100 books like Eugene Onegin

Leo Tolstoy is considered a master storyteller with an unmatched grip on presenting the inner emotional struggles of mankind.

This novel presents the stress caused in the lives of people and society when French General and Emperor Napoleon Bonaparte attacked Russia. The book had a deep impact on future generations. I read the book in my early 30s and found it fascinating. 

I have a deep interest in the evolution and reaction of societies to crises, both natural and man-made. The discussion on leadership, whether it is by birth or upbringing, was fascinating for me. 

People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description.  It is truly unique. 

It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.

Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him.  At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.

After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her… show more.

I love Akhmatova for her talent and her immense courage. Considered to be the ‘Soul of the Silver Age,’ the greatest modernist Russian woman poet, Akhmatova was a brilliant master of conveying raw emotion in her portrayals of everyday situations. She began to write poetry at age eleven and was first published in her late teens. Her father considered this to be an unsuitable and even shameful occupation and forbade her to write using the family name so she chose the surname of her great-grandmother, Akhmatova. Her works range from short lyric love poetry to longer, more complex poems, such as Requiem, a tragic depiction of the Stalinist terror, and written as a testament to the hardship and suffering of the people during this time, particularly women whose husbands and sons were imprisoned and executed. 

This is a compilation of essays about Batuman’s experience of studying Russian literature at Stanford. Wondering about “possible methods for bringing one’s life closer to one’s favorite books,” Batuman traces the literal and figurative path of writers such as Pushkin, Tolstoy, and Babel, finding answers in their life and work while at the same time exploring their influence upon a motley group of Slavic scholars and readers.

This is an unusual book, in that it is effectively a biography of a city – known through the years first as St Petersburg, then Petrograd, then Leningrad, and now once more St Petersburg. As he tells the story of the city that Peter the Great built in a desolate swamp, Lincoln brings together many of the different strands of Russian history and the strong-willed people who tried, with varying degrees of success, to direct that history in directions of their choosing. For anyone intending to visit St Petersburg, reading this book beforehand is an absolute must – it will make the experience of being there so much more valuable. If there is a flaw, it is that Lincoln sadly died when St Petersburg was perhaps at its lowest ebb following the end of the Soviet Union; it would be fascinating to know how he would have assessed the city… show more.

Letters from Rifka is immediately appealing because the author tells us that it is based on memories.

I was immediately drawn into the story by the engaging voice of the 12-year-old narrator, who writes her story in letter form. Rifka is a Russian Jew fleeing with her family from persecution in 1919. It is a story of a desperate flight, across Ukraine and into Poland, and from there, hopefully, to America. But, so close to freedom, Rifka is detained in a hospital for contagious diseases on Ellis Island, and may not be allowed to travel on with her family. Rifka’s character is so well drawn, her impish, positive voice so lovable, that MG readers won’t fail to love this book and care deeply about the plight of people who are forced to leave their homes forever.

Suspicious of biography, Malcolm dissects various myths about Chekhov’s death in this engaging book that mixes travel writing with acute readings of Chekhov’s stories and plays. As Malcolm visits some of the places crucial to Chekhov’s life and work (the scenes in Ukraine are of course poignant), she moves seamlessly between her own everyday experiences and the predicaments of Chekhov’s characters. In amongst the despair, disappointment, and absurdity she discovers beauty, humor, and occasional visions of hope.

If you don’t find Make Russia Great Again hilarious, you have no sense of humor.

Here’s my executive summary: Former Trump Chief of Staff, a naïf named Herb Nutterman – think Chauncey Gardner without the acumen – narrates the book from prison, where his service to the very stable genius has landed him. The leader of the free world saw Nutterman as eminently qualified to run the White House because he was his “favorite Jew,” and had loyally served him for 27 years as a resort manager.

Got the gist? OK, that’s all the executive summary you need for now. Just read the book. It’s outrageously funny. 

An extraordinary, high-pitched, Munchausenesque account of a visit to only-just-post-Soviet Leningrad during an especially overheated period of recent history. Not at all like the genteel memories of champagne receptions at the Mariinsky Theatre followed by strolls down the Moika during the White Nights that one gets in other travelogues.