The most recommended books about Florence

The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.

This literary thriller is a delicious blend of sneakiness, travel, and treachery. The story begins in New York but soon moves to the humid backdrop of Morocco, where the mysteriously pen-named “Maud” is working on her new novel.

Told in the voice of Maud’s assistant, this book drew me into the main character’s desperate need to be somebody. But who is tricking who? The twists in this book are epic.

I loved Ellen Raskin’s much-lauded The Westing Game when I was nine years old, but I never got around to reading her 1974 middle-grade book Figgs & Phantoms, until recently. It’s a weird and whimsical story about family and grief with a magical realist touch.

Once a month, Mona Lisa Newton stands on the shoulders of her diminutive Uncle Florence Figg and dons a cloak to form the “Figg-Newton giant” so they can reach the rare not-for-sale books on the top shelf of a local bookstore. Their family has its own private mythology, including a version of heaven called Capri, and when a death occurs, Mona is determined to follow the clues and find it.

The text and illustrations manifest Raskin’s wry sense of humor, though some of the book’s mature themes might be too much for younger readers.

This is a unique novel, both in ideas and in concept.

It’s actually two novels in one, the first taking place in 1880s England, the second in1930s California. The two novels are apposite, meaning after you finish the first you’re obliged to flip the book over to read the second. This format is actually quite old. It’s called tête-bêche – a book split into two parts back-to-back, head-to-foot.

To be honest, I don’t know how this will work or if it will work in ebook form. But like all of my picks it should be read in hardcover. The two tales are steeped in the mores of their respective time periods. They read like a first-rate thriller, and of course both become revelatory at the end of the second novel when they intersect.

The author’s grasp of both time periods is absolute and his characters grip you from the first… show more.

In The Florentine Magnates we looked at Florence’s magnates, the powerful ruling class. Now we get a look at the people they lorded it over—the “popolo minuto” or the little people. We see them struggling, never able to get far enough ahead to get through a bad harvest, a year of terrible weather, or an epidemic with any security. Both church and commune recognized the need to come to the assistance of the masses of poor; this book tells us how they went about it and how successful they were (or weren’t). It deftly traces the role of religious confraternities in Florence’s charitable institutions. It’s been described as “one of the most detailed analyses of charity in late medieval Italy.”

Thompson was a photographer from Kansas who went to Europe to cover the First World War and found himself in Russia as 1917 dawned. His book is drawn from letters he wrote home to his wife Dot, and his eyewitness reporting is better than his analysis. His account of the day police opened fire on protesters in Petrograd with machine guns is chilling. Thompson believed that the Germans were behind the revolution, which wasn’t the case, but his photos of soldiers and barricades and protesters amount to a great visual document of the moment. Read this in conjunction with Runaway Russia, by Florence MacLeod Harper, a magazine reporter with whom he teamed up to cover the revolution.

If you want to learn about medieval Florence, why not go directly to the source? Dino Compagni was a Florentine merchant, a member of the silk guild, and an active member of the city’s government, contemporary with Dante. He was right in the middle of things during that turbulent period—he saw it all and took part in a lot of it. His chronicle, which covers from about the year 1280 to the beginning of the fourteenth century, relates the harm he perceived coming from factional strife. Bornstein’s translation is clear and readable, and his extensive notes and introduction help to make sense of this long-ago time.

This book, more than any other, inspired me to become a historian of Renaissance Italy.

Richard Trexler reveals that, far from being secular minded, the inhabitants of Florence relied on religion, ritual behavior, and charisma to create and maintain urban life, social values, and civic order.

By turns anthropological as well as historical, Trexler uncovers the ritual behaviors and practices that tied the city together from the level of the cosmos to the everyday relations between friends, neighbors, and family members. The central purpose of all public ritual in Florence served to overcome the inherent weakness of a republican government in a world of gods and kings. 

A long time ago, when I was in hospital awaiting an operation, a fellow patient told me in times of trouble, you can’t go wrong with a Mills & Boon published book (Harlequin if you are in the US) to whisk you away. Wise advice, which I have used over and over again. And one of my go-to authors is Michelle Smart.

This book has everything I require for a complete escape – avrunaway bride, a resourceful heroine, and a broody hero who may not have loved the heroine to begin with but by the end is head over heels and a fabulous location as well.

This book allowed me some time to escape for a few hours on a bad day. It gave me the strength to carry on

If you, like me, have imagined Florence Nightingale as selfless, holy, good, unworldly, prim, and therefore probably very dull, this collection of her letters from Egypt will completely dash that perception. Nightingale was ferocious. Purely by coincidence, she set off on a three-month cruise down the Nile during the same week as Gustave Flaubert. Though the two apparently never met in their travels, they had many of the same experiences and visited the same places within two or three days of each other. Of the two, Nightingale was in fact the more daring and the more acute in her observations and judgments. 

She was brilliant, widely traveled, extremely well-educated, and had an absolutely wicked sense of humor that in these pages will surprise and delight you. Where Flaubert was emotional, sometimes melodramatic, superstitious, and occasionally fearful, Nightingale was tough-minded, unsentimental, and rational. In places where Flaubert chickened out, Nightingale just… show more.