Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.
In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”
Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.
'I was living in even greater circles of gangsterdom than I had dreamed, latitudes and longitudes of gangsterdom'
It's 1930's New York and fifteen-year-old streetkid Billy, who can juggle, somersault and run like the wind, has been taken under the wing of notorious gangster Dutch Schultz. As Billy learns the ways of the mob, he becomes like a son to Schultz - his 'good-luck kid' - and is initiated into a world of glamour, death and danger that will consume him, in this vivid, soaring epic of crime and betrayal.
Having grown up in Minnesota, I didn’t even know about the existence of the Mafia until I saw The Godfather! After I moved to New York to work in journalism, I was stunned to see how intertwined mob guys were with every facet of life, from government to entertainment to grocery stores. I became a passionate reader (and now writer) of Mafia history so that I could understand it. I find mob stories endlessly fascinating because of what they reveal about human nature. Organized crime hasn’t gone away, and we ignore it at our peril. I think you'll enjoy these recommendations.
I loved this book about Meyer Lansky, the financial wizard of the mob because it is so thoroughly researched. Author Robert Lacey draws on firsthand interviews with family members and friends and archival records. His writing is intelligent and insightful.
This book skips the cliches and goes beneath the surface. Lansky emerges as a complicated, and determined and utterly human gangster. It is impossible to understand organized crime without understanding Meyer Lansky.
The story of Meyer Lansky and the criminal empire he supervised exposes the harsh reality of life in the underworld and demonstrates how Lansky's desire to achieve mythic status as an outlaw ultimately destroyed him
During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.
Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.
On December 11, 1966, a mysterious assassin shot Henry Stockton to death, set his house on fire, and left the scene without a trace. A year later, when a woman was found brutally killed, shreds of evidence suggested a connection between the two murders.
In the Palliko-Stockton trial, prosecutor Vincent Bugliosi offered a brilliant summation that synthesized for the jury the many inferences and shades of meaning in the testimony, fitting all the pieces together in a mosaic of guilt. But will the jury be persuaded?
Sylvia Shults is a librarian by day, a ghost hunter by night, and the “hostess with the mostest ghosties” of the Lights Out podcast. During her twenty-plus-year career in libraries, she has managed to smuggle enough words out in her pockets to put together several books of her own, including 44 Years in Darkness, Fractured Spirits: Hauntings at the Peoria State Hospital, and Spirits of Christmas. She sits in dark, spooky places so you don't have to, and shares her experiences of her brushes with the other side of the Veil.
The Lore series, based on the World of Lore podcast, is a wonderful collection of the strange, bizarre, and creepy. This particular book focuses on people who gained fame through their disturbing hobbies and unpleasant predilections: serial killers, criminals, psychopaths, and other associated weirdos. I've always been drawn to collections like these, and this is one of the best. Check out the others in the series too.
A chilling, lavishly illustrated who's-who of the most despicable people ever to walk the earth, featuring both rare and best-loved stories from the hit podcast Lore, now an online streaming series.
Here are the incredible true stories of some of the mortals who achieved notoriety in history and folklore through horrible means. Monsters of this sort - serial killers, desperate criminals, and socially mobile people with a much darker double-life - are, in fact, quite real . . . including H. H. Holmes, the infamous Chicago serial killer; William Brodie, the Edinburgh criminal mastermind who inspired The Strange Case of…
I wrote on the mob early in my career as a newspaper reporter, investigating organized crime’s infiltration of politics, unions, and the toxic-waste industry in New Jersey in the late 1970s and early ‘80s, then covering some of the major mob trials in New York during the 1980s (starting with the case depicted in the movie Donnie Brasco). In more recent years, I’ve returned to the subject in two books: The Italian Squad: The True Story of the Immigrant Cops Who Fought the Rise of the Mafia and An Unlikely Union: The Love-Hate Story of New York’s Irish and Italians. I like work that is careful, specific, and presented in a smoothly written narrative.
I usually find the informants more interesting to read about than the diehard gangsters because they’re the people in the middle, squeezed from all sides. This fluid account, by two of New York’s best reporters, is a personal favorite. It’s a smoothly told narrative that avoids romanticizing the mob.
A gripping, novelistic biography of the diminutive man behind the big mouth. Reminiscent of Wiseguy and Ice Man, this compelling biography from two prominent mob experts recounts the life and times of Alfonso Little Al D'Arco, the highest-ranking mobster to ever share Mafia secrets when he changed sides in 1991. Although top boss of the Luchese crime family, D'Arco decided to quit the mob after narrowly escaping an assassination attempt. His testimony sent more than fifty mobsters to prison and prompted others to make the same choice.
I’m a huge fan of paranormal and dark romance, and these books definitely check all my boxes. Great world-building, plots that engage, and in most cases, a heavy dollop of smut. They also explore the unexpected and take into account real-world concerns in a fashion where you can absolutely justify the decisions the main characters are making.
This book is probably the quintessential book of mayhem, in my opinion.
Yep, it’s super dated, and the dialect can be difficult to get into, but I thought it was worth it, especially if you read the European version, which has an additional chapter the US publisher cut out. Abruptly it goes from a novel of unrepentant chaos to one of redemption.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
I am biased toward any writer who features amateur sleuths. Lori Rader-Day not only plunges readers into a compelling story with a delightfully twisty ending, she also pays tribute to the volunteers who slave away on real-life sites such as The Doe Network. When the protagonist comes across a picture of a missing person, she realizes it’s someone from her past and resolves, for complicated reasons, to track him down.
"This might well be my favorite Rader-Day so far: a brilliant premise intriguingly developed, totally believable characters and a climax that took my breath away." - Ann Cleeves, New York Times bestselling author of The Shetland and Vera Series
From the author of the Edgar Award (R)-nominated Under A Dark Sky comes an unforgettable, chilling novel about a young woman who recognizes the man who kidnapped her as a child, setting off a search for justice, and into danger.
Most people who go missing are never found. But Alice was the lucky one...
My second novel, Snakes of St. Augustine, describes an unconventional love story served up with a large side of Florida weirdness. My first novel, City in a Forest, received a Gold Royal Palm Literary Award from the Florida Writers Association in 2020. My short fiction and essays have appeared in Pangyrus, Eckerd Review, Northern Virginia Review, Atticus Review, and elsewhere. I earned my bachelor’s degree in English from Eckerd College and the M.F.A. in Fiction from Queens University of Charlotte. Currently, I’m a writer for a university in Daytona Beach, Florida. A resident of Ponce Inlet, I began volunteering with the Volusia-Flagler Sea Turtle Patrol in 2018.
Deb Rogers turns the classic “Florida Woman” meme on its head through her protagonist Jamie, a lost and desperate soul who winds up working at the bizarre Atlas Wildlife Refuge for macaques.
Three women in charge of the sanctuary soon seem to be creepy; they perform strange rituals and caution Jamie to avoid the medical lab. The novel’s setting, at the edge of the Ocala National Forest, immerses the reader in a tactile way into Jamie’s dark and ominous world. The plot races along at a fast clip and it avoids predictable twists, offering a fresh take on the story of a Florida woman whose mistake turned her into a viral punchline.
Readers will be rooting for Jamie to transform into a more empowered young woman. Think Carl Hiaasen meets Karen Russell.
"Razor-sharp... Deb Rogers writes with such verve and honesty about all the ways we stumble through life, and, like all great storytellers, gives us something wondrous when we reach the end of the journey.”—Kevin Wilson, bestselling author of Nothing to See Here
An Indie Next Selection • A Fantastic Strangelings Book Club Pick • Recommended by: Harper's Bazaar • Shondaland • New York Post • Goodreads • Lambda Literary • Book Riot • Reader’s Digest • LGBTQReads • Medium • Debutiful • She Reads • Autostraddle •and more!
A gleefully dark and entertaining debut for fans of Kevin Wilson and…
Storytelling has been a passion of mine since fifth grade. I’ve always loved the way authors can put you inside of a world and introduce you to a cast of characters who feel as real as the people around you. The characters you meet inside these books become a part of you, and the best way to connect a reader to these charming and brave characters is to let them tell their story. Tell it from all of their perspectives and let the reader come to know and love each of them. Why read a book and only love one character when you could find an entire found family within those pages?
Legend is one of those books that feels nostalgic when you read it. It perfectly mixes all of the elements from the 2010 dystopian classics, with a wonderful dual narration. In Legend we read the story through Day and June’s eyes. Both are from completely opposite parts of society, which makes the story twice as interesting. It even has elements of enemies to lovers! What this book does so well with its dual narration, is it lets you see more of the world that the author has created, which we wouldn’t normally get had she chosen to tell the book from one of these characters. Personally, I preferred Day’s POV, and the arc his story took.
Legend is the much-anticipated dystopian thriller debut from US author, Marie Lu.
THE must-read dystopian thriller fiction for all teen fans of The Hunger Games by Suzanne Collins and Divergent by Veronica Roth. A brilliant re-imagining of Les Miserables, the series is set to be a global film sensation as CBS films have acquired rights to the trilogy. The Twilight Saga producers, Marty Bowen and Wyck Godfrey, will produce.
Los Angeles, California Republic of America
He is Day. The boy who walks in the light.
She is June. The girl who seeks her brother's killer.
All my work--as a novelist and a licensed clinical therapist--deals with what happens in families, which sometimes includes overwhelming grief. But now, it hasn’t been long since I lost my own son. In these novels, I recognize a piece of myself as I, like any survivor, have struggled to cope. Like few other events in our lives, death has the possibility of completely derailing us with its brutality, and often surviving family cast about blindly, searching for sense, for meaning. Sometimes we can’t find any; sometimes we do, and sometimes we create it ourselves. These novels put different approaches into story, and that, too, is a way to search out direction--and hope.
One of the common reactions to the death of a loved family member–especially any death we perceive to be unnecessary or unnatural–is extreme anger. We have to blame someone, and yes, there’s plenty of reproach and self-recrimination in John Burnham Schwartz’s novel, Reservation Road. But there’s a clear culprit–a hit and run driver–and it seems the police are hardly bothering to investigate, and in a case like that, anyone would have a target for their helpless rage. We see Ethan, a father who witnessed his ten-year-old son killed, become obsessed with tracking down the perpetrator himself to accomplish some justice. I understand that kind of anger and frustration, and I know many others do, too. I think it’s useful to both accept that it’s normal, but to look at how destructive it can become to carry it, and to consider how to let it go.
A tragic accident sets in motion a cycle of violence and retribution in John Burnham Schwartz's riveting novel "Reservation Road". Two haunted men and their families are engulfed by the emotions surrounding the unexpected and horrendous death of ten-year-old Josh in a hit and run accident. Ethan, a respected professor of literature at a small New England college and father of Josh, is wracked by an obsession with revenge that threatens to tear his family apart. Dwight, a man at once fleeing his crime and hoping to get caught, wrestles with the overwhelming guilt and his sense of obligation to…
