Here are 100 books that Everything You Ever Wanted fans have personally recommended if you like
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I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
This beautifully told tale of an adoptee searching for her original family is set against her ongoing relationship to the Southwest’s most awe-inspiring terrain, and the people who bring her there. I loved this book because it showed her evolution as a wilderness lover, romantic partner, and mother as she navigated fitting into various incarnations of family, which felt just as perilous, frustrating, and rewarding as finding the right footholds in the natural world. While we are all from Mother Earth, our earthly parents can be critical to a deeper understanding of who we are as people.
Adopted at birth, Andrea Ross grew up inhabiting two ecosystems: one was her tangible, adoptive family, the other her birth family, whose mysterious landscape was hidden from her. In this coming-of-age memoir, Ross narrates how in her early twenties, while working as a ranger in Grand Canyon National Park, she embarked on a journey to discover where she came from and, ultimately, who she was. After many missteps and dead ends, Ross uncovered her heartbreaking and inspiring origin story and began navigating the complicated turns of reuniting with her birth parents and their new families. Through backcountry travel in the…
I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
The pioneering godmother of the open-adoption movement in the late 1970s and early ‘80s, Silber did ground-shaking work to bring transparency to the adoption process, which ultimately, is better for the mental health of all parties involved. In Dear Birthmother, a primer of sorts, she helps adoptive parents understand the love, humanity, and loss intrinsic to placing a child for adoption. I love this book because it shines a light on the much-deserved compassion to these women who give up so much in search of a better life for themselves and their children.
This is the third revised edition of the open adoption classic recommended by the Child Welfare League of America. Gently provocative, warm and convincing, this open adoption guide includes actual letters between adoptive parents and birthparents, and between the latter and the children they have
I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
Deciding to place a child for adoption is one of the most excruciating decisions in the human experience. When Amy Seek, a promising architecture student, becomes pregnant, she’s not yet ready to become a parent. But she’s also not ready, completely, to hand over her child to a perfectly lovely family. Her tale of love, heartbreak, and acceptance is a reminder to parents and non-parents of all circumstances that there are lots of ways to make a family—and in this case, it was the best, most perfectly imperfect option. I think this is a really important book for everyone in the adoption triad (birth parents, adoptive parents, adoptees) to read, because it really gets up close and uncomfortably personal with the struggle some birth mothers undergo, despite the unlimited love they have for their babies.
God and Jetfire is a mother's account of her decision to surrender her son in an open adoption and of their relationship over the twelve years that follow. Facing an unplanned pregnancy at twenty-two, Amy Seek and her ex-boyfriend begin an exhaustive search for a family to raise their child. They sift through hundreds of "Dear Birth Mother" letters, craft an extensive questionnaire, and interview numerous potential couples. Despite the immutability of the surrender, it does little to diminish Seek's newfound feelings of motherhood. Once an ambitious architecture student, she struggles to reconcile her sadness with the hope that she's…
I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
First of all, Nia Vardalos is just hilarious. She could write an Ikea assembly brochure and it would probably be side-splitting. But in the book, she tells about being a rising star (a great story on its own) who had it all – except a baby. After a grueling battle with infertility, she eventually came around to the idea of adoption, and started to learn more about the fost-adopt process of taking an older child who is unlikely to reunite with their original family. With great heart, she tells the roller-coaster story of bringing a 3-year-old with attachment challenges into her life—and the inevitable universality of motherhood. “Nothing prepared me for the life I would feel for my child. Nothing prepared me for how quickly it happened for me. And here’s what I just figure out now: no one is ever prepared. In a way, we’re all instant moms.” She’s…
In Instant Mom, Nia Vardalos, writer and star of My Big Fat Greek Wedding, tells her hilarious and poignant road-to-parenting story that eventually leads to her daughter and prompts her to become a major advocate for adoption. Moments after Nia Vardalos finds out she has been nominated for an Oscar for the screenplay for My Big Fat Greek Wedding, she is alone and en route to a fertility clinic, trying yet again for a chance at motherhood. Vardalos chronicles her attempts to have a baby, and how she tries everything-from drinking jugs of green mud tea, to acupuncture, to working…
I’ve lived and worked intensely in the medical field for over two decades in many countries in Africa. I’ve seen global health programs from the academic, research, developmental, and humanitarian viewpoints of both Africans and Europeans. It’s a complicated mix of politics, good intentions, and, sometimes, egos. There’s much to be learned from both fiction and nonfiction about the complexity of it all.
Nadia Owusu is the quintessential third culture kid, holder of a US passport, but born in Dar-es-Salaam to a Ghanaian father and an Armenian-American mother. Her UN-employed father moved his two daughters around through Kumasi (Ghana), Kampala (Uganda), Addis Ababa (Ethiopia), Rome (Italy), and the UK. Her mother left the family when Nadia was three years old and didn’t look back, save for a rare, short visit and some trinket gifts. Aftershocks is Ms. Owusu’s tribute to a loving father, but her upbringing was a shaky foundation that reverberated throughout her life, and provided the earthquake metaphor around which she structures her memoir. She weaves bits of political history and culture from the countries she lived in into her own story, comprised of the foreshocks, main shock, and aftershocks. It’s held together by beautiful prose descriptions, both of place and emotions.
In the tradition of The Glass Castle, this “gorgeous” (The New York Times, Editors’ Choice) and deeply felt memoir from Whiting Award winner Nadia Owusu tells the “incredible story” (Malala Yousafzai) about the push and pull of belonging, the seismic emotional toll of family secrets, and the heart it takes to pull through.
“In Aftershocks, Nadia Owusu tells the incredible story of her young life. How does a girl—abandoned by her mother at age two and orphaned at thirteen when her beloved father dies—find her place in the world? This memoir is the story of Nadia creating her own solid…
As a young working mom, I occasionally longed to follow the example of columnist Erma Bombeck and hide from my family in the car. Instead, I channeled the mayhem of family life into a humor column called “The Mother Load,” which detailed the day-to-day challenges of running a business while caring for two daughters, one husband, two guinea pigs, and a dancing rabbit. When I decided to pursue my life-long dream to write fiction, my debut novel was a humorous story about a mother-daughter-grandmother road trip/chase from Boston to Memphis. Although my writing doesn’t shy away from serious issues, I choose to see the world through a humorous and ultimately hopeful lens.
While on a beach vacation, the forty-year-old mother/protagonist of this book, Delia Grinstead, walks away from her distant husband and three surly children – seemingly on a whim – to try out a new life.
Anne Tyler’s characters are unfailingly quirky, and Delia can be both frustrating and charming, but the book engagingly details the mid-life crisis of a woman eager to learn who she is.
NEW YORK TIMES BESTSELLER • From the beloved Pulitzer Prize–winning author of Breathing Lessons
"BALTIMORE WOMAN DISAPPEARS DURING FAMILY VACATION."
The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with five hundred dollars tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.
Exhausted with her routine and everyone else's plans for her, Delia needed an out, a chance to make a new life for herself and to…
I really enjoy coming up with fresh, unique storylines. I have to applaud books that have a new approach and surprise us—it’s not easy for authors to do! The perfect story, to me, is romantic drama and family life all entwined. Family is everything, whether it’s the family we’re born into, one created by marriage, or one by random circumstances. I enjoy reading and writing romance in the context of family drama because it’s the core of who we are. The best stories have romance and also tell about a family coming together.
I spotted this novel in the supermarket and bought it for the pretty cover some years ago, and it introduced me to Kristin Hannah. I like getting into a story without really knowing the plot, and this was surprised the heck out of me! This sweet Christmas story is about rebuilding family and finding happiness and joy again. Joy leaves her life behind and finds herself deep in the rain forest in Washington, where she meets a sad little boy who lost his mother. The dad doesn’t know what to do. All three of them are hurting, and it’s magical when they start to heal together. It’s such a good, sweet story, and it’s still on my bookshelf.
NEW YORK TIMES BESTSELLER • Kristin Hannah is beloved by readers around the world for her unique blend of powerful emotion and exquisite storytelling. In Comfort & Joy, she offers a modern-day fairy tale—the story of a woman who gets a miraculous chance at happiness.
Joy Candellaro once loved Christmas more than any other time of the year. Now, as the holiday approaches, she is at a crossroads in her life; recently divorced and alone, she can’t summon the old enthusiasm for celebrating. So without telling anyone, she buys a ticket and boards a plane bound for the beautiful Pacific…
I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value.
A complex, deeply researched epic, The Love Songs of W.E.B. Du Bois spans multiple generations of a Southern Black family, from slavery to the present.
The story takes place in several different worlds: an African village, the experience of Southern sharecroppers, sorority life at a Black college. Author Honoree Fanonne Jeffers creates a huge cast of sympathetic characters, especially the protagonist, Ailey Pearl Garfield.
I loved how Ailey’s character evolves through the years and settings until we understand that she has taken the many stories passed down to her and is using them in her PhD thesis, and that we are essentially reading her research. It’s such a clever way of weaving a woman writer’s tale into the story of many generations of a heroic family.
An instant New York Times, Washington Post and USA Today Bestseller • AN OPRAH BOOK CLUB SELECTION • ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2021 • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION
A BEST BOOK OF THE YEAR: New York Times • Time • Washington Post • Oprah Daily • People • Boston Globe • BookPage • Booklist • Kirkus • Atlanta Journal-Constitution • Chicago Public Library
Finalist for the PEN/Hemingway Award for Debut Novel • Longlisted for the National Book Award for Fiction • Finalist for the Kirkus Prize for Fiction • Nominee for…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.
As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.
'Words were invented so lies could be told' Mary Ellen Pleasant
San Francisco in the 1890s is a town of contradictions, home to a respectable middle class, but with the Wild West lingering in the imagination, and even the behaviour, of some residents. Lizzie Hayes, a seemingly docile, middle-aged spinster, is praised for her volunteer work with the Ladies' Relief and Protection Society Home, or the Brown Ark. She doesn't know it, but she's waiting for the spark that will liberate her from convention.
When the wealthy and well-connected but ill-reputed Mary Ellen Pleasant shows up at the Brown Ark…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
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