Fans pick 100 books like Everything You Ever Wanted

This beautifully told tale of an adoptee searching for her original family is set against her ongoing relationship to the Southwest’s most awe-inspiring terrain, and the people who bring her there. I loved this book because it showed her evolution as a wilderness lover, romantic partner, and mother as she navigated fitting into various incarnations of family, which felt just as perilous, frustrating, and rewarding as finding the right footholds in the natural world. While we are all from Mother Earth, our earthly parents can be critical to a deeper understanding of who we are as people.

The pioneering godmother of the open-adoption movement in the late 1970s and early ‘80s, Silber did ground-shaking work to bring transparency to the adoption process, which ultimately, is better for the mental health of all parties involved. In Dear Birthmother, a primer of sorts, she helps adoptive parents understand the love, humanity, and loss intrinsic to placing a child for adoption. I love this book because it shines a light on the much-deserved compassion to these women who give up so much in search of a better life for themselves and their children.

Deciding to place a child for adoption is one of the most excruciating decisions in the human experience. When Amy Seek, a promising architecture student, becomes pregnant, she’s not yet ready to become a parent. But she’s also not ready, completely, to hand over her child to a perfectly lovely family. Her tale of love, heartbreak, and acceptance is a reminder to parents and non-parents of all circumstances that there are lots of ways to make a family—and in this case, it was the best, most perfectly imperfect option. I think this is a really important book for everyone in the adoption triad (birth parents, adoptive parents, adoptees) to read, because it really gets up close and uncomfortably personal with the struggle some birth mothers undergo, despite the unlimited love they have for their babies. 

First of all, Nia Vardalos is just hilarious. She could write an Ikea assembly brochure and it would probably be side-splitting. But in the book, she tells about being a rising star (a great story on its own) who had it all – except a baby. After a grueling battle with infertility, she eventually came around to the idea of adoption, and started to learn more about the fost-adopt process of taking an older child who is unlikely to reunite with their original family. With great heart, she tells the roller-coaster story of bringing a 3-year-old with attachment challenges into her life—and the inevitable universality of motherhood. “Nothing prepared me for the life I would feel for my child. Nothing prepared me for how quickly it happened for me. And here’s what I just figure out now: no one is ever prepared. In a way, we’re all instant moms.” She’s… show more.

I spotted this novel in the supermarket and bought it for the pretty cover some years ago, and it introduced me to Kristin Hannah. I like getting into a story without really knowing the plot, and this was surprised the heck out of me! This sweet Christmas story is about rebuilding family and finding happiness and joy again. Joy leaves her life behind and finds herself deep in the rain forest in Washington, where she meets a sad little boy who lost his mother. The dad doesn’t know what to do. All three of them are hurting, and it’s magical when they start to heal together. It’s such a good, sweet story, and it’s still on my bookshelf.

Nadia Owusu is the quintessential third culture kid, holder of a US passport, but born in Dar-es-Salaam to a Ghanaian father and an Armenian-American mother. Her UN-employed father moved his two daughters around through Kumasi (Ghana), Kampala (Uganda), Addis Ababa (Ethiopia), Rome (Italy), and the UK. Her mother left the family when Nadia was three years old and didn’t look back, save for a rare, short visit and some trinket gifts. Aftershocks is Ms. Owusu’s tribute to a loving father, but her upbringing was a shaky foundation that reverberated throughout her life, and provided the earthquake metaphor around which she structures her memoir. She weaves bits of political history and culture from the countries she lived in into her own story, comprised of the foreshocks, main shock, and aftershocks. It’s held together by beautiful prose descriptions, both of place and emotions.

While on a beach vacation, the forty-year-old mother/protagonist of this book, Delia Grinstead, walks away from her distant husband and three surly children – seemingly on a whim – to try out a new life.

Anne Tyler’s characters are unfailingly quirky, and Delia can be both frustrating and charming, but the book engagingly details the mid-life crisis of a woman eager to learn who she is.

A complex, deeply researched epic, The Love Songs of W.E.B. Du Bois spans multiple generations of a Southern Black family, from slavery to the present.

The story takes place in several different worlds: an African village, the experience of Southern sharecroppers, sorority life at a Black college. Author Honoree Fanonne Jeffers creates a huge cast of sympathetic characters, especially the protagonist, Ailey Pearl Garfield.

I loved how Ailey’s character evolves through the years and settings until we understand that she has taken the many stories passed down to her and is using them in her PhD thesis, and that we are essentially reading her research. It’s such a clever way of weaving a woman writer’s tale into the story of many generations of a heroic family. 

This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.

As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.

Alcott’s prose is stunning, and I found these stories haunting in the best possible way. Her vivid descriptions of place add authenticity to these stories of women seeking a modicum of happiness in their struggle for personal and financial freedom. To pick up the pieces, or finally be rid of what’s best left behind. For me, every complicated relationship, every aspiration and self-destructive choice, rang true.