The most recommended short story collections

Every work I’ve read by Carver reminds me of his singular gift; others may write in the same vein by creating stories with characters whose cigarettes and drinks lure them deeper into their desperation. But these writers, however good, lack the gift, the blood, to run so deeply that, well, one line in and you’re haunted. This particular collection contains my two favorite Carver stories: “Cathedral” and “A Small, Good Thing.” Indeed, in everyday conversation, I often use the phrase a small, good thing – as if everyone knows the story.

I heard Marilyn Monroe in everything Holly Golightly said. I heard her witticisms. Turned out Truman Capote wrote it using Marilyn’s voice.

Holly, a hooker, her protagonist (apartment neighbor) was an in-the-closet gay man. Holly would climb the fire escape and crawl into his room and snuggle in bed with him as if they were lovers. She never denied she was a hooker – but never hid that she had standards and would expect fifty-dollar tips for washroom attendants.

This novella, as does Grapes and Old Man, demonstrates to me the stage play of life we choose to be in is in acts—we know our assets, limitations and to survive we follow them—in Grapes pickers followed a dream to orange groves—in Old Man—a fisher needed to prove he could get his luck back—and in Tiffany—if she could find playgrounds of the rich, she’d survive.

This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.

We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.

Unlike so many writers, Bierce had actual Civil War experience, as a Union soldier who saw action in a number of key battles. His stories are characterized by a rigorous attention to detail. But Bierce enjoyed serving up verisimilitude with a twist. A strong sense of the macabre, rivaling Poe, is present in some of Bierce’s finest stories such as “Chickamauga,” “One of the Missing,” and “Parker Adderson, Philosopher.” His timeless “An Occurrence at Owl Creek Bridge,” features one of the most mind-bending twists in all of fiction.

The stories in this collection are brief but rich with insight into the absurdities of the human condition. As well, I found the depiction of contemporary Israelis to be both moving and endearingly funny. I laughed and shook my head a lot.

It was a terrific book to carry around. I found I could read an entire story whenever I had spare moments. There was something wonderful about being able to do that and carry the resonance of the experience with me for the rest of the day.

Scarlett R. Algee’s debut collection is an exemplar of concision, comprised of stories that have been sanded down to their unsettling essences for maximally chilling impact. Bleedthrough deftly navigates the space where beauty and horror intermingle, often boldly upending genre conventions in the process. These pieces are vivid and absorbing, drawing fully realized worlds before exposing the terrible things that lurk on the peripheries.   

Personally, I have owned 3 copies in my lifetime, two of which I read into tatters. Clive Barker remains one of the most unusual imaginations in horror to date. If you can’t find something in this collection that you enjoy, pull out the femoral stick. These stories have been translated into film almost as often as Carrie. 

The only fiction book on my list, I picked up Owen’s book of short stories while I was at a writer’s residency in Vermont, writing my own book. It’s a delightful collection, wickedly funny, with the exact mix of dread, terror, humour, and lightheartedness I was looking for.

Drawing from her work as a journalist, Chen gives us unsettling stories crystallized by the ferocious competition that engulfs everyone in the vast anonymous landscape that is contemporary China. The endless micro-struggles of small-town individuals to escape poverty or gain an educational foothold reveal their warped understanding of society and life. Mindless mishaps, fears, and even cruelty are everyday experiences of people struggling to survive and protect their families. The great hidden human costs of China's rise are simply mind-boggling. 

This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin. 

The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.

Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.

Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.

From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.