The most recommended Renaissance books

In his enthralling book, Carlos Eire narrates the epic tale of the Protestant Reformation and the profound repercussions it set in motion, demonstrating how it shaped the world we inhabit today.

From the remarkable discovery of a Roman mummy, through the travails of a young, then unknown monk called Martin Luther, into the wars of religion and the age of enlightenment, Eire takes the readers on a journey that they will never forget.

What I found most remarkable about this book is the author's remarkable talent for resurrecting a bygone era. Within these pages, readers will encounter austere inquisitors, fervent theologians, monarchs, nobles, corrupted popes, intriguing thinkers, witch hunters, and village priests.

Throughout the narrative, one is afforded the opportunity to eavesdrop on impassioned debates that forever altered the course of history. Eire's tour de force had a transformative effect on my perspective regarding religion and spirituality.

It illuminates the… show more.

After writing La Bella Lingua, I thought I had learned many of Florence’s hidden stories. Botticelli’s Secret proved me wrong. Although we‘ve never met, I think of Joseph Luzzi as a kindred soul who shares my passion for Italy's language, art, and literature. With a scholar’s depth and a writer’s deft touch, he re-creates the brilliance and complexity of the Renaissance and traces its impact through the centuries since. At the same time, Luzzi draws us into a layered mystery that crosses centuries and unfolds in ever richer, deeper dimensions. 

If you haven’t visited Florence, you’ll want to explore Botticelli’s and Dante’s hometown. If you have, you’ll want to return to deepen your appreciation of the city where artists and writers re-invented Western civilization.

This book, more than any other, inspired me to become a historian of Renaissance Italy.

Richard Trexler reveals that, far from being secular minded, the inhabitants of Florence relied on religion, ritual behavior, and charisma to create and maintain urban life, social values, and civic order.

By turns anthropological as well as historical, Trexler uncovers the ritual behaviors and practices that tied the city together from the level of the cosmos to the everyday relations between friends, neighbors, and family members. The central purpose of all public ritual in Florence served to overcome the inherent weakness of a republican government in a world of gods and kings. 

Whether or not one wants to make a case for the modern humanities deriving from the studia humanitatis in Renaissance Italy, it is undeniable that Renaissance humanism has been a source of endless fascination for humanities scholars. I enjoyed this book partly because it shows how this fascination led seventeenth- and eighteenth-century scholars to “recapitulate practices and mentalities that Italian Renaissance humanists pioneered.” It is such borrowing and reapplying that explains how a “humanistic tradition” could take shape. Another intriguing point is Celenza’s argument that this tradition has historically revolved as much around wisdom as about knowledge. While we modern academics know very well how to produce knowledge, what has happened to the wisdom part? Can the humanities survive, Celenza asks, without “reflection on the self and on life”?

My novel about World War II Italy depicts only one of the many times when the peninsula was a battleground from the Alps to Sicily. This book is narrative nonfiction that recounts medieval history with three extraordinary personalities that came together in 1502: Leonardo DaVinci, Niccolo Machiavelli, and Cesare Borgia.

Borgia was the son of Pope Alexander VI, and in his brutal campaign to forge dozens of warring states into a unified empire, he employed Leonardo to design and build seige engines, while negotiating with Machiavelli for the freedom of Florence. Borgia later became The Prince in Macchiavelli’s book on the realities of power politics.

Again: this book assures me that no matter how dark the tapestry history weaves for us, there is always “a thread of grace.”

A combination of history book and travel guide, On the Trail of the Yorks looks at the House of York from Richard, Duke of York through his children, including Edward IV and Richard III, to his granddaughter, Elizabeth of York, queen of Henry VII, highlighting the many historical locations associated with the family. The book is laid out in an easy-to-follow format, with each main character of the Yorkist dynasty getting their own chapter. The chapters then follow a loosely chronological manner, based on when the locations were used or visited, by the person in question. Kristie Dean always gives a history of the association between the Yorks and the historic site, while also giving a general history of the location. The book acts as a practical guide for each historic site; giving not only useful contact details, but also travel information and what to look out for while you… show more.

Everyone recognizes ZNH’s iconic novel, Their Eyes Were Watching God, but Hurston is a master short story writer. She reminds me of the artist Van Gogh, who devoted his work to the common man as Hurston centers her stories on simple folk whose experiences exemplify the human struggle. Profound and pleasing to read, you will smell the flowers, hear the bees buzzing, and occasionally laugh out loud at these beautifully told stories of real life. Although your life may be different from these, you will be reminded of what bonds us more than what divides us. No better time to think about that. 

A beautiful little book that showcases the paintings of early Renaissance painter Vittore Carpaccio, we see many women in his works. Some of saints, some bordering on the fantastical, a few quite realistic – all the women in Carpaccio’s art would have been inspired by real women living and working in Venice in the late 1400s and early 1500s.

A compelling exploration by Turner into what made spices so fashionable and so dangerous. “For their sake, fortunes have been made and lost, empires built and destroyed, and new worlds discovered” all to sate human infatuation with these ingredients. I was swept away by Turner’s erudite approach to spice history and his work has been an inspiration to me.

Writing in the sixteenth century, Montaigne essentially created the modern ‘essai’ as we know it. What I love about his writing, erudite though it is, is that there is nothing dry about it: his subject was himself, which is to say, by extension, ourselves.

Mixing references both Christian and Classical, learned and personal, Montaigne explores subjects ranging from cowardice to thumbs, and solitude to smells. In inventing the essay as a way of understanding ourselves, Montaigne invented our age of narcissism: ‘I have never seen a greater monster or miracle than myself.’