The most recommended books on Nazi Germany

Tooze uses his mastery of economic sources to construct a brilliant, often startling, reinterpretation of Nazi geopolitics. He offers a comprehensive economic interpretation of the Nazi drive for expansionism in the 1930s, Hitler’s decision for war in 1939, and the timing and shape of the Barbarossa offensive against the Soviet Union in 1941. The Wages of Destruction also explores the economic dimensions of Hitler’s plans to liquidate the European Jews and other racial enemies. Perhaps his most arresting argument is that the rise of the United States as an economic superpower in the early twentieth century drove the politics of German ultranationalism between the wars.

Giles Milton is an extraordinary historian whose history books read like novels. Wolfram tells the story of a young German soldier who was only nine years old when Hitler came to power, raised by free-thinking parents who were not Nazi supporters, his formative years living under the most brutal regimes in history. This book explores a subject this is often ignored, ordinary German people trying to live normal, decent lives and who suffered the consequences of Hitler’s war. "I’d rather be anywhere else in the world," Wolfram writes to his parents from the fighting in Ukraine in 1942. This is a story of a decent young man caught up in the German war machine, and it is a reminder that people on all sides of the war suffered. 

Christabel Bielenberg’s autobiography I find madly inspiring for her courage and clear, perceptive writing. A well-connected Anglo-Irish Englishwoman, she marries a German lawyer in 1934 only to find herself living through the war and the horrors of Nazi rule in Germany. Staggeringly, near the war’s end, she manages to talk her husband Peter out of a concentration camp with the camp commandant after Peter was implicated in the plot to assassinate Hitler. It’s that rare book that I would have loved to last much longer, especially for showing how ordinary Germans changed and got corrupted by Nazism—but others managed to retain their humanity. She shows us the triumph of the human spirit, even in the face of a downward slide into evil and corruption.

This fascinating book takes the seemingly banal topic of Hitler’s domestic interiors as a way into exploring both how Hitler chose to project himself and how others – from foreign diplomats to ordinary Germans – learned to see him. From his initial humble quarters in Munich to his conservatively furnished apartments in Berlin and his mountain retreat in the Alps, the evolution of Hitler’s interior design ethos reflected his move from ordinary front soldier to European statesman. The reproduction of his furnishing choices in glossy consumer magazines, meanwhile, offered aspirational Germans a chance to remake their own homes in emulation of their idol. If this sounds familiar, well, that may be the point.

Plokhy’s engaging and well-documented study provides an excellent overview of the entire history of Ukraine and the repeated story of invasion, war, and occupation by its neighbors Poland and especially Russia. In particular, it provides sharp analyses of the complex relations between Ukraine and Russia from the time of its Czars through Stalin, the post-Stalinist Kremlin leadership, and Putin, providing contemporary readers penetrating insights into the current invasion of Ukraine by Russia. The book depicts in dramatic detail and narrative the century-long struggles of Ukraine for sovereignty, its century-long oppression by its neighbors, the terrible mass starvation and murder it suffered from both the Soviet Union and Nazi Germany in World War II, and its eventual independence—threatened by Russia in the 21st century through the present. In the contemporary context, Plotky’s text provides an illuminating understanding of Ukraine and its conflicted and often tragic history.

This Times bestseller is a page-turner of true crime that combines our fascination with spy games and a real-world FBI detective story, an epic stretching from the 1920s to a "floodtide of espionage" in the late 1930s and the counterintelligence war through a foiled sabotage mission to blow up U.S. bridges and waterworks (which the FBI's Hoover nearly botched then spun for favorable publicity) to V-E day.

When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.

Prior to its publication, Nazism was commonly perceived as anti-modern and anti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!

In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic. 

I am recommending this book because it is a thorough investigation into the Nazi Eastern policies and their effects in the East. And also because Dr. Reitlinger was a renowned scholar.

I personally loved this book because, even though the topic is serious as it is sad, Dr. Reitlinger managed to write an authentic account of the topic with eloquence and solemnity. The book actually got me interested in the topic.

Published in 1960, I read the book in the late 1970s, and it is one of the books that made me interested in the topic – so much so that it set me on an academic path, which led me to research Nazi Germany’s occupation of eastern Europe, culminating in a work on the subject, to be published in November 2023. The book I have written is the culmination of twenty-plus years of research.

Reading Reitlinger’s work, I realized,… show more.

A really interesting book that focuses on three periods in US history to demonstrate that conceptions of rights are determined by time and place.

That conceptions and uses of rights language are responses to specific political questions of the day, questions looking for a political answer, rather than, as human rights advocates are inclined to assume, a manifestation of a continuum of a single human rights tradition stretching back several thousand years.

Atkinson’s Pulitzer Prize winning opener to his World War II trilogy reads like a novel. It also succeeds in the almost impossible task of bringing military history alive, weaving expertly drawn biographies of individuals at all levels of the US military into a grand narrative of the campaign to liberate North Africa in 1942-43.

Oxford academic Dr. Roderick Bailey is an expert on the Special Operations Executive who made helpful comments to improve my first WW2 book. I love the little-known stories of Italian and British secret agents that populate this book, which is the official history of SOE’s undercover war against Mussolini's Italy. I enjoy tracing the strategic impact of relatively minor actions. Some efforts succeeded, many failed. There were the attempts to make common cause with the Sicilian Mafia. There was the agent paid and supplied by SOE who was really working for Italian Counter-Intelligence. And there was the SOE agent who parachuted into Lake Como, was immediately captured and expected execution, but survived to provide the secret radio link that enabled Italy to surrender and change sides. 

There is no better scholarly work about the birth and death of Germany’s first democracy than The Coming of the Third Reich, by British historian Richard J. Evans. Evans uses a wealth of archival material to create a masterful narrative of the intrigue, revolts, economic forces, and political chaos that marked the Weimar era. The Coming Of The Third Reich is the first book in a three-volume series, which covers Germany from the end of World War I to the downfall of the Nazi regime.

It is striking that the multitude of studies of propaganda in the Second World War deal with newspapers, cinema, radio, and poster campaigns and largely ignore books. The Nazi regime certainly did not, as this fascinating and authoritative book makes clear. From the first months after their takeover of power, Nazi authorities moved swiftly to establish control over libraries and the publishing industry, as well as authors and booksellers. This is the definitive study of how the German book world was reordered to serve the totalitarian state.

Fatherland was the first book I read by Robert Harris and from then on, I’ve read all his books except his latest publication.

The novel is an alternative history narrative, the plot a murder mystery set in Nazi Germany in the 1950s. Yes, you read that right. What if Hitler won World War 2? The allies have negotiated a treaty with Hitler and the world is a very different place.

The main character, Xavier March, a detective of the Kriminalpolizei, investigates the death of an old man and as he delves into the murder, he discovers a conspiracy that involves the Gestapo.

I’ve recommended this book to friends and colleagues and all have enjoyed the story. While the setting is more contemporary than the other four titles, this is definitely worth reading.

Martin Goldsmith has penned the story of his father and mother who were talented musicians in Germany during Hitler’s rise to power. They met by chance and were invited to play for the Kulturbund, an all Jewish orchestra that was allowed to exist while it was convenient to the Nazi’s. When disbanded, the members were sent to concentration camps. Goldsmith’s parents escaped to America, but carried with them the burden of relatives left behind and the guilt of having played into the Nazi’s propaganda efforts. 

Philip Kerr’s series of books about Berlin detective Bernie Gunther is a stunning achievement. The series weaves together the often disturbing history of the Third Reich, real-life characters such as Goebbels and Goering, and a sharp-minded and blunt-speaking detective everyman who is trying to survive the maelstrom around him with morals and life intact. Prague Fatale sets Gunther unto solve murders at a house party of high-ranking Nazis at Heydrich’s rural retreat. It’s a grim twist on cosy, country house murders.

This book teaches us how German imperialism tied itself to the emancipation of women, by focusing on the expansion of the German state into Africa and the Pacific rim. In the generations leading up to the establishment of the Third Reich, German women made themselves indispensable to German imperialism as nurses, wives, missionaries, mothers, sexual partners, and upholders of racial purity. This is simply one of the smartest books I’ve ever read, making clear the granular details of how empires were built and why gender matters in our understanding of them.

A superb English translation has transformed Michaud’s Un Art de L’Éternité into a classic study of the ultimate purpose of Nazi aesthetics: to convert depictions of present reality in Hitler’s Germany into enduring images of National Socialism’s aspiration to generate aesthetic values that would last an eternity. In addition, Michaud argues persuasively how art was central to Nazi ideology.

Stones from the River imagines the life of Trudi, a girl with dwarfism, during the period of time from the end of World War I through the years of the Third Reich in the fictional town of Burgdorf, Germany.

More than anything else, Trudi, who is raised by a loving, understanding father and basks in the warmth of others in her small town, wishes to grow. As a child and a young woman she spends hours each day in futile attempts to lengthen her body, ultimately coming to the realization that she will always be who she is.

During the course of this beautifully written, evocative novel Trudi experiences a short, heady period of romantic love, followed by years of loneliness and regret. In the end, she comes to understand that she and she alone is responsible for the direction of her life and the degree of happiness and… show more.

Are you tired of Hollywood clichés about Nazi culture? The Princeton historian Anson Rabinbach is your man. His brilliant essays on aspects of Nazi culture as diverse as the popular novel under Nazism, the Nazi-organized leisure industry, and the fate of the humanities at German universities between 1933 and 1945, provide the sharp, well-informed analysis you never got at school. Get started with the interview the author gave to two younger colleagues (pp. 450-480); here things become personal. Of course, Rabinbach is a pro, he knows the critical literature on the topic and cites it to differentiate his argument. But more importantly, his insights and arguments force you to rethink your response to German fascism, and to question the facile opposition of democracy and Nazism portrayed in American pop culture.