Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I walked away from reading this book with my imagination completely on fire. I can promise you’ll never look at wax quite the same after reading this book. It takes the pollution of a post-industrial world but filters the premise through magic and god wars. The politics are juicy and the characters come from all walks of life.
"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . .
The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir.
Fer over ten years I skippered a small book publishing company. During them years I inspected countless book proposals, most which got tossed overboard. I kin quickly gauge whether a manuscript be ripe fer publication. I bring that same skill ter reading YA and middle grade fiction. Ter be honest, it be a good deal easier ter judge the work of others than write great ficiton. But since “voice” be the reflection of the author’s soul, it helps ter know that those who be crafting the tales ‘ave thar moral compass aligned ter true north. These four authors be stand up in my book.
I read this book years ago after a writer's conference and it stuck with me. The three characters have to choose between doing what’s right, which will put them in danger, or keeping quiet, which may save their lives. It’s a gritty theme for early YA readers but one I think that’s more important today than ever before. Normally I wouldn’t recommend two titles by the same author but it’s hard to find contemporary YA boy books that treat young men with respect. Tim’s books present an accurate portrait of how the boys I know roll. Tempted and sometimes fallen, but always stepping up to do the right thing. The boys in Tim’s book serve as good role models… eventually.
"Like many a crackerjack thriller, this one boasts a breakneck beginning...Rarely are kids in thrillers portrayed this realistically...Deliberate, plausible, and gritty whodunit."
-Booklist Starred Review
Telling the Truth Could Get Them Killed. Remaining Silent Could Be Worse.
When Cooper, Hiro, and Gordy witness a robbery that leaves a man in a coma, they find themselves tangled in a web of mystery and deceit that threatens their lives. After being seen by the criminals-who may also be cops-Cooper makes everyone promise never to reveal what they have seen. Telling the truth could kill them. But remaining silent means an innocent man…
I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.
Although this novel isn’t about a historical biblical woman, both the setting and the premise bring the latter half of the New Testament to vibrant life. In Corinth of the first century, a girl thief is befriended by a Jewish teacher named Paul, leading us into a fast-paced story of action and intrigue. Afshar’s novels brim with authentic historical detail as well as great empathy for what it meant to be a woman in this time in history. Turning the last page of the story, I felt like I’d lived and breathed alongside this long-ago woman.
First-century Corinth is a city teeming with commerce and charm. It’s also filled with danger and corruption―the perfect setting for Ariadne’s greatest adventure.
After years spent living with her mother and oppressive grandfather in Athens, Ariadne runs away to her father’s home in Corinth, only to discover the perilous secret that destroyed his marriage: though a Greek of high birth, Galenos is the infamous thief who has been robbing the city’s corrupt of their ill-gotten gains.
Desperate to keep him safe, Ariadne risks her good name, her freedom, and the love of the man she adores to become her father’s…
I've steeped myself in the world of entertainment journalism since high school—writing music reviews, interviewing musicians, hanging out with actors, wandering backstage on shows as varied as Law & Order and Another World—and it was time to do what everyone says authors should do: Write what you know. I have a great admiration (and some criticism) for soaps and reality TV shows, but I recognize the ways in which they appeal to us like no other entertainment—they get us involved. They make us want to be part of the story, and the best ones convince us (especially those reality TV shows) that we are part of their incredible worlds.
I have a soft spot for charming con men, and inSpirit Thiefwe meet one of the best. Not only is Eli Monpress a wizard, he's the greatest thief ever. Thief is just the first in a series of Eli Monpress/Spirit novels, and I've only read the first one thus far. But it's a light-as-air confection that manages to unspool one single caper over the course of a full novel while still keeping things fast-paced, with an ensemble of colorful, fully-realized characters. Aaron manages a balancing act with this kind of character that I'm still working on mastering.
Eli Monpress is talented. He's charming. And he's a thief.
But not just any thief. He's the greatest thief of the age -- and he's also a wizard. And with the help of his partners -- a swordsman with the most powerful magic sword in the world but no magical ability of his own, and a demonseed who can step through shadows and punch through walls -- he's going to put his plan into effect.
The first step is to increase the size of the bounty on his head, so he'll need to steal some big things. But he'll start…
I’ve always been drawn to stories that feature mysterious locales and secret objects and strange or magical occurrences, so books with these elements—particularly when the main characters in the books are young people learning about themselves and the world around them—are often very satisfying to me. There’s something naturally engaging, I believe, in tales where someone is thrust into a disorienting situation and has to make sense of the uncertainty he or she faces. The books I’ve written for young readers all tend in this direction, and so I’m always on the hunt for stories along these same lines.
This humorous, intelligent tale—about a diplomat’s son who befriends a troupe of young pickpockets in early-‘60s Marseilles—is a brisk read by a writer who cares as much about the rhythm of his sentences as he does the arc of his story. Before our hero knows it, he’s caught up in a life of excitement that begins to make sense to him—until it doesn’t. Full of surprises, including one that walloped this reader as much as it does the main character, this novel navigates a shadowy and unexpected world where young teens talk like seasoned criminals, and friendship itself is a risky proposition.
From the creators of the New York Times bestselling Wildwood Chronicles comes an original, humorous, and fast-paced middle grade novel about a band of child pickpockets—imagine The Invention of Hugo Cabret meets Oliver Twist.
It is an ordinary Tuesday morning in April when bored, lonely Charlie Fisher witnesses something incredible. Right before his eyes, in a busy square in Marseille, a group of pickpockets pulls off an amazing robbery. As the young bandits appear to melt into the crowd, Charlie realizes with a start that he himself was one of their marks.
I’ve been a longtime reader of romantic historical and fantasy fiction, and I love to see positive queer representation in those genres. Regardless of who we love, we all need a little escapism in our lives, and it’s even better when it has heart and depth as well as romance and humor and happy ever afters (and plenty of plot). My favorite relationship dynamic is not quite enemies-to-lovers and not quite opposites-attract…it’s more direct-vs-sneaky. I hope you enjoy my five favorites in this very specific niche!
You’d be forgiven for thinking the ex-highwayman is the sneaky character in this one. Still, in fact, it’s the aristocrat with the outlandish plan to rob his own father (or perhaps it’s not so strange that the reformed working-class shlub is more honest than the privileged rich man!).
Percy is very upfront about one thing: his attraction to the sober coffee purveyor, the Kit of the title, who reluctantly agrees to teach him stand-and-delivery tactics. This makes for a funny and refreshing dynamic between the leads. I find it an enjoyable light read with a great deal of heart.
"The Queer Principles of Kit Webb kept me up all night! I simply couldn’t put it down."— Tessa Dare, New York Times bestselling author
“Sharp, smart, and oh-so-swoony, The Queer Principles of Kit Webb reminds me that Cat Sebastian is an author at the absolute top of her game.”— Rachel Hawkins, New York Times bestselling author
Named one of Goodreads "Readers' Top 100 Romances of 2020-2022"
Critically acclaimed author Cat Sebastian pens a stunning historical romance about a reluctantly reformed highwayman and the aristocrat who threatens to steal his heart.
Kit Webb has left his stand-and-deliver days behind him. But…
I’m a middle school librarian, former language arts teacher, and middle grade author. I have a passion for all things literary, especially as they relate to kids in grades 5-8. I also grew up in New Jersey, so I come by my fascination with the Mob as a result of proximity. What I enjoy most about books about criminals is the moral gray area that some criminals exist in. They’re doing bad things—robbing banks, selling stolen goods, killing people—but their hearts are pulling them in another direction. Middle school kids also feel that tug of moral dilemmas, figuring out what is just and unjust, and I love to help them wrestle with those ideas.
Loot is a really fun book about kids for whom thievery runs in the family. Twelve-year-old March sees his father die during a heist, and now March is on a mission to find the precious stones that will reverse the curse on his family. On the way, he meets the twin sister he never knew he had, and together, they set out to find the jewels. What I love most about this book is that March is kind of an anti-hero. He’s not the all-around good guy that readers find in so many middle grade books. He loves being a thief and wants to carry on his father’s legacy. But, of course, March is a great kid at heart, and I couldn’t help but root for him all the way through this maze of a mystery.
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"LOOT hits the jackpot." -- Rick Riordan, #1 New York Times bestselling author
On a foggy night in Amsterdam, a man falls from a rooftop to the wet pavement below. It's Alfie McQuinn, the notorious cat burglar, and he's dying. As sirens wail in the distance, Alfie manages to get out two last words to his young son, March: "Find jewels."But March learns that his father is not talking about a stash of loot. He's talking about Jules, the twin sister March never knew he had. No sooner than the two find each other, they're picked up by the police…
I love the psychology behind a good con. Con artists are the ultimate anti-heroes - masterful manipulators and highly observant, but unscrupulous at heart. And after reading a GQ article on “real-life superheroes” – people who dress up in homemade costumes and patrol their neighborhoods – I became fascinated by that psychology, too. Las Vegas is the capital of con and Cons—a unique city bursting with swindlers and cosplayers decked out in full regalia. What better place to set a crime novel? And thus—voila—Con Me Once was born.
If you’re burned out from all that darkness, this book takes a more lighthearted approach to the classic Vegas con novel and features another mainstay of Las Vegas entertainment – the magician. It’s not haute literature—it got mixed reviews– but it’s also a fast, fun read with a great audio version, if you prefer. It’s part of a globetrotting series with stops in Amsterdam, Paris, Venice, and Berlin, featuring thief/magician/crime novelist Charlie Howard and his literary agent, Victoria.
Chris Ewan's The Good Thief's Guide to Vegas is the next caper in a series that’s being called “impressive… comic…fresh” (Publishers Weekly--starred review). Charlie Howard isn’t only a part-time crime writer and part-time thief; he’s also a magician. For his next trick, he’ll relieve Josh Masters, the famous illusionist vying for the affections of Charlie’s friend Victoria, of $60,000 in casino chips stashed in his hotel safe.
Revenge would be sweet—if there weren’t a dead redhead floating in Masters’ bathtub and if Masters hadn’t just disappeared in a puff of smoke after cheating at roulette. Convinced that Charlie was in…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
From the start, the reader can’t help but notice a tower looming in the distance.
The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.
For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.
In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone…
Nishimura is a seasoned pickpocket, weaving through Tokyo's crowded streets, in search of potential targets. He has no family, no friends, no connections ...But he does have a past, which finally catches up with him when his old partner-in-crime reappears and offers him a job he can't refuse. Suddenly, Nishimura finds himself caught in a web so tangled and intricate that even he might not be able to escape. Taut, atmospheric and cool, The Thief will steal your breath away.
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I had frequently heard stories through the New York City history grapevine about the 19th-century Jewish crime boss Mrs. Mandelbaum, but only in a shallow way. That’s why I found it a real treat to read a detailed book about her life and the extraordinary ways in which she pilfered diamonds, silk, and other sought-after Gilded Age goodies.
I was most fascinated by the way Margalit Fox laid out her gang’s intricate methods of robbing banks, including the diagrams that brought these actions to life. Mandelbaum’s demise at the end of the book is surprisingly touching.
America’s first great organized-crime lord was a lady—a nice Jewish mother named Mrs. Mandelbaum.
“A tour de force . . . With a pickpocket’s finesse, Margalit Fox lures us into the criminal underworld of Gilded Age New York.”—Liza Mundy, author of The Sisterhood
In 1850, an impoverished twenty-five-year-old named Fredericka Mandelbaum came to New York in steerage and worked as a peddler on the streets of Lower Manhattan. By the 1870s she was a fixture of high society and an admired philanthropist. How was she able to ascend from tenement poverty to vast wealth?
