A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books areTeresa de Ávila, Lettered Womanand Women Religious and Epistolary Exchange in the Carmelite Reform.
A brilliant portrait of Italy’s great female baroque painter, Artemisia Gentileschi. Daughter of the highly respected artist Orazio Gentileschi, Alexandra studied painting under her father, who recognized her extraordinary talent. However, she was raped by one of Orazio’s colleagues, Agostino Tassi, and when Artemisia denounced him, the trial became an enormous scandal. This book brings to life the dynamic art world of seventeenth-century Italy and reveals the power a gifted woman could wield in a patriarchal society.
In a vivid re-creation of Baroque Italy, Artemisia Gentileschi, one of the Western world's first major women artists, is raped by her father's partner, Agostino Tassi, and refuses, in the face of family pressure, scandal, and torture to deny the crime, an attitude that ostracizes her from Rome and from her father. 25,000 first printing.
I am intrigued by books that move outward from a focus on one object to a
larger examination of other subjects. Jeannie Marshall, a Canadian journalist who has lived for over two
decades in Rome, starts with Michelangelo’s masterpiece and moves outward to
the city, to the nature of art’s power, and inward to her life and family.
I
love the intimacy of her voice and her willingness to take herself as the
object of intense examination. As a lover of Rome and all things Italian, I
picked up this book from the staff recommendation shelf at my favorite local
bookstore.
The pleasure of surprise at finding a new author who is a companionable guide to a work and a city I love.
A deeply personal search for meaning in Michelangelo's frescoes-and an impassioned defence of the role of art in a fractured age.
What do we hope to get out of seeing a famous piece of art? Jeannie Marshall asked that question of herself when she started visiting the Sistine Chapel frescoes. She wanted to understand their meaning and context-but in the process, she also found what she didn't know she was looking for.
All Things Move: Learning to Look in the Sistine Chapel tells the story of Marshall's relationship with one of our most cherished artworks. Interwoven with the history of…
Glyn Harper has been researching and writing military history for over forty years. He is the author of numerous best-selling books on military history and is also an award-winning author of books for children and young adults. A former army officer, Glyn is New Zealand’s only Professor of War Studies.
The Day of Battle was Volume Two of Rick Atkinson’s acclaimed Liberation Trilogy. While all three volumes of this series are well worth reading, Atkinson was at his best in the second volume which deals with the much-neglected campaigns of Sicily and Italy. The doyen of British military history and a veteran of the Italian campaign, the late Sir Michael Howard wrote that The Day of Battle was ‘one of the truly outstanding records of the Second World War’. I think it is too.
In An Army at Dawn - winner of the Pulitzer Prize - Rick Atkinson provided a dramatic and authoritative history of the Allied triumph in North Africa. Now, in The Day of the Battle, he follows the strengthening American and British armies as they invade Sicily in July 1943 and then, mile by bloody mile, fight their way north. The Italian campaign's outcome was never certain; in fact, Roosevelt, Churchill and their military advisors engaged in heated debate about whether an invasion of the so-called soft underbelly of Europe was even a good idea. But once underway, the commitment to…
I’m a historian of Modern Europe based in Berlin. For the last twenty years or so, I’ve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, I’m now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimenting—and continuing to do so despite failures.
Workers ignoring the authority of foremen, organizing disruptive checker-board strikes—only those whose names started with a certain letter put down tools, but enough to bring work to a halt—forming alliances with rebellious students and battling the police in the streets: that’s the story of Italy around 1968, the place of some of the most radical and imaginative protests in the post-war era.
What workers demanded was as simple as it was radical: we want everything. Nanni Balestrini’s novel by the same title memorializes these struggles. It achieves what few sober historical accounts can: vividly capturing the dull monotony of labor suffocating young workers and the thrill of agitation on the shop floor and rebellion in the streets.
It was the Autumn of 1969, and Italy exploded. Across the north of the country, factory workers stormed out on strike, demanding better pay and working conditions. The slogan "We Want Everything" rang through the streets. Italy's "Hot Autumn" had begun.
In Nanni Balestrini's fictionalized account of the uprising, a young worker from Italy's impoverished south arrives at Fiat's Mirafiori factory in Torino, where he barely scrapes by with fourteen hour days of backbreaking work. His frustration is palpable, and soon he is agitating again his bosses for fun and giving himself minor injuries to win sick leave. Soon enough,…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
After writing La Bella Lingua, I thought I had learned many of Florence’s hidden stories. Botticelli’s Secret proved me wrong. Although we‘ve never met, I think of Joseph Luzzi as a kindred soul who shares my passion for Italy's language, art, and literature. With a scholar’s depth and a writer’s deft touch, he re-creates the brilliance and complexity of the Renaissance and traces its impact through the centuries since. At the same time, Luzzi draws us into a layered mystery that crosses centuries and unfolds in ever richer, deeper dimensions.
If you haven’t visited Florence, you’ll want to explore Botticelli’s and Dante’s hometown. If you have, you’ll want to return to deepen your appreciation of the city where artists and writers re-invented Western civilization.
Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence's unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city's greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. Botticelli declined into poverty and obscurity, and his illustrations went missing for 400 years.
The nineteenth-century rediscovery of Botticelli's Dante…
I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.
If you love Italy—and if you don't love it now, you definitely will—after reading this engaging, vibrant tribute to Italy! Knighted by the President of Italy for her writing about Italy, author Dianne Hales describes the native, inherent passion of Italians—la passione italiana— as the source and nurturer of our civilization's love for art, music, architecture, cars, ceramics, sculpture, design, literature, film, food, and wine. Bursting with talent and passion, the legacy of Italian passion for life in our culture is ubiquitous and all-encompassing. Italy and its passion itself have taken hold of our imaginations, and your imagination will take you directly to la bella Italia, as it did for me, while reading this engaging book.
A jubilant celebration of Italy’s outsize impact on culture, from literature to art, music to movies, that “masterfully examines the multitude of reasons why so many people fall in love with Italy and the Italian lifestyle” (Forbes)
Can you imagine painting without Leonardo, opera without Verdi, fashion without Armani, food without the signature tastes of pasta, gelato, and pizza? The first universities, first banks, first public libraries? All Italian.
New York Times bestselling author Dianne Hales attributes these landmark achievements to la passione italiana, a primal force that stems from an insatiable hunger to discover and create; to love and…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
This book, more than any other, inspired me to become a historian of Renaissance Italy.
Richard Trexler reveals that, far from being secular minded, the inhabitants of Florence relied on religion, ritual behavior, and charisma to create and maintain urban life, social values, and civic order.
By turns anthropological as well as historical, Trexler uncovers the ritual behaviors and practices that tied the city together from the level of the cosmos to the everyday relations between friends, neighbors, and family members. The central purpose of all public ritual in Florence served to overcome the inherent weakness of a republican government in a world of gods and kings.
Covering the history of Renaissance Florence from the fourteenth century to the beginnings of the Medici duchy, Richard C. Trexler traces collective ritual behavior in all its forms, from a simple greeting to the most elaborate community festival. He examines three kinds of social relationships: those between individual Florentines, those between Florentines and foreigners, and those between Florentines and God and His saints. He maintains that ritual brought life to the public world and, when necessary, reformed public life.
I am an award-winning New Zealand-born Canadian author with a love of fairy tales and female empowerment. I grew up reading books about boys for boys and found it hard to find a strong female heroine I could relate to. I wrote Contest of Queens, Queen's Catacombs, and Queendom Come to give young readers that character I so longed for as a child and set the series in a world where gender norms are reversed to expose some of the silly gender norms we adhere to in our own lives. I hope to make my readers think while also shining a little more kindness into their lives.
This one I read when I was much younger and think about often.
Georgia, a tomboy with an awful stepbrother and a serious lack of parental support, makes friends with an old man in an antique store who gives her the key to traveling to another world.
What sticks with me most about this book is that she spends the majority of it ashamed of her own skin, hiding who she is, dressing as a boy, and shrinking from who she truly is. Throughout the course of the novel, she finds her voice, discovers her strength, and claims the beauty what she has to offer the world.
This was such an important book when I was a teenager, as I felt incredibly uncomfortable in my rapidly changing body. To read about a girl who earns her own love was truly empowering.
Sequel to City of Masks, the setting is again Talia, the parallel world very similar to 16th-century Italy, but the main character in this book is Georgia - who has a love of horses. She is desperate to buy a little, dusty winged horse that has appeared in a local antique shop. This tiny, winged horse proves to be the talisman that transports Georgia right into the rivalries and the high-octane excitement of the hugely competitive Stellata horse race. Mary Hoffman proved herself a mistress of a narrative tour-de-force with City of Masks and this sequel will not disappoint. Fans…
Both words in the title drew me to this book! What an incredible weaving of the immigrant journeys of a young couple, from Scotland and Italy, who meet in Utah after he survives WWI and the influenza pandemic.
By then, she is a young widow who has lost a young brother, her father, her husband in the war, and another brother to the pandemic.
But they have much more to face, from the deception and destruction of a rampant secretive religion. Remarkably, they escape and find redemption. This is the almost unbelievable story of the author's grandparents, written as a novel.
One family's struggle for freedom and faith in a world gone mad.
The call of freedom has propelled millions of immigrants to journey thousands of miles from all corners of the globe to come to America over the last four hundred years.
This story details the incredible cost that some are willing to pay to drink from freedom's fountain.
My grandfather crossed the Atlantic Ocean seven times to come to America. He fought in a global war, and nearly died in combat in the French countryside, wearing the uniform of an American.
I have always loved detective
stories, but I only discovered Inspector
Montalbano through the Italian TV series; it is so evocative of Italy and Sicily and
reminds me of my favorite detectives from Holmes to Maigret.
Only when I
started living part-time in Italy, for unexpected personal reasons, did I turn
to the books (in translation). Now I am really hooked.
Perhaps I identify with
Montalbano: his approach to clues and crimes (which reminds me of the work of a
historian), his troubled feelings about getting older, his arguments with
himself, his sensuality, and his passion for good food. Potter’s Field is
one of the best.
I can list some of its themes: dreams, symbols, politics, the
Mafia, beauty, ideals, sex, betrayal. And, of course, investigating a murder.
When brought together in great storytelling with some remarkable characters, the
mixture is irresistible.
As seen on TV: now a major BBC4 television series. WINNER OF THE CWA INTERNATIONAL DAGGER AWARD 2012 While Vigata is wracked by storms, Inspector Montalbano is called to attend the discovery of a dismembered body in a field of clay. Bearing all the marks of an execution style killing, it seems clear that this is, once again, the work of the notorious local mafia. But who is the victim? Why was the body divided into 30 pieces? And what is the significance of the Potter's Field? Working to decipher these clues, Montalbano must also confront the strange and difficult…
