I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
If you want to learn about medieval Florence, why not go directly to the source? Dino Compagni was a Florentine merchant, a member of the silk guild, and an active member of the city’s government, contemporary with Dante. He was right in the middle of things during that turbulent period—he saw it all and took part in a lot of it. His chronicle, which covers from about the year 1280 to the beginning of the fourteenth century, relates the harm he perceived coming from factional strife. Bornstein’s translation is clear and readable, and his extensive notes and introduction help to make sense of this long-ago time.
Dino Campagni's classic chronicle gives a detailed account of a crucial period in the history of Florence, beginning about 1280 and ending in the first decade of the fourteenth century. During that time Florence was one of the largest cities in Europe and a center of commerce and culture. Its gold florin was the standard international currency; Giotto was revolutionizing the art of painting; Dante Alighieri and Guido Cavalcanti were transforming the vernacular love lyric. The era was marked as well by political turmoil and factional strife. The inexorable escalation of violence, as insult and reprisal led to arson and…
I’m somebody that starts far too many sentences with the phrase “Remember when.” I have great sensory recollection of things from my past. As a high schooler in the 90s, I can still smell the CK One I was wearing during the Seinfeld finale and hear the Nirvana blaring through my 5-disc changer while I did my homework. I love using my writing to bring certain time periods back to life. I think because technology is moving so quickly – I struggle to understand TikTok – I like writing books and reading books that take me back to a time period that isn’t changing with status updates, new pictures, and Snaps every second.
Tearjerker warning here. This book brought me back to 1930s Atlantic City. As a Jersey Girl, I’m always curious to read books about the place I grew up. I was especially interested in this book because it centered on a Jewish family, similar to my own. While the plot hinges on a tragedy, there are also hopeful moments and some well-placed humor. Not only was I wrapped up in the family drama, but I learned so much history about the Jersey Shore, a place that today barely resembles what author Rachel Beanland describes.
"The perfect summer read" (USA TODAY) begins with a shocking tragedy that results in three generations of the Adler family grappling with heartbreak, romance, and the weight of family secrets across the course of one summer.
"Rachel Beanland is a writer of uncommon wit and wisdom, with a sharp and empathetic eye for character. She'll win you over in the most old fashioned of ways: She simply tells a hell of a story." -Rebecca Makkai, Pulitzer Finalist for The Great Believers
Atlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to "America's Playground"…
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
This book is simply brilliant. I first read it in the 1980s and return to it often for inspiration and to remind myself of its piercing lucidity. Beautifully written, clear, thoughtful, and direct, it expresses a way of looking at art and visual culture that can be applied to other times and places. Baxandall explores the social relationships and practices out of which works of art emerge, connecting the way paintings look with the society in which they were made. He robustly criticises simplistic approaches to the art of the past and shows how we can think differently and understand more. I have deep admiration for Michael Baxandall, whose writings encourage readers to reflect on their own visual skills and habits, how and where they have acquired them.
This book is both an introduction to fifteenth-century Italian painting, and a primer in how to read social history out of the style of pictures. It examines the commercial practice of the early Renaissance picture, trade in contracts, letters, and accounts; and it explains how the visual skills and habits evolved in the daily life of any society enter into its painters' style. Renaissance painting is related for instance to experience of such activities as preaching, dancing, and gauging barrels.
This second edition contains an appendix, the original Latin and Italian texts referred to throughout the book, giving the student…
I have worked as a funeral director for more than 35 years and write regularly about funeral service. Since I wrote my first book, Grave Undertakings, in 2003, there’s been a proliferation of books about funeral service. Funeral directors have many stories to tell, and some of the best are by those who have worked in the trenches and gleaned profound insight into the work that we do. I’m less enamored about the books that are written for sensationalism and excessively hyped. That said, I’m always on the lookout for a good book by a colleague who writes about the work that we do with sincerity and compassion.
This book was given to me as a gift by a funeral director friend from Iowa. He told me he wanted to share the story of another pioneering/inspiring female in funeral service. And, indeed, that was what Mrs. Florence Steffy was. After the death of her husband, a beloved small-town funeral director, Steffy assured her community that the funeral home would continue to serve. And, along with help from her four children, serve she did for forty years. The book is a paean to Steffy, by her daughter, Doris, initially the only one of Steffy’s children reluctant to become part of the family business. She illuminates the challenges her mother faced at a time when women were seldom seen in funeral service, and how she faced them with strength and resilience.
When Florence Steffy's husband died in 1937 she was left with four children, almost no professional skills, and no license to continue the family's funeral business. In an era when people believed that a woman's place was in the home, she decided to go to embalming school and carry on the work her husband had begun. Doris Steffy lovingly chronicles her mother's journey from homemaker to funeral director in this moving memoir.
"It is my wish that this book will give renewed hope to those who have lost a loved one, a better understanding to those who have not suffered…
Born into a family with friction between parents, I never thought relationships could get much worse. When my parents divorced, father became estranged, then died by apparent suicide, memoirs by diverse voices opened my world and made me feel less alone. When I went through a sexual and gender identity crisis of my own, they helped me navigate the turmoil in my own life. I spent more than twenty-five years writing professionally for corporate and academic employers before writing biography and memoir became a coping skill.
Preston and Spezi’s memoir helped me learn how to write from inside a murder investigation. I knew I needed to write about my father’s unusual death and my suspicions, but I didn’t have the tools to tackle it. The two journalists describe how they solved an infamous serial killer case only to become suspects themselves. Preston and Spezi drive their story with a momentum I tried to match in telling mine.
The Monster of Florence, which was shortlisted for the prestigious CWA Gold Dagger Award for Non Fiction in 2010, is a true account of brutal serial murder in idyllic Florence. After settling in Italy in 2000, Douglas Preston discovered that the olive grove in front of his family's new home had been the scene of one of the most infamous double-murders in Italian history, committed by a serial killer who had never been found and was known only as the Monster of Florence. Preston, intrigued, met Italian journalist Mario Spezi, who had followed the case since the first murders in…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
In The Florentine Magnates we looked at Florence’s magnates, the powerful ruling class. Now we get a look at the people they lorded it over—the “popolo minuto” or the little people. We see them struggling, never able to get far enough ahead to get through a bad harvest, a year of terrible weather, or an epidemic with any security. Both church and commune recognized the need to come to the assistance of the masses of poor; this book tells us how they went about it and how successful they were (or weren’t). It deftly traces the role of religious confraternities in Florence’s charitable institutions. It’s been described as “one of the most detailed analyses of charity in late medieval Italy.”
John Henderson examines the relationship between religion and society in late medieval Florence through the vehicle of the religious confraternity, one of the most ubiquitous and popular forms of lay association throughout Europe. This book provides a fascinating account of the development of confraternities in relation to other communal and ecclesiastical institutions in Florence. It is one of the most detailed analyses of charity in late medieval Europe. "[A] long-awaited book...[It is] the most complete survey of confraternities and charity, not only for Florence, but for any Italian city state to date...This book recovers more vividly than other recent works…
I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!
I could not put this book down. It’s the riveting tale of Florence Bravo, whose life was one of enormous privilege and horrific violence.
She came from one of the wealthiest families in nineteenth-century Britain, fell in love with a dissolute military officer who abused her, only to have her parents insist that she stay with him. After he died and left her fabulously rich, she married a ne’er-do-well lawyer who was poisoned a few months later.
Ruddick solves the riddle of the murder, all while telling a tragic tale about the very limited options for women in the Victorian era. If you like a mystery, this is a great real-life one!
In 1875, the beautiful and vivacious widow Florence Ricardo wedded Charles Bravo, a daring barrister. The marriage seemed a happy one, although society gossips whispered that Bravo had married Florence for her fortune. Yet behind this charming public persona, Charles Bravo was a brutal and vindictive man, who dismissed Florence's steadfast companion Mrs Cox, and who regularly subjected his wife to violent abuse. One night, four months after the wedding, Bravo collapsed. For the next 55 hours, with some of London's most distinguished physicians in attendance, Charles suffered a slow and agonizing death. All the doctors agreed: Charles Bravo had…
I’m a UK bestselling writer of historical fiction who has often used Cornwall as a setting. I wrote about a lost garden and a colony of Edwardian artists in The Memory Garden, about the Second World War in A Gathering Storm and The Hidden Years. My father was Cornish, which meant wonderful childhood holidays spent in the county. I fell in love with its breathtakingly beautiful landscapes - rugged cliffs, picturesque fishing villages, expansive sandy beaches where the sea thunders in. I’ve feasted on its history and legends, and on stories of danger, romance, and adventure set in the region. It’s fulfilled a dream to have written my own.
I love gothic novels. As an impressionable and moody teenager visiting Cornwall I used to walk the cliffs alone in stormy weather imagining myself as a romantic heroine.
Du Maurier’s best-known novel is Rebecca, but I loved My Cousin Rachel better, not least because its heroine shared my name. I say ‘heroine’, but actually, for much of the book we don’t know what to think of Rachel. She enters Philip Ashley’s life after the death of his older cousin and guardian Ambrose, and Philip discovers to his dismay that Ambrose has left all his property to his new wife Rachel.
I love the way that Philip becomes mesmerized by Rachel and embroils the reader in his confusion. Is Rachel telling the truth about herself? Is she good or evil?
NOW A MAJOR FILM STARRING RACHEL WEISZ AND SAM CLAFIN
'Du Maurier is a storyteller whose sole aim is to bewitch and beguile' NEW YORK TIMES
'Du Maurier has no equal' SUNDAY TELEGRAPH
' One of her best novels, ingeniously contrived as to plot, successfully realized as to characters' KIRKUS REVIEWS
'I threw the piece of paper on the fire. She saw it burn . . . '
Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But…
I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.
This delightful mystery set in Florence not only intrigues the reader with its clever, twist-filled plot but also with its insights into daily life and culture in Italy. The characters are enjoyable and show many humorous and unique facts of Italian life. Nabb knows her Florence and her Italians, and her ability to describe both make a reader wish to accompany her on her next trip!
Introducing Marshal Salvatore Guarnaccia of the Florentine carabinieri, a Sicilian stationed far from home. He wants to go south for Christmas to spend the holiday with his family, but he is laid up with the 'flu. At this awkward moment, the death of a retired Englishman is reported. A most inconvenient time for a murder case. Who has shot Mr Langley-Smythe in the back? And why has Scotland Yard felt it appropriate to send two detectives, one of whom speaks no Italian, to 'help' the marshal and his colleagues with their investigation? Most importantly for the marshal, ever the Italian,…
As a journalist who explores the intersection of human health and planet health, I've long been fascinated by how stepping outside into a healthy environment can boost our well-being. I also believe that we are more likely to take positive climate actions when we have a rich connection to the natural world around us, so a lot of my work focuses on helping people get out into nature—whatever that looks like for them.
In this engaging read, science journalist Florence Williams travels the world to cover the research on the health benefits of exploring the outdoors. What I love about Florence’s writing is her ability to play the guinea pig so that readers can put themselves in her shoes—in this case, hiking boots.
For centuries, poets and philosophers extolled the benefits of a walk in the woods: Beethoven drew inspiration from rocks and trees; Wordsworth composed while walking over the heath; Nikola Tesla conceived the electric motor while visiting a park.
From forest paths in Korea to islands in Finland to eucalyptus groves in California, Florence Williams investigates the science at the confluence of environment, mood, health and creativity. Delving into new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our lives shift indoors, these ideas-and the answers they yield-are…
