I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Tangled canals. Crooked alleyways. Slumping palazzi 500-hundred years old. Venice is Italy’s most atmospheric city, right? Maybe. Genoa runs a close second. Both are misunderstood and misrepresented in literature. Outsiders don’t dip below the theme-park surface. Except for the late, great Michael Dibden. Dead Lagoon features Commissario Aurelio Zen, a flawlessly drawn Italian detective. What makes me so sure? Genetics, experience, passion. My mother’s family is Venetian (via Rome). I’ve spent decades diving deep into the Lagoon City. I even did a year of college there. When I follow Zen into those crumbling palaces to unnail their intrigues, or watch him dart down bleak alleys stinking of fish and corruption, I know the writing rings true. Dibden “gets” Italy, unlike other, better-known novelists using Venice as a soft-boiled backdrop.
Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from…
The Colour Stormis set in Venice in 1510, where the Renaissance’s greatest artists are competing to be the first artist to get their hands on a mysterious new pigment, which is said will transform art forever but may only exist to drive them all mad.
I have honestly never read such an unusual and beautiful book. The author’s ability to evoke colour is incredible. Add to that a brilliantly written thriller full of ambition and rivalry and a complex love story, all set against a dankly gothic Venice, and it’s an absolute winner.
Enter the world of Renaissance Venice, where the competition for fame and fortune can mean life or death…
Artists flock here, not just for wealth and fame, but for revolutionary color. Yet artist Giorgione “Zorzo” Barbarelli’s career hangs in the balance. Competition is fierce, and his debts are piling up. When Zorzo hears a rumor of a mysterious new pigment, brought to Venice by the richest man in Europe, he sets out to acquire the color and secure his name in history.
Winning a commission to paint a portrait of the man’s wife, Sybille, Zorzo thinks he has found a…
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
This book deserves all the comparisons to Patricia Highsmith’s The Talented Mr. Ripley—but despite the similarities of the setting and genre, it’s so much more than an imitation.
The story is unique and unbearably tense. While I read, I felt like I was watching a Hitchcock movie: the dread and apprehension felt so palpable and painful that I had to keep reading because I couldn’t stand not knowing how it would turn out.
An L.A. Times Book Prize Finalist | An O Magazine Best Book of the Year
“Stylish… a compelling take on the eternal question of how good people morph into criminals. Terrific.”—People, Book of the Week
From the author of The Destroyers comes an "intricately plotted and elegantly structured" (Newsday) story of intrigue and deception, set in contemporary Venice and featuring a young American couple who have set their sights on a risky con.
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation.…
I am fascinated by the myth, legend, and the supernatural, and love to link them with a particular setting. The books listed all inspired my writing from their pace, elegant prose, great characterisation, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). And I am lucky enough to have lived in Cornwall by the River Fal, a place so steeped in legend and natural beauty that Angel’s Blade almost wrote itself.
No writer evokes atmosphere better than Daphne Du Maurier, and this collection of five short stories demonstrates her gifts superbly. Best known of these short stories is "Don’t Look Now," a tale of bereavement and despair with a wicked twist at the end, set in Venice and subsequently made into a superb horror movie. But the other stories within this anthology also immerse the reader in their settings, with each delivering an unexpected twist.
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
I love this book because it does such a masterful job of demonstrating how peoples, states, and the natural environment are closely linked with one another.
The book is about early modern Venice and its mainland empire, its immense and constant need for wood, and the state’s efforts to ensure that need could be sustainably met in both the near and distant future. The Venetians came to understand nature through the careful conservation of a vital but fragile resource, and their government developed to meet that challenge.
Over four centuries Venice created a unique bureaucracy of forestry and forest management, staffed by experts and tasked with counting and maintaining all of the trees within its vast territories.
Wood was essential to the survival of the Venetian Republic. To build its great naval and merchant ships, maintain its extensive levee system, construct buildings, fuel industries, and heat homes, Venice needed access to large quantities of oak and beech timber. The island city itself was devoid of any forests, so the state turned to its mainland holdings for this vital resource. A Forest on the Sea explores the history of this enterprise and Venice's efforts to extend state control over its natural resources. Karl Appuhn explains how Venice went from an isolated city completely dependent on foreign suppliers for…
Plunder combined three of my favorite things in one unputdownable story: art history, Italy, and the Napoleonic Era.
Veronese's enormous Wedding Feast at Cana, painted for the refectory wall at San Giorgio Maggiore in Venice, was seized with other masterpieces when Napoleon overcame the Austrians and wouldn't take Venice's neutrality as an answer. To this day it hangs in the Louvre, largely (pun intended) ignored because it’s opposite the Mona Lisa.
Salzman traces the common historic habit of swooping in like vultures during wartime to build one’s art collection, and for the first time I understood why Hitler thought himself justified in his own artistic pilfering!
One of The Christian Science Monitor's Ten Best Books of May
"A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” ―Roger Lowenstein, The Wall Street Journal
A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice
Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from…
I love good stories and I like to learn about other cities even if it is in a work of fiction. With few exceptions, every story I’ve written is in a location I’ve visited. When you can’t visit a place, then reading about a city in modern-day fiction is a close substitute. How many readers feel like they know the English countryside after reading multiple British mysteries? Or feel like you know Boston when reading the Robert Parker Spenser series? That’s the point of a good mystery – to take you someplace you’re not.
With this book, we get to visit Venice which might be my favorite Italian city. Ms. Leon has written a long-running series always set in Venice. It features an Italian detective (Commissario Guido Brunetti), his professorial wife, two children, an incompetent supervisor, and a secretary that is an IT geek. I like the series as I can feel myself walking down the streets of Venice Island over bridges, and in boats on the canals. The inspector goes home for lunch most days, something that you don’t find in America. She does a good job of describing a way of life in Venice beyond the mystery story.
In the landmark thirtieth installment of the bestselling series the New Yorker has called “an unusually potent cocktail of atmosphere and event,” Guido Brunetti is forced to confront an unimaginable crime
In his many years as a commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native city, Venice, to discover the person responsible. Now, in Transient Desires, the thirtieth novel in Donna Leon’s masterful series, he faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured…
Europe’s finest masterpieces drew me from Seattle, Washington to the Netherlands, where I earned a master’s degree in art history. During my study, the restitution of artwork that had been looted during WWII was a hot topic, and one that deeply fascinated me. Ultimately, my classes and work for several Dutch cultural institutions inspired me to write my series of art history mysteries.
This complex novel is akin to going on a highly enjoyable journey through gorgeous settings and two distinct periods of time. A multitude of seemingly unrelated stories set in London, Venice, and New York City, slowly intertwine and merge throughout the novel. Revenge drives one character, the desire to reach a higher social standing another, fame and perhaps wealth motivates a third, and memories of better times keep a fourth going. Yet all of their stories are connected via a single painting, Titian’s Man With the Blue Sleeve. To find out how and why, you’ll have to read this captivating novel.
It is 1576 and Venice is in chaos, ravaged by plague and overrun by crime. In the midst of the anarchy we find those brave souls who have chosen not to flee the city. Titian, most celebrated of Venetian painters, his health failing badly. Sebastiano, a gondolier who is the eyes and ears of the corrupted and crumbling city. And Tullia, the most notorious courtesan of the age, who must fight to retain her status as well as her worldly possessions. In the present day, the echoes of what happened centuries earlier still ripple as the lives of ordinary people…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Toso Fei is a Venetian author who writes about the quirks and mysteries of Venice. He has several books about ghost stories, strange events, and inventions. All his books are great because he not only writes well but is knowledgeable as only an insider can be.
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This evocative novel tells the story of a Jewish midwife making her way in a very Christian Renaissance Venice. Along with all Jews confined to the ghetto at night by doge’s decree, Hannah is not permitted to help Christians with her medical knowledge. However, when her husband is taken to Malta and sold as a slave, Hannah finds that certain laws can be broken, for the right price.
Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense.
Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is…
