The most recommended books about Oxford

A teasingly insightful glimpse of the Victorian Oxford of Lewis Carroll and Alice Liddell, the two protagonists – and yet they aren’t! Yes, there is an Oxford University don with a penchant for photography, and yes his favourite subject is a ten-year-old local girl, and yes the text is scattered with subtle Wonderland and Looking-Glass references, but this is otherwise a quite different, very cleverly contrived, story. Structured as the inner thoughts of the main characters, After Such Kindness engagingly explores the dilemmas posed by the unusual friendship between a mature clergyman bachelor – Arnold convincingly captures Carroll’s playful sense of humour – and an inquisitive and trusting young girl, while sustaining a lurking sense of foreboding through to a thought-provoking finale.

This is an imaginative mystery centered on the people who inhabited the world (Oxford and London) of Charles Dodgson (Lewis Carroll) after the publication of Alice's Adventures in Wonderland.

As an Oxford local historian myself, I think the author captures the atmosphere and detail of Victorian Oxford superbly well and sustains the suspense to the end, as Dodgson becomes embroiled in a series of events that involve him being blackmailed and being treated as a murder suspect.

Many familiar elements of Dodgson's life and many of his real associates are included, and there are numerous subtle nods to the text of Wonderland. And Dodgson's (to modern eyes) controversial friendships with and photographs of children are not swerved – indeed, they are central to the plot – but are astutely incorporated and believably explained.

This book is thought-provoking, instructive, enthralling, and convincing. 

Charles Williams is one of my guilty pleasures. The most esoteric of the famous Inklings, he wrote supernatural thrillers in which marvels take place in the midst of present-day London. This book, his last and, in my view, his best novel, is set near the end of WW II.

Two young women, killed instantly when a plane crashes onto them, find that they must work out their salvation—or its opposite—in a world where the living and the newly dead can still interact. The gestures of ordinary friendship and everyday cruelty turn out to have eternal stakes in this eerie, unforgettable novel, which I’ve reread more times than I can count. 

Seriously? This is only my all-time favorite mystery book ever, and a major part of it is seeing Oxford through Dorothy L.’s eyes. The university and the surrounding city are just as much characters as Harriet Vane and Lord Peter Wimsey.

Whether it’s hanging after dinner in the faculty lounge or the final, gorgeous scene overlooking the university, to the wonderful antique shop, to the carelessness of undergrads, it’s got it all for atmosphere.

I love this book for its size alone, as it clocks in at about 800 pages. I love a hefty book, and this sure is one. It’s also pretty, but mostly it’s a dictionary for just about anything you want to know about beer. It’s a great reference.

Weimin was the university's artist-in-residence recording the restoration of the C18th Observatory and Radcliffe hospital, the bulldozing of the site, and the building of the Maths Institute and Blavatnik School of Government near Jericho. This historic collection of art evokes past, present, and future, and Town and Gown. The artist comes from Manchuria so to me, it represents Oxford as an international city.

This book is only available from the author, email Weimin He for a signed copy for £20 plus postage. 

Good historical novels concentrate on gaps in the historical record, and use fiction to fill them – and in doing so, they illuminate the facts. Robinson Crusoe, the first historical novel in English (some claim the first English novel), used the story of a fictional sailor who left home in 1651 and returned in 1687 to show how the mental world in which his character grew up, riven by confessional conflict and civil war, differed from the mental world of his readers, in which colonies and capitalism had combined to produce great wealth. 

Among more recent works of fiction set in the 17th century, I particularly enjoyed Günther Grass, The meeting at Telgte (1981), set in Germany in 1647; and Iain Pears An instance of the fingerpost (1997), set in Oxford in 1663. Both include real historical figures.

This book is a comprehensive and fascinating look at an elusively handsome city. It shows unknown corners as well as the familiar Spires. History and events feature in attractive informative writing. All balanced by sensitive new imagery from the noted artist, architect, and illustrator Ian Davis. It is a gripping read, stunningly illustrated.

I love the fact that despite my living in Oxford for over 40 years, Ian Davis showed me views I didn’t know and facts I had not learnt. The book is Informative and interesting.

The book's great value is its comprehensive personal view of the City of Oxford, produced in an accessible and affordable format.

This book quickly became my favorite novel by Woolf, perhaps because it depicts a large Victorian family over time.

When her mother dies, Eleanor keeps the home fires burning for her siblings, Morris in the law courts, Edward at Oxford, Delia, Milly, and the younger Martin and Rose. We watch them grow and, fifty years later, deduce what has become of their lives when they talk to each other at a party.

Woolf’s narrative sweeps across England, across London, giving us vignettes of her characters from which the reader must make up the whole. My copy of this book is tattered from re-reading. I loved following along with Woolf’s attempt to gather everything she knew into her story of the Pargiter family.

This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.

Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.

Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.