I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
McEwan has always numbered among my favorite fiction writers, not only because he knows how to spin a tale, but I enjoy his immaculate prose. I was amazed by the way McEwan creates an exciting and brilliant story all in a one-day narrative. Unusual happenings occur in a famous neurosurgeon’s free Saturday following an exhausting week of intricate surgery. His mundane routine explodes into an unusual, complex situation when a minor car accident leads to a scene of violence and confrontation with a gang of youths. I was so drawn in to this story that I found myself almost being there and sweating in a state of anxiety.
The stunning new novel from the Booker Prize winning novelist.
Saturday, February 15, 2003 - Henry Perowne wakes before dawn to find himself already in motion, drawn to the window of his bedroom. He is a contented man - a successful neurosurgeon, the devoted husband of Rosalind, and proud father of two grown-up children. What troubles Perowne as he stands at his window is the state of the world - the impending war against Iraq, and a general darkening and gathering pessimism since the attacks on New York and Washington eighteen months before.
Later during this particular Saturday morning, Perowne…
The me of me is a “late in life rider” and freelance writer—with an edge. I learned to ride horses in my ‘40s when we left the wonders of California for sweet tea, okra, and equine “yard art” of Tennessee. Horses and writing mixed to create Horse Sluts. My political bent led me to craft an exposé on the brutal “training” of Big Lick TN Walking Horses. I still ride and explore the more humorous sides of aging and riding. A stickler for "writing worth reading,” I eschew self-conscious, wandering-lost writing. The books I recommended are well crafted.
I tend to flee from memoirs and “horse story” books. Then I read Half Broke by Ginger Gaffney.
Gingeris a schooled writer, horse trainer, clinician, rider-trainer and, in my opinion, a master observer. She was asked to help the tooth-bearing, ear-pinning, predatory gang of horses tended by the Livestock Team of resident “multiple offenders and felons” at an alternative-prison ranch in New Mexico. As a memoir, Half Broke is a “peeling off” of emotional bandages—for her, for the raw souls of the inmates and for the horses.
Ginger’s style is straightforward, non-judgmental, and thought challenging. No gooey anthropomorphizing.
At the start of this remarkable story of recovery, healing, and redemption, Ginger Gaffney answers a call to help retrain the troubled horses at an alternative prison ranch in New Mexico, a facility run entirely by the prisoners. The horses are scavenging through the dumpsters, kicking and running down the residents when they bring the trash out after meals. One horse is severely injured.
The horses and residents arrive at the ranch broken in one way or many: the horses are defensive and terrified, while the residents, some battling drug and alcohol addictions, are emotionally and physically shattered. With deep…
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
The System is the third book in the Baroque Cycle which begins with Quicksilver and continues with The Confusion. The whole Cycle is a rip-roaring, wildly inventive, and massively ambitious saga, ranging from the mid-seventeenth to the early eighteenth century, spanning the globe and casting an amazing set of characters from Leibnitz and Newton, to King George, Thomas Newcomen and William Teach the pirate. It's astonishing and has some of the best subterranean London episodes I've ever read, including an escape from Newgate Prison which takes in the Bank of England, a Roman Temple, and a medieval privy. Read all three books and hang on to your hats, it's a thrilling ride.
Neal Stephenson follows his highly-praised historical novels, Quicksilver and The Confusion, with the extraordinary third and final volume of the Baroque Cycle.
The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a shadowy group attempting to blow up Natural Philosophers with 'Infernal Devices' - time bombs. As Daniel and Newton conspire, an increasingly vicious struggle is waged for England's Crown: who will take control when the ailing queen dies?
Tories and Whigs clash as one faction jockeys to replace Queen Anne with 'The Pretender' James Stuart, and…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is a rollicking read about the criminal adventures of Doris Payne, jewel thief extraordinaire who started her career in the United States in the 1950s. She saw herself as a crusader, and stealing diamonds as an act of retribution against a racist world. Doris continued her career until 2017, often updating and refining the methods once used by her Victorian forebears.
"Doris Payne is an unapologetic badass." - Tessa Thompson, Actress
This is the sensational and compelling memoir of the world's most notorious jewel thief - a woman who defied society's prejudices and norms to carve her own path, and live out her dreams.
She stole diamonds from the people who underestimated her, she exploited the men who tried to domesticate her, and she consistently defied society's assumptions and prejudices to create a new life for herself. For fans of Catch Me If You Can, The Wolf of Wall Street and Molly's Game, this is the newest must-read crime autobiography.
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
This book grabbed me by the throat and refused to let go.
Jordan Harper does more with suggestion and a few well-crafted sentences than some writers accomplish in an entire novel. When he needs to be brutal, he’s a monster. When he needs to be tender, your eyes sting.
Polly is both a badass and a little girl—I don’t know how Harper pulled that off. And I have never cared so much about a stuffed animal as I have Polly’s teddy bear.
*WINNER OF A 2018 EDGAR AWARD FOR BEST DEBUT NOVEL*
*WINNER OF AN ALEX AWARD FROM THE ALA*
NAMED A BEST BOOK OF 2017 BY St. Louis Post-Dispatch • Booklist
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.
A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.
The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the…
I spent 7 years in a commercial cult. I was indoctrinated into, rose to the top of, and finally escaped from a multilevel marketing company. When I started my exit, I wondered how I had become so brainwashed, which led me to do research into coercive control. I started to understand that different types of authoritarian control; behavior, information, thought, and emotional, drove me further into the cult and away from my outside friends and family. I read as many cult books and watched as many documentaries as I could find, and became fascinated with uncovering why people find themselves in the same situation I was in.
Once again I became interested in a book thanks to a documentary!
When I watched the documentary about Sarah Lawrence College, I wanted to know more. Daniel Barban Levin’s story really demonstrates how a fragile young mind can be influenced by someone with sinister intentions.
He vividly describes his time spent with a manipulative cult leader (Larry Ray), and his narrative disturbingly shows us just how easily something like this could've happened to us. Very sadly relatable, for people who lose their voice when they fall victim to gaslighting or abusive friends, mentors, or partners.
An “extraordinary” (Nylon) firsthand account of the creation of a modern cult and the costs paid by its young victims: a group of college roommates
“Intense . . . [a tale] of hard-won survival, and creating a life after the unimaginable.”—Salon
The inspiration for the Hulu docuseries Stolen Youth, directed by Zach Heinzerling and co-produced by Daniel Barban Levin
In September 2010, at the beginning of the academic year at Sarah Lawrence College, a sophomore named Talia Ray asked her roommates if her father could stay with them for a while. No one objected. Her father, Larry Ray, was just…
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
In a series of interviews, Arthur Harding tells us of his life as an East End rogue at the turn of the century. The characters he encountered are a “Who’s Who” of the underworld at that time and his descriptions of Spitalfields were very useful to me during research for The Worst Street In London.
First published in 1981, this book examines the life of Arthur Harding, a well-known figure in the East End underworld during the first half of the twentieth century. The first five chapters survey his life in the 'Jago' slum between 1887 and 1896, offering a different view of an often vilified district. The subsequent phases of his life as a cabinet-maker, street trader and wardrobe dealer reflect the changing fortunes of the East End from hand-to-mouth conditions in the late-nineteenth century to comparative security in the 1930s.
The reader is introduced to some of the major features of East End…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.
Although his story has been told countless times - by performers from Ma Rainey, Cab Calloway and the Isley brothers to Ike and Tina Turner, James Brown and Taj Mahal - no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan", Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in…
