The most recommended Alfred Hitchcock books

These stories were picked out by the master of suspense, himself, Alfred Hitchcock. These stories are both horrific and suspenseful. With tales involving a flesh-eating troll, something creepy lurking about in the woods that kills anything that comes into its path, and an uninvited odd boy that comes to a party with evil intentions, one will not be able to put this book down. It might even make you want to leave the lights on during the night.

How do creative people produce their best work? That’s the question Galenson researched as an economics professor leading to this book comparing the two major creative approaches he’s identified: Do they create by just getting started and through incremental efforts and continuous testing they feel their way until they discover what they will create? Or do they begin with careful and comprehensive plans of what they will create, beginning only when they are confident they have a full vision of what the end looks like? He studied artists—painters and poets, novelists and sculptors—but the questions he asks and the answers he frames are relevant to all creatively entrepreneurial work and he shares his thoughts about that as well. I love Cezanne’s paintings and was delighted to learn my creative process is similar to his. 

With the exception of the prefatory material, which one can skip, this is one of the very best books on Hitchcock.

It is beautifully written and attentive to cinematic details and larger themes. It offers rich interpretations of several central films, with the first half focused on close interpretation and the second half, written later in Wood’s career, more orientated toward Marx, Freud, and gay studies.

Though the book is uneven, it contains some of the best analyses one will ever read of Hitchcock’s major films.

I had no idea what I was in for when I started to read Bird Box. I’d seen the movie, and it was good, but the sheer suspense of the book came as a complete surprise. From the very first page, Josh Malerman has created an atmosphere that balances on a very fine edge between dread and hope.

It’s been a long time since a book kept me turning the pages all night, needing to know what happens and getting completely invested in the characters—even after I’d seen the film version.

Bird Box pulled me straight in and didn’t let go, and I’ll be reading the sequel with the lights on.

Sweet Lina McLaidlaw loves charming Johnny Aysgarth, but Johnny Aysgarth marries her for her money and doesn’t change his gambling, seducing ways one bit once he’s done so. 

What makes the book so riveting is that Lina learns exactly what Johnny is like, yet she can’t bring herself to stop loving him. At one point she does leave him, but she voluntarily goes back. 

Lina knows Johnny will eventually kill her so he can have it all and, knowing this, she puts herself in the cruel position of waiting for that to happen. 

This book was made into a so-so Hitchcock film featuring Cary Grant and a memorable glass of milk, but the book is a riveting, breath-stealing masterpiece.

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

Accomplished author Roger Zotti masterfully weaves subjects together like spices in a delectable recipe. From Hitchcock to hockey, the author spins a complex, yet entertaining, tale and makes it look easy. Placing you inside the mind of one of Hollywood’s greatest directors, Zotti uses it as a foundation to build an inventive narrative. And it works! Never far from the perfect boxing vignette, the author also provides a glimpse into the sweet science through some of the sport’s finest authors and their current work. Only Zotti can take Oscar winner Ingrid Bergman, who starred in three Hitchcock films, and put her alongside Harry Greb, one of the best pound-for-pound boxers of all time, and draw comparisons that not even Damon Runyon could rival.

Continuing with the Gothic theme, I have to mention one of my all-time favorite books. The estate of Manderley is almost another character in this novel, looming large over the story along with the legacy of its dead mistress. And the community poses an immediate threat to the book’s unnamed narrator, the new wife of the estate’s owner, when she comes in as an outsider and gets the cold shoulder from Manderley’s staff. Her desperate attempts to win everybody over lead to some gloriously nail-biting moments.

But what I adore about this novel is how it slowly reveals that the community’s loyalties are not what they seem. Even the significance of rooms and objects in the house–like Rebecca’s writing desk or the sound of the sea from a particular window–changes as the story unfolds.

This book is an absolute classic, and spawned an equally classic movie directed by Alfred Hitchcock. The reason why I love Psycho so much is that it brought horror away from the traditional Gothic haunted house and castle settings right into the modern world. And if you add the aspect of mental illness in the chilling form of the Norman Bates character, then you have a horror story that becomes all too real, all too unsettling. We are not dealing with ghoulies and ghosties here, but with a deranged killer harbouring a split personality, whose warped mentality has often been mirrored in real-life crime cases. For example, Bloch based Norman Bates on an actual killer, Ed Gein. Psycho is a novel that every horror fan must read.

I admire chutzpah. Of all the authors who channel Sir Arthur Conan Doyle, Jane Austen, and countless others, I admire Peter Heck the most. He takes on the Herculean task of matching historical humor with our national treasure Mark Twain. Oddly enough, his example gave me courage, or at least permission, to try something other than historical whodunits. I wrote book-length magic realism and am seeking a publisher.