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For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning.
Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede.
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
One of the most original books I have ever read, and as such impossible to classify by genre—a dizzying mix of memoir, history, and travel writing. As the separate stories of four apparently unrelated individuals unfold, Sebald exposes a common theme: the loss of identity through trauma and displacement. The stories are devastating and yet there is something hopeful in Sebald’s melancholic and vivid writing, the powerful case he makes for these stories being heard.
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with…
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
I am always grateful for guidance on how to look at paintings: Matar’s exploration of Siena and the paintings of the Sienese school offers that and much more. Color reproductions of the paintings are accompanied by Matar’s insights into the works and the companionship they have provided in the years that have elapsed since his father, an opponent of the Gaddafi regime, was kidnapped. The author’s recognition that he will never see his father again underlies this beautiful meditation on art and loss.
FROM THE PULITZER PRIZE-WINNING AND MAN BOOKER-SHORTLISTED AUTHOR
'Sparkles with brilliant observations on art and architecture, friendship and loss' Guardian
'Everybody should get to spend a month with Mr. Matar, looking at paintings' Zadie Smith, Wall Street Journal, Books of the Year _______________________________________________
Matar was nineteen years old when his father was kidnapped. In the year following he found himself turning to art, particularly the great paintings of the Sienese School. They became a refuge and a way to think about the world outside the urgencies of the present.
A quarter of a century later, having found no trace of…
I am a Wiltshire-based writer with a passion for historical and literary fiction and a fascination for the role of “memory” in the autumn of our lives. My own novel was inspired by conversations with my late grandfather in his final years. But as a journalist for more than 20 years, I had many rich opportunities to talk to the elderly members of our communities–most memorably, taking a pair of D-Day veterans back to the beaches of Normandy. In many ways, memories are the only things we can take with us throughout our lives, carrying both the burden of regrets and the consolation of those we have loved.
The novel tells the story of a group of friends who have taken it upon themselves to carry out the “last orders” of their drinking partner, Jack Dodds, to deliver his ashes to the grey seas of Margate. As they drive to the coast, their errand becomes a poignant journey into their collective pasts.
Swift described it as an homage to William Faulkner’s As I Lay Dying, and it follows a similar narrative structure, with chapters titled with the names of the seven key characters, with a shifting narrative perspective to follow the story from each of their eyes.
As a reader, you naturally find your favourite narrative viewpoint. For me, it was Ray, “Lucky Ray,” the obsessive gambler, which for me was the real centre of the novel.
The classic edition of one of the 20th Century's finest novels
Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack's widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day's outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to…
My work since the 1970s has focused on the major political struggles of the day as they impact U.S. democracy and provide challenges for understanding and action. As a professional philosopher, I focused on ways that history, philosophy, and theory provide key tools for the interpretation and critique of salient issues. I've written books on U.S. politics and the media, the Gulf War and Iraq War, 9/11 and the War on Terror, and am particularly interested in the interaction between Russia, the U.S., and Europe; hence, the rise of Putin in Russia, the New Cold War, and the 2020s conflict in Ukraine and the response of Western democracies.
Plokhy’s engaging and well-documented study provides an excellent overview of the entire history of Ukraine and the repeated story of invasion, war, and occupation by its neighbors Poland and especially Russia. In particular, it provides sharp analyses of the complex relations between Ukraine and Russia from the time of its Czars through Stalin, the post-Stalinist Kremlin leadership, and Putin, providing contemporary readers penetrating insights into the current invasion of Ukraine by Russia. The book depicts in dramatic detail and narrative the century-long struggles of Ukraine for sovereignty, its century-long oppression by its neighbors, the terrible mass starvation and murder it suffered from both the Soviet Union and Nazi Germany in World War II, and its eventual independence—threatened by Russia in the 21st century through the present. In the contemporary context, Plotky’s text provides an illuminating understanding of Ukraine and its conflicted and often tragic history.
Ukraine is currently embroiled in a tense fight with Russia to preserve its territorial integrity and political independence. But today's conflict is only the latest in a long history of battles over Ukraine's territory and its existence as a sovereign nation. As the award-winning historian Serhii Plokhy argues in The Gates of Europe , we must examine Ukraine's past in order to understand its present and future.Situated between Central Europe, Russia, and the Middle East, Ukraine was shaped by the empires that used it as a strategic gateway between East and West,from the Roman and Ottoman empires to the Third…
I am an award-winning historian, biographer, and political commentator. As a specialist in Soviet history, my books have been translated into many languages, including Arabic, Chinese, French, Finnish, German, Japanese, Portuguese, Russian, Spanish, and Turkish.
Political scientists Arel and Driscoll deal with the period between the Maidan revolt of 2014 and the 2022 invasion.
They point out that the Maidan events provoked a three-way split in Ukraine between pro-Western Ukrainians, pro-Russia Ukrainians, and those in the middle who wanted neither to join the Russian Federation nor to distance themselves from it. Most of these neutrals remained loyal to the Ukrainian nationalist government in Kyiv and continued to do so after the Russian invasion in February 2022.
The Russian invasion of Ukraine in 2022 has its roots in the events of 2013-2014. Russia cynically termed the seditionist conflict in Crimea and Eastern Donbas a 'civil war' in order to claim non-involvement. This flies in the face of evidence, but the authors argue that the social science literature on civil wars can be used help understand why no political solution was found between 2015 and 2022. The book explains how Russia, after seizing Crimea, was reacting to events it could not control and sent troops only to areas of Ukraine where it knew it would face little resistance…
It was through learning Russian in my Swiss high school that I first got interested in the history of Eastern Europe. When I became fascinated by the theory of nationalism during my university studies, my geographical focus shifted to Ukraine, a society whose aspiration to nationhood has been repeatedly been contested by the neighboring great powers. For my first book, I researched the history of a fascinating nationally bifurcated family whose members have left archival traces from Moscow to Liubljana and from Kyiv to Stanford. I hold a BA degree from the University of Geneva, an MPhil from the University of Oxford, and a PhD from the University of Basel.
This was one of the first books that got me interested in the history of nineteenth-century Kyiv. Freshly published when I began my graduate studies, Faith Hillis’s book is detailed micro-history of local politics in the Ukrainian capital from the early nineteenth century to the revolution of 1905.
In particular, Hillis recounts the rise of a local Russian nationalist movement and does a great job at explaining why the city – and all of Ukraine – came to occupy such a central place in the political imagination of Russian imperialists and nationalists. And several members of the Shul’gin family – the protagonists of my own book – also make an appearance!
In Children of Rus', Faith Hillis recovers an all but forgotten chapter in the history of the tsarist empire and its southwestern borderlands. The right bank, or west side, of the Dnieper River-which today is located at the heart of the independent state of Ukraine-was one of the Russian empire's last territorial acquisitions, annexed only in the late eighteenth century. Yet over the course of the long nineteenth century, this newly acquired region nearly a thousand miles from Moscow and St. Petersburg generated a powerful Russian nationalist movement. Claiming to restore the ancient customs of the East Slavs, the southwest's…
It was through learning Russian in my Swiss high school that I first got interested in the history of Eastern Europe. When I became fascinated by the theory of nationalism during my university studies, my geographical focus shifted to Ukraine, a society whose aspiration to nationhood has been repeatedly been contested by the neighboring great powers. For my first book, I researched the history of a fascinating nationally bifurcated family whose members have left archival traces from Moscow to Liubljana and from Kyiv to Stanford. I hold a BA degree from the University of Geneva, an MPhil from the University of Oxford, and a PhD from the University of Basel.
Nikolai Gogol – or, in Ukrainian, Mykola Hohol – is considered a classic of Russian literature.
At the same time, he was born Ukrainian, wrote about Ukraine, and is considered their own by many Ukrainian literature lovers. Literary scholar Edyta Bojanowska has written a fascinating study about how Gogol knew to draw upon both Ukrainian and Russian cultural repertoires to appeal to readers and how he intentionally played with his intimate knowledge of both cultures.
This was one of the studies that inspired me as I tried to understand the complex cultural entanglements between nineteenth-century Russia and Ukraine, as I found them personified in my books’ protagonists.
No other writer captured the fraught relations between Ukrainian and Russian nationalisms with as much complexity and lasting relevance as Nikolai Gogol. This pathbreaking book illuminates the deep cultural stakes of today's geopolitical conflict.
The nineteenth-century author Nikolai Gogol occupies a key place in the Russian cultural pantheon as an ardent champion of Russian nationalism. Indeed, he created the nation's most famous literary icon: Russia as a rushing carriage, full of elemental energy and limitless potential.
In a pathbreaking book, Edyta M. Bojanowska topples the foundations of this russocentric myth of the Ukrainian-born writer, a myth that has also dominated…
I moved to Kyiv to report for The Independentin 1990 and fell in love with Ukraine. The beauty of Kyiv and its golden-domed cathedrals amazed me as did the vibrant culture of civic engagement that emerged. It’s not often that you witness a declaration of independence and see a new country appear on the world map. I admire the bravery of Ukrainians who have fought for both and value the warm friendships that I made. I was Ukraine’s first accredited foreign correspondent. Before that I reported for The Guardian (Budapest) and later, for the BBC (London and Kyiv). I live in Toronto and still closely follow developments in Ukraine.
What strikes me most about this book is how prescient it is. Published in 2000, this assessment of the first few years of Ukrainian independence accurately flags that Russia never fully accepted it and explains why an independent Ukraine threatens Russia. The introduction provides an excellent, brief history of Ukraine. Later chapters focus on politics, economics, social and cultural issues, and foreign policy up to 1998. Dyczok, an academic, was an eyewitness to key historical events, reporting from Ukraine during its 1991 declaration of independence and after. I particularly recommend the chapter on Ukrainian-Russian relations. Although written long before Russia’s annexation of Crimea and subsequent invasion of Ukraine, much in that chapter foreshadows these critical events and helps account for why what happened did.
Ukraine has surprised many international observers. Few anticipated its declaration of independence in 1991 or its determination to move out of Russia's shadow. Dyczok redresses the continuing dearth of information on the country. Aimed at nonspecialists and specialists alike, it presents an overview of the main government policies, and the social and cultural issues facing the new state. These are placed within their historical, regional and global framework. In contrast with the generally bleak picture that international media reports present, the book suggests that Ukraine has actually accomplished a great deal in a short time. In seven years, from 1991…
I am teacher of Russian History in the University of York and have been in both countries many times. Russia’s war against Ukraine is something that has touched me personally and professionally in the most profound way: witnessing Russia’s aggression against Ukraine has been heartbreaking. Understanding why that war happened and what its consequences will be is of vital importance for anyone interested in the modern world, in justice, and the future of Europe. These books offer clear, passionate, and compelling accounts of the war, explaining the historical background, the immediate causes, the principle actors, and the Russian way of waging of the war.
Luke Harding is a journalist who has spent many years as The Guardian correspondent in Ukraine including the present war.
The book is a mixture of historical analysis and on-the-spot reporting which makes it read like a thriller. It is vivid and at times harrowing, particularly the reports from Bucha after the massacres there. Harding pulls no punches, arguing the brutality of the war comes from Putin himself: ‘His apparent goal: the annihilation of a country, a culture and its citizens.’
Complicit in this genocidal operation are the Russian media elite who frequently openly call for the extermination of the Ukrainian nation. An excellent account from an impeccable source.
A FINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING
The first book of reportage from the front line of the Ukraine war. This is a powerful, moving first draft of history written by the award-winning Guardian journalist and #1 New York Times bestselling author of Collusion and Shadow State.
'An excellent, moving account of an ongoing tragedy.' ANNE APPLEBAUM
'Compelling, important and heartbreaking.' SIMON SEBAG MONTEFIORE
'Essential reading.' ELIOT HIGGINS, founder of Bellingcat
'Brilliant.' ANDREY KURKOV
For months, the omens had pointed in one scarcely believable direction: Russia was about to invade Ukraine. And yet, the world was stunned by…
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