Fans pick 100 books like Reading Chekhov

In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.   

In this book, W.G. Sebald tells the stories of four Germans who, like the author, left their native land to live abroad. Sebald mixes family memories with stream-of-consciousness musings on history and culture. He inserts unexpected elements into the text, including a found diary written by his Great-Uncle Adelwarth, a gay man who was out of the closet way before it was safe.

Sebald sprinkles into the narrative black and white period photos that have a sort of deadpan, documentary humor that perfectly matches the tone of his prose.

I am always grateful for guidance on how to look at paintings: Matar’s exploration of Siena and the paintings of the Sienese school offers that and much more. Color reproductions of the paintings are accompanied by Matar’s insights into the works and the companionship they have provided in the years that have elapsed since his father, an opponent of the Gaddafi regime, was kidnapped. The author’s recognition that he will never see his father again underlies this beautiful meditation on art and loss.

The novel tells the story of a group of friends who have taken it upon themselves to carry out the “last orders” of their drinking partner, Jack Dodds, to deliver his ashes to the grey seas of Margate. As they drive to the coast, their errand becomes a poignant journey into their collective pasts.

Swift described it as an homage to William Faulkner’s As I Lay Dying, and it follows a similar narrative structure, with chapters titled with the names of the seven key characters, with a shifting narrative perspective to follow the story from each of their eyes.

As a reader, you naturally find your favourite narrative viewpoint. For me, it was Ray, “Lucky Ray,” the obsessive gambler, which for me was the real centre of the novel.

Political scientists Arel and Driscoll deal with the period between the Maidan revolt of 2014 and the 2022 invasion.

They point out that the Maidan events provoked a three-way split in Ukraine between pro-Western Ukrainians, pro-Russia Ukrainians, and those in the middle who wanted neither to join the Russian Federation nor to distance themselves from it. Most of these neutrals remained loyal to the Ukrainian nationalist government in Kyiv and continued to do so after the Russian invasion in February 2022.

What strikes me most about this book is how prescient it is. Published in 2000, this assessment of the first few years of Ukrainian independence accurately flags that Russia never fully accepted it and explains why an independent Ukraine threatens Russia. The introduction provides an excellent, brief history of Ukraine. Later chapters focus on politics, economics, social and cultural issues, and foreign policy up to 1998. Dyczok, an academic, was an eyewitness to key historical events, reporting from Ukraine during its 1991 declaration of independence and after. I particularly recommend the chapter on Ukrainian-Russian relations. Although written long before Russia’s annexation of Crimea and subsequent invasion of Ukraine, much in that chapter foreshadows these critical events and helps account for why what happened did.

Gogol is one of the weirdest and most fascinating of Russian writers, whose eccentric comic masterpieces continue to entertain and puzzle us. His identity as a Ukrainian who became a Russian classic and the way this is or isn’t reflected in his works has long been debated.

Nikolai Gogol: Performing Hybrid Identity makes sense of these two contending national components of Gogol’s writing and career. Ilchuk demonstrates the remarkable ways his “hybrid” national identity played out: in his often bizarre language, an uncanny Russian pervaded by Ukrainianisms (made more or less evident in successive, ideologically-motivated editings); in his works’ narrative structure, plot, and theme; and in the author’s odd behavior in society as a colonial “other.”

The book helped me understand the ins and outs of post-colonial theory, which the author presents in a clear and effective way.  It also unexpectedly illuminated for me aspects of Russian imperial identity that… show more.

If you want to understand why so many Russians today (including President Vladimir Putin) believe that their national identity has roots in Kyiv, Faith Hillis’s book is a must-read. As I wrote in a review for The Moscow Times, Russian colonial settlers in and around the Ukrainian city increasingly began to push a narrative that they were all “children of Rus’,” a reference to the political entity that existed in the region from the 9th to the 13th centuries.

From the 1830s until the outbreak of World War I, as Hillis writes, this group shaped imperial policies about the relationship between Russians and Ukrainians even while they urged the imperial government to “protect” them from the Poles, Jews, and Ukrainians living all around. When Putin justified the full-scale invasion of Ukraine as one where Russia needed to “return” the “lands of ancient Rus’” and to “protect” Russian-speakers in Ukraine,… show more.

Plokhy’s engaging and well-documented study provides an excellent overview of the entire history of Ukraine and the repeated story of invasion, war, and occupation by its neighbors Poland and especially Russia. In particular, it provides sharp analyses of the complex relations between Ukraine and Russia from the time of its Czars through Stalin, the post-Stalinist Kremlin leadership, and Putin, providing contemporary readers penetrating insights into the current invasion of Ukraine by Russia. The book depicts in dramatic detail and narrative the century-long struggles of Ukraine for sovereignty, its century-long oppression by its neighbors, the terrible mass starvation and murder it suffered from both the Soviet Union and Nazi Germany in World War II, and its eventual independence—threatened by Russia in the 21st century through the present. In the contemporary context, Plotky’s text provides an illuminating understanding of Ukraine and its conflicted and often tragic history.

Nikolai Gogol – or, in Ukrainian, Mykola Hohol – is considered a classic of Russian literature.

At the same time, he was born Ukrainian, wrote about Ukraine, and is considered their own by many Ukrainian literature lovers. Literary scholar Edyta Bojanowska has written a fascinating study about how Gogol knew to draw upon both Ukrainian and Russian cultural repertoires to appeal to readers and how he intentionally played with his intimate knowledge of both cultures.

This was one of the studies that inspired me as I tried to understand the complex cultural entanglements between nineteenth-century Russia and Ukraine, as I found them personified in my books’ protagonists.