I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
This classic novel about struggling for redemption after a horrific crime affected me deeply. Raskolnikov’s poverty and radical ideology drive him to robbery and murder.
As a lapsed Catholic, I was gripped by Dostoevsky’s rich exploration of why Raskolnikov did it, examining altruistic Christian ideals alongside new and dangerous notions about the prerogatives of “exceptional” men. The novel virtually invented the crime drama, with the original troubled killer pursued by the original wily detective.
The cast of characters, from the sympathetic Sonya, whose religious faith moves Raskolnikov, to the unscrupulous Svidrigaylov, who embodies irredeemable depravity, is as rich as the play of ideas and the dramatic tension. Powerful on every level.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I’m fascinated by novels that treat famous real events from an insider perspective.
In this case, it’s the events following the Symbionese Liberation Army’s kidnapping of Patty Hearst in 1974. Fugitive SLA members, including a character based on Hearst, are sheltered by a former radical, Jenny Shimada (based on Wendy Yoshimura), who is also wanted by the FBI in connection with the bombing of draft offices.
Jenny is a sort of house mother to the volatile fugitives, who hope to write a book while in hiding to raise money for their cause, but inevitably she is drawn into their latest dangerous scheme. Filled with brilliant character studies, the novel astutely shows connections between the tortured personalities of individuals and the public acts they commit which end up shaping our culture.
A fictionalization of the Patty Hearst kidnapping focuses on Jenny Shimada, a Japanese-American woman who helps Pauline and her kidnappers during their stay in a New York State farmhouse.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
This is a beautifully written psychological thriller.
At a high school reunion, a polite invitation between old friends—Elise, a successful actor, invites Abby, who is floundering, to visit her in LA—spirals into Abby’s attempt to infiltrate the star’s life. The novel fearlessly plumbs the mysteries and complications of friendship and shows how misguided impulses can gradually take over our psyches.
I’m a fan of big endings, and this novel’s final paragraphs, which cap Abby’s disturbed yet compelling emotional journey, are stunners.
'Acampora is an original' Jay McInerney, author of Bright Lights, Big City
An electrifying debut novel of two women's friendship, a haunting obsession and twisted ambition, set against the feverish backdrop of contemporary Hollywood.
Abby Graven is a dreamer. She dreams her way through her small, lonely life - hiding back at her parents, working at the grocery store. At night, she collects tabloid clippings that taunt her with Elise - her best friend, now Hollywood's hot new starlet.
When a school reunion throws Elise in her path, Abby seizes her chance. With feverish certainty, she boards a one-way flight…
Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.
He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.
Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.
Really, no American writer is better than Whitehead right now. A fun and profound ride.
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle).
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents…
Tandem starts with a horrible tragedy—the deaths of a couple on a tandem bicycle, who are hit by a drunk driver. The driver, Mike Kovacs, an econ professor at the local college, is remorseful, appalled at what he has done. But realizing no one has seen him, Mike cleans up the crime scene, hoping to avoid prison. Threaded with dark humor arising from Mike's endless attempts to absolve himself of his terrible crime, Tandem is a gripping psychological novel about the lies we tell ourselves, the bonds of marriage, and the possibility of redemption.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
