There are many books on WW2 but this one is really different: incredibly readable, full of deep, intriguing insights and
information.
What I particularly like is the way that Oulds extracts the
importance of the cultural backgrounds of the combatants in terms of how this determined
the outcome. In essence, the Anglo-sphere's long-standing cultural development
of individualism, innovation, and market-forces explains so much of what went
'wrong' for the Axis powers.
Further, this narrative provides profound insights
into some of the characters. For example, the extent to which Hitler was a
compulsive gambler; also, the depths of his strategic incompetence. This is a
joy to read - I finished it in a few days since I couldn't put it down.
The global conflict of WWII, the bloodiest yet in human history, was as much a clash of cultures as it was a clash of arms. Different world visions collided as fiercely as the great armies which encountered each other on the battlefields of Europe, Asia, and Africa. The struggle of ideas was as vicious as the battle on, and below the waves as was the fight in the skies above. Indeed, the culture war and national differences drove the conflict and influenced where, when, why, and even how, the war was fought.
I have spent an exciting half-century in the New York art world as a dealer and an author and while my passion is to encourage people to enjoy art for art’s sake (rather than money or prestige) my many close friendships with artists demonstrate how much their life informs their art. The authors of these five books bring the art as well as the artists to life.
This journey of a masterpiece through the hands of some of the most memorable
characters of the twentieth century is more than art history, for me, it illuminated
the motives, pure and impure, of collectors from Paris to Tokyo and the turbulent times in which they lived.
This tale of one painting by a great artist of a very peculiar patron provides an amazing journey from late nineteenth-century Paris to Amsterdam in the 1920s to Nazi Germany to late twentieth-century New York and, finally Tokyo. I make a cameo appearance towards the end.
At a star-studded auction in 1990, a painting was sold for the record-breaking price of $82.5 million. That painting, Vincent van Gogh's Portrait of Dr. Gachet, has seemed to countless admirers to portray our times as "something bright in spite of its inevitable griefs."
This fascinating book reconstructs the painting's journey and becomes a rich story of modernist art and the forces behind the art market. Masterfully evoked are the lives of the thirteen extraordinary people who owned the painting and shaped its history: avant-garde European collectors, pioneering dealers in Paris and Berlin, a brilliant medievalist who acquired it for…
I grew up in Germany and have been living all over the globe since I was 18, including the US. I married a New Yorker 15 years ago. I am drawn to stories that combine both the German and American cultures — two worlds I feel at home in — and as reflected in my debut novel. The next one will take place between the US and East Germany - we had relatives on the other side of the Iron Curtain whom we visited frequently. I will never forget surprising my 17-year-old cousin sitting alone in the garden, crying… over a can of Coke that we had smuggled over the border to him.
Did you know that the beautiful German city of Dresden was part of what the Eastern Germans called ‘The Valley of the Clueless’? Dresden, along with another section in the north, wasn’t able to receive any broadcasts from the West German TV channels existing at that time. Tellkamp’s novel sheds light on the last decade of the German Democratic Republic, leading all the way up to its fall in 1989. None of its three protagonists are too likable, and this is exactly what I appreciate about Tellkamp’s writing. He isn’t afraid to sketch them as such. The speed of the novel varies, and I can’t lie: I have to say that some passages took me an effort to get through. Still, I’d recommend this book to anyone who wants to dwell in Tellkamp’s memories of a time long gone - and ironically, still so present.
In derelict Dresden a cultivated, middle-class family does all it can to cope amid the Communist downfall. This striking tapestry of the East German experience is told through the tangled lives of a soldier, surgeon, nurse and publisher. With evocative detail, Uwe Tellkamp masterfully reveals the myriad perspectives of the time as people battled for individuality, retreated to nostalgia, chose to conform, or toed the perilous line between East and West. Poetic, heartfelt and dramatic, The Tower vividly resurrects the sights, scents and sensations of life in the GDR as it hurtled towards 9 November 1989.
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
I was amazed to learn of the Nazi obsession with nature, from sustainable forestry to air quality and native plants. During the 1930s, German environmentalists set forth the Third Reich agenda to preserve the natural world.
Embedded in German nationalism was a deep feeling for the land and landscapes of the Nazi native land; even the Autobahn was designed to allow easy access to natural sites and hiking trails!
However, the Nazi military agenda to dominate Europe and beyond ultimately derailed their green agenda. This eye-opening book unpacks the connection between German Volk and environmentalism despite the pseudo-scientific premises of Third Reich doctrine.
The Nazis created nature preserves, championed sustainable forestry, curbed air pollution, and designed the autobahn highway network as a way of bringing Germans closer to nature. How Green Were the Nazis?: Nature, Environment, and Nation in the Third Reich is the first book to examine the Third Reich's environmental policies and to offer an in-depth exploration of the intersections between brown ideologies and green practices.
Environmentalists and conservationists in Germany welcomed the rise of the Nazi regime with open arms and hoped that it would bring about legal and institutional changes. However, environmentalists soon realized that the rhetorical attention they…
And, who are you? I write the stories I wish I could have read when I was growing up. As the self-conscious first-born daughter of post-war German/German-Russian immigrants, I looked for my reflection in books. My masters’ degree in 20th German literature only whetted my appetite. I needed more and continued to search for my family’s stories. That search included climbing Hitler's mountain, perusing Soviet secret police files, and cycling through old East Prussia searching for amber. Now I write my own stories even as I continue to read, listen, watch and travel. The past is everywhere.
I love all of Marsha Skrypuch’s YA books. Page-turning plots, engaging characters, inspired by real events. Her novels focus on Ukrainian and Polish young people’s experiences under both Hitler and Stalin. This one stands out to me, first because of the cover and secondly, because of the author’s ability to wrench my heart. The novel focuses on a young Polish girl, deemed Aryan enough, so she can be raised in a Nazi family. It was a story that opened my eyes. These horrendous things happened to innocent kids.
A companion to Making Bombs for Hitler and The War Below, this novel follows a Ukrainian girl who was kidnapped as a child to be raised by a Nazi family.
Nadia is haunted by World War II. Her memories of the war are messy, coming back to her in pieces and flashes she can't control. Though her adoptive mother says they are safe now, Nadia's flashbacks keep coming.Sometimes she remembers running, hunger, and isolation. But other times she remembers living with a German family, and attending big rallies where she was praised for her light hair and blue eyes. The…
I was born and raised in Leeds and moved back here in 2013. My ancestors first came here a couple of hundred years ago. The place is my passion, but it’s also in my DNA. I write historical crime novels, many of them set in Leeds between 1730 and 1957. I know this place through the soles of my feet. My work means constantly researching its history, trying to understand this city, how it shifts and changes, and the people who call it home. The longer I continue, the greater my fascination, and the deeper I dive to keep learning more. These books all beat with the heart of Leeds.
Another memoir, but very different to Waterhouse. An academic, Hoggart had already drawn on his Leeds childhood for the seminal text, The Uses of Literacy. This expands on that, fleshing out the bones of the other work. It paints a broader picture of Leeds, overlapping a decade with City Lights. Hoggart has a prodigious memory, and while he can tend to paint the poor, working-class past with rosy colours sometimes, he certainly does evoke a time, seeing the events of the days through a child’s – and adolescent’s – eyes. He made good, going on to university, and getting a grant to travel abroad, but for those times he was a true exception. Between this and City Lights, there’s a full picture of early 20th century Leeds.
"A Local Habitation" is the first volume of Hoggart's autobiography, describing his childhood in a working class milieu in Leeds, his time at grammar school, his student days at Leeds University and his travels through Nazi Germany before World War Two. Richard Hoggart taught for many years at the Centre for Contemporary Cultural Studies at Birmingham University and he worked with UNESCO in Paris for four years. His book "The Uses of Literacy", published over 30 years ago, established his reputation as a sensitive and well informed observer of English working class life. His most recent book, written with Douglas…
I’m a journalist and writer by profession, one who has a passion for history and historical fiction. Eventually these things came together when I came up with the idea for Drabble and Harris and wrote my first historical thriller – Rule Britannia. Before going into journalism I studied history at university, a bedrock that continues to support and feed my writing. I’ve also written broadly on various historical topics throughout my career, including for National Geographic. In my protagonists, Drabble and Harris, I have the perfect vehicle to travel back in time to the recent past and revisit it through modern eyes – and more than that, to challenge our perceptions of it.
Famous for his crookbacked sleuth Shardlake series, CJ Sansom sets this standalone counter-factual historical thriller in 1950s Britain – one where the United Kingdom had capitulated to Nazi Germany in 1940 (with Lord Halifax and not Winston Churchill becoming prime minister) and has become a German client state. It conjures up the 1950s – the smog, the coal smoke, the tea shops – while sketching out an alternate reality, one which is highly plausible, thereby doing one of the things I love best about historical fiction – showing us how different things could easily have been and shaking us from any complacency. More than this, Dominion is a highly effective thriller, as civil servant David Fitzgerald becomes the man in the middle of a politico-spy page-turner that keeps you guessing till the end.
At once a vivid, haunting reimagining of 1950s Britain, a gripping, humane spy thriller and a poignant love story, with Dominion C. J. Sansom once again asserts himself as the master of the historical novel.
1952. Twelve years have passed since Churchill lost to the appeasers and Britain surrendered to Nazi Germany after Dunkirk. As the long German war against Russia rages on in the east, the British people find themselves under dark authoritarian rule: the press, radio and television are controlled; the streets patrolled by violent auxiliary police and British Jews face ever greater constraints. There are terrible rumours…
As a child I found the history and biography books in our school library, and was enthralled. When I got older and discovered historical archives, the tension between public history in books and the secret or forgotten histories tucked away was irresistible. Writing books has taken me to five continents on journeys into everything from medicinal black markets to the traces of a wartime commercial spy network. For my latest book, digging through classified OSS files showed me what amazing stories still lie waiting for us.
This Times bestseller is a page-turner of true crime that combines our fascination with spy games and a real-world FBI detective story, an epic stretching from the 1920s to a "floodtide of espionage" in the late 1930s and the counterintelligence war through a foiled sabotage mission to blow up U.S. bridges and waterworks (which the FBI's Hoover nearly botched then spun for favorable publicity) to V-E day.
As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
Prefer to learn about Nazi Germany through literature? Try this novel by Irmgard Keun, who excelled at writing from the perspective of different young women. Here, nineteen-year-old Sanna relates how her life has changed under the Third Reich. She encounters people who express unqualified admiration for Adolf Hitler or at least concede that the Nazis are right about many things, who enjoy denouncing others or adapting to the new rules of the game. With her naïve understanding and unsophisticated language, Sanna lays bare vain pretensions, catchy slogans, and ponderous pseudo-profundities. She can’t understand why she should listen to Nazi speeches and avoid Jews. Contacts with critical friends finally compel her to leave Germany—just like her literary creator, who published her novel in exile in the Netherlands.
Depicting a young woman's life in Nazi Germany, a masterpiece from the author of Child of All Nations
'I cannot think of anything else that conjures up so powerfully the atmosphere of a nation turned insane' Sunday Telegraph
Nineteen-year-old Sanna just wants to drink her beer in peace, but that's difficult when Hitler has come to town and his motorcade is blocking the streets of Frankfurt. What's more, her best friend Gerti is in love with a Jewish boy, her brother writes books that have been blacklisted and her own aunt may denounce her to the authorities at any moment,…
When I find a big story that has not come out, which has massive relevance for history and for the entire world, I go all out to bring it to light, as I have done with this book. Most of the books I have written have been devoted to telling big, unknown stories that concern the world. (Examples: alien intelligence, the origins of ancient civilisations, the Chinese contribution to the history of inventions, the existence of optical technology in antiquity, who were the people who tried and executed King Charles I and why did they do it.) I simply had to expose this information to the public.
This crucial book was originally published by Putnam’s, New York, in 1941.
Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.
Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.
Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the Saturday Evening Post. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations…
