For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Jan Morris’s book is a fantastic discussion about the evolution of Venice. It explores why the city looks as it does, why the inhabitants behave in a particular manner, it explains how the buildings are constructed, why the boats are shaped as they are, how the navy constructed their Arsenale, what is best to eat, and when, what the climate is like and how this has informed behaviour and so much more...
Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life.
Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes…
Growing up in what was becoming Silicon Valley, I escaped to San Francisco on weekends and, through it, fell in love with what other great cities have to offer. However, as an environmental writer and TV producer there in the 1980s, I became aware of how cities exploit the territories on which they rely. A winter sojourn in the most lovely, fragile, and ingenious of all towns—Venice—in 1985 focused my too-diffuse thought on what might otherwise seem a contradiction.The lagoon cityis, as John Ruskin said, the finest book humanity has ever written; I owe it my life and the book it inspired.
I first read this book while living in Venice in the winter of 1985. Morris writes of a sea voyage along the ancient trade route and to the maritime colonies of her beloved lagoon city and, in the process, reveals much about the aggression and rapacity required by its merchant rulers to build one of humanity’s most beautiful and audacious creations.
Her book, along with Mumford’s, was formative for my understanding of the dependence of imperial cities upon an expansive hinterland and the role of warfare in its acquisition. In Venice’s case, its ship-building Arsenale made possible the splendid palaces that line the Grand Canal and the immense pile of loot that is the Basilica San Marco.
For six centuries the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean - an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'.
Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also…
I picked up And Then There Were None off my parents' shelf when I was probably about thirteen. It was my first Agatha Christie, and I was instantly entranced by her ability to build suspense, write witty dialogue, and plot the perfect murder. As I grew up I continued reading her prolific work, while, like her, making writing my career. When we decided to write our sixth book in the Science of Horror series, we wanted to step out of “horror” and explore more the mystery genre, and we knew Agatha Christie, the Queen of Crime, was the perfect point of view. The Science of Agatha Christie was born.
This one has recently gotten attention thanks to the movie adaptation, A Haunting in Venice hitting the theaters starring Kenneth Branagh as Hercule Poirot.
As a horror fan, I was instantly intrigued by the title, and Christie doesn’t disappoint. Does she ever? A body is found in a tub for bobbing apples and evil spirits are suspected. This one is a fun change from a polite society poisoning. I’m always a fan of a little supernatural intrigue.
When a Halloween Party turns deadly, it falls to Hercule Poirots to unmask a murderer in Agatha Christie’s classic murder mystery, Hallowe’en Party.
At a Halloween party, Joyce—a hostile thirteen-year-old—boasts that she once witnessed a murder. When no one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub.
That night, Hercule Poirot is called in to find the `evil presence'. But first he must establish whether he is looking for a murderer or a double-murderer...
Plunder combined three of my favorite things in one unputdownable story: art history, Italy, and the Napoleonic Era.
Veronese's enormous Wedding Feast at Cana, painted for the refectory wall at San Giorgio Maggiore in Venice, was seized with other masterpieces when Napoleon overcame the Austrians and wouldn't take Venice's neutrality as an answer. To this day it hangs in the Louvre, largely (pun intended) ignored because it’s opposite the Mona Lisa.
Salzman traces the common historic habit of swooping in like vultures during wartime to build one’s art collection, and for the first time I understood why Hitler thought himself justified in his own artistic pilfering!
One of The Christian Science Monitor's Ten Best Books of May
"A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” ―Roger Lowenstein, The Wall Street Journal
A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice
Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from…
I am an anthropologist and professor at Cornell University, where I taught 20-year-olds for thirty years. It was my job to explore the world, learn about it, and then educate others, underscoring the notion that all peoples and cultures are equally interesting and valuable. I started out, as a graduate student, watching macaque monkeys for my research, testing if their behavior might give us clues to the evolution of human behavior. But then I switched to science journalism for the popular audience and have, for decades, written for magazines, newspapers, and many books about the intersection of biology and culture on human thought and behavior.
Di Robilant again, of course. This book follows the trail of the story, apocryphal or not, made up or true, of the two Venetian Zen brothers who supposedly sailed to the North Sea in the 14th century. I loved this book because it is like a mystery story, full of questions with no real answers, and yet, in the end, I was convinced by Di Robilant’s investigation that Zens did indeed make it to Greenland and places North in the 1300s.
I really love a nonfiction book by an author who takes a sort of obscure topic and drills down to find the truth. The combination of geography, cartography, Venetian life, and mystery is indeed “irresistible.”
A century before Columbus arrived in America, two brothers from Venice are said to have explored parts of the New World. They became legends during the Renaissance, and then the source of a great scandal that would discredit their story. Today, they have been largely forgotten.
In this very original work—part history, part travelogue—Andrea di Robilant chronicles his discovery of a travel narrative published in 1558 by the Venetian statesman Nicolò Zen. The text and its fascinating nautical map re-created the travels of two of the author’s ancestors, brothers who claimed to have explored the North Atlantic in the 1380s…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This evocative novel tells the story of a Jewish midwife making her way in a very Christian Renaissance Venice. Along with all Jews confined to the ghetto at night by doge’s decree, Hannah is not permitted to help Christians with her medical knowledge. However, when her husband is taken to Malta and sold as a slave, Hannah finds that certain laws can be broken, for the right price.
Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense.
Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is…
The financing of private firms is fascinating and a bit mysterious. It remains misunderstood and regularly gives birth to hype and excesses. I started my career working for a venture capital fund at the top of the Internet financial bubble, in 2000. This experience has imprinted my career and derailed my ambitions. It also fueled my thirst for knowledge. I started from essentially a virgin theoretical and academic land. I developed a body of practical and academic knowledge. Writing and publishing my books seemed to be the next logical step. I enjoy reading books on the sector and recommending them.
It might seem odd, but there is no real better book than this one to illustrate the challenges of private equity. I use it as an example in my training sessions regularly.
The Merchant of Venice is not only one of the best plays on finance and ethics, but also the perfect illustration of the challenges of start-up investing before it became a profession. This play illustrates how venture financing differs in practice from bank financing. It also conveys the uncertainties associated with entrepreneurship, and how some capital providers are not able to take such a risk.
Shakespeare masters the art of contrasting the perspectives of an entrepreneur and a banker in a short and powerful format. It is a masterpiece and a must-read for anyone who wants to understand the philosophy of start-up investing.
In The Merchant of Venice, the path to marriage is hazardous. To win Portia, Bassanio must pass a test prescribed by her father’s will, choosing correctly among three caskets or chests. If he fails, he may never marry at all.
Bassanio and Portia also face a magnificent villain, the moneylender Shylock. In creating Shylock, Shakespeare seems to have shared in a widespread prejudice against Jews. Shylock would have been regarded as a villain because he was a Jew. Yet he gives such powerful expression to his alienation due to the hatred around him that, in many productions, he emerges as…
This novel's central character is a fictionalization, not of another character, but of an author, Thomas Mann. Tóibín presents the known outer details of Mann’s
life well—his work, his fame, and the cultural and social upheavals of 20th-century Germany—but I find the intimate inner life of the great writer most fascinating.
Drawing on Mann’s
published works as well as his posthumously published diaries, Tóibín can enter Mann’s mind and heart as he interacts with his wife, his brother, his
children, particularly Klaus (nicknamed Essi), his sexuality, and above all,
with his forbidden love for the young Tadzio, the love interest of Mann’s novel
Death in Venice.
I found that Tóibín’s work has the quiet gravitas
and beautiful prose of Henry James.
THE SUNDAY TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE 2022 RATHBONES FOLIO PRIZE
From one of our greatest living writers comes a sweeping novel of unrequited love and exile, war and family.
The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism.
He would have six children and keep his homosexuality hidden; he was a man forever connected…
Plus, Tracey's
2, and 7-year-old's favorite books.
Why did Tracey love this book?
I
really enjoy Donna Leon’s series about the Venice police detective, Guido
Brunetti, and am about to start her latest (no 32 in the series!).
Give Unto
Others is an enjoyable murder mystery story, but the aspects of these books
I most love are the characters and the setting. Leon makes you feel you are
wandering in and out of Venice bars and restaurants and jumping on and off
vaporetti and police launches with Brunetti. He navigates the city and the
social networks on the trail of clues. Leon’s lead character is intelligent,
compassionate, and humorous.
His interactions with colleagues and family feel
real and textured. Brunetti loves books, food, wine, his children, and, above
all, his wife, Paola, who is an English professor specialising in Henry James. The new book, So Shall You Reap, begins with an
amusing scene of Brunetti culling his bookshelves. I’m enjoying curling up…
Brunetti is forced to confront the price of loyalty, to his past and in his work, as a seemingly innocent request leads him into troubling waters
What role can or should loyalty play in the life of a police inspector? It’s a question Commissario Guido Brunetti must face and ultimately answer in Give unto Others, Donna Leon’s splendid thirty-first installment of her acclaimed Venetian crime series.
Brunetti is approached for a favor by Elisabetta Foscarini, a woman he knows casually, but her mother was good to Brunetti’s mother, so he feels obliged to at…
My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.
Technically this is not historical fiction, but if you know anything about Venice and Constantinople, you will recognise our world in the past. Guy Gavriel Kay’s magical writing weaves history into fantasy, where incredible occurrences become perfectly credible. This story is about various individuals caught up in a conflict between those who worship the stars and those who pray to the sun. Each character is very real in their flaws and ambitions and desires. Battles are fought across the fantasy Balkan states and the Adriatic Sea, involving Seressa (Venice) and the Asharites (the ‘infidel’). Kay’s books are quite simply splendid; I love the way they take me on exciting journeys with fascinating characters. Un-put-downable.
Guy Gavriel Kay, bestselling author of the groundbreaking novels Under Heaven and River of Stars, once again visits a world that evokes one that existed in our own past, this time the tumultuous period of Renaissance Europe - a world on the verge of war, where ordinary lives play out in the grand scheme of kingdoms colliding.
From the small coastal town of Senjan, notorious for its pirates , a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different…
