58 books like Magic Flutes

The world of Howl’s Moving Castle immediately invites you into a place that feels cozy and magical. This book is easily one of my favorites because of its low-stakes plot and wonderfully quirky characters.

Jones takes you on a leisurely stroll through the world of the book’s protagonist, Sophie, a rather awkward 18-year-old girl who believes she is doomed to fail at life because she was born the eldest of three.

This story is refreshingly original and has inspired me time and again to love living a life built around so many of the lovely cottagecore aesthetics featured inside its pages. 

Laura Chant knows the world can wobble. She knows the boy at school, Sorry Carlisle, is a good deal more than he seems. When her little brother is lost to a vicious predator, Laura has to find a new self, or perhaps her own hidden depths, and face the changeover, which will remake her into another form. To do this, she has to place her trust in Sorry and his strange family, but she’ll do anything to save Jacko. Margaret Mahy is one of my favourite writers, and I think this book is her best. It is beautifully written in her inimitable style. 

I love a mix of fantasy and reality. This book (and the following series) has changed the way I look at almost everywhere in London.

Unbeknownst to most policemen and nearly all members of the ordinary public, the Metropolitan Police have a unit that deals with magic in the city. Seemingly-innocent events are often caused by vampires, magicians, or the rivalries between the gods and goddesses of the River Thames’ tributaries.

Here, it is not just the Thames that is important; all the little, often overlooked, waterways have a role to play. Peter, the Detective Constable at the heart of the story, is also a trainee wizard; the plot moves at breakneck speed, and I found it funny, exciting, and surprising all at once. 

The main character in this book is a badass, snarky, strong female lead and I fell in love with her immediately. But I also loved the humour in this book.

Annette Marie is particularly good at creating humourous dialogue and she did it so well in this book. There is also a reverse harem type of feel with several mages all of whom are kind of competing for the attention of the lead character.

However, unlike some reverse harem series on the market, this one is very clean with light romance – the plot is more focused around mystery-solving and action, my favourite combination! I tore through the entire series in a few weeks. Highly addictive reading!

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

The Magic Flute is my absolute favorite opera, and I remember the countless hours I spent listening to songs on CDs. For my birthday one year, my parents gave me a movie of a live performance of The Magic Flute by the Metropolitan Opera, and I watched the movie at least 10 times. Thus, when I found this book on the bookshelf of my library, I knew I had to sit down and read it. I became immersed in the book, following along with Prince Tamino and his journey while listening to the excerpts of the opera recorded in the pages. The tale captivates the readers and introduces them to the world of music. 

This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.

Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.

There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.

Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)