The most recommended books on protecting cultural treasures

Edsel tells the very dramatic story of how Allied art experts, known as the Monuments, Fine Arts, and Archives (MFAA) or Monuments Men, raced through Italy to rescue art masterpieces and to secure endangered monuments during the Nazi retreat in 1944. A special focus on the cities of Naples, Rome, Florence, and Pisa’s treasures.

I was especially fascinated by the story of Frederick Hartt, who loved Florentine art and risked his life to reach the city then pursued the lost artworks in a race across Italy into Austria to return them. Many of the artworks the Monuments Men saved are the treasures we see in Italy’s museums today.

The poetry, power, and grace of this novel, which is ostensibly about a contemporary Black woman and her family’s history in Georgia, in my opinion, manages to explain American history more effectively (and affectively) than any history book.

I grew up in Florida but spent many summers with my mom’s white family in Georgia. Those visits were among the reasons I turned to scholarship to try to understand our nation’s founding in slavery and freedom and its ever-present legacies.

While Jeffers’ protagonist, in fact, becomes a scholar, and the book continuously references one of our nation’s greatest historians/sociologists, W. E. B. Du Bois, this novel brilliantly reflects the multifaceted trauma and perseverance embedded in our national history in the most intimate stories of family. 

The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.

It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.

I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.

This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.

Brookes is an expert on China, who has written 3 marvelous spy thrillers set therein.

Turning his attention to non-fiction, he tells the amazing tale of how a handful of brave men, led by Mai Heng, saved – during the 30s and 40s – the most priceless artifacts and artworks of Chinese civilization from the ravages of war. It is a tale of dedication, pluck, heroism, and later, tragedy. 

Brookes writes masterfully, and weaves a tale of Chinese history, culture, and politics into his larger narrative. He brings the drama, personalities, and context of his key characters to life, or more fairly, larger than life.  Brookes’ book is like a version of China meets The Monuments Men. A really masterful achievement!

Plunder combined three of my favorite things in one unputdownable story: art history, Italy, and the Napoleonic Era.

Veronese's enormous Wedding Feast at Cana, painted for the refectory wall at San Giorgio Maggiore in Venice, was seized with other masterpieces when Napoleon overcame the Austrians and wouldn't take Venice's neutrality as an answer. To this day it hangs in the Louvre, largely (pun intended) ignored because it’s opposite the Mona Lisa.

Salzman traces the common historic habit of swooping in like vultures during wartime to build one’s art collection, and for the first time I understood why Hitler thought himself justified in his own artistic pilfering!

The long history of pillage as an act of colonial conquest – Napoleon looting Egypt, Britain looting Greece, among many others – is well-told in this solid, historically grounded account. Why are so many of the world’s great museums filled with treasures from ancient civilizations? This book tells you how it happened, while also showing why countries stripped of their heritage are demanding it back. There are a few books out there entitled Loot: this is the one to read. 

The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as “liberated” rather than “plundered!” 

I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us what… show more.

This is a wonderful, uplifting story that provides a springboard for conversations about how governments don't all give their people the same rights. It showcases an incident during the pro-democracy demonstrations of the Arab Spring of 2011 in Egypt. As a bonus, this book also celebrates the tremendous value of libraries. It tells the stirring (and true) tale of people of all stripes joining hands to defend the great library of Alexandria against possible damage during the unrest.

As with the other recommended books, children are a key part of the story's action. The narration is kid-friendly and engaging and the collage-style illustrations are bright and bouyant. Finally, the back matter will intrigue readers with photographs of the library's light-filled interiors, as well as photos of the dramatic defense of the library during the demonstrations.

Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.