100 books like City of Shattered Light

I’ve always loved things like dragons and dinosaurs, even as a child. And as a Malaysian-born Chinese-Australian, I consumed both Western and Eastern media. I read traditional fantasy books such as The Hobbit and Game of Thrones while simultaneously learning about Chinese folklore and eating zongzi for Dragon Boat Festivals. So, while I’ve always had an interest in dragons, I specifically love the lore, magic, and mythology surrounding East Asian dragons. East Asian dragons are different from the typical fire-breathing dragons we see in Western stories. Unlike in Western media, Eastern dragons are not monsters, and it can be hard to find books that portray them in that light.

I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye. 

I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.  

I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye. 

I was raised by strong Southern women, including my Mamaw Myers, whose life inspired The Tobacco Wives, my debut novel. Mamaw was a hairdresser for the wives of RJ Reynolds tobacco executives in Winston-Salem, NC in the 1940s, and as a girl, I was fascinated by the idea of her glamourous, wealthy clients. I’ve always been drawn to stories about women who are “Steel Magnolias, a complex mix of strength and vulnerability” that writer Robert Harling so beautifully defined and brought to life in his play and film of the same name. His is one of the five stories that I recommend if you’re a fan of strong Southern women.

I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.

I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception. 

As a clinical psychologist, a man, and a human being on his own journey of healing and becoming, I suppose I’m interested in stories with struggling but lovable male protagonists because I’m the struggling male protagonist in my own life story, learning how to fall in love again with myself and my story and the little boy who lives on within me. The courage my clients show in the process of facing their pain and finding something beautiful in it is inspiring to me. I hope my life reflects that courage, too. And I want to write stories that give others hope and inspiration for this kind of healing, as well.  

While The Hills of Estrella Roja is my YA debut, I’ve been a big fan of YA graphic novels for years. I think YA is such fertile ground for great storytelling, because of how intense things can feel at that age, you’re on the cusp of adulthood, figuring out what type of person you are/want to be and where you fit in the world. Then throw in queerness, which adds a whole other layer to the experience. As a queer cartoonist creating work for young people (and everyone, really!) during this distressing era of book bans, creating and supporting authentic and diverse queer stories feels more important than ever. 

I’ve been fascinated by color since childhood. I am not a very talkative person by nature and have always found that I communicate well through my illustrations. I have worked both as an illustrator and graphic designer. Through combining illustration with design, I learnt that I have the knack for distilling a complex idea into a simple image, or series of images. My illustrations combine visual trickery with simplicity, designed to make you think and smile. When my children were young, I decided to create picture books like this. The books in this list do the same. I hope you enjoy them!