I am a scholar of European history who spent the last twenty years studying how minorities relate to each other and how their efforts to communicate their silenced histories are entwined. I remain fascinated by the many ways we think we know—and so frequently fail—to grasp the suffering and ambitions of others. All of this makes me ultimately a historian of the hidden stories of marginalized people and of the struggle to document and understand them.
Leff’s book is the story of a Polish-born historian of French Jewish history who first salvaged lost documents after the Holocaust before eventually coming to steal and resell them to US and Israeli libraries and archives.
A great read, the book is the best kind of biography: it offers a vivid image of a largely forgotten group of post-Holocaust scholars and raises big questions about who has the right to own historical documents and the way their assembly determines what we know about the past.
I found this book inspiring because it shows how exciting a story about archives and the making of history can be.
Born into poverty in Russian Poland in 1911, Zosa Szajkowski (Shy-KOV-ski) was a self-made man who managed to make a life for himself as an intellectual, first as a journalist in 1930s Paris, and then, after a harrowing escape to New York in 1941, as a scholar. Although he never taught at a university or even earned a PhD, Szajkowski became one of the world's foremost experts on the history of the Jews in modern France, publishing in Yiddish, English, and Hebrew. His work opened up new ways of thinking about Jewish emancipation, economic and social modernization, and the rise…
I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side.
Right away, I really loved the musical connection for the male lead’s side. He and his siblings are named after musicians, and I’m big on character names and I adored that element. Not to mention I’m a huge Swiftie and I peeped the title reference right away. Hendrix or “Drix” is recently released from juvie for a crime he did not commit and is inducted into a program aiming to give young offenders second chances and rehabilitate them, sponsored by the governor. And who does he meet while doing press releases for this program? The governor’s daughter Elle! This forbidden element had me engrossed immediately. I loved the idea of Drix being off-limits for Elle, but him being the only person she could be herself with and open up to!
CONVICTED OF A CRIME HE DIDN’T COMMIT, Drix thought his life was over. But the opportunity to get his life on track came with the Second Chance Program, the governor’s newest initiative to get delinquents off the streets and back into society. Now he’s the program’s poster child.
ELLE, THE GOVERNOR’S DAUGHTER, knows she lives a life of privilege. But the expectations and pressure may be too much to handle. She wants to follow her own path, whatever that means.
THEIR CONNECTION IS IMMEDIATE, and so are their problems. Drix is not the type of boy Elle’s parents have in…
I started out my writing career in romance and romantic suspense but discovered my humor gene when I wrote my first chick lit novel. Who knew I could write humor? Certainly not me! I bungle every joke I’ve ever tried to tell. But suddenly humor was flowing from my fingertips onto my computer screen. Seeing this new side to my writing, my agent suggested I try my hand at a humorous cozy mystery. Suddenly I found my true calling. I left the world of romance behind and settled into the world of murder and mayhem, complete with a large dollop of laughter.
When it comes to absurdist humor, this book is a standout. I couldn’t stop laughing, beginning with the first page. Jane Delaney is known as the Death Diva. Her freelance business provides services that range from scattering loved one’s ashes to tasks that…well, let’s just say she’s got the oddest profession of any amateur sleuth I’ve ever come across, not to mention the most unusual sidekick, a neurotic poodle named Sexy Beast who plays Watson to Jane’s Sherlock. The first-person narrative comes alive with Jane’s delicious self-deprecating sense of humor and makes for the absolute best in escapist reading as Jane takes you on a hilarious journey on the road to whodunnit.
Jane Delaney does things her paying customers can’t do, don’t want to do, don’t want to be seen doing, can’t bring themselves to do, and/or don’t want it to be known they’d paid someone to do. To dead people.
Life gets complicated for Jane and her Death Diva business when she’s hired to liberate a gaudy mermaid brooch from the corpse during a wake—on behalf of the rightful owner, supposedly. Well, a girl’s got to make a living, and this assignment pays better than scattering ashes, placing flowers on graves, or bawling her eyes out as a hired mourner. Unfortunately…
Pet is so cunningly written, the plot so enticing, the insight into the power a charismatic teacher can wield over young students so strong that I was hooked from the first page.
It’s “beautifully written,” but there’s nothing highfalutin about it. It’s a true psychological thriller, as suspenseful as they come, featuring children manipulated into twisted, dangerous relationships with each other. It’s also “literary,” and I put that in quotes because “literary” is a word that makes my heart sink. To me, it suggests a book that is somehow fancy, chilly, too oblique to draw the reader in. Pet may be “literary,” but it’s also irresistible, with characters we care about and yearn to help. It’s a book that goes by too fast, a book to read twice.
Like every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher, and longs to be her pet. However, when a thief begins to target the school, Justine's sense that something isn't quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Young as she is, Justine must decide where her loyalties lie.
Set in New Zealand in 1984 and 2014, and probing themes of racism and misogyny, Pet is an elegant and chilling psychological thriller by the…
What can I say? I am a huge fan of Lou
Berney's writing style. I first discovered him on audio with November Road.
This book (paperback), while a completely different timeline and setting, had a
similar cadence, with what I like to call a "slow burn build" as we
gradually get to know the story behind the stories. Simply brilliant. If you
haven't discovered Lou Berney yet, you're in for a treat.
WINNER OF THE EDGAR AWARD, THE MACAVITY AWARD, THE ANTHONY AWARD, AND THE BARRY AWARD FOR BEST PAPERBACK ORIGINAL NOMINATED FOR THE 2015 LA TIMES BOOK PRIZE With the compelling narrative tension and psychological complexity of the works of Laura Lippman, Dennis Lehane, Kate Atkinson, and Michael Connelly, Edgar Award-nominee Lou Berney's The Long and Faraway Gone is a smart, fiercely compassionate crime story that explores the mysteries of memory and the impact of violence on survivors-and the lengths they will go to find the painful truth of the events that scarred their lives. In the summer of 1986, two…
The Japanese mystery scene is packed with incredibly imaginative and original puzzlers, and Yukito Ayatsuji is one of the best in the business.
Astonishingly, this is only his second book to appear in English (after the equally amazing The Decagon House Murders), and it’s a tour-de-force of a country house mystery featuring gruesome murders, masked men, and a masterfully handled dual timeline.
A twisty and ingenious classic Japanese murder mystery from the author of The Decagon House Murders
Every year, a small group of acquaintances pay a visit to the remote, castle-like Mill House, home to the reclusive Fujinuma Kiichi, son of a famous artist, who has lived his life behind a rubber mask ever since a disfiguring car accident. This year, however, the visit is disrupted by gruesome murder, a baffling disappearance and the theft of a priceless painting.
The brilliant Kiyoshi Shimada arrives on the scene, but as he investigates the seemingly impossible events of that evening, death strikes again,…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
In 1993, a gang of thieves got away with $7 million in a heist at a Brink’s depot in Rochester, N.Y – and the bulk of it has never been recovered.
The cast of characters includes a former I.R.A. man who’d done prison time in Northern Ireland, an activist priest, an ex-cop who became a suspect, and a charismatic prizefighter whose dismembered body was found in Lake Ontario.
I liked this because at the center of it all is the lingering question of whether the missing money ended up with the Irish Republican Army.
On a freezing night in January 1993, masked gunmen walked through the laughably lax security at the Rochester Brink's depot, tied up the guards, and unhurriedly made off with $7.4 million in one of the FBI's top-five armored car heists in history. Suspicion quickly fell on a retired Rochester cop working security for Brinks at the time-as well it might. Officer Tom O'Connor had been previously suspected of everything from robbery to murder to complicity with the IRA. One ex-IRA soldier in particular was indebted to O'Connor for smuggling him and his girlfriend into the United States, and when he…
While The Hills of Estrella Roja is my YA debut, I’ve been a big fan of YA graphic novels for years. I think YA is such fertile ground for great storytelling, because of how intense things can feel at that age, you’re on the cusp of adulthood, figuring out what type of person you are/want to be and where you fit in the world. Then throw in queerness, which adds a whole other layer to the experience. As a queer cartoonist creating work for young people (and everyone, really!) during this distressing era of book bans, creating and supporting authentic and diverse queer stories feels more important than ever.
Elle’s had a crush on her elusive classmate Madeline for ages, and when she runs into her at the party she and her bestie crash, she’s ecstatic to finally get the chance to chat Madeline up. Unfortunately, she drinks too much and ends up back at her apartment the next morning with a bad hangover and a bag full of stolen expensive trinkets.
Somehow this accidental theft ends up bringing her and Madeline, who has quite a few secrets of her own, closer together. Reverse heist hijinks, going to too many parties, smooching, and self-discovery ensue.
Lucie Bryon’s art is expressive and lively, and the characters feel like real teens—big crushes, bad decisions, and all.
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What is this book about?
What happened last night? Ella can't seem to remember a single thing from the party the night before at a mysterious stranger's mansion, and she sure as heck doesn't know why she's woken up in her bed surrounded by a magpie's nest of objects that aren't her own. And she can't stop thinking about her huge crush on Madeleine, who she definitely can't tell about her sudden penchant for kleptomania. But does Maddy have secrets of her own? Can they piece together that night between them and fix the mess of their chaotic personal lives in time to form a…
I have been reading cozy mysteries since I was 8 years old. That’s over fifty years now, and I love, love, love them. Partly it’s the history: the setting and era so different from my own, and partly it’s the mystery element, I love to try to get to the answer before the sleuth, so that I can nod sagely and say, ‘I thought so.’ It’s also about people going through tough times, and seeing how those times can make or break them. I relate so much to their struggles with everyday life, and trying to fit an investigation around romance or vice versa, often during wartime.
The strengths of Wentworth’s books lie in the portrayal of the era, and in the characters who are forced to find their way through unfamiliar and difficult circumstances. They are not all wealthy, they are not all high-born, and we watch them as they try to adapt to wartime conditions and deprivations.
Wentworth’s mysteries are fascinating, clever, with the protagonist Miss Silver, a spinster who is a professional ‘private enquiry agent’. The Listening Eye, I feel, contains some of the most acute observations of human nature, and this makes the characters just seem so relatable. Wentworth books are ‘clean’ mysteries with a strong thread of romance, little gore, no bad language, or sexy shenanigans.
No one would ever have guessed that Paulina Paine was deaf, and that her ability to lip-read was astonishing. So the two men who met one day during the showing of a new art exhibition did not realise until too late that the middle-aged tweedy figure sitting out of earshot could understand every word they said. And it had been no ordinary conversation. In fact, Paulina was so shaken by its implications that she went to see Miss Silver straight away.
As the violence escalates, Miss Silver finds herself at a very tense house party where all the guests are…
I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.
Edward Bunker didn’t just talk the talk, he walked the walk, spending over 25 years in prison for various crimes including armed robbery.
That experience of life in and out of prison meant he knew exactly what he was writing about and the authenticity drips from the page.
No Beast So Fierce is a blistering tale about an ex-con trying his damndest to go straight while the pull of the criminal life tugs harder and harder at him.
It captures that life in all its rawness and brutality. Not an easy read, it’s not for the faint-hearted.
Quentin Tarantino was such a fan of the book he gave Edward Bunker the role of Mr. Blue in his movie, Reservoir Dogs.
'No beast so fierce but knows some touch of pity' - Richard III, Act 1, Scene 2
An angry and mercilessly suspenseful novel about an ex-con's attempt to negotiate the "straight world" and his swan dive back into the paradoxical security of crime. It is airtight in its construction, almost photorealistic in its portrayal of L.A. lowlife and utterly knowledgeable about the terrors of liberty, the high of the quick score and the rage that makes the finger tighten on the trigger of the gun.
No Beast So Fierce was Eddie Bunker's debut novel and has the searing intensity of…
