The most recommended classical music books

Paul Adam takes readers on a tense, insiders journey through the shadowy netherworld of priceless antique violins in search for the holy grail of violins, Stradivari’s “Sister Messiah,” that leaves a trail of dead bodies in its path. The hero, Giovanni Castiglione (like Amadeo Borlotti in my Daniel Jacobus mystery, Playing With Fire) is an under-the-radar violin forger with a conscience. As a professional violinist for a half-century, I can attest that The Rainaldi Quartet is absolutely true to life from start to finish. I was unable to put it down. Adam hits the nail on the head in this gripping tale of byzantine intrigue. A virtuoso tour de force!

This book is from a series of books entitled Getting to Know the World’s Greatest Composers, which features many different composers. The books are easy to read and will be enjoyed by both younger readers and older readers alike. The cartoon-style artwork may look silly, but the material is informative. Music education would not be complete without some information on the composers who wrote the music. A great series!

Among the many works of fiction inspired by classical music, that include Tolstoy’s Kreutzer Sonata, Mann’s Doctor Faustus, and Tremain’s Music and Silence, I have opted for Vikram Seth’s, exquisitely written and highly personal novel of unrequited love, loss, and longing, because his intimate knowledge of the world of classical music, the music and the characters is unsurpassed. 

The novel’s protagonist is a member of a successful string quartet, haunted by memories of a relationship he had had ten years previously. An unlikely reunion with the object of his infatuation, a pianist now happily married with a son, unleashes all kinds of personal and musical dynamics against the magical setups of Venice, Vienna, and… Manchester. The music performed by the different characters and the emotions that music triggers and unleashes are described with consummate sensitivity and insight. Every music lover will love this novel which is a treasure-trove… show more.

Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].

However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.

I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!

Classical music is often seen as being unapproachable, demanding, and difficult, the domain of geniuses and prodigies not for ordinary mortals. This delightful book makes available some of the greatest guitar music ever written in a form that is accessible yet recognisable. It enables the intermediate-level guitarist to advance their abilities while playing pieces that will transfix any audience, impress friends and family and render great satisfaction to the performer. 

This engaging book introduces classical music to children in an interactive and brilliant way. By providing readers with hilarious stories about musicians, composers, and conductors while introducing instruments, composers, and musical pieces, the children become exposed to history and the classical music world. Readers also have access to musical examples through audio tracks provided in the book. I introduced my young cousin to classical music with this book, and he became fascinated with the cello and ultimately joined his school orchestra.

For an intriguing, first-hand account of the art and life of the greatest ballerina of our time, don't miss this grand read. Natalia Makarova, the prima ballerina of them all gives this thrilling autobiography life as she describes not only her roles at the Kirov Ballet in St. Petersburg and at American Ballet Theatre in New York City, but also her daring escape from KGB agents in London where she defected. Glorious photography crowns this amazing achievement. On a personal note, my life changed after seeing her dance—first in a video of Giselle and then later in person at the Metropolitan Opera House. 

Listen to the Birds is part of the series An Introduction to Classical Music. Author Ana Gerhard chooses a different theme for each book and then puts together a collection of songs by various composers which is related to that theme. What a great idea! The included CD only gives you excerpts from the pieces, but that is probably because it is meant as an “intro” to classical music for a younger audience with a shorter attention span. I would recommend despite this downside, since further listening can always be done separately from the book if the readers are interested to hear more.

If Canone Inverso is your main course, The Murder of Figaro is the perfect dessert. It is light, frothy, and witty as a Mozart comic opera. As it should be, since the main characters are Mozart and his wife Constanze. Together, the frolicking pair must speedily solve the backstage murder of the government censor; otherwise, Mozart’s new opera, The Marriage of Figaro, will never see the light of day. Larson herself was an accomplished opera singer and has thorough insight into the opera world: the music, the business, and the backstage backstabbing. Written as a delightful opera buffa, this book is an absolutely fun read.

I found that this sometimes funny but always emotional and moving account of Ms. Kirkland's life as a ballerina in New York City to be a real triumph. She brings to the pages an honesty that is rarely seen, even in autobiographies. From the illegal drug scene that nearly killed her to the everyday trials of an immensely talented dancer caught between two worlds, this is the stuff that nightmares are made of.

This book isn’t as well known as the others but is just as deserving of attention.

It is an underground classic in sociology that studies why things catch on using a study of baby names. If you've ever wondered why some names become popular or what drives all sorts of things to become popular, this book helps us understand why.

I suspect I’ll raise a few eyebrows with this recommendation, notwithstanding the Amazon series it spawned (which ran for four seasons).

The book was not uniformly applauded, and it is difficult to know how accurate certain details are, given Tindall’s use of more than thirty pseudonyms and numerous denials from people she named. However, the prevalence of sex, drugs, and power politics in classical music is a harsh, ugly fact.

Classical musicians often misbehave, and if even those struggling for orchestral positions are guilty, how much worse might it be with the superstars? Obviously, I am thinking about Niccolò Paganini, but readers should also consider recent scandalous allegations against Placido Domingo and the late James Levine.

Most fantasies are set in a quasi-medieval landscape, but Hunt has chosen a deliciously different canvas: the Wild West. His hero is Ross, the estranged son of a famous fantasy author. When dear old dad is murdered, Ross grudgingly attends the funeral organized by the fantasy geeks and role-playing nerds who loved the old man's books. That much, he can handle. But being told that the fantastical world described in those books is real? No way! That disbelief is shattered, though, when Ross himself crosses over and is quickly drawn into the hunt for his father's killer in a nightmare world of gunslingers and monsters where the rules make no sense.

And to make matters worse: he hasn't read the books.

Mo Williams has hit all the right notes in this lushly illustrated book for young readers. How does one grow up to be a classical musician? Well… one beautiful moment leads to another…and another…and another.

Just as in this book, one magical experience in my young life changed everything. Because my 4th grade teacher took our class to see the original Disney Fantasia film, I heard, for the first time, the sound of The Philadelphia Orchestra. Shadows of violin bows danced across the panoramic movie screen as the musicians, conducted by Leopold Stokowski, performed Bach’s Toccata and Fugue in D minor. Because of how that moment sounded and felt, I found my calling ̶ the violin. That’s how it happens. One precious musical moment leads to another, to places you never dreamed you would go.

The setting is roiling Hong Kong just before the British turnover to China. A musician in the Hong Kong Philharmonic, searching for an unaccountably missing friend and colleague, becomes sucked into the back alleys of organized crime. Martin himself was a veteran professional orchestral string bass player in Hong Kong and has a consummate grasp of the pulse of the city and the vagaries of the music business. This gritty, rough-and-tumble page-turning thriller, with dialogue as spicy as the food and a noire feel, is an under-the-radar gem that in a fair world should be a best-seller. May be hard to find but so worth the effort.

Jeremy Denk is a world-famous concert pianist and MacArthur grant recipient. In this “musical memoir,” he tells the story of his musical education from his grade-school days to the Julliard School in New York City.

I like classical music but am far from being an expert. He intersperses his personal journey with dollops of musical theory. Denk writes well and often employs a self-deprecating tone, somewhat surprising for someone of his level of accomplishment.

I found it to be an engaging story—and I learned something about classical music along the way.

This magnificent book focuses on a single piece of music, Gustav Mahler’s titanic Eighth Symphony, and its premiere in Munich in the summer of 1910, a major musical and cultural event that attracted many eminent personalities from all over Europe. Mahler himself had no doubts about the uniqueness of this symphony which he saw as his "gift to the nation ... a great joy-bringer,” not so far away from Beethoven’s message in his Ninth. He wrote: "Try to imagine the whole universe beginning to ring and resound. There are no longer human voices, but planets and suns revolving." 

Johnson offers a detailed account of the work, its premiere, and the public response to it, a description of the deep personal traumas surrounding its composition (death of beloved daughter, marital turmoil, and terminal health troubles) and offers a profound analysis of the symphony’s musical structure, content, and originality. The… show more.

To play music written in another century and played thousands of times since is to live and play inside infinite comparisons: between the way something sounds in your head, and the clumsier way your fingers deliver it; between your interpretation and a famous recording; between your effort and a classmate’s. In The Loser, Bernhard imagines the lives of two students studying piano alongside a fictional version of the real-life virtuoso Glenn Gould. Their recognition of Gould’s brilliance starts their own lives unravelling. The first-person narrator ruminates and rants without pauses or paragraph breaks, flapping memorably at the edges of the pages like a bird in a cage of its own making.

This is a great little book for introducing younger readers to their first pieces of classical music. Although it is meant for a younger audience, there are many anecdotes that slightly older readers will also enjoy. The accompanying music is available in both a CD and an online version. The recordings are from Naxos which has an excellent music library of top-notch performances. A great value!

Igor Stravinsky was one of the most influential and innovative music composers of the 20th century. He was also remarkably intelligent, humorous, and insightful. This book is a collection of interviews, letters, and notes made by and about Stravinsky. Some of these writings would interest only classical music enthusiasts, but much of the book comprises witty observations of human nature, art, and what it really means to praise or critique someone.