When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.
It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.
I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.
This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times
'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim
Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?
I’m a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. I’ve had great editors – they’ve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places – but it always comes down to me and my computer. And often a plane ticket and a suitcase.
The long history of pillage as an act of colonial conquest – Napoleon looting Egypt, Britain looting Greece, among many others – is well-told in this solid, historically grounded account. Why are so many of the world’s great museums filled with treasures from ancient civilizations? This book tells you how it happened, while also showing why countries stripped of their heritage are demanding it back. There are a few books out there entitled Loot: this is the one to read.
For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determined…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
The best book on the legal basis for reparations from the Caribbean’s foremost historian. It offers a historical examination of the justification for reparations for the cost and lost labor the British gained during enslavement and brings together African and indigenous people's rights.
Since the mid-nineteenth-century abolition of slavery, the call for reparations for the crime of African enslavement and native genocide has been growing. In the Caribbean, grassroots and official voices now constitute a regional reparations movement. While it remains a fractured, contentious and divisive call, it generates considerable public interest, especially within sections of the community that are concerned with issues of social justice, equity, civil and human rights, education, and cultural identity. The reparations discourse has been shaped by the voices from these fields as they seek to build a future upon the settlement of historical crimes.
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
The Ground Breaking takes a look at the work Tulsa is doing to repair damage from the 1921 Tulsa Race Massacre—to make reparation. Specifically, the book examines Tulsa's commitment to investigating longstanding accounts of mass graves containing Black bodies hastily buried in the wake of the massacre. Collective trauma from historical events must be addressed. Answering the answerable questions that linger from the past is part of the healing process.
One of The New York Times' “11 New Books We Recommend This Week” | One of Oprah Daily's “20 of the Best Books to Pick Up This May” | One of The Oklahoman's“15 Books to Help You Learn About the Tulsa Race Massacre as the 100-Year Anniversary Approaches” |A The Week book of the week
As seen in documentaries on the History Channel, CNN, and Lebron James’s SpringHill Productions
And then they were gone.
More than one thousand homes and businesses. Restaurants and movie theaters, churches and doctors’ offices, a…
I am passionate about bringing back to life persons from the past who have been forgotten, misunderstood, or even deliberately mischaracterized. In order to get to the truth, there are a host of myths that must be shattered or discarded. Most of the histories that I have written have done precisely this–showing the fallacy of familiar myths and discovering the hidden truths about people and events that have been distorted, often by some of the most popular literature. In order to achieve these results, I have had to spend years in “boring” archives in order to reveal people and events that are never boring.
This book told me a lot about both its heroine, Henrietta Wood, and its author, Caleb McDaniel. From an obscure 19th-century newspaper article mentioning a court case in Ohio, McDaniel learned of a female slave from Kentucky who had been freed in Cincinnati, kidnapped, and illegally sold back into slavery, and who, after the Civil War, returned to successfully sue for damages the men who had kidnapped and re-enslaved her.
Both the heroine and the author are untiring in their efforts to get to the truth and to convey that truth to a wider audience. I was impressed with McDaniel’s willingness to share with his readers his doubts and fears about recovering this story, and equally impressed by his efforts, successful in the end, to match the determination of Henrietta Wood.
The unforgettable saga of one enslaved woman's fight for justice--and reparations
Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.
By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood…
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
This is a story of retrieving fine art from Prague and returning it to its rightful owners in Canada. Four paintings were left in the care of a friend when the Reeser family fled Czechoslovakia as Hitler’s army arrived on March 15, 1939. For 50 years, the family was denied access to their property. Here is an account of determination and love that combines accurate descriptions of history with fictional speculation on how the paintings were retrieved. The Reeser family was fortunate to know what they had and where it was.
I enjoyed the plot in this book and the persistence of the protagonists. It is gratifying to read a story where a family who lost everything at the start of the War, persevered to become reunited with the family treasures once Communism fell in Eastern Europe. The story blends accurate history with imaginative fiction, making it a delight to…
The story of the Reesers, a Jewish family who emigrated to Canada from Czechoslovakia on the eve of WWII. They fled the Nazis and left behind four valuable oil paintings. It would take years for the Reeser family, led by matriarch Mari Reeser, and then her son Karl, to retrieve them. Along the way they had help from two unlikely sources - a mid-level diplomat at the Canadian embassy in Prague, and a daring Dutch-Canadian art smuggler.
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as “liberated” rather than “plundered!”
I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us what…
"A most valuable book." —Christian Science Monitor
For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners.
While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselves—Anders Rydell tells the untold story of Nazi book theft, as he himself joins…
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.
He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”
Although I knew and dealt with Fleishman, I trusted him and was tricked by him.
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist).
In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
The greatest challenge to the Allies in the aftermath of the war in Europe was how to repatriate the millions of people from all countries who had been displaced by the violence. This included prisoners of war, Holocaust survivors, and eastern European slave laborers, many of whom no longer had homes or even countries to return to. For several years after 1945, the United Nations Relief and Rehabilitation Administration ran the greatest humanitarian operation Europe has ever seen. They not only fed, clothed, and housed millions of refugees but gave them hope for a better future. Ben Shephard’s history of how they achieved this is truly inspiring. The history of World War II is one of violence and killing, and my bookshelves are heaving with stories of atrocities – but beautifully-written, compassionate books like this one are enough to restore anyone’s faith in human nature.
After the Great War, the millions killed on the battlefields were eclipsed by the millions more civilians carried off by disease and starvation when the conflict was over. Haunted by memories, the Allies were determined that the end of the Second World War would not be followed by a similar disaster, and they began to lay plans long before victory was assured.
Confronted by an entire continent starving and uprooted, Allied planners devised strategies to help all 'displaced persons', and repatriate the fifteen million people who had been deprived of their homes and in many cases forced to work for…
I am a tired activist and recovering attorney. My professional focus on violence and humanity’s response to it began when, as a seven-year-old, the nuns at my Catholic school showed us newsreels of the liberation of Nazi concentration camps. This led me to adopt as my life’s guiding principle Julian Beck’s admonition “to redeem our share of the universal cruelty.” After 20 years in the U.S. Violence Against Women Movement, I absconded to the former Yugoslavia and found myself in the middle of a war during which I ran a war crimes documentation project (memoir in progress). I later reported on the international war crimes trial of Slobodan Milosevic.
Kochavi’s book gave me a more complete and nuanced understanding of how the Nuremberg war crimes court came to be, how defendants were selected, and what law to apply. Based on copious research, Kochavi uncovers the inside story of how the Allies ultimately agreed to establish an international court to hold Nazi officials accountable for mass atrocities instead of summarily executing them, which Churchill, Roosevelt, and Stalin favored. Initial U.S. and British resistance to including crimes against German nationals (extermination of the Jews among them) was overcome by strong public, especially Jewish, opposition.
Between November 1945 and October 1946, the International Military Tribunal in Nuremberg tried some of the most notorious political and military figures of Nazi Germany. The issue of punishing war criminals was widely discussed by the leaders of the Allied nations, however, well before the end of the war. As Arieh Kochavi demonstrates, the policies finally adopted, including the institution of the Nuremberg trials, represented the culmination of a complicated process rooted in the domestic and international politics of the war years.Drawing on extensive research, Kochavi painstakingly reconstructs the deliberations that went on in Washington and London at a time…
