The most recommended books about Oxford

For me, Oxford is the Hollywood of stories and indeed it is now home to The Story Museum. One of the stars of Oxford storytelling was Colin Dexter, whose Inspector Morse novels have spawned three TV series. He was the patron of the Oxford Writers Group and recommended this anthology. It includes stories from Town, Gown, and County so it is a good holiday read while in Oxford or dreaming of the city.

This book quickly became my favorite novel by Woolf, perhaps because it depicts a large Victorian family over time.

When her mother dies, Eleanor keeps the home fires burning for her siblings, Morris in the law courts, Edward at Oxford, Delia, Milly, and the younger Martin and Rose. We watch them grow and, fifty years later, deduce what has become of their lives when they talk to each other at a party.

Woolf’s narrative sweeps across England, across London, giving us vignettes of her characters from which the reader must make up the whole. My copy of this book is tattered from re-reading. I loved following along with Woolf’s attempt to gather everything she knew into her story of the Pargiter family.

Weimin was the university's artist-in-residence recording the restoration of the C18th Observatory and Radcliffe hospital, the bulldozing of the site, and the building of the Maths Institute and Blavatnik School of Government near Jericho. This historic collection of art evokes past, present, and future, and Town and Gown. The artist comes from Manchuria so to me, it represents Oxford as an international city.

This book is only available from the author, email Weimin He for a signed copy for £20 plus postage. 

Kathryn Sutherland is a professor at Oxford, but that doesn’t mean her writing is dry and dusty. I find her one of the best guides for why Jane Austen is such an enduring success. She’s written a few books about Austen.

I chose this one because it explains where Austen fits in cultural history: what books she read and how she has influenced writers, dramatists, filmmakers, and everyone else ever since. It also tells the story of how her novels came into being, physically–as manuscripts and as printed books.

What do the writers you are drawn to reveal about you? Why at certain points in our lives do we become “attached” to certain authors? The process of attachment is mysterious. As we age (and change) some things remain constant. Our attachment to a particular author may have begun in our youth, but evolved as we have. To reconnect with a favorite author can put us in touch with our younger self in unexpected ways. Mead shows how much Middlemarch has “spoken” to her throughout her life. This book is perhaps more in harmony with my own than any on the list. I have come to love books that underscore how what we read can be inseparable from the person we become.

This book is another that absolutely stands out in a crowded genre – a real gem. I could not put this one down.

The author manages to pack wit and humour into each page while also tackling themes of inequality and oppression. Beautifully written, fast paced, with one of my favourite lead characters of all time. The characterisation is just brilliant. I just cannot fault this wonderful book. 

This book is a comprehensive and fascinating look at an elusively handsome city. It shows unknown corners as well as the familiar Spires. History and events feature in attractive informative writing. All balanced by sensitive new imagery from the noted artist, architect, and illustrator Ian Davis. It is a gripping read, stunningly illustrated.

I love the fact that despite my living in Oxford for over 40 years, Ian Davis showed me views I didn’t know and facts I had not learnt. The book is Informative and interesting.

The book's great value is its comprehensive personal view of the City of Oxford, produced in an accessible and affordable format.

This is one of the many books that have delved into the old question of who William Shakespeare really was. And it is one of the more clever ones, drawing clear parallels between Shakespeare's texts, on the one hand, and the travels, experiences, opinions, and facilities of the main suspect, the Earl of Oxford, on the other. Looney’s book was the first one to propose and present exhaustive evidence that the Earl of Oxford was the sole author of all of Shakespeare’s works – a hypothesis that is now dominant among those who doubt the role of the relatively uneducated and untravelled “Stratford-man”.

Charles Williams is one of my guilty pleasures. The most esoteric of the famous Inklings, he wrote supernatural thrillers in which marvels take place in the midst of present-day London. This book, his last and, in my view, his best novel, is set near the end of WW II.

Two young women, killed instantly when a plane crashes onto them, find that they must work out their salvation—or its opposite—in a world where the living and the newly dead can still interact. The gestures of ordinary friendship and everyday cruelty turn out to have eternal stakes in this eerie, unforgettable novel, which I’ve reread more times than I can count. 

This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.

Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.

Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.