Why did I love this book?
Plunder combined three of my favorite things in one unputdownable story: art history, Italy, and the Napoleonic Era.
Veronese's enormous Wedding Feast at Cana, painted for the refectory wall at San Giorgio Maggiore in Venice, was seized with other masterpieces when Napoleon overcame the Austrians and wouldn't take Venice's neutrality as an answer. To this day it hangs in the Louvre, largely (pun intended) ignored because it’s opposite the Mona Lisa.
Salzman traces the common historic habit of swooping in like vultures during wartime to build one’s art collection, and for the first time I understood why Hitler thought himself justified in his own artistic pilfering!
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One of The Christian Science Monitor's Ten Best Books of May
"A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” ―Roger Lowenstein, The Wall Street Journal
A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice
Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from…