Narrative history isn’t about dates, kings, and queens. It’s about deeds, actions, experiences, decisions of people great and small. It’s about putting the reader in the middle of a drama and watching events unfold around them as if they were there so they can understand, observe, and perhaps ask: what would I have done? The best history writing shouldn’t just inform, but inspire you, make you feel: laugh, cry, feel angry, flinch at horrific sights, cheer the heroes, boo the villains, because history is made by ordinary people, good and bad, who possess many similar traits to the reader.
I’m an Eastern Front buff—especially the beginning of the war and its end. And this is the very best book on the first six or so months of the titanic clash between Hitler and Stalin. Robert Kershaw is one of the best (largely) WW2 historians because he gives the ordinary soldier a voice. There are other books that go into greater detail on specific actions, and it is more German than Russian focused, but for an overview from Leningrad to the Crimea, with the emphasis on the Moscow axis, it’s the best general read by some distance.
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There has been a revival of the study of the Russian experience in World War I over the last twenty-five years. Much of this can be explained by the opening of archives after 1991 and by the centennial of the war in 2014-2018. But the publication of this book was also enormously important. It recast the impact of the war by focusing on the experience of regular individuals rather than Petrograd elites and labor leaders. It also highlighted the massive scale of social dislocation – more than six million uprooted Russian subjects in all.
". . . a signal contribution to a growing literature on a phenomenon that has become tragically pervasive in the 20th century. . . . This highly original account combines exemplary empirical research with the judicious application of diverse methods to explore the far-reaching ramifications of 'a whole empire walking.'" -Vucinich Prize citation
"An important contribution not only to modern Russian history but also to an ongoing repositioning of Russia in broader European and world historical processes. . . . elegantly written . . . highly innovative." -Europe-Asia Studies
Drawing on previously unused archival material in Russia, Latvia, and Armenia…
As a kid I read every popular math book I could lay my hands on. When I became a mathematician I wanted to do more than teaching and research. I wanted to tell everyone what a wonderful and vital subject math is. I started writing popular math books, and soon was up to my neck in radio, TV, news media, magazines... For 12 years I wrote the mathematical Recreations Column for Scientific American. I was only the second mathematician in 170 years to deliver the Royal Institution Christmas Lectures, on TV with a live tiger. The University changed my job description: half research, half ‘outreach’. I had my dream job.
I was given this book when I was about 15, and devoured it. It is an eclectic collection of mathematical paradoxes, fallacies, and curiosities so strange that they seem impossible. Mathematical magic tricks, a proof that all numbers are equal, a proof that all triangles are isosceles, a curve whose length is infinite but whose area is finite, a curve that crosses itself at every point, a curve that fills the interior of a square. Infinities that are bigger than other infinities. The Saint Petersburg Paradox in probability, a calculation that you should pay the bank an infinite amount of money to play one fair coin-tossing game. The smallest number that cannot be named in fewer than thirteen words (which I’ve just named in twelve words).
Two fathers and two sons leave town. This reduces the population of the town by three. True? Yes, if the trio consists of a father, son, and grandson. This entertaining collection consists of more than 200 such riddles, drawn from every branch of mathematics. Math enthusiasts of all ages will enjoy sharpening their wits with riddles rooted in areas from arithmetic to calculus, covering a wide range of subjects that includes geometry, trigonometry, algebra, concepts of the infinite, probability, and logic. But only an elementary knowledge of mathematics is needed to find amusement in this imaginative collection, which features complete…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This novel, besides having a gorgeous cover, offers a sneak peek through the window into the lives of professional dancers at the Paris Opera Ballet.
It follows three young women from their days as students into adulthood. The plot has many twists and turns, but it is primarily a novel about female relationships in the cutthroat world of professional ballet.
Thirteen years ago, Delphine Leger abandoned her prestigious soloist spot at the Paris Opera Ballet for a new life in St. Petersburg -- taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now thirty-six years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career -- and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets…
I tend to see the events that affect people and countries in the shape of a narrative. Is it any wonder then that I would try my hand at literary fiction, which confers wholeness to stories of turmoil and division? I think not. Finally settling into historical fiction as if I’d found my true home came as a welcome surprise. Without sounding grandiose, it didn’t hurt to be born and raised in a magnificent American city built on seven hills on the edge of the Pacific with deep traditions in literature, music, the arts, and damn good drinking establishments. I wish you happy reading and the thrill of discovery.
City of Thieves occupies the top shelf in my library. Why? Is it because now I’m watching the people of Ukraine battle a merciless enemy or because David Benioff has packed a tale that swings between unlikely comrades, a tender courtship, and the Nazis’ siege of Leningrad in WWII? Maybe both answers. But I read this book years ago. The deep humanity of the story is also a thriller that made me laugh andshudder through its short length of 258 pages. It doesn’t hurt that Benioff is a gifted screenwriter, too.
From the critically acclaimed author of The 25th Hour and When the Nines Roll Over and co-creator of the HBO series Game of Thrones, a captivating novel about war, courage, survival - and a remarkable friendship that ripples across a lifetime.
During the Nazis' brutal siege of Leningrad, Lev Beniov is arrested for looting and thrown into the same cell as a handsome deserter named Kolya. Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in…
"History can become a dull and uninteresting subject, but the stories of the past are far more interesting and inspiring than the very best fiction. These stories tell us about how our world came to be, and the paths that our predecessors travelled; and they show us that, despite the decades and centuries that separate us, they were driven and inspired by the same factors that drive and inspire us today." Prit Buttar was a doctor, first in the British Army and then a GP, until retiring in 2019. Less than a year later, he volunteered to go back to work during the current pandemic.
This is an unusual book, in that it is effectively a biography of a city – known through the years first as St Petersburg, then Petrograd, then Leningrad, and now once more St Petersburg. As he tells the story of the city that Peter the Great built in a desolate swamp, Lincoln brings together many of the different strands of Russian history and the strong-willed people who tried, with varying degrees of success, to direct that history in directions of their choosing. For anyone intending to visit St Petersburg, reading this book beforehand is an absolute must – it will make the experience of being there so much more valuable. If there is a flaw, it is that Lincoln sadly died when St Petersburg was perhaps at its lowest ebb following the end of the Soviet Union; it would be fascinating to know how he would have assessed the city…
For Russians, St.Petersburg has embodied power, heroism and fortitude. It has encompassed all the things that the Russians are and that they hope to become. Opulence and artistic brilliance blend with images of suffering on a monumental scale to make up the historic persona the late W. Bruce Lincoln's lavish biography of this mysterious, complex city. Climate and comfort were not what Tsar Peter the Great had in mind when he decided to build a new capital in the muddy marshes of the Neva River delta. Located 500 miles below the Arctic Circle, this area, with its foul weather, bad…
I’ve always loved history, but there’s something extra-special about a novel that shows history and how that history is still relevant today. Dual timeline novels tell an historical event through the eyes of a character living it and through the story of a present-day character connected to that history. I'm the author of two published dual timeline novels. One of my greatest passions is to learn about the history of a place I'm visiting so that I can practically see the history all around me. I currently live near Seattle with my husband and two sons and, when I’m not writing, can be found outside walking or boating the Salish Sea.
I love a good mystery and a good story within a story. This book has both. Estranged sisters, Meredith and Nina, have never been close with their mother, Anya, until they finally have a chance to understand what made her so icy. As a deathbed promise to her husband, Anya agrees to tell their daughters her story, but it is so difficult for her that she must tell it little by little and as a fairy tale. From frozen, war-torn Leningrad to modern-day Alaska, the story changes this family forever.
For anyone who has secrets, or has someone in their life they just can’t understand, this powerful book helps you see that there is a way through. It also reminds us that everyone has a story that can thaw the hardest of hearts.
From the New York Times number one bestselling author of The Nightingale and The Four Winds, comes Kristin Hannah's haunting, heartbreakingly beautiful novel that illuminates the intricate mother-daughter bond and explores the enduring links between past and present.
Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and travelled the world to become a famous photo journalist. But when their beloved father falls ill, these two estranged women will find themselves together again, standing alongside their cold, disapproving mother,…
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
I love this book because it breathes WWII in a way I’ve never read. This book is a story about the siege of Leningrad. I loved the imagery captured by a curator of the Hermitage, skillfully interwoven with a back story in the United States.
As the Hermitage is dismantled in anticipation of the German bombs, the women commit the placement of the precious artwork to memory in images and story form. The tension rises with the scarcity of food and fuel and the loss of friends.
It is a love story told in imagery and heartbreak: an excellent emotional capture and an example for Sixty Blades of Grass.
“An extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean’s exquisite prose shimmers with a haunting glow, illuminating us to the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel.” — Chang-Rae Lee, New York Times Bestselling author of Aloft and Native Speaker
Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America,…
This
is a wonderfully lively and revealing investigation into the life and work of Anton
Chekhov. The book is also partly the
story of Janet Malcolm’s pilgrimage to the cities in Russia where
Chekhov lived and worked.
Her reading
of Chekhov’s work is complemented by events from Chekhov’s personal life and
letters. I have been a fan of Janet
Malcolm for years because I’m captivated by her searing intelligence, her keen
eye, and her ironic wit.
On her
pilgrimage to Russia, Malcolm’s complicated relationship with her controlling Russian
guide offers some truly hilarious moments.
To illuminate the mysterious greatness of Anton Chekhov’s writings, Janet Malcolm takes on three roles: literary critic, biographer, and journalist. Her close readings of the stories and plays are interwoven with episodes from Chekhov’s life and framed by an account of Malcolm’s journey to St. Petersburg, Moscow, and Yalta. She writes of Chekhov’s childhood, his relationships, his travels, his early success, and his self-imposed “exile”—always with an eye to connecting them to themes and characters in his work. Lovers of Chekhov as well as those new to his work will be transfixed by Reading Chekhov.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
