The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
Simply put, Ms. Miller never fails to entertain me. She always gives a strong plot. I can count her to present strong women, and men who can appreciate them, even though they bug the hell out of them.
The purpose and goals of her characters are right up front in her stories. I like that, too; it keeps me turning the pages. Also, she places her stories in familiar territory. I can see myself there, among the citizens of her towns, her people. It’s relatable. I’m at home when I read her stories.
T. C. Boyle’s characters become real-life people to you. You would think this is an
author that believes in everything and everyone, whether good or bad. I
laughed out loud a couple of times, and there were times I wanted to reach and
hold the characters.
This
was, for me, a journey through the façade of pop American lifestyle to the
closets of secrets.
A man falls from a roof whilst spying on his beautiful widowed neighbour. A newly married couple seeking enlightenment take a three year vow of silence and move to a yurt in the Arizona desert. A handsome young man works in real-estate by day, but has a far more sinister profession by night. An elderly woman is determined to return to her home in the countryside, despite the knowledge that in doing so she may be signing her own death warrant. Giant men are kept in cages to ensure their nightly service to their country. A man develops an unhealthy…
My favorite books as a child were the Goosebumps series by R.L. Stine. This began my love of all things horror (including cheesy, campy B-horror). The movies that people love to hate (and also the books that stir up the same emotions) combine humanity's most basic instincts: fear, lust, and humor. Bringing these three together in perfect union creates a combination I can't get enough of. It's what drives my own writing and my insatiable desire to seek out more stories like this.
Fans of Bentley Little won't be surprised to find out this book begins with a family moving from southern California to a small town in Arizona, but, in typical Little fashion, this is more than a small-town horror story. Throw in the author's eccentricities and his proclivity for absolutely insane stories and add a dash of heretical, Eastern Orthodox Christians called Molokans (see, horror novels are also educational), and you have the makings of a fantastic B-horror movie sans jump scares and sound effects. Like many authors on this list, it was hard to narrow Little's novels down to just one, but this was one of my first introductions to Little, and that's why it made the list.
Bram Stoker Award-winning horror author Bentley Little proves why you should never go home again in this terrifying novel.
Welcome to McGuane, Arizona. Population: 200...199...198...197...
Gregory Tomasov has returned with his family to the quaint Arizona community of his youth. In McGuane, the air is clean, the land is unspoiled. Nothing much has changed. Except now, no one goes out after dark. And no one told Gregory that he shouldn’t have moved into the old abandoned farm on the edge of town. Once upon a time something bad happened there. Something that’s now buried in its walls. Something now reborn…
As an active senior who seeks outdoor adventures and who cringes whenever I hear someone say, “I’m too old to [fill in the blank]…”, I love both writing and reading books with older characters who believe instead, “You’re never too old.” I’m drawn to stories where older folks defy stereotypes and continue to relish new experiences, especially those involving the things I most enjoy: camping, hiking, and climbing. Toss in some fun and laughter and I’m there!
Young Lewis is a believable and relatable character and the aging Chester Wheeler is a classic curmudgeon (at first). Their highly unusual cross-country journey in an old RV is an absolute delight, with both the young man and the old man demonstrating that age is not a barrier to friendship and personal growth.
Unlikely road trip companions form an unexpected bond in an uplifting novel about the past-lost and found-by the New York Times and #1 Amazon Charts bestselling author.
Lewis Madigan is young, gay, out of work, and getting antsy when he's roped into providing end-of-life care for his insufferable homophobic neighbor, Chester Wheeler. Lewis doesn't need the aggravation, just the money. The only requirements: run errands, be on call, and put up with a miserable old churl no one else in Buffalo can bear. After exchanging barbs, bickering, baiting, and pushing buttons, Chester hits Lewis with the big ask.
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
A confederate soldier, Paul Cable, returns from the Civil War to find Union men have taken over his farm. Cable thinks his fighting is over, but he couldn’t be more wrong.
The book is tense and moves quickly. It’s also short, yet packs a punch far above its weight. Highly recommend.
A nail-biting, tough-talking classic western from the author of GET SHORTY and JACKIE BROWN.
In LAST STAND AT SABER RIVER, a Civil War veteran returns home to find a Yankee's private army living on his land, while another enemy waits to strike...
Paul Cable has fought - and lost - for the Confederacy but when he returns home he finds that his own war is far from over. The Union Army and two brothers - and a beautiful woman - have taken over Cable's spread and are refusing to give it back. But Cable is determined that no one is…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of what’s happening.
In Luiselli’s novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post
In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between…
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
Everything about this book steals my heart, from Chloe's tenderness with horses to the Diné (Navajo) children who don't have enough books at their school.
But let me back up and tell you that Chloe is pregnant with Hank's child. She shouldn't be riding horses at all, but the call is too strong. Hank's a good guy who can't find professor work in Arizona, ends up teaching the Diné children, and finds he loves them more than working at a university.
It should be a happy ending between Hank and Chloe and the upcoming baby, except the horse belongs to an artist named Junior Whitebear, who returns to town and forms an instant, overpowering connection with Chloe. Mapson writes so well that she makes me ache.
When 34-year-old Chloe Morgan appears on Hank Oliver's doorstep in Cameron, Arizona, she arrives with more than her old white German shepherd, Hannah, and a rambunctious horse in tow. Chloe is pregnant with Hank's child, and she's as tough-talking and vulnerable, skittish and tender as when last we saw her, in Jo-Ann Mapson's acclaimed first novel Hank & Chloe.
Loving Chloe takes up where the earlier novel leaves off. As Chloe and Hank settle somewhat uneasily into domesticity in his grandmother's cabin, a local Navajo legend named Junior Whitebear, an artist whose work has been praised by the eastern commercial…
In the wake of my father’s sudden death (when I was sixteen) I was left with many questions about my heritage. Why didn’t I know more about my parents and their homeland of Korea? Why wasn’t I curious enough to ask questions when my father was alive? Now I’m a Korean American author of many award-winning children’s books most of which are inspired by my family heritage. I’ve spent my adult life unearthing the past, immortalizing long-lost loved ones, sharing meaningful stories that would otherwise be forgotten. I’m drawn to historical fiction the way most people are to their smartphones. The truth is, there is no future without remembering the past.
This book, while it takes place in America, made me think of my mother who grew up in Japanese occupied Korea―she was forced to give up her Korean birth name for a Japanese name; forced to go to Japanese school and bow to large portraits of Emperor Hirohito; forced into the war effort at age twelve only to lose a finger while sewing buttons onto Japanese Imperial uniforms; Meanwhile, in America, a similar and heart-wrenching story unfolds in Weedflower, a story of innocent Japanese Americans going about their lives when Japan bombs Pearl Harbor. Suddenly, Japanese Americans are no longer considered American―they are the enemy.
Twelve-year-old Sumiko has always struggled to fit in, but when the war breaks out, struggles turn to fear for her and her family, so much so, they have no other choice but to burn all precious possessions from Japan including photos of family members…
Twelve-year-old Sumiko feels her life has been made up of two parts: before Pearl Harbor and after it. The good part and the bad part. Raised on a flower farm in California, Sumiko is used to being the only Japanese girl in her class. Even when the other kids tease her, she always has had her flowers and family to go home to.
That all changes after the horrific events of Pearl Harbor. Other Americans start to suspect that all Japanese people are spies for the emperor, even if, like Sumiko, they were born in the United States! As suspicions…
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
This book is an unusual, magical story about differences and how we often react to those who don’t conform to the norms in society.
The plot is tremendously intertwined with suspense, the type that unexpectedly creeps up on you and surprises you every time. You are instantly hooked from start to finish.
Unputdownable. I was totally immersed from the first page. It's an unforgettable book. If you believe in non-conformity, then this book is for you.
Soon to be an original film on Disney+ streaming service!
Before ELEANOR AND PARK, there was STARGIRL. The seminal life-affirming YA novel celebrating first love and self-acceptance - now in a beautiful new edition for the next generation of readers.
She's as magical as the desert sky. As mysterious as her own name. Nobody knows who she is or where she's from. But everyone loves her for being different. And she captures Leo's heart with just one smile.
STARGIRL is a classic of our time that celebrates being true to ourselves and the thrill of first love. A life-changing read…
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
Conrad Richter did a stellar job of giving a true sense of place in Socorro, New Mexico and Bisbee, Arizona, at the turn of 1900. Tacey’s fictionalized yet wonderfully realistic story will break your heart and make you fall in love with the fallen women of the west as I did.
