The most recommended art theft books

Ian Pears is an erudite art historian who has written prolifically on artistic, historical, and financial topics.

In his series about the fictional Italian Art Squad in Rome, he gives us General Tadeo Bottando who is fighting a losing battle to protect the heritage and art of Italy. He is a military man who expects his subordinates to respect his position and wisdom, but Flavia de Stefano, his second-in-command, is distressingly off-hand in her treatment of the man.

In Death and Restoration, the General has just received a tip about a planned raid of a nearby monastery. It doesn’t make sense, there’s nothing valuable in the monastery’s collection, except for the endearing art thief, called the “Rotweiler of Restoration,” who is restoring the only important piece, a painting by Caravaggio and a tiny dusty icon of a Madonna. She’s called “My Lady” is believed to have protected the church… show more.

Esterow, then employed by Larry Fleischman, assessed hundreds of Edward Hoppers that an unknown minister offered to sell.

The book’s dust jacket advertises “a lively history of certain fabulous art thefts—and the strange breed of thieves who perpetrated them.” Esterow’s book inspired one reviewer to comment that few of his criminals “are very ingenious.”

Sanborn, who must have seemed to Esterow like a character that belonged in his narrative, told me that Esterow offered him a consignment deal for what he was shown, which later turned out to be just a small part of Sanborn’s loot.

Had he known Sanborn’s story, Esterow might have added his scheme of befriending the aging sister of a famous artist, whose early works were jammed into the attic of the family home. 

This book looks at thieves, liars, manipulators and of course the art itself. There’s a section on damaged goods, which taps into one of my obsessions about the difference in time and effort creation versus destruction takes. 

It’s full of pictures, ironic given that most of the pieces depicted are lost, never to be found. The Gallery of Missing Art is beautifully reproduced, and includes such masterpieces as Strindberg’s “Night of Jealousy”, so we can look at the works and marvel. But knowing that these pieces are…somewhere? Hidden away for a small audience, or perhaps destroyed? That’s heart-breaking.  

I love this book because it takes you behind the scenes of the Palace and what goes on there.

Located in the very heart of London, I could not get around the city without going by the Palace. This book connects you to what is happening unseen and brings that intrigue home. It really completes the London experience for me.

This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.

The Cuban mystery writer Leonardo Padura offers an amazing presentation of Jewish history and the art of painting as they collide in modern Havana.

He weaves together three stories: the attempted escape from Hitler by Jews aboard a ship that is turned back from the Havana harbor in 1939; the aborted career of an imaginary Jewish disciple of Rembrandt, who defies the biblical prohibition against creating human likenesses; and a contemporary attempt by a Cuban Jew to track down his exterminated family’s Rembrandt masterpiece.

I love how the vastly different worlds of modern Havana and 17th-century Amsterdam embark on a conversation that reveals so much about Jewish history and art.

As an author, Warren possesses the enviable power to create complex, flawed, and often deeply unlikeable characters – at least when you first meet them on the page – who remain utterly and irresistibly engaging to the reader. Theresa, the protagonist in The Grief Hole, is no exception. Not only can she see ghosts, but she can also tell how a person is going to die, but what she does – and doesn’t do – with these abilities isn’t what you might expect. I’ve been reading Warren’s fiction for decades and this novel is among her finest and most challenging work – which is no small thing, believe me! Dark and disturbing, weird and wry, The Grief Hole is a ghost story that will haunt you for a very, very long time.

You describe a book as “Ocean’s Eleven for teens,” and I am a hundred percent in.

Like most heists, this one has the cat burglar and the genius hacker and the femme fatale and the getaway driver—except this time, they’re all teenagers. What a dream!

I just love a good heist story. They have to be so carefully crafted, so tightly plotted, and as a writer I really admire any storyteller who can do that. All three books in the Heist Society series are remarkable feats of plotting and pacing. I got to see Ally Carter give an author talk once, and she spoke about just how hard it is to write something that looks this easy. That’s so true; it really stuck with me.

The art underworld is a place where cultured curators consort with common criminals, museum directors rub shoulders with career cops, and the long-fingered hand of organized crime lurks in the shadows.

The only way to navigate this broken landscape is by following someone who knows the terrain, so when an Oslo museum was robbed of its most priceless treasure—Edvard Munch’s Scream, they turned to Charley Hill, art detective. Hill could have walked right out of a novel, a colorful character that makes this nonfiction investigation read more like a heist novel.

This book won the prestigious Edgar Award from the Mystery Writers of America for true crime, so it was high on my list when doing research for writing an art mystery. The pacing makes it a delight to read, and the twists and turns of the investigation reveal the countless ways the art world remains ripe for exploitation and… show more.