When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This novel, besides having a gorgeous cover, offers a sneak peek through the window into the lives of professional dancers at the Paris Opera Ballet.
It follows three young women from their days as students into adulthood. The plot has many twists and turns, but it is primarily a novel about female relationships in the cutthroat world of professional ballet.
Thirteen years ago, Delphine Leger abandoned her prestigious soloist spot at the Paris Opera Ballet for a new life in St. Petersburg -- taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now thirty-six years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career -- and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets…
I have always been drawn to the weird, fantastic, supernatural, and unexplained. Whether it’s film or TV (The Twilight Zone, the X-files, Ingmar Bergman) or gothic and speculative literature, I become mesmerized by the mysteries involved. I have written 10 books (poetry and fiction). Of the fiction, most is either speculative, as in magical realism, or somewhat gothic in nature. My newest novel, due out in 2025, is pure gothic and takes place in a haunted abbey inhabited by ghosts and the devil himself. And yet, behind it all is an exploration of human faith and frailty and a search for answers about our beliefs.
Like Kafka, Nikolai Gogol explores the human condition in new ways, new for his time period, that is. He speaks of social inequality and the desire and often inability of late 19th-century Russians to climb the social ladder. He dazzles with his approach to literature and, again, makes you think. He is another one of my influences.
Nikolai Gogol's short fiction, collected here as The Diary of a Madman, The Government Inspector and Selected Stories, deeply influenced later Russian literature with powerful depictions of a society dominated by petty bureaucracy and base corruption. This Penguin Classics edition is translated with notes by Ronald Wilks, and an introduction by Robert A. Maguire.
This volume includes a selection of Gogol's most admired short fiction and his most famous drama. A hilarious and biting political satire, 'The Government Inspector' has been popular since its first performance and was regarded by Nabokov as the greatest Russian play ever written. The stories…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
This is a great anthology in the City Picks series, with lots of different literary and essayistic texts about St Petersburg, including recent and offbeat ones as well as the classics. You can get lost in the place even if, for the moment, you can’t travel there!
'Floating, lyrical, miraculous Petersburg ... Here's beauty built on bones, classical facades that cradled revolution, summers that lie in the cup of winter' - Helen Dunmore, The Siege Malcolm Bradbury guides us to the Hermitage Anna Pavlova describes her school days Vladimir Nabokov re-lives a Petersburg winter Helen Dunmore plunges us into the worst of times Serge Dovlatov shows some 'different' Petersburg film-making Dmitry Shostakovich reveals a musical secret Truman Capote takes Porgy and Bess to the Soviets Nikolai Gogol walks us down Nevsky Prospekt J.M.Coetzee reimagines Dostoyevsky ... over sixty writers on one of the world's most fascinating and…
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
I grew up speaking Russian with my grandparents and always yearned to read classic Russian literature in the original. Perhaps it was my great love for those grandparents or the stories they told that led me to major in Russian at Yale University. Like any translated work, Russian literature loses something in translation. Still, it gains something, too, effectively juxtaposing a culture that is neither Eastern nor Western yet entirely alien to most of us today.
Satire, dark humor, and perfect pacing make this story a laugh-out-loud work, at least to me. Despite being ridiculous, its delivery is straight-faced, which at least makes the humor and the social commentary all the more powerful. The gritty reality of Russia in the age of tsars is so palpable you can taste it, and so is the humor.
'Strangely enough, I mistook it for a gentleman at first. Fortunately I had my spectacles with me so I could see it was really a nose.'
With this pair of absurd, comic stories Gogol indulges his imagination and delights readers.
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe.…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
Set in 1820s Russia, Eugen Onegin is a novel written in verse, a story about love, loss, and repentance, where bored, superfluous Onegin lives to regret his rejection of the shy young dreamer Tatyana and to feel remorse for his fatal duel with his best friend Lensky. Eugene Onegin is the masterwork of Pushkin, whom Russians regard as the fountainhead of their literature, and is an amazingly engaging piece of writing, ironic and passionate, full of suspense, and rampant with political satire and philosophical digressions that make for the most beautiful read. Honestly, I never thought I would fall so hard for a novel written in another language and in verse.
Widely acknowledged as the master work of the fountainhead of Russian literature, "Eugene Onegin" is a novel in verse, first published serially in 1825. This work, comprised of 389 verses, follows the destinies of three men and three women in imperialist Russia. Eugene is a dandy bored with the social whirl of St. Petersburg, and in moving to the country for a change of scene, he becomes the friend of the poet Lensky, changing their fates dramatically. "Eugene Onegin" is narrated by Pushkin himself, though an idealized version who frequently yet entrancingly digresses in the midst of the beauty Tatyana's…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
It’s hard these days to get a sense of what Leningrad looked like back in the 1960s and 1970s, and these photographs are also a tribute to the alternative art of that era: grainy black-and-white-images of stray dogs on rubbish tips, drunks in backyards, dilapidated façades stretching along the eerie silver of canals. The photographers included (such as Boris Smelov, Lev Zviagin, Slava Mikhailov, Boris Kudryakov and Olga Korsunova) aren’t nearly as well-known as they should be, and are as interesting in their way as the ubiquitous Boris Mikhailov. For a comparable figure who isn’t included in Val’ran’s book because her work was only discovered recently, see this site with Masha Ivashintsova’s work, curated by her daughter.
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There has been a revival of the study of the Russian experience in World War I over the last twenty-five years. Much of this can be explained by the opening of archives after 1991 and by the centennial of the war in 2014-2018. But the publication of this book was also enormously important. It recast the impact of the war by focusing on the experience of regular individuals rather than Petrograd elites and labor leaders. It also highlighted the massive scale of social dislocation – more than six million uprooted Russian subjects in all.
". . . a signal contribution to a growing literature on a phenomenon that has become tragically pervasive in the 20th century. . . . This highly original account combines exemplary empirical research with the judicious application of diverse methods to explore the far-reaching ramifications of 'a whole empire walking.'" -Vucinich Prize citation
"An important contribution not only to modern Russian history but also to an ongoing repositioning of Russia in broader European and world historical processes. . . . elegantly written . . . highly innovative." -Europe-Asia Studies
Drawing on previously unused archival material in Russia, Latvia, and Armenia…
Benioff brilliantly built the desperation during WWII through a bizarre task commanded by an NKVD officer to the protagonist and his sidekick: finding eggs for his daughter's birthday party. The book is packed with emotional roller coasters. I laughed and cried so hard, following Lev and Kolya’s journey. It’s one of my favorite WWII historical fiction.
From the critically acclaimed author of The 25th Hour and When the Nines Roll Over and co-creator of the HBO series Game of Thrones, a captivating novel about war, courage, survival - and a remarkable friendship that ripples across a lifetime.
During the Nazis' brutal siege of Leningrad, Lev Beniov is arrested for looting and thrown into the same cell as a handsome deserter named Kolya. Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
You can’t understand modern St Petersburg without an awareness of its wartime history, and among many searing accounts of the Siege of Leningrad, this has the greatest philosophical depth. The translation by Alan Myers is excellent, and there are helpful notes by Emily van Buskirk.
The 900-day siege of Leningrad (1941-44) was one of the turning points of the Second World War. It slowed down the German advance into Russia and became a national symbol of survival and resistance. An estimated one million civilians died, most of them from cold and starvation. Lydia Ginzburg, a respected literary scholar (who meanwhile wrote prose 'for the desk drawer' through seven decades of Soviet rule), survived. Using her own using notes and sketches she wrote during the siege, along with conversations and impressions collected over the years, she distilled the collective experience of life under siege. Through painful…
