Here are 100 books that The Long Road Home fans have personally recommended if you like
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Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.
Finalist for the Pulitzer Prize * Winner of the Council on Foreign Relations Arthur Ross Book Award * One of the New York Times' Ten Best Books of the Year
"Impressive . . . Mr. Judt writes with enormous authority." -The Wall Street Journal
"Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history." -The Boston Globe
Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
There are dozens of excellent books about Germany and Germans in the wake of defeat – I could mention Giles MacDonogh’s After the Reich, or R.M. Douglas’s Orderly and Humane – but Douglas Botting’s book is by far the most engaging history of the subject that I’ve ever read. It was written in the 1980s, so it is not quite as up-to-date as the more recent histories, but what it lacks in cutting-edge research it more than makes up for in narrative immediacy. It is impossible not to be moved by Botting’s descriptions of postwar chaos, of orphans hiding in the ruins, of lawlessness, starvation, desperation and retribution. An absolute classic.
First published in Britain in 1985, In the Ruins of the Reich is a classic account of Nazi Germany after her fall to the Allies in May 1945. Douglas Botting concentrates on the defining events that took place in the period between the collapse of the Third Reich and the foundation of the new Germanys to create the prevailing atmosphere of a most unusual and little-charted time in history. This was a period when four of the strongest industrial nations to emerge from the Second World War attempted to work together to govern the once strong Germany, now prostate, impoverished…
I have always been fascinated by family histories, and am the self-selected historian in my family. I wrote my mother’s memoir, I Turned a Key and the Birds Began to Sing, put together a newsletter for aunts, uncles, and cousins near and far, and became a ghostwriter to help other people mine their personal and family stories. I’ve worked with company CEOs, survivors of the Holocaust; World War II U.S. veterans, and Hollywood celebrities. In the midst of writing books for other people I turned my sights on my husband who was born in Osaka, Japan and asked his permission to write his family’s story.
Winner of the 1999 Pulitzer Prize for Nonfiction, this book gives the reader an in-depth analysis of the effects of World War II on the political, economic, and social life of the Japanese people. It depicts the ways in which Japan moved into the twentieth century and gave up many of its feudalistic habits – some for the better and some for the worse.
Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called "America's foremost historian of the Second World War in the Pacific," gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
People in the West tend to celebrate 1945 as a year of liberation; but, of course, in Eastern Europe, the defeat of Germany merely heralded the beginning of four more decades of repression. In this book, Anne Applebaum describes the Communist takeover of three European countries – East Germany, Poland, and Hungary. It’s a masterpiece both of research and of analysis. Communism, just like capitalism, had many faces: this book shows brilliantly just how varied repression can be. In 2013 it won the lucrative Cundill Prize, and deservedly so.
Chosen 16 times as a 'Book of the Year' - the top non-fiction pick of 2012
'The best work of modern history I have ever read' A. N. Wilson, Financial Times
At the end of the Second World War, the Soviet Union unexpectedly found itself in control of a huge swathe of territory in Eastern Europe. Stalin and his secret police set out to convert a dozen radically different countries to a completely new political and moral system: Communism. Anne Applebaum's landmark history of this brutal time shows how societies were ruthlessly eviscerated by Communist regimes, how opposition was destroyed…
I’m a Lithuanian-American with a Chinese name, thanks to my husband. Thirty years ago, I found papers among my uncle’s possessions telling a WWII story about our ancestral Lithuania. I had heard about it in broad terms, but I could hardly believe what I was reading. I spent years validating the material. The result was Amber Wolf, a historical novel about a war within the war: the fight against the Russian occupation of Eastern Europe. While many countries were involved in separate struggles, I focused on Lithuania and their David and Goliath fight against the Russian army. After all this time, the story still moves me.
Mr. Lowe’s meticulous research of post-WWII Europe gives startling insight into how devastated the continent was after the war.
He paints a picture of lawlessness and depravity, arguably as bad as battle conditions had been. In some cases, it might have been worse. Revenge killings, rapes, and starvation were among the horrors. It begs the question, when did WWII really end?
Keith Lowe's Savage Continent is an awe-inspiring portrait of how Europe emerged from the ashes of WWII.
The end of the Second World War saw a terrible explosion of violence across Europe. Prisoners murdered jailers. Soldiers visited atrocities on civilians. Resistance fighters killed and pilloried collaborators. Ethnic cleansing, civil war, rape and murder were rife in the days, months and years after hostilities ended. Exploring a Europe consumed by vengeance, Savage Continent is a shocking portrait of an until-now unacknowledged time of lawlessness and terror.
Praise for Savage Continent:
'Deeply harrowing, distinctly troubling. Moving, measured and provocative. A compelling and…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book Out on Assignment examines the careers of overlooked women who wrote for major metropolitan newspapers at the beginning of the twentieth century. Using archival materials, Alice Fahs describes a community of female journalists from numerous American cities.These newspaper women were part of a wave of women seeking a journalism career although their options were often limited. Although a few female journalists found hard-news reporting jobs in stunt work and undercover assignments, most found work in the women’s pages.
In these sections, they interviewed celebrities, advice columns, and suffrage news. Very little research has been done on women’s page journalism; this book provides an excellent foundation.
Out on Assignment illuminates the lives and writings of a lost world of women who wrote for major metropolitan newspapers at the start of the twentieth century. Using extraordinary archival research, Alice Fahs unearths a richly networked community of female journalists drawn by the hundreds to major cities--especially New York--from all parts of the United States.
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the…
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
What is the core of the Palestinian-Israeli conflict, and what is the key to its solution? In this groundbreaking work, Adi Schwartz and Einat Wilf argue that the answer is not settlements or holy places or even the absence of a Palestinian state. Instead, the core of the conflict is the Palestinian national movement’s insistence on “right of return” of millions of descendants of Palestinian refugees to what is now the state of Israel – rather than resettlement in a future Palestinian state. What Palestinian leaders have effectively done, argue the authors, is link the end of the conflict to a “solution” that will mean the end of a sovereign Jewish state. The authors, who support the creation of a Palestinian state, argue that its creation depends on the willingness of Palestinian leaders to give up their dream of destroying Israel through a shift in its demographic balance. Until that…
Two prominent Israeli liberals argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no "right of return."
In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group―unlike countless others that were displaced in the aftermath of World War II and other conflicts―has remained unsettled, demanding to…
Anne-Marie Walters was born in 1923 in Geneva to a British father and French mother. At the outbreak of war in 1940, the family escaped to Britain, where Anne-Marie volunteered for the WAAF (Women’s Auxiliary Air Force). Having been approached by SOE in 1943, she was accepted for training and in January the following year dropped into France by parachute to work as a courier with George Starr, head of the Wheelwright circuit of the SOE in SW France. This she did until August 1944, when Starr sent her back to Britain under somewhat controversialcircumstances. Anne-Marrie was awarded the OBE in 1945 in recognition of her “personal courage and willingness to undergo danger.”
During WW2 members of the Resistance guided Allied service personnel -- and others, including compromised agents, resisters, and Jews -- escaping from occupied France along what were known as escape or evasion lines, the majority leading over the Pyrenees to safety. In this book, BBC broadcaster Edward Stourton walks one of those ‘cruel crossings’, the Chemin de la Liberté, while at the same time telling the stories of those escaping and the courageous men and women who helped them, drawing on interviews with some of the last remaining survivors. It makes for compelling reading.
The mountain paths are as treacherous as they are steep - the more so in the dark and in winter. Even for the fit the journey is a formidable challenge. Hundreds of those who climbed through the Pyrenees during the Second World War were malnourished and exhausted after weeks on the run hiding in barns and attics. Many never even reached the Spanish border. Today their bravery and endurance is commemorated each July by a trek along the Chemin de la Liberte - the toughest and most dangerous of wartime routes. From his fellow pilgrims Edward Stourton uncovers stories of…
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
Although I love all her novels, this one is the easiest to love and recommend (and it is beautifully translated).
Anna Seghers hated the idea of “art & politics,” as though they were separable entities to be glued together. Seghers—Jewish, Communist, especially the latter—wrote this book quite literally on the run from the Nazis, in cafés in France, on ships in the Atlantic, and in Mexico, where she lived in exile during the war. But you would never know it; it is as fluidly written as anything she ever wrote. In general, Seghers thrived in high tension situations.
It is a detective story, love story, wartime journalism, yet very little happens. Kafka’s Castle minus the parables and mysticism. It is also one of the deepest reflections on the nature of writing and narrative I know.
INTRODUCED BY STUART EVERS: 'A genuine, fully fledged masterpiece of the twentieth century; one that remains just as terrifyingly relevant and truthful in the twenty-first'
An existential, political, literary thriller first published in 1944, Transit explores the plight of the refugee with extraordinary compassion and insight.
Having escaped from a Nazi concentration camp in Germany and a work camp in Rouen, the nameless narrator finds himself in the dusty seaport of Marseille. Along the way he was asked to deliver a letter to Weidel, a writer in Paris whom he discovered had killed himself as the Nazis entered the city.…
As a reader and writer, I am drawn to stories that have implications for the wider world. I love characters who are put in a box by others—whether based on race, religion, gender, or societal norms—yet they fight against those constraints, proving they have value beyond anyone’s expectations. I write historical fiction because I am an unabashed history nerd. I write Jewish (or Jewish adjacent) stories because I believe it is essential for every reader to find themselves in a book. I also believe it is essential that that same book opens a world of understanding to others.
Ruta Sepetys writes historical fiction like no one else. All her books are wonderful, however, this one is my favorite. Not only does she write about a little-known event in history, she does it masterfully with short chapters told from four distinct points of view, doling out backstory as if it is a treat rather than something a reader must endure. Yes, the story is fascinating, but it is her craft that makes me reread it with a highlighter in hand.
It's early 1945 and a group of people trek across Germany, bound together by their desperation to reach the ship that can take them away from the war-ravaged land. Four young people, each haunted by their own dark secret, narrate their unforgettable stories. Fans of The Book Thief or Helen Dunmore's The Siege will be totally absorbed.
This inspirational novel is based on a true story from the Second World War. When the German ship the Wilhelm Gustloff was sunk in port in early 1945 it had over 9000 civilian refugees, including children,…
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