Here are 100 books that The Emigrants fans have personally recommended if you like
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Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.
Finalist for the Pulitzer Prize * Winner of the Council on Foreign Relations Arthur Ross Book Award * One of the New York Times' Ten Best Books of the Year
"Impressive . . . Mr. Judt writes with enormous authority." -The Wall Street Journal
"Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history." -The Boston Globe
Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers…
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning.
Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede.
I’m an author, reader, and cinephile with a real appetite for all things crime. If it’s a mystery, if it’s a detective story, if there are questionable morals at play in a story with no easy answers and no clear way out, then count me in. I’m also fascinated by the WWII era and was spellbound by the stories my maternal grandfather told me about his time as an infantry soldier in Italy during the war. These passions moved me to write my own novels and continue to inspire me in my embrace of art. I hope you enjoy the books on this list as much as I do!
Robin Robertson’s noir narrativeThe Long Take might seem like an unusual choice for this list.
Essentially a long noir poem,The Long Takeconcerns Walker, a Canadian veteran of D-Day with acute PTSD who finds life unraveling in the urban landscapes he inhabits after the war.
With a poet’s precision, Robertson follows Walker as he moves from city to city, taking it all in. Homelessness, crime, race—nothing is spared.
Why, you’d think you were in a 40s film noir, reading about it all, and then you find Walker on the streets of LA in 1948 seeing some of those very films being shot, films likeAct of Violenceand Criss Cross.
An outstanding achievement, The Long Take is a wholly original work of art.
Winner of the 2019 Walter Scott Prize for Historical Fiction
'A beautiful, vigorous and achingly melancholy hymn to the common man that is as unexpected as it is daring.' --John Banville, Guardian
A noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable - and unclassifiable - books of recent years.
Walker is a D-Day veteran with post-traumatic stress disorder; he can't return home to rural Nova Scotia, and looks instead…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
It’s maybe inaccurate to describe this (not too) long poem as a society grappling with the aftermath of a war. There isn’t much grappling to be done, and it only partly exists after a war is through, to the extent a war like the one Christensen describes is ever through once it’s been started. It’s instead a litany of loss, of those things that can’t be reclaimed, which should instead be protected through the avoidance of war.
Awarded the American-Scandinavian PEN Translation Prize by Michael Hamburger, Susanna Nied's translation of alphabet introduces Inger Christensen's poetry to US readers for the first time. Born in 1935, Inger Christensen is Denmark's best known poet. Her award-winning alphabet is based structurally on Fibonacci's sequence (a mathematical sequence in which each number is the sum of the two previous numbers), in combination with the alphabet. The gorgeous poetry herein reflects a complex philosophical background, yet has a visionary quality, discovering the metaphysical in the simple stuff of everyday life. In alphabet, Christensen creates a framework of psalm-like forms that unfold like…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
Wars take a long time to end. Work is done to bury the loss, grief, and guilt described above as quickly as possible. Oftentimes the forces that stand to profit from this forgetting succeed, except among those groups which are either ignored or for whom the loss is too deep. What Layli Long Soldier’s brilliant Whereas discloses is how the acts of government, the papers generated like planks over a well, seek to hide that grief and loss, and how those groups might reclaim the stories those papers hope to disappear.
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations.
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
Suspicious of biography, Malcolm dissects various myths about Chekhov’s death in this engaging book that mixes travel writing with acute readings of Chekhov’s stories and plays. As Malcolm visits some of the places crucial to Chekhov’s life and work (the scenes in Ukraine are of course poignant), she moves seamlessly between her own everyday experiences and the predicaments of Chekhov’s characters. In amongst the despair, disappointment, and absurdity she discovers beauty, humor, and occasional visions of hope.
To illuminate the mysterious greatness of Anton Chekhov’s writings, Janet Malcolm takes on three roles: literary critic, biographer, and journalist. Her close readings of the stories and plays are interwoven with episodes from Chekhov’s life and framed by an account of Malcolm’s journey to St. Petersburg, Moscow, and Yalta. She writes of Chekhov’s childhood, his relationships, his travels, his early success, and his self-imposed “exile”—always with an eye to connecting them to themes and characters in his work. Lovers of Chekhov as well as those new to his work will be transfixed by Reading Chekhov.
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
I am always grateful for guidance on how to look at paintings: Matar’s exploration of Siena and the paintings of the Sienese school offers that and much more. Color reproductions of the paintings are accompanied by Matar’s insights into the works and the companionship they have provided in the years that have elapsed since his father, an opponent of the Gaddafi regime, was kidnapped. The author’s recognition that he will never see his father again underlies this beautiful meditation on art and loss.
FROM THE PULITZER PRIZE-WINNING AND MAN BOOKER-SHORTLISTED AUTHOR
'Sparkles with brilliant observations on art and architecture, friendship and loss' Guardian
'Everybody should get to spend a month with Mr. Matar, looking at paintings' Zadie Smith, Wall Street Journal, Books of the Year _______________________________________________
Matar was nineteen years old when his father was kidnapped. In the year following he found himself turning to art, particularly the great paintings of the Sienese School. They became a refuge and a way to think about the world outside the urgencies of the present.
A quarter of a century later, having found no trace of…
I am a Wiltshire-based writer with a passion for historical and literary fiction and a fascination for the role of “memory” in the autumn of our lives. My own novel was inspired by conversations with my late grandfather in his final years. But as a journalist for more than 20 years, I had many rich opportunities to talk to the elderly members of our communities–most memorably, taking a pair of D-Day veterans back to the beaches of Normandy. In many ways, memories are the only things we can take with us throughout our lives, carrying both the burden of regrets and the consolation of those we have loved.
The novel tells the story of a group of friends who have taken it upon themselves to carry out the “last orders” of their drinking partner, Jack Dodds, to deliver his ashes to the grey seas of Margate. As they drive to the coast, their errand becomes a poignant journey into their collective pasts.
Swift described it as an homage to William Faulkner’s As I Lay Dying, and it follows a similar narrative structure, with chapters titled with the names of the seven key characters, with a shifting narrative perspective to follow the story from each of their eyes.
As a reader, you naturally find your favourite narrative viewpoint. For me, it was Ray, “Lucky Ray,” the obsessive gambler, which for me was the real centre of the novel.
The classic edition of one of the 20th Century's finest novels
Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack's widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day's outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
An amazing imaginative blend of nonfiction and reportage, The Postcard sets a mystery in motion.
In 2003, with the rest of the Christmas holiday mail, a postcard arrives at the Paris home of Annie Berest. The card is blank but for the names of her maternal great-grandparents and their two children – all killed at Auschwitz.
Fifteen years later, Annie and her chain-smoking mother embark on a journey: discovering the fates of the Rabinovitch family who flee the Russian revolution for Latvia, Palestine, and Paris. Annie and her mother discover secrets that shatter the present; mother and daughter question the past and accept a new reality in their own distinct ways.
I loved both the mystery revealed and the unshakable resolve of these women, who spent years finding the truth.
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
I’m Lindsay, and I never stop falling in love with human creativity. From the moment I first cracked open a library-borrowed copy of The Wizard of Ozas a child, I’ve been asking “What if…?” and I’ve delighted in how other authors imaginatively tackle that question. My interests are eclectic, ranging from history and politics to baking and sparkly things. I read to be swept away and to take a peek inside the storyteller’s mind and heart.
Easily one of my favorite epic fantasies I’ve read in recent years. The complexity of Gillian’s world is a highlight, yet she still makes the story and those within it accessible for her readers. It felt deep, not cluttered. She writes distinctly and with heart from three different points of view. I couldn’t flip pages fast enough, anxious for the moment these three story threads would intersect. It was more than worth the wait.
She rides a fireborn, a steed of fire and ash, trained for destruction.
Ceridwen tal Desmond dreams of ruling like her father over the nation of Soldonia, where warriors ride to battle on magical steeds—soaring on storm winds, vanishing in shadow, quaking the earth, and summoning the sea. After a tragic accident claims her twin brother, she is exiled and sworn to atonement by spending her life—or death—for her people.
But when invaders spill onto Soldonia’s shores and traitors seize upon the chaos to murder her father, Ceridwen claims the crown to keep the nation from splintering. Combatting overwhelming odds…
Interested in
exile,
the Holocaust,
and
Constantinople?
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