The most recommended books about repatriation

The Ground Breaking takes a look at the work Tulsa is doing to repair damage from the 1921 Tulsa Race Massacre—to make reparation. Specifically, the book examines Tulsa's commitment to investigating longstanding accounts of mass graves containing Black bodies hastily buried in the wake of the massacre. Collective trauma from historical events must be addressed. Answering the answerable questions that linger from the past is part of the healing process. 

The greatest challenge to the Allies in the aftermath of the war in Europe was how to repatriate the millions of people from all countries who had been displaced by the violence. This included prisoners of war, Holocaust survivors, and eastern European slave laborers, many of whom no longer had homes or even countries to return to. For several years after 1945, the United Nations Relief and Rehabilitation Administration ran the greatest humanitarian operation Europe has ever seen. They not only fed, clothed, and housed millions of refugees but gave them hope for a better future. Ben Shephard’s history of how they achieved this is truly inspiring. The history of World War II is one of violence and killing, and my bookshelves are heaving with stories of atrocities – but beautifully-written, compassionate books like this one are enough to restore anyone’s faith in human nature.

This is a story of retrieving fine art from Prague and returning it to its rightful owners in Canada. Four paintings were left in the care of a friend when the Reeser family fled Czechoslovakia as Hitler’s army arrived on March 15, 1939. For 50 years, the family was denied access to their property. Here is an account of determination and love that combines accurate descriptions of history with fictional speculation on how the paintings were retrieved. The Reeser family was fortunate to know what they had and where it was.

I enjoyed the plot in this book and the persistence of the protagonists. It is gratifying to read a story where a family who lost everything at the start of the War, persevered to become reunited with the family treasures once Communism fell in Eastern Europe. The story blends accurate history with imaginative fiction, making it a delight to… show more.

The best book on the legal basis for reparations from the Caribbean’s foremost historian. It offers a historical examination of the justification for reparations for the cost and lost labor the British gained during enslavement and brings together African and indigenous people's rights.

The long history of pillage as an act of colonial conquest – Napoleon looting Egypt, Britain looting Greece, among many others – is well-told in this solid, historically grounded account. Why are so many of the world’s great museums filled with treasures from ancient civilizations? This book tells you how it happened, while also showing why countries stripped of their heritage are demanding it back. There are a few books out there entitled Loot: this is the one to read. 

This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.

He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”

Although I knew and dealt with Fleishman, I trusted him and was tricked by him.

What is the core of the Palestinian-Israeli conflict, and what is the key to its solution? In this groundbreaking work, Adi Schwartz and Einat Wilf argue that the answer is not settlements or holy places or even the absence of a Palestinian state. Instead, the core of the conflict is the Palestinian national movement’s insistence on “right of return” of millions of descendants of Palestinian refugees to what is now the state of Israel – rather than resettlement in a future Palestinian state. What Palestinian leaders have effectively done, argue the authors, is link the end of the conflict to a “solution” that will mean the end of a sovereign Jewish state. The authors, who support the creation of a Palestinian state, argue that its creation depends on the willingness of Palestinian leaders to give up their dream of destroying Israel through a shift in its demographic balance. Until that… show more.

The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as “liberated” rather than “plundered!” 

I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us what… show more.

This book told me a lot about both its heroine, Henrietta Wood, and its author, Caleb McDaniel. From an obscure 19th-century newspaper article mentioning a court case in Ohio, McDaniel learned of a female slave from Kentucky who had been freed in Cincinnati, kidnapped, and illegally sold back into slavery, and who, after the Civil War, returned to successfully sue for damages the men who had kidnapped and re-enslaved her.

Both the heroine and the author are untiring in their efforts to get to the truth and to convey that truth to a wider audience. I was impressed with McDaniel’s willingness to share with his readers his doubts and fears about recovering this story, and equally impressed by his efforts, successful in the end, to match the determination of Henrietta Wood.

The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.

It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.

I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.

This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.