Here are 100 books that Eugene Onegin fans have personally recommended if you like
Eugene Onegin.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
Do I need a reason to love this book? There are too many characters, too many subplots, too many deaths, and the ruins of beloved characters. And yet, the entire picture it presents is beautiful. That is how life is– unpredictable and chaotic.
I learned a lot about war, the mentality of people who go to fight, and the mentality of the people left behind. Above all, it was such a good feeling to finish the big book–probably one of the biggest books I had read and loved!
From the award-winning translators of Anna Karenina and The Brothers Karamazov comes this magnificent new translation of Tolstoy's masterwork.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
War and Peacebroadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her…
When Sofia Behrs married Count Leo Tolstoy, the author of "War and Peace", husband and wife regularly exchanged diaries covering the years from 1862 to 1910. Sofia's life was not an easy one: she idealized her husband, but was tormented by him; even her many children were not an unmitigated blessing. In the background of her life was one of the most turbulent periods of Russian history: the transition from old feudal Russia to the three revolutions and three major international wars. Yet it is as Sofia Tolstoy's own life story, the study of one woman's private experience, that the…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
I love Akhmatova for her talent and her immense courage. Considered to be the ‘Soul of the Silver Age,’ the greatest modernist Russian woman poet, Akhmatova was a brilliant master of conveying raw emotion in her portrayals of everyday situations. She began to write poetry at age eleven and was first published in her late teens. Her father considered this to be an unsuitable and even shameful occupation and forbade her to write using the family name so she chose the surname of her great-grandmother, Akhmatova. Her works range from short lyric love poetry to longer, more complex poems, such as Requiem, a tragic depiction of the Stalinist terror, and written as a testament to the hardship and suffering of the people during this time, particularly women whose husbands and sons were imprisoned and executed.
Initially published in 1990, when the New York Times Book Review named it one of fourteen "Best Books of the Year," Judith Hemschemeyer's translation of The Complete Poems of Anna Akhmatova is the definitive edition, and has sold over 13,000 copies, making it one of the most successful poetry titles of recent years.This reissued and revised printing features a new biographical essay as well as expanded notes to the poems, both by Roberta Reeder, project editor and author of Anna Akhmatova: Poet and Prophet (St. Martin's Press, 1994). Encyclopedic in scope, with more than 800 poems, 100 photographs, a historical…
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
This is a compilation of essays about Batuman’s experience of studying Russian literature at Stanford. Wondering about “possible methods for bringing one’s life closer to one’s favorite books,” Batuman traces the literal and figurative path of writers such as Pushkin, Tolstoy, and Babel, finding answers in their life and work while at the same time exploring their influence upon a motley group of Slavic scholars and readers.
The true story of one woman's intellectual and sentimental education and her strange encounters with others devoted - absurdly, melancholically, ecstatically - to the Russian classics
Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely, and unpretentiously, full…
"History can become a dull and uninteresting subject, but the stories of the past are far more interesting and inspiring than the very best fiction. These stories tell us about how our world came to be, and the paths that our predecessors travelled; and they show us that, despite the decades and centuries that separate us, they were driven and inspired by the same factors that drive and inspire us today." Prit Buttar was a doctor, first in the British Army and then a GP, until retiring in 2019. Less than a year later, he volunteered to go back to work during the current pandemic.
This is an unusual book, in that it is effectively a biography of a city – known through the years first as St Petersburg, then Petrograd, then Leningrad, and now once more St Petersburg. As he tells the story of the city that Peter the Great built in a desolate swamp, Lincoln brings together many of the different strands of Russian history and the strong-willed people who tried, with varying degrees of success, to direct that history in directions of their choosing. For anyone intending to visit St Petersburg, reading this book beforehand is an absolute must – it will make the experience of being there so much more valuable. If there is a flaw, it is that Lincoln sadly died when St Petersburg was perhaps at its lowest ebb following the end of the Soviet Union; it would be fascinating to know how he would have assessed the city…
For Russians, St.Petersburg has embodied power, heroism and fortitude. It has encompassed all the things that the Russians are and that they hope to become. Opulence and artistic brilliance blend with images of suffering on a monumental scale to make up the historic persona the late W. Bruce Lincoln's lavish biography of this mysterious, complex city. Climate and comfort were not what Tsar Peter the Great had in mind when he decided to build a new capital in the muddy marshes of the Neva River delta. Located 500 miles below the Arctic Circle, this area, with its foul weather, bad…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
Letters from Rifka is immediately appealing because the author tells us that it is based on memories.
I was immediately drawn into the story by the engaging voice of the 12-year-old narrator, who writes her story in letter form. Rifka is a Russian Jew fleeing with her family from persecution in 1919. It is a story of a desperate flight, across Ukraine and into Poland, and from there, hopefully, to America. But, so close to freedom, Rifka is detained in a hospital for contagious diseases on Ellis Island, and may not be allowed to travel on with her family. Rifka’s character is so well drawn, her impish, positive voice so lovable, that MG readers won’t fail to love this book and care deeply about the plight of people who are forced to leave their homes forever.
From Newbery media winner Karen Hesse comes an unforgettable story of an immigrant family's journey to America.
"America," the girl repeated. "What will you do there?" I was silent for a little time. "I will do everything there," I answered.
Rifka knows nothing about America when she flees from Russia with her family in 1919. But she dreams that in the new country she will at last be safe from the Russian soldiers and their harsh treatment of the Jews. Throughout her journey, Rifka carries with her a cherished volume of poetry by Alexander Pushkin. In it, she records her…
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
I grew up speaking Russian with my grandparents and always yearned to read classic Russian literature in the original. Perhaps it was my great love for those grandparents or the stories they told that led me to major in Russian at Yale University. Like any translated work, Russian literature loses something in translation. Still, it gains something, too, effectively juxtaposing a culture that is neither Eastern nor Western yet entirely alien to most of us today.
Satire, dark humor, and perfect pacing make this story a laugh-out-loud work, at least to me. Despite being ridiculous, its delivery is straight-faced, which at least makes the humor and the social commentary all the more powerful. The gritty reality of Russia in the age of tsars is so palpable you can taste it, and so is the humor.
'Strangely enough, I mistook it for a gentleman at first. Fortunately I had my spectacles with me so I could see it was really a nose.'
With this pair of absurd, comic stories Gogol indulges his imagination and delights readers.
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe.…
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
Suspicious of biography, Malcolm dissects various myths about Chekhov’s death in this engaging book that mixes travel writing with acute readings of Chekhov’s stories and plays. As Malcolm visits some of the places crucial to Chekhov’s life and work (the scenes in Ukraine are of course poignant), she moves seamlessly between her own everyday experiences and the predicaments of Chekhov’s characters. In amongst the despair, disappointment, and absurdity she discovers beauty, humor, and occasional visions of hope.
To illuminate the mysterious greatness of Anton Chekhov’s writings, Janet Malcolm takes on three roles: literary critic, biographer, and journalist. Her close readings of the stories and plays are interwoven with episodes from Chekhov’s life and framed by an account of Malcolm’s journey to St. Petersburg, Moscow, and Yalta. She writes of Chekhov’s childhood, his relationships, his travels, his early success, and his self-imposed “exile”—always with an eye to connecting them to themes and characters in his work. Lovers of Chekhov as well as those new to his work will be transfixed by Reading Chekhov.
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
I was utterly haunted and captivated by this book.
Morris fictionalises the life of Sir Walter Raleigh by putting us into his shoes. We follow him on his adventures, his cruelties in Ireland, and his imprisonment in the Tower of London. Throughout, we get a sense of Raleigh, the man behind the myth: he’s a flawed, turbulent, and eventually sad and out-of-place figure, surprised and bemused to find himself a living legend.
"In impressively muscular prose strongly reminiscent of Hilary Mantel, R N Morris packs the entire life of Sir Walter Raleigh into one breath-taking volume. This stunning tale grips from the first line to the last, brims with dazzling images, vivid characters, electric dialogue and unforgettable action." Peter Tonkin, author of A Verse To Murder
“This spell-binding story of Elizabeth I’s infamous favourite brings the adventurous, dangerous, and glittering world of late-Elizabethan England to life.” Steven Veerapen, author of A Dangerous Trade
