Here are 89 books that The Years fans have personally recommended if you like
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Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Austen writes sisters like no one else, and the dynamic between tempestuous Marianne and practical Elinor is the template for so many novels that have followed.
Austen keeps the two sisters from becoming caricatures by making them more alike than different, and the love that anchors their relationship is at the heart of the novel.
I first read this as a freshman in college, and I still think about it every time I’m writing sisters. A classic.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
I read this book in college and still recall it vividly.
A family seeks to marry off its daughters in prewar Japan, but while the world around them is evolving, they cling to tradition, insisting that the betrothals and marriages must happen in order. The youngest has a suitor and is eager to move forward with her life, but the first in line isn’t interested in being matched or hurried, which provokes a cascade of crises. Although the goal is finally achieved, there’s no sense of triumph.
Even in translation, the story is rich, complex, and naturalistic, and the characters seem so real that I once dreamed about encountering them on the street.
Tanizaki's masterpiece is the story of four sisters, and the declining fortunes of a traditional Japanese family. It is a loving and nostalgic recreation of the sumptuous, intricate upper-class life of Osaka immediately before World War Two. With surgical precision, Tanizaki lays bare the sinews of pride, and brings a vanished era to vibrant life.
As a reader, I am deeply interested in the real and complex lives of people. This often leads me to history and biography. Fiction shows both the interior and exterior lives of its characters and gives language to relationships, places, and the times in which they live. I am always looking for books with their feet on the ground and their pages crackling with the details of reality. Coming from a large family myself, I have found that, even if you live far apart, siblings make up each other’s world, and that, as my mother used to insist, our siblings may be our best friends throughout our lives.
In this fictional representation of her own childhood in a blended family, Patchett shows how miserable the children were, but also the odd partnerships and roles they set up between themselves. Showing us both how their parents’ lives got tangled, and how the five remaining children interacted in later life, Patchett tells a tale of an American era.
I loved this book for its precision in both external details and the aching truths of how the characters feel. In refusing to ignore the cruelty of the children and the indifference of the parents, Patchett gets it right. But she also describes the aftermath of a tragedy which does not, quite, tear a family apart.
THE NO. 1 NEW YORK TIMES BESTSELLER
A powerful story of two families brought together by beauty and torn apart by tragedy, the new novel by the Orange Prize-winning author of Bel Canto and State of Wonder is her most astonishing yet
It is 1964: Bert Cousins, the deputy district attorney, shows up at Franny Keating's christening party uninvited, bottle of gin in hand. As the cops of Los Angeles drink, talk and dance into the June afternoon, he notices a heart-stoppingly beautiful woman. When Bert kisses Beverly Keating, his host's wife, the new baby pressed between them, he sets…
As a reader, I am deeply interested in the real and complex lives of people. This often leads me to history and biography. Fiction shows both the interior and exterior lives of its characters and gives language to relationships, places, and the times in which they live. I am always looking for books with their feet on the ground and their pages crackling with the details of reality. Coming from a large family myself, I have found that, even if you live far apart, siblings make up each other’s world, and that, as my mother used to insist, our siblings may be our best friends throughout our lives.
Though they may have been rivals as children, Laura and Mary depend upon each other as they grow older.
When Mary becomes blind, Laura learns to describe what she sees to her. Laura also works hard at difficult jobs in order to help her parents send Mary to a school where she can learn Braille and to take care of herself. In this particular book, Laura also stands up to a teacher who is bullying her younger sister, Carrie.
I first read the series of books about the pioneering Ingalls family as they came out with Garth Williams’ illustrations in the 1950s. With simple, direct American prose, it was these books which whetted my appetite for realistic fiction. They bear re-reading as an adult.
Based on the real-life adventures of Laura Ingalls Wilder, Little Town on the Prairie is the seventh book in the award-winning Little House series, which has captivated generations of readers. This edition features the classic black-and-white artwork from Garth Williams.
In Little Town on the Prairie, the young town of De Smet has survived the long, harsh winter of 1880-1881. With the arrival of spring comes invitations to socials, parties, and “literaries.” Laura, who is now fifteen years old, attends her first evening social.
In her spare time, she sews shirts to help earn money to send Mary to a…
In my career as a medievalist, I’ve been inspired by L. P. Hartley’s maxim that “the past is a foreign country: they do things differently there.” At the same time, the people who live there are humans like ourselves. So, I’ve always tried to balance the alterity with the universality of the medieval past, asking big questions that bring together a wide range of sources and genres. In my forty years of teaching at Northwestern, I’ve enjoyed watching the impact of medieval texts change with each generation of students as they discover this strange yet immensely generative world.
Charles Williams is one of my guilty pleasures. The most esoteric of the famous Inklings, he wrote supernatural thrillers in which marvels take place in the midst of present-day London. This book, his last and, in my view, his best novel, is set near the end of WW II.
Two young women, killed instantly when a plane crashes onto them, find that they must work out their salvation—or its opposite—in a world where the living and the newly dead can still interact. The gestures of ordinary friendship and everyday cruelty turn out to have eternal stakes in this eerie, unforgettable novel, which I’ve reread more times than I can count.
First published in 1945, "All Hallows' Eve" is a fantasy novel by British writer Charles W. S. Williams. Charles Walter Stansby Williams (1886 - 1945) was a British theologian, novelist, poet, playwright, and literary critic. He was also a member of the "The Inklings", a literary discussion group connected to the University of Oxford, England. They were exclusively literary enthusiasts who championed the merit of narrative in fiction and concentrated on writing fantasy. He was given an scholarship to University College London, but was forced to leave in 1904 because he couldn't afford the tuition fees. Other notable works by…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
Short stories suit the speed of modern society. I began writing them as a child and began to get them published in magazines. My first collection of stories in 2009 got quite a lot of press in the UK and two more collections followed. Initially, they were darkly-themed backfiring scenarios for the anti-hero and I redressed the balance in Out on Top. We all deserve some good Karma!
This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have…
Charles Dickens (1812-1870) was an English short story writer, dramatist, essayist, and the most popular novelist to come from the Victorian era. He created some of the most iconic characters and stories in English literature, including Mr. Pickwick from "The Pickwick Papers", Ebenezer Scrooge from "A Christmas Carol", David Copperfield, and Pip from "Great Expectations", to name a few. Dickens' began by writing serials for magazines, and from 1833-1836 he used the pseudonym Boz, taken from a childhood nickname for his younger brother. "Sketches by Boz" contains 56 stories and, like most of Dickens' work, vividly portrayed the lives of…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.
In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.
Think being a superhero is hard? Try being the first one.
Will’s life is a proper muddle—and all because he was “accidentally” inflicted with the ability to run faster and leap higher than any human ever. One minute he’s a blacksmith’s apprentice trying to save his master from debtor’s prison. The next he’s accused of murder and hunted as a black-hearted highwayman.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
I have loved the world of Sherlock Holmes and the Victorian era ever since I first read A Study in Scarlet at age nine. Despite life getting in the way, I never lost my love for the character and the period. I continue to read both to this day. The five books I mention below are five that have stayed with me over the years. I hope you enjoy the books as much as I do.
I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.
I love the book as it is the sort I can pick up if I only have a few minutes to read.
Like her previous books, this book is the product of the author's passionate interest in the realities of everyday life - and the conditions in which most people lived - so often left out of history books. This period of mid Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains,…
