I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023).
Pick up E.M. Forster’s A Room with a View and cue a Puccini aria. British author Forster wrote a lavishly romantic novel with a transgressive theme. Heroine Lucy Honeychurch struggles against her straitlaced Victorian background until a trip to Florence loosens her inhibitions. Does she marry her fiance, the arrogant Cecil Vyse or the Bohemian socialist George Emerson? Although the ending may be obvious, it is the vicarious trip through early 20th-century Tuscany—complete with a kiss in a field of violets—that is the delight.
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
Lucy Honeychurch travels to Florence, Italy, with her cousin and they were assured they would receive a room with a view of the River Arno, but instead are given a room overlooking a dull courtyard. A one Mr. Emerson and his son George offer their room, which as the desirable view, to the two ladies. From this opening sequence, A Room with a View sets off following young Lucy as she navigates through…
The first time I visited a vineyard was as a child with my mother and grandparents. Driving to San Francisco from Oregon, we stopped to tour a Sonoma vineyard and winery there. Later, as a young adult touring Western Europe, I became intrigued by the vineyards there. Something about the beauty of gently rolling slopes of green vines tugged on me. And I found the science and art of winemaking fascinating. Even the history of wine-making is noteworthy. And I love that Jesus’ first miracle was transforming ordinary water into extraordinary wine. So using the setting of a vineyard for my novel just felt right. And it was a fun adventure!
What better way to transport ourselves to a different place than by food. I love how Frances and Edward share simple traditional Tuscan recipes in this cookbook. Things you can actually concoct in your own kitchen, and you know they’re tried and true. These recipes make me want to drag a long table outside, set lanterns and flowers upon it, invite some friends and neighbors, then bring out generous platters of pasta and ragu and chewy bread and... a fine bottle of wine... and just enjoy!
“Tuscan food tastes like itself. Ingredients are left to shine. . . . So, if on your visit, I hand you an apron, your work will be easy. We’ll start with primo ingredients, a little flurry of activity, perhaps a glass of Vino Nobile di Montepulciano, and soon we’ll be carrying platters out the door. We’ll have as much fun setting the table as we have in the kitchen. Four double doors along the front of the house open to the outside—so handy for serving at a long table under the stars (or for cooling a scorched pan on the…
I may be English by birth, but my soul has always felt Italian! I have lived and worked in Italy for many years, first in Rome, then Milan, and finally Tuscany when we fell in love with an abandoned farmhouse. I wrote The Chestnut House while we were living in the mountains of the Garfagnana in northern Tuscany, inspired by the wartime stories our neighbours shared with us. For me Italy is the perfect country—great weather, food, wine, language, and culture! I love both reading about it, and writing about it. I hope you enjoy the books on my list as much as I have!
Set in both Devon and Tuscany—this is my perfect book! I loved the historic story of Floriana growing up near the beautiful villa in Tuscany, and it tied in so well with the modern-day story as well. As always Santa’s books are well crafted and a total joy to read, transporting you to the locations with her evocative descriptions. This makes a fabulous holiday read, and I have recommended it to many family and friends.
An irresistibly compelling from the internationally bestselling author Ten-year-old Floriana is captivated by the beauty of the magnificent Tuscan villa that overlooks the sea just outside her small village. She likes to spy from the crumbling wall into the gardens, and imagine that one day she'll escape her meagre existence and live there. One day, Dante, the son of the villa's powerful industrialist owner, invites her inside. From that moment on Floriana knows that her destiny is there, with him. But as they grow up they cross an unseen line, jeopardising the very thing they hold most dear. Decades later…
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
For medieval women, the right to assume title and property upon the death of their fathers or husbands could not be taken for granted. Most succumbed to the pressure to marry and relinquished their right to rule to conniving husbands, trapping themselves in loveless relationships.
A few, such as Matilda of Canossa, refused to be cowed into submission. Lara Byrne’s Lotharingia: Charlemagne’s Heir, is a wonderfully engaging blend of scholarly research and rich storytelling detailing the early life of this courageous woman. The characterizations are beautifully well-developed; I found some to virtually leap off the page and into the reader’s heart.
Like Christina Kohl in my series, Comitissa Matilda is a woman unafraid, whether to pursue forbidden love or to wield a sword in battle.
A unique tale of love and politics, betrayal and survival, male and female power, relics and prophecies, against the Machiavellian backdrop of the Investiture Controversy.
A.D. 1062. The Holy Roman Emperor is dead, and his underage son, snatched from his mother, is a puppet in the hands of regents. The fate of the empire lies in the hands of three women. Surprisingly, the Church takes their side, but Rome’s support has a price. Matilde refuses to be a pawn in the marriage game. Is she the child of Charlemagne’s prophecy?
HFC 2021 BOOK OF THE YEAR AWARD WINNER (WORLD HISTORICAL…
I was fascinated by this tale that weaves together an ancient curse on an Italian family, a fierce nonna who has ruled her granddaughters, and an aunt who has been ostracized by the family.
It’s hard for us to understand the power of an ancient curse, but these women have lived with it their whole lives. They flaunt tradition and travel to Italy, with its lush gardens and marvelous food, from their stark Brooklyn neighborhood back. Refusing to accept the curse, they reveal its source—and the reason the aunt was banished.
There’s a strong feminist note here, along with lessons in growth and self-confidence--and love. A slow start, but I loved this book.
A trio of second-born daughters sets out on a whirlwind journey through the lush Italian countryside to break the family curse that says they’ll never find love, by New York Times bestseller Lori Nelson Spielman, author of The Life List.
Since the day Filomena Fontana cast a curse upon her sister more than two hundred years ago, not one second-born Fontana daughter has found lasting love. Some, like second-born Emilia, the happily-single baker at her grandfather’s Brooklyn deli, claim it’s an odd coincidence. Others, like her sexy, desperate-for-love cousin Lucy, insist…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
To know medieval Florence, you have to have a sense of the enormous role the Church played in people’s lives. Here, Dameron concentrates on the 50-year period 1265-1321 (Dante’s lifetime), during which Florence went from something of a backwater to one of the wealthiest and most influential cities in all of Europe. Separation of church and state was simply not a thing back then; the concept would have bewildered medieval Florentines. All aspects of the city, from the legal system to charity efforts, were affected by religious institutions. This knowledgeable account will give you a rich, full picture of that aspect of medieval Florentine society.
By the early fourteenth century, the city of Florence had emerged as an economic power in Tuscany, surpassing even Siena, which had previously been the banking center of the region. In the space of fifty years, during the lifetime of Dante Alighieri, 1265-1321, Florence had transformed itself from a political and economic backwater-scarcely keeping pace with its Tuscan neighbors-to one of the richest and most influential places on the continent. While many historians have focused on the role of the city's bankers and merchants in achieving these rapid transformations, in Florence and Its Church in the Age of Dante, George…
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
A fantastic parody of the Italian food/holiday/romance novels that saturated the market in the 90s and 00s, this novel feels as wine-soaked as its cover. Hilarious, tipsy, and over-the-top. The characters are wild, the circumstances are campy and it makes for a very fun read. Cook the recipes--if you dare.
“A very funny sendup of Italian-cooking-holiday-romance novels” (Publishers Weekly).
Gerald Samper, an effete English snob, has his own private hilltop in Tuscany where he whiles away his time working as a ghostwriter for celebrities and inventing wholly original culinary concoctions―including ice cream made with garlic and the bitter, herb-based liqueur known as Fernet Branca. But Gerald’s idyll is about to be shattered by the arrival of Marta, on the run from a crime-riddled former Soviet republic, as a series of misunderstandings brings this odd couple into ever closer and more disastrous proximity . . .
I love to write stories of historical injustice, so this is mainly the genre I read. In recent years, many new novels merely rehashed the same theme, such as the horror show known as Auschwitz or the other camps. Although those are worthy of the people who died there, I’m always on the hunt for a fresh story that has never been told about those tragic years.
I loved learning about what happened in Italy when the Germans occupied it. In this story, a wealthy Italian family becomes too close to the Germans by inviting them to search the secret ruins behind their villa for antiquities. This relationship has deadly consequences years later as members of the family are killed. The book goes back and forth between 1943 and 1955 until we learn why someone is seeking revenge.
From the New York Times bestselling author of Midwives and The Sandcastle Girls comes a spellbinding novel of love, despair, and revenge—set in war-ravaged Tuscany.
1943: Tucked away in the idyllic hills south of Florence, the Rosatis, an Italian family of noble lineage, believe that the walls of their ancient villa will keep them safe from the war raging across Europe. Eighteen-year-old Cristina spends her days swimming in the pool, playing with her young niece and nephew, and wandering aimlessly amid the estate’s gardens and olive groves. But when two soldiers, a German and an Italian, arrive at the villa…
I’ve always been a huge believer of love and romance and happily ever after. I also know that real life and happily ever after aren’t always easy. It took me 45 years to find my Prince Charming (after kissing a lot of frogs). I love reading stories of hope, courage, and promise and strong women who pursue their dreams. They inspire me to keep going and to keep writing. Whether I’m creating women’s fiction, historical novels, fantasy, or romance, my books explore relationships and why people do what they do, and every story focuses on love (what we always strive for) and forgiveness (what we always need).
"I love everything—the food and the wine and the olive groves and the grapevines..." That line from the book was the feeling that enveloped me as I read this story. There is warmth and tenderness, comfort and satisfaction, a place where people work hard and reap the rewards of their efforts.
The universal search for love is prominent in These Tangled Vines. Love of husband and wife, married lovers, mother and daughter, father and daughter, sibling to sibling. Everyone wants love. But how many of us find the perfect match?
I loved exploring the lushness of Tuscany and the delicious food, wine, and passion. Reading this story made me want to be there once again.
From the USA Today bestselling author of A Curve in the Road comes a sweeping and captivating tale of one woman's journey to the lush vineyards of Tuscany-and into the mysteries of a tragic family secret.
If Fiona has learned anything in life, it's how to keep a secret-even from the father who raised her. She is the only person who knows about her late mother's affair in Tuscany thirty years earlier, and she intends to keep it that way...until a lawyer calls with shocking news: her biological father has died and left her an incredible inheritance-along with two half…
My mom handed me one of those little girl diaries with a lock and key when I was in third grade. I wrote my heart into those diaries until I needed more space and shifted to regular-sized notebooks. Writing is my way to know myself and make sense of my life. The journal I kept in the last months of my husband’s life helped me reassemble the trauma-blurred memories of his dying, and then, it supported my emotional rebirth during the year of intense grieving. It is with surprise and delight that I hear from readers who say I articulate their innermost emotions related to love and loss.
As I entered the strange new territory of grief and a solitary life after 37 years of an unconventional marriage, I found myself looking for solace from authors who could show me the way forward. Martha Cooley’s retreat to a small, medieval Italian village brought the first tentative smiles to my early months of grieving. My husband and I shared a love of Europe and stayed in our own medieval village in Tuscany just a few years before he died. Cooley used her retreat to deal consciously but gently with the many deaths she’d faced over a traumatic ten years, as well as the impending death of her mother. Her reflections related to mortality and carrying on after the loss of loved ones were a comfort as I began to confront the uncomfortable challenge of stepping into a new life without my husband and best friend.
"[A] splendid and subtle memoir in essays" —The New York Times Book Review
Having lost eight friends in ten years, Cooley retreats to a tiny medieval village in Italy with her husband. There, in a rural paradise where bumblebees nest in the ancient cemetery and stray cats curl up on her bed, she examines a question both easily evaded and unavoidable: mortality. How do we grieve? How do we go on drinking our morning coffee, loving our life partners, stumbling through a world of such confusing, exquisite beauty?
Linking the essays is Cooley’s escalating understanding of another loss on the…
