Here are 100 books that Racial Hygiene fans have personally recommended if you like
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I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
This novel left me feeling both teary-eyed and ennobled. Superficially, it is about two French sisters living through the Nazi occupation of France during World War II. At its root, however, Hannah deconstructs the essence of survival.
I loved how her characters frame the book’s cosmic questions: What would you do to survive? What compromises would you make? Is it better to fight back aggressively or resist passively? The sisters are of different temperaments and personalities. Each answers these questions differently, painfully. I found myself haunted by these themes long after I put The Nightingale back on the shelf. You will, too.
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.
A secret intelligence program with Nazi scientists is described in such colorful detail that this nonfiction book riveted my attention.
What was most compelling for me was the story of how these scientists and technological experts were utilized by American ingenuity. A fascinating and well-researched history book always holds my interest.
In the chaos following WWII, many of Germany's remaining resources were divvied up among allied forces. Some of the greatest spoils were the Third Reich's scientific minds--the minds that made their programs in aerospace and rocketry the best in the world. The United States secretly decided that the value of these former Nazis' forbidden knowledge outweighed their crimes, and the government formed a covert organization called Operation Paperclip to allow them to work without the knowledge of the American public.
Drawing on exclusive interviews with dozens of Paperclip family members, with access to German archival documents (including, notably, papers available…
I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.
I loved the intrigue and the sleight-of-hand narrative quality of this character-driven mystery.
The magic interests of the main character drew me into a suspenseful reading experience. Kardos creates a kind of magic with twists and turns in plot and style. This character is a magician who needs all the savvy and brilliance of a wizard to untangle this puzzle.
A fast-paced, page-turning thriller for fans of Michael Connelly and Linwood Barclay.
With nothing left to lose you might as well risk it all.
Natalie Webb has taken the gamble of her life. To survive the night, she will have to use every trick she can - each stack of the deck could be her last.
Lured by a $1.5 million payoff, former card-trick prodigy Natalie has accepted a dangerous proposal from a beguiling card shark: to cheat the table at a high rollers' private poker game.
But blindsided by her own dazzling sleight of hand, Natalie hasn't realised the…
Everybody knows that all animals—bats, bears, sharks, ponies, and people—start out as a single cell: the fertilized egg. But how does something no bigger than the period at the end of this sentence give rise to the remarkable complexity of each of these creatures?
I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.
History comes alive in this mysterious story of a prohibition finagler and his underground operation.
I enjoyed how Bob Batchelor gives us the dirt on this smuggler of the prohibition years: his business, his secrets, his cronies, and his enemies. This is a stunningly sharp narrative that reads like a novel.
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
I was amazed to learn of the Nazi obsession with nature, from sustainable forestry to air quality and native plants. During the 1930s, German environmentalists set forth the Third Reich agenda to preserve the natural world.
Embedded in German nationalism was a deep feeling for the land and landscapes of the Nazi native land; even the Autobahn was designed to allow easy access to natural sites and hiking trails!
However, the Nazi military agenda to dominate Europe and beyond ultimately derailed their green agenda. This eye-opening book unpacks the connection between German Volk and environmentalism despite the pseudo-scientific premises of Third Reich doctrine.
The Nazis created nature preserves, championed sustainable forestry, curbed air pollution, and designed the autobahn highway network as a way of bringing Germans closer to nature. How Green Were the Nazis?: Nature, Environment, and Nation in the Third Reich is the first book to examine the Third Reich's environmental policies and to offer an in-depth exploration of the intersections between brown ideologies and green practices.
Environmentalists and conservationists in Germany welcomed the rise of the Nazi regime with open arms and hoped that it would bring about legal and institutional changes. However, environmentalists soon realized that the rhetorical attention they…
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
I always wanted to learn more about the forgotten aspects of the history of the biological sciences, and Biologists Under Hitler did not disappoint in this regard.
Biologists in Nazi Germany were faced with some hard choices—did they adopt the pseudoscientific Nazi party line about racial disparities, or did they abandon their scientific posts? By the end of the war, the German natural sciences dwindled, and biology was particularly hard hit; could biologists who survived the Third Reich be trusted by their global colleagues?
In particular, I was interested in learning about scientific research conducted by the SS, which seems like an oxymoron but did indeed occur in a disordered way, guided by Heinrich Himmler's botanical and medical interests.
On the subject of science in Nazi Germany, we are apt to hear about the collaboration of some scientists, the forced emigration of talented Jewish scientists, the general science phobia of leaders of the Third Reich - but little detail about what actually transpired. "Biologists Under Hitler" examines the impact of Nazism on the lives and research of a generation of German biologists. Drawing on previously unutilized archival material, Ute Deichmann, herself a biologist, explores not only what happened to the biologists forced to emigrate but also the careers, science and crimes of those who stayed in Germany. "Biologists Under…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
I have been intrigued by the coexistence of crackpot notions and prescient science in the Third Reich, and the medical science of oncology provides some remarkable examples of the latter. German doctors realized that the high incidence of stomach cancers correlated with diet, leading to suspicion of smoked meats, aflatoxins, coal tar dyes, and various adulterants as possible causes of various cancers.
As cheap alternatives to modern medicine and processed flour, herbal teas and whole grain foods became part of the Third Reich social doctrine for reasons of both health and economy. Meat was eyed with suspicion (and growing crops as fodder wasted energy), and so vegetable cookery was encouraged.
Beyond cancer concerns, I found awareness of fetal alcohol syndrome to be quite surprising; Third Reich doctors admired the U.S. temperance policy and encouraged expectant mothers to drink unfermented cider to avoid alcohol effects on fetal development.
Collaboration in the Holocaust. Murderous and torturous medical experiments. The "euthanasia" of hundreds of thousands of people with mental or physical disabilities. Widespread sterilization of "the unfit." Nazi doctors committed these and countless other atrocities as part of Hitler's warped quest to create a German master race. Robert Proctor recently made the explosive discovery, however, that Nazi Germany was also decades ahead of other countries in promoting health reforms that we today regard as progressive and socially responsible. Most startling, Nazi scientists were the first to definitively link lung cancer and cigarette smoking. Proctor explores the controversial and troubling questions…
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
Conservation was an offshoot of the Blut und Boden (blood and soil) ideology of the Third Reich, in which Aryan families were linked to the land through a hereditary right and the promotion of rural values.
Native plants and countryside habitats were considered superior and worthy of preservation, and conservation evolved from its 19th-century origins to nationalist thinking in the 1930s. I was particularly intrigued by the Dauerwald (continuous forest), a set of forestry practices in which clear-cutting was replaced by selective cutting, keeping habitats and plant populations intact.
The growing demand for wood in the wartime economy required conservation, which was viewed with suspicion after the war because of its connections to Third Reich doctrine.
This study provides the first comprehensive discussion of conservation in Nazi Germany. Looking at Germany in an international context, it analyses the roots of conservation in the late nineteenth century, the gradual adaptation of racist and nationalist thinking among conservationists in the 1920s and their indifference to the Weimar Republic. It describes how the German conservation movement came to cooperate with the Nazi regime and discusses the ideological and institutional lines between the conservation movement and the Nazis. Uekoetter further examines how the conservation movement struggled to do away with a troublesome past after World War II, making the environmentalists…
Spending my childhood in Nazi Germany, the nature and the horrific consequences of Nazi ideology have occupied me as a student of German history and later as a teacher of intellectual and literary history. In 1933 Car Schmitt opted to support the Nazis. While he was banned from the public sohere in post-war Germany, his ideas remained influential on the far right and the far left, fortunately without significantly impacting the democratic reconstruction of West Germany. It was the growing international visibility of Schmitt’s writings that became my personal concern after 2000. In particular, Schmitt’s increasing influence in the United States energized me to reread and respond to his writings.
Are you tired of Hollywood clichés about Nazi culture? The Princeton historian Anson Rabinbach is your man. His brilliant essays on aspects of Nazi culture as diverse as the popular novel under Nazism, the Nazi-organized leisure industry, and the fate of the humanities at German universities between 1933 and 1945, provide the sharp, well-informed analysis you never got at school. Get started with the interview the author gave to two younger colleagues (pp. 450-480); here things become personal. Of course, Rabinbach is a pro, he knows the critical literature on the topic and cites it to differentiate his argument. But more importantly, his insights and arguments force you to rethink your response to German fascism, and to question the facile opposition of democracy and Nazism portrayed in American pop culture.
A widely celebrated intellectual historian of twentieth-century Europe, Anson Rabinbach is one of the most important scholars of National Socialism working over the last forty years. This volume collects, for the first time, his pathbreaking work on Nazi culture, antifascism, and the after-effects of Nazism on postwar German and European culture. Historically detailed and theoretically sophisticated, his essays span the aesthetics of production, messianic and popular claims, the ethos that Nazism demanded of its adherents, the brilliant and sometimes successful efforts of antifascist intellectuals to counter Hitler's rise, the most significant concepts to emerge out of the 1930s and 1940s…
I am a professor of English and Visual Culture at St. John’s University in New York. My research in recent years has focused on reexamining the fate of modernist art in Hitler’s Germany. I have chosen five books that have shaped our understanding of Nazi art and have new resonance with the present resurgence of fascism and authoritarian governments around the world.
This is one of the most influential studies of cultural politics in Nazi Germany which takes as its focus the bureaucracy Joseph Goebbels charged with integrating pre-National Socialist artists and their organizations into the new cultural and political order. Noteworthy, of course, throughout Steinweis’s masterpiece of institutional reconstruction, is the revelation that National Socialist aesthetic preferences were not novel but represented the appropriation of the prevailing conservative taste dominant in the late Weimar Republic.
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theatre and the visual arts in this study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables.
