As someone who’s had a lifelong interest in psychology, especially abnormal psychology, I’ve always been fascinated the small destructions some people inflict on others – sometimes even on themselves. For me the greatest crime is not to kill someone but to reduce them by making their life uncomfortable or unwelcome. The ability to do this is what I would call a “negative skill.” It’s not easy, but some people do it uncannily well, and without caring. Perhaps because this is so alien to me, I remain riveted by stories that portray it, and some cases attempt to explain it. These are a few of those stories.
Having successfully solved two murders in the City of Lights, self-proclaimed private detectives Rachel Levis and Magda Stevens are ready to take on the world. Which is good news when renowned fashion designer Roland Guipure is found lifeless outside his own birthday party in that upscale neighbourhood, dead from an apparent overdose.
Rachel thinks it's murder, and when it turns out the police agree, the two Americans roll up their sleeves for another murder investigation. And there are plenty of suspects: the angry assistant designer promoted to the top spot as a result of Guipure’s death; the lovelorn PA who was crushed by the designer’s lack of interest in her; the former boyfriend who lost his meal ticket as a result of Guipure’s successful stay in rehab.
Vera and Eden are devoted sisters. One of them has an illegitimate baby.
The book is allegedly devoted to telling the story of how Vera came to kill Eden, but in telling this story it also attempts to determine which one of them is the baby’s mother.
In doing both of these, however, it also details the ways in which people, even people who seem to be devoted to each other, can make each other’s lives miserable, and can choose to make their own lives miserable.
Vine (aka. Ruth Rendell) is, of course the mistress of psychological suspense, and for me this is the best book she ever wrote.
"Dazzling...writing at her formidable best, Barbara Vine taps the poetry as well as the pain of her characters' clamorous declarations of their need for love." -New York Times Book Review
"When the best mystery writer in the English-speaking world launched a second byline, she actually stepped up her writing a level." -TIME
Faith Severn has grown up with the dark cloud of murder looming over her family. Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith…
It’s criminal that Celia Dale’s books are almost all out of print.
Dale dwells in the world of people you wouldn’t look at twice – nice old ladies, sympathetic homemakers, slightly out-of-date romeos – who practice a kind of cruelty that isn’t necessarily obvious to the outside world, but that is nonetheless terrible.
Helping Hand deals with a couple who hurry old ladies to their deaths by means of kindness that’s actually cruel, and a young relative of one of those old ladies, who is herself grotesquely self-centered and uncaring.
Fortunately, the book is saved by the presence of a decent young Italian woman, who provides hope in a black world.
In the past months Mrs Fingal’s legs had grown very weak. She could move from the bed to the chair only if she held on to the furniture. ‘Be careful, dear,’ Mrs Evans would say, beating up the pillows and clearing away all the oddments hidden under them, ‘you don’t want to fall and break your leg.’
This is a tale of ruthless greed, exploitation and suffocating, skin-crawling terror.
Middle-aged Josh and Maisie Evans lead a seemingly unremarkable life. When their elderly lodger Flo dies and leaves them her Estate, they head to Italy on holiday, to take in the…
Sweet Lina McLaidlaw loves charming Johnny Aysgarth, but Johnny Aysgarth marries her for her money and doesn’t change his gambling, seducing ways one bit once he’s done so.
What makes the book so riveting is that Lina learns exactly what Johnny is like, yet she can’t bring herself to stop loving him. At one point she does leave him, but she voluntarily goes back.
Lina knows Johnny will eventually kill her so he can have it all and, knowing this, she puts herself in the cruel position of waiting for that to happen.
This book was made into a so-so Hitchcock film featuring Cary Grant and a memorable glass of milk, but the book is a riveting, breath-stealing masterpiece.
Before the Fact is a ground-breaking psychological drama of immense power, described as 'one of the finest studies of murder ever written'. Inspiring Hitchcock's classic film Suspicion, this classic title was written in the golden age of crime fiction and remains utterly compelling to this day.
When wealthy but plain Lina McLaidlaw marries feckless Johnny Aysgarth, she is certain she can change him for the better. Despite her hopes, she is soon forced to acknowledge the truth - that he is not only a compulsive liar and a crook but also a murderer. She continues to love him, while fearing…
Pressburger is better known as half of the film duo Powell and Pressburger, but The Glass Pearls shows he missed a career when he went into film.
Karl Braun, the protagonist of this book, is an escaped Nazi living in London some years after the end of World War II. He attempts to have a life, but lives in constant fear of being found and rounded up (yes, the book is aware of this irony).
The “quiet cruelty” comes from the fact that, like it or not, Pressburger’s wonderful ability at portraying Braun’s interior and his fear make the reader invest in him.
You end the novel troubled to discover that you have sympathized with – even wished for the escape of – a Nazi.
For fans of The Passenger, this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss.
'Stunning: incredibly good, tense and compelling and morally complex.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling. ' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd
Nothing is more inviting to disclose your secrets than to be told by…
Meet Tony Valenti. His high-flying corporate law career just cratered. His society marriage blew up in a bitter divorce. He's returned to the Chicago suburbs to lick his wounds and regroup in the haven of the Valenti family home. But time to heal isn't in the cards.
Tony's elderly father inexplicably shoots a sheriff's deputy on their front porch. Nobody knows why, and Papa isn't talking. Then their house becomes an unlikely target for condemnation and expropriation by corrupt local officials and their cronies.
With money and hope dwindling, Tony steps up to defend his father and take to city hall, and quickly finds himself in peril when he unearths sinister connections between the cases. The audacity of the plot against them fuels a gritty determination to get to the bottom of what really happened—regardless of the risks and ultimate cost to himself. To win, Tony must earn his father's trust and outwit his wily opponents.
Meet Tony Valenti. His high-flying corporate law career just cratered. His society marriage blew up in a bitter divorce. He’s returned to the Chicago suburbs to lick his wounds and regroup in the haven of the Valenti family home. But time to heal isn’t in the cards.
Tony’s elderly father inexplicably shoots a sheriff’s deputy on their front porch. Nobody knows why, and Papa isn’t talking. Then their house becomes an unlikely target for condemnation and expropriation by corrupt local officials and their cronies.
With money and hope dwindling, Tony steps up to defend…
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