I am an Anglo-Irish writer and anthologist enjoying a life-long love affair with Christmas, which I have successfully transplanted to my home in Japan. I have edited three Christmas-themed anthologies, with many more to come. My own writing has been translated into French and Japanese. Determined to never grow up, in my sixtieth year, I still firmly believe in Father Christmas!
I knew that I would love this book from the moment I first set eyes upon it. I like that the stories and illustrations have been reproduced exactly as they were originally published in the Victorian magazines.
This is a book which I always read alone and free of distractions so that I can not only lose myself in the stories, but also contemplate the messages they contain. Like our Victorian forebears l love the sentimental aspects of Christmas, and this anthology never fails to cause me to think back with a smile, and sometimes a tear, to Christmasses long ago with relatives and friends no longer with us.
The Victorian Christmas is everyone's ideal of what a Christmas ought to be; children enraptured before a candlelit tree, tables groaning under an abundance of turkey, goose and pudding, stories of ghosts and hobgoblins, carol singers, church bells ringing through the midnight air. It is only in the last hundred years or so that such Christmas feasts and entertainments have been shared by the majority, rather than by the privileged few.
In Victorian times, 'Christmas as at Windsor' became the established order, for it was the festivities of the Royal Family that people took as their model. The popular Press…
Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.
A somewhat different kind of setting awaits readers in The Academy. It depicts a dystopia in space that resembles Victorian times quite strikingly. Pretty awesome combination, huh? The heroine infiltrates an all-boys school to become a spaceship pilot and navigate the stars. Only to discover even the galaxy is not big enough to run from love.
The Academy Where things are not always as they seem…
My name is Kris Jameson and I’m a student at the Royal Academy. I’m at the top of all my classes, what they call a “model student.” There’s only one problem—the Academy is an all boys school and I’m a girl.
It started as a prank when I took my brother’s place. But things got complicated when I caught Broward, the school bully, in a compromising position. They got even worse when I was assigned my roommate—the handsome but enigmatic North who saved me several times from the bully’s attacks.…
I'm a historian. But I’ve never been interested in Parliamentary debates, or important politicians. I’m much more interested in things like gender and entertainment. I always say that a lot more people have sex than become prime minister, so it makes more sense to study marriage than high politics! I like to learn about ordinary people, living their lives and loving their families, working and surviving, and trying to have a little fun along the way. I also love history of more fun and glamorous things—celebrities and scandals and spectacles and causes célèbres, hit plays, and best-selling novels. I have history degrees from Harvard and Yale and I’ve been publishing on nineteenth-century British history since 2000.
As some reactions to the first season of the television show Bridgerton have made clear, many people need to believe that Black people first arrived in Britain after World War II, and that Britain + the past = whites only. But it wasn’t so!
Black people have been British, and part of British history, for hundreds of years. I’m embarrassed how little I learned about Black Britons in studying British history in college and graduate school; this book has been a fantastic way to learn more.
Expanding upon the 2017 Radio 4 series 'Britain's Black Past', this
book presents those stories and analyses through the lens of a recovered past. Even
those who may be familiar with some of the materials will find much that they
had not previously known, and will be introduced to people, places, and stories
brought to light by new research. In a time of international racial unrest and
migration, it is important not to lose sight of similar situations that took
place in an earlier time. In chapters written by scholars, artists, and
independent researchers, readers will learn of an early…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
I am a historian of biology and biomedicine who has always been an outsider. Most of my colleagues have worked on ‘Darwin to DNA’ – evolution, physiology, genetics, and molecular biology. My interests have been in applied biology – parasites, insects, fungi, bacteria, biomedicine, animal diseases, and latterly dogs. It was a book on rabies, that I wrote with Neil Pemberton, that got me into dogs. In our research and writing we explored the wider social history of dog ownership and then, encouraged by the new interest in Animal History, researched how, and by whom, dogs’ bodies and behaviour had been shaped and reshaped, beginning in the Victorian period.
Philip Howell explores the place of dogs in Victorian homes and on the street.
There are familiar topics – vivisection, rabies, dogs’ homes, and dog cemeteries – but what set this book apart is that these are discussed in new ways drawing on literature and geography. Thus, we learn about Charles Dickens’s pet dog Sultan, alongside the many, many dogs in his novels, not just Bill Sikes’s Spike.
It surprised me just how many dogs roamed the streets of Victorian towns and cities, and how the police, often reluctantly, were responsible for bringing order to the streets. But public spaces were contested, with active and passive resistance by dog owners to measures requiring muzzling, leading, rounding up strays, and euthanizing unwanted curs and mutts.
Although the British consider themselves a nation of dog lovers, what we have come to know as the modern dog came into existence only after a profound, and relatively recent, transformation in that country's social attitudes and practices. In At Home and Astray, Philip Howell focuses on Victorian Britain, and especially London, to show how the dog's changing place in society was the subject of intense debate and depended on a fascinating combination of forces even to come about.
Despite a relationship with humans going back thousands of years, the dog only became fully domesticated and installed at the heart…
I am an avid book connoisseur, passionate about reading and supporting the underdogs in literature. As someone who struggled with reading and faced bullying and torment from both peers and teachers, I have a personal connection to these stories. Being an underdog, especially one with literacy challenges, is difficult for anyone, regardless of age. This is why I pursued a degree in English and a master's in creative fiction writing. I aim to inspire and support others who, like me, have faced adversity and have found their solace in the written word. I hope these books featuring underdog stories will inspire resilience and determination in you, just as they did for me.
This is a delightful children’s book set in the captivating Victorian era. It follows the adventures of Wilson, a charming Dalmatian dog. Throughout the story, young readers are taken on a journey with Wilson as he diligently performs his duties to keep his family safe. The combination of historical elements with the heartwarming experiences of a faithful pet adds a special touch to the narrative.
Told from Wilson’s perspective, the book not only engages children but also offers an enjoyable read for adults, especially those sharing the story with young ones. The portrayal of Wilson’s roles and responsibilities provides an enriching learning experience about the past, making it a cherished read for all ages.
He is not a pet. He’s an important part of any road trip. Wilson lives in England in 1841. He paces the horses that pull the Benton family carriage and warns the driver of any dangers on the road.
Wilson takes his job seriously, especially today, because the carriage holds his favorite people: Anne and Robert, the Benton children. They count on him to keep them safe.
Wilson refuses to let the many interesting things on their journey distract him. However, when he smells fear and detects a highwayman lurking on the…
Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.
M.M. Kaye set this novel before and after the Indian Mutiny of 1857. In it she describes the horrors British women and children go through being killed by the native population and the many ways the protagonist, along with some characters, escape being massacred. The descriptions are vivid and make you feel like you are part of the mutiny, experiencing it firsthand. The mutiny ends up being crushed and the British gain back power ruling India for another ninety years.
People who like novels set during the Victorian Era will certainly love this book as it takes place in Victorian England and then in India. So, one gets the best of both worlds.
M. M. Kaye, author of The Far Pavilions, sweeps her readers back to the vast, glittering, sunbaked continent of India. Shadow of the Moon is the story of Winter de Ballesteros, a beautiful English heiress who has come to India to be married. It is also the tale of Captain Alex Randall, her escort and protector, who knows that Winter's husband to be has become a debauched wreck of a man.
When India bursts into flaming hatreds and bitter bloodshed during the dark days of the Mutiny, Alex and Winter are thrown unwillingly together in the brutal and urgent struggle…
For someone who loves sci fi *and* historical fiction, this book was a perfect merge of the two, with the added bonus of stylistic homage to Jerome K. Jerome if you like that sort of thing (and I very much do). It is gently witty and full of personality; the characters are well filled out, and the frequent oscillations of the plot from the sublime to the absurd are delightful.
Ned Henry is a time-travelling historian who specialises in the mid-20th century - currently engaged in researching the bombed-out Coventry Cathedral. He's also made so many drops into the past that he's suffering from a dangerously advanced case of 'time-lag'.
Unfortunately for Ned, an emergency dash to Victorian England is required and he's the only available historian. But Ned's time-lag is so bad that he's not sure what the errand is - which is bad news since, if he fails, history could unravel around him...
This is an
imaginative mystery centered on the people who inhabited the world (Oxford and
London) of Charles Dodgson (Lewis Carroll) after the publication of Alice's Adventures in Wonderland.
As an
Oxford local historian myself, I think the author captures the atmosphere and
detail of Victorian Oxford superbly well and sustains the suspense to the end,
as Dodgson becomes embroiled in a series of events that involve him being
blackmailed and being treated as a murder suspect.
Many familiar elements of
Dodgson's life and many of his real associates are included, and there are numerous
subtle nods to the text of Wonderland.
And Dodgson's (to modern eyes) controversial friendships with and photographs
of children are not swerved – indeed, they are central to the plot – but are astutely
incorporated and believably explained.
This book is thought-provoking, instructive, enthralling,
and convincing.
The man the world knew as Lewis Carroll, author of the adventures of Alice, was known to his colleagues in the Christ Church Common Room as the Reverend C. L. Dodgson, a middle-aged Oxford don. His hobby was photography, especially of pubescent girls 'in their favourite dress of nothing to wear'. When evidence of the Reverend's pastime falls into the hands of Charles Augustus Howell, the infamous Victorian blackmailer, and a murder victim is fished out of the Isis, Inspector Swain is called to investigate the case that casts the shadow of doom over Dodgson. 'One of the most entertaining…
As a fine arts major alumnus of Lake Forest College and Illinois Wesleyan University, I have written a variety of works, fiction and non, throughout my professional life. My preferred literary escape became the genre of British Mystery. I learned much from reading Martha Grimes in the 1990s. Her use of interplay between a character’s internal psychic landscape and the surrounding one interested me. As a mystery writer, I employ what I think of as light brushstrokes of the cozy genre while aiming for some depth of prose. A Lark Ascending has been described as an engaging escape from today.
The year is 1837 and Liberty is a fiercely independent young woman. The story begins with her crossing the Channel to find her father, only to discover that he had recently been killed in a duel. In the course of investigating what had happened, she comes upon a plot that involves treason, with the potential to spark another civil war.
What I love about Peacock’s work is her use of imagery in echoing a character’s psyche or situation. Horse lovers will enjoy Liberty’s relationship with her horse and her growing friendship with her good-hearted stable hand. I have not yet put my finger on it, but for some reason, I feel a hint of Edgar Allen Poe when I read her books.
A remarkable debut novel rich in atmosphere, color, and suspense, Caro Peacock's A Foreign Affair is an irresistible blend of history, adventure, and ingenious invention that brings an extraordinary new writer—and a truly endearing and unforgettable heroine—to the literary stage.
The year is 1837. Queen Victoria, barely eighteen, has just ascended to the throne of England, and a young woman named Liberty Lane has just had her first taste of true sorrow. Refusing to accept that her gentle, peace-loving father has been killed fighting a duel, she vows to see justice done. . . .
I confess to a life-long interest in both the Victorian era and in crime, and I blame my dad for both. Dad was a Cleveland Police detective who introduced me to the Holmes stories at an early age. We read Doyle and we both enjoyed Basil Rathbone’s take on Sherlock in the old black-and-white movies. Dad also gave me my first chance to practice my detecting skills when on his days off, he’d load me into the car, buy me an ice cream cone (no doubt to keep me quiet), and take me for a cruise around the city looking for stolen cars.
I will admit it’s been a while since I read this, the first Charlotte and Thomas Pitt mystery.
The fact that I still remember it and include it on this list says something. The mystery is convoluted enough to keep readers interested and the story of the lead characters going against societal norms (young woman from a good family attracted to a “lowly” police inspector) is intriguing.
Throw in the foggy atmosphere of Victorian London and you’ve got a real winner. Be aware, though, Hangman is the first of 32 Charlotte and Thomas Pitt novels.
In the debut of the New York Times–bestselling Victorian crime series, Inspector Thomas Pitt seeks an elusive strangler among upper-class British society.
Panic and fear strike the Ellison household when one of their own falls prey to the Cater Street murderer. While Mrs. Ellison and her three daughters are out, their maid becomes the third victim of a killer who strangles young women with cheese wire, leaving their swollen-faced bodies on the dark streets of this genteel neighborhood. Inspector Pitt, assigned to the case, must break through the walls of upper-class society to get at the truth. His in-depth investigation…
