I’m a dog nut who loves reflecting on the powerful life lessons we can learn as we watch our furry best friends age happily and gratefully by our sides. I’ve also been working as a journalist for more than 30 years now — so that makes me one of the oldest dogs in my own newsroom. I’m a senior writer and editor for the website of NBC’s TODAY show, and the My Old Dog book stemmed from a viral TODAY.com story I wrote about photographer Lori Fusaro’s efforts to change people’s perceptions of older shelter animals. Writing that story was one of the best things that ever happened to me!
The author’s bio in Old Dogs: Are the Best Dogs says this of Gene Weingarten: “He wants his tombstone to read only: ‘Gene Weingarten, a funny man who loved dogs,’ and to be carved in the shape of a fire hydrant.” This gives you a sense of why Old Dogs has been one of my favorite books for years. It’s masterfully written by Weingarten, winner of two Pulitzer Prizes for feature writing and former humor columnist for The Washington Post. (Fun side note: Weingarten is the editor who discovered Dave Barry years ago at the Miami Herald!) Old Dogs is a collection of profiles of sweet senior dogs — and you’ll love every pooch you meet in these pages. (I have a special soft spot for Harry and Honey!)
The memories that people have of dogs they have loved and lost are almost always of the animal in his final years; somehow, those are the images we treasure most. There is a reason. Old dogs can be rheumy-eyed and grump, gray of muzzle, graceless of gait, eccentric of habit, pimply, wheezy, lazy, lumpy. But that is not the whole of him. The old dog is resolute. He is canny. He is noble. She is funny, and seems to know it. She is sweetly vulnerable. He has character and dignity and an elegance of bearing that belies his circumstances, and…
I was a participant in the D.C. punk scene during the 1980s and helped start an organization known as Positive Force. I remember hearing about the group “Parents of Punkers,” the head of which compared punk to a violent cult. They would go on television and scare watchers about what their kids might be doing. I remember at the time that this missed the realities of my own experiences and made me want to protest this moral panic. But I knew this required some distance from the “punk rock world” I had inhabited. I kept thinking about writing this book and the timing was right.
From Martin’s expansive look at things, let’s move onto a more granular approach – Fournier’s Double Nickels. Fournier focuses on just one band and an album (albeit a double record album and one of the best to come out of punk in the 1980s). The Minutemen played a fast, discordant music that sounded like jazz as much as hardcore thrash music. Fournier’s examination turns up something few people consider, that punk wasn’t all about blistering music but rather sophisticated in its nature. Fournier documents how the bassist in the band, Mike Watt, had extended conversations with one of the most important artists associated with 1980s punk – Raymond Pettibon (who as of now has made his way into accomplished art museums and galleries). They talked about everything from Ludwig Wittgenstein to James Joyce. Band members supposedly got into heated debates about history and would stop at public libraries while…
In recent years, the Minutemen have enjoyed something of a revival, due to both a chapter in Michael Azerrad's book "Our Band Could Be Your Life", and a feature length documentary film, "We Jam Econo", showcasing the band's legacy. (And having a song serve as the theme for MTV's "Jackass" show doesn't hurt, either.) To date, though, the band's actual work hasn't been the subject of much attention - everything has focused on either the interpersonal relationships that made the Minutemen so distinctive or the sudden and tragic death of guitarist/singer D. Boon. This book shines a light on the…
I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
I absolutely fell in love with the spunk of Mexican American tween Malú when I first picked up this amazing book!
Her love of punk rock and her subsequent discovery of the genre’s connection to her Mexican roots, her desire to be accepted by her mother and her new schoolmates—just as she is, and her fight against her school to allow everyone there to express themselves as authentically as they can had me rooting for her at every page. Oh, and did I mention the super fun zine drawings?
There are no shortcuts to surviving your first day at a new school - you can't fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malu inadvertently upsets Posada Middle School's queen bee, violates the school's dress code with her punk-rock look, and disappoints her college-professor mum in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk: be yourself. The real Malu loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles…
I've written about a dozen books, all about football (or soccer, depending on your denomination), but that was never the plan. The plan was always to write about music. The first piece I ever published in a proper magazine was a profile of Wayne Kramer, formerly of the MC5. It ran in the German edition of Rolling Stone. The honeymoon didn't last long, though, as I gradually ran out of ideas what to pitch to the magazine, until one day I asked: "Would you be interested in a non-music piece about how football has grown out of the Dark Eighties and become hip?" They said yes, and that was that.
Monte Melnick was the band's tour manager for a staggering 22 years, but his book is not the first-person, behind-the-scenes account you might be expecting.
Oh, it does look behind the scenes – pulling only few punches in the process – and is written in the first person, or rather persons. See, Monte collected accounts and anecdotes from a great many people, not just band members. It makes for a very lively, fast-paced, and effortless read, like all the best oral-history books do.
Of course Monte nicked the concept from Please Kill Me (which in turn stole it from the baseball classic The Glory Of Their Times), but there's nothing wrong with borrowing a good idea. Ten years after this came out, I did my own oral-history book.
This is a new updated edition of "On The Road With The Ramones", with new pages, photos and info on what's been happening to the legacy of the Ramones. This is a must-have book for all Ramones fans. It is based around the story of Monte A. Melnick who was the Ramones tour manager (and much more) throughout their entire career (1974-1996, and 2,263 live shows). It's an insider's look from the people who were actually there witnessing and experiencing all the extreme highs and lows of one of rock's greatest bands. The book is packed with interviews from the…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
As far as I know, this is the first biography of an all-female or female-fronted band. When I saw it come out, I was thrilled but also thought: how in the world has it taken this long for someone to write a book about The Slits?!
Lucky for me (and for all of you), Zoe Howe was the one to do it because this book taught me that it’s more than possible to write about women in music (even when male journalists and music writers omit women altogether, marginalize them in print, or criticize their work).
Wild, defiant and startlingly inventive, The Slits were ahead of their time. Although they created some unique hybrids - dub reggae and pop-punk, African rhythms, funk and free jazz - they were dismissed as being unable to play. Their lyrics were witty and perceptive while their influential first album challenged perceptions of punk and of girl bands - but they were still misunderstood. And that infamous debut album cover, with the band appearing topless and mud-daubed, prompted further misreadings of the first ladies of punk. Author Zoe Street Howe speaks to The Slits themselves, to former manager Don Letts, mentor…
I was born in 1954, the same year as rock and roll. I am a product of the era that spawned me. I was that kid at school who would rather read his music mags than his school books. Over a rich and varied career, I have turned those passions into my profession. I have been a singer in a band, a music journalist, a broadcaster with the BBC national radio network, and have had several music related books published by major publishers. I have also been an academic specialist in my field and have managed to turn all those lifelong interests into a Ph.D. and an M.Phil.
Julian Cope writes like a fan. He doesn’t write like a musician or a music journalist. That’s why I like his books so much.
I find his views refreshing on everything from glam rock to living in Liverpool in the late 1970s. He may be best known for his music with The Teardrop Explodes and as a solo artist, but he doesn’t serve up a boring discography or describe what life was like on the road. He lets you into his head, and best of all, he doesn’t follow any party line.
Julian Cope's highly acclaimed autobiography and its long-awaited sequel in one extraordinary volume.
Julian Cope shot to fame with eighties band 'Teardrop Explodes' during the Punk era. Hailed as a visionary by those people who recognise his genius and a madman by those who find him perplexing, he has become a cult figure in the music world.
Head-On/Repossessed is written in Cope's own inimitable style and follows his journey through a time of incredible change within the music industry. Head-on is the highly acclaimed autobiography that The Observer viewed as "book of the year" when it was first released. Repossesed…
In 2011, when my all-girl garage band began gigging around Chicago, I couldn’t tell you how many times I heard people call us “riot grrrl.” We weren’t riot grrrls; we were far too late for the movement. But for so many people, riot grrrl was the only reference point they had for scary, brash female musicians. The truth is, women were involved in the movement’s origins in every part of the world. I believe we must understand that riot grrrls weren’t the first women of punk.My book Hit Girls: Women of Punk in the USA, 1975-1983 details the stories of lesser-known but highly influential women who helped create punk and its adjacent genres.
I’ve read this book twice. Both times, I couldn’t put it down. Alice Bag can tell a story, and my neurodivergent ass loves books parsed into bite-sized sections. Alice’s stories begin with her childhood and end with her becoming a teacher.
I look up to Alice and relate to her a lot. We both grew up in difficult family situations; we were both ambitious teens who were able to befriend just about anybody; and then we both learned to express our creativity and exercise our demons through punk. Growing up a bit and reigning in our talents, we both became public school teachers. Not to mention, we both love to write our memoirs. It’s cool to see her grow and reflect on her experiences, and a perfect read for anyone wanting new stories about all the characters in the early LA punk sphere.
The proximity of the East L.A. barrio to Hollywood is as close as a short drive on the 101 freeway, but the cultural divide is enormous. Born to Mexican-born and American-naturalized parents, Alicia Armendariz migrated a few miles west to participate in the free-range birth of the 1970s punk movement. Alicia adopted the punk name Alice Bag, and became lead singer for The Bags, early punk visionaries who starred in Penelope Spheeris' documentary The Decline of Western Civilization.
Here is a life of many crossed boundaries, from East L.A.'s musica ranchera to Hollywood's punk rock; from a violent male-dominated family…
Felicia Campbell is a food writer, editor, and author of The Food of Oman: Stories and Recipes from the Gateway to Arabia, the first English-language cookbook on Omani cuisine. She earned her masters degree in culinary anthropology from New York University with a specialization in Middle Eastern foodways. She has lectured on Omani food and food in zones of conflict at the Smithsonian Institute, Leiden University, New York University, and Arizona State University. She is currently developing a documentary series about endangered cuisines around the world.
Want a visual primer to all things Russian from the items found at the cured meat and fish counter to helpful phrases when grocery shopping? How about recipes for infused vodkas ranging from tarragon to cranberry and an entire chapter devoted to dishes wrapped in dough? Kachka is a cookbook that will not only teach you to cook Russian food, it will teach you how to eat, drink, and entertain like a Russian in a way that’s quirky, highly visual, and as fun as it is authoritative.
Celebrated Portland chef Bonnie Frumkin Morales brings her acclaimed Portland restaurant Kachka into your home kitchen with a debut cookbook enlivening Russian cuisine with an emphasis on vibrant, locally sourced ingredients.
"With Kachka, Bonnie Morales has done something amazing: thoroughly update and modernize Russian cuisine while steadfastly holding to its traditions and spirit. Thank you comrade!" -Alton Brown
From bright pickles to pillowy dumplings, ingenious vodka infusions to traditional homestyle dishes, and varied zakuski to satisfying sweets, Kachka the cookbook covers the vivid world of Russian cuisine. More than 100 recipes show how easy it is to eat, drink, and…
I have read a ton of self-help books. A ton. I have a whole library of them – a bookcase of "shelf-help." And I have now written 7 of them as well! I love it when a little or a lot of the author’s story is woven into a self-help book as it demonstrates the author’s personal growth. I don’t need more self-help tools or trite suggestions. I want to feel emotionally connected and moved in a way that encourages me to reflect on and enhance my one precious life. For me, reading a well-written self-help memoir is one of life’s greatest joys.
This book checked all the boxes for a rollicking read – a strong woman, a memoir, and a smattering of self-help and it did not disappoint. I didn't read it, I devoured it. Loved all the interesting stories and pearls of wisdom. Take the donut! If you like self-help and memoir, or like me, love a combo of both, then this is the book for you. It is the kind of book that stays with you for a long, long time. I can't recommend this book enough. Just read it.
"When we really see each other, we want to help each other." -Amanda Palmer Imagine standing on a box in the middle of a busy city, dressed as a white-faced bride, and silently using your eyes to ask people for money. Or touring Europe in a punk cabaret band, and finding a place to sleep each night by reaching out to strangers on Twitter. For Amanda Palmer, actions like these have gone beyond satisfying her basic needs for food and shelter--they've taught her how to turn strangers into friends, build communities, and discover her own giving impulses. And because she…
My two passions in life are music (especially punk rock) and history, so obviously books about music history really hit the spot for me. As both a fan and a writer / performer, learning about the history of the music I love is very important (not to mention entertaining) for me. Here are some of my favourites.
Tells the story of the further development of punk in Washington DC, and the birth of a thousand subgenres, from emo to post-hardcore and beyond, and punk's embracing of a more aware political consciousness, as well as a broader musical spectrum.
The nation's capital gave birth to the most influential punk underground of the '80s and '90s. Dance of Days recounts the rise of trailblazing artists such as Bad Brains, Henry Rollins, Minor Threat, Rites of Spring, Fugazi, and Bikini Kill.