and what it means to be a rock star. I also loved that she spent time writing about what it was like to be a lesbian in the male-dominated rock world, where women are seen often as simply something pretty to look at. Her personality really shines through her writing. She’s fierce, honest,… show more.

Lydia Lunch’s memoir, Paradoxia: A Predator’s Diary, has been compared to Dostoyevsky, De Sade, and William Burroughs. Having toured with her, I would add another name: Mae West. Like West, the author informs her so-called “depravity” with a strain of pure, unfettered comedy. “I’m the bloodsucking murder junkie,” she announces with something like glee, “who loves to watch big strong men beg for their lives like tiny baby girls.” Lunch was subverting gender long before “gender” itself was in the national vocabulary. And she walks the line from victim to perp with her own brand of unapologetic, unflinching truth. At once a portrait of a sui generis literary character—and a portrait of the stark and dangerous landscape of Nineties No-Wave New York.

In many ways, my trilogy is an open love letter to the many female singers and musicians I've admired ever since I was young. While extensively referencing numerous artists as befitting the context of my story, it pained me I had to leave out many noteworthy examples for practical purposes. Women Who Rock goes a long way towards making up the difference. This powerhouse book represents a compendium of extraordinary ladies who have contributed to the evolution of pop music in our culture, but who rarely get as much credit as they deserve collectively. The assembled stories force you to sit up and take notice of their impressive accomplishments.