I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
As a fine arts major alumnus of Lake Forest College and Illinois Wesleyan University, I have written a variety of works, fiction and non, throughout my professional life. My preferred literary escape became the genre of British Mystery. I learned much from reading Martha Grimes in the 1990s. Her use of interplay between a character’s internal psychic landscape and the surrounding one interested me. As a mystery writer, I employ what I think of as light brushstrokes of the cozy genre while aiming for some depth of prose. A Lark Ascending has been described as an engaging escape from today.
The year is 1837 and Liberty is a fiercely independent young woman. The story begins with her crossing the Channel to find her father, only to discover that he had recently been killed in a duel. In the course of investigating what had happened, she comes upon a plot that involves treason, with the potential to spark another civil war.
What I love about Peacock’s work is her use of imagery in echoing a character’s psyche or situation. Horse lovers will enjoy Liberty’s relationship with her horse and her growing friendship with her good-hearted stable hand. I have not yet put my finger on it, but for some reason, I feel a hint of Edgar Allen Poe when I read her books.
A remarkable debut novel rich in atmosphere, color, and suspense, Caro Peacock's A Foreign Affair is an irresistible blend of history, adventure, and ingenious invention that brings an extraordinary new writer—and a truly endearing and unforgettable heroine—to the literary stage.
The year is 1837. Queen Victoria, barely eighteen, has just ascended to the throne of England, and a young woman named Liberty Lane has just had her first taste of true sorrow. Refusing to accept that her gentle, peace-loving father has been killed fighting a duel, she vows to see justice done. . . .
I’m an ecologist who loves history. I love incorporating elements from the past in my non-fiction and fiction writing. I’ve learnt so much about parts of the world I have never visited from historical mysteries, especially those with strong female characters. My grandmother, born in 1907 during the British Raj, fought just to go to school. I love books that offer an insight into the lives and thoughts of fierce, feisty women like her, everyday women who did extraordinary things. Each of the books I’ve selected is the first in a series, and I hope they give you endless hours of reading pleasure, just as they did for me.
Set in 1930s Singapore, written by one of the island country’s finest writers, this book features a most unlikely protagonist, SuLin, a young local girl hired as a nanny in the British Governor’s household.
Dealing with childhood polio, labeled a ‘bad-luck’ child, SuLin yearns for a life where she can become a journalist of her own standing, not just someone’s wife or mistress. Just like the other feisty women in these other series, she’s beset by challenges, including those of her own making, but she never gives up!
I’ve been a huge fan of Yu’s contemporary Aunty Lee series, set in contemporary Singapore, and I loved this one too. The descriptions of Singapore’s lush tropical landscape, the trees, and the food–especially the food–are too good to pass up.
First in a delightfully charming crime series set in 1930s Singapore, introducing amateur sleuth Su Lin, a local girl stepping in as governess for the Acting Governor of Singapore.
1936 in the Crown Colony of Singapore, and the British abdication crisis and rising Japanese threat seem very far away. When the Irish nanny looking after Acting Governor Palin's daughter dies suddenly - and in mysterious circumstances - mission school-educated local girl Su Lin - an aspiring journalist trying to escape an arranged marriage - is invited to take her place.
But then another murder at the residence occurs and it…
I’ve been writing historical romance novels and novellas for over ten years now and have read extensively from this genre during that time. I’m currently working on my 42nd book where a governess in her mid-thirties finds love with her wealthy boss. Writing romance may seem easy, but it actually requires a lot of research and poses the challenge of being dependent on the gradual emotional development of two protagonists whose journeys intertwine. As a former editor of mine once put it, there are a lot of gears in motion, all of which have to work smoothly together. The stories I’ve chosen to mention are excellent examples of this. I hope you’ll enjoy each one.
This book immediately stood out to me for a couple of reasons: the setting was vividly described, the characters engaged in simple everyday tasks that not only added depth but helped paint a picture of the era, and the author managed to make this story extremely sexy without explicit lovemaking scenes. I stopped writing explicit scenes years ago and have since aimed for a more sensual tone, which actually poses a much bigger challenge. So I’m always interested to see how other authors (of which I’ve encountered only a few), tackle such scenes in a more suggestive manner while still conveying the passion between the hero and heroine successfully. This book is an excellent example of how less truly can be more.
Reeling from the death of her parents, eldest daughter Octavia strives to be a source of strength for her sisters. She defies their grandfather’s high-handed meddling—and his desire to see the Staunton girls married. She forges her own path to independence, which leads to the gates of Caswell Hall. There, the governess has just quit her post, leaving a vacant spot in the local lord’s household.
Simon, Viscount Althorne, is impressed by the sensible, dark-haired beauty, and hires her to teach his wayward young niece. He resents the loss of his carefree bachelor days, and longs to see the child…
I’ve written almost one hundred historical romances, so when it comes to making a marriage in a book swoonworthy, I know the hard work that an author has to put in. Whether it’s enemies to lovers, instalove, grumpy/sunshine, whatever it is: I have a huge amount of respect for authors who spend the time crafting a love story that makes me absolutely desperate for the wedding.
The queen of histromcoms (yup, that's historical romcoms) Caroline Lee has a hilarious series that makes me laugh literally out loud - and so far, I've actually cried with laughter twice.
This is another governess story but this time with a Scottish laird, outrageous twins, and assassin mystery to boot. You shouldn't say no to this book.
I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
When books about the supernatural involve children, I am always interested, especially if one of the children is not exceptionally likable. This book had two twists (of sorts).
One was eyebrow-raising, and the second was heartwarming. It was the ending, though, that made me recommend it—I got a bit of a chill from it.
1867. Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor. When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation.…
What can I say? I’m a hopeless romantic. There’s nothing better than a great romance novel set in the past when chivalry was not dead. I’m a published author of more than twenty-five novels, including a great pirate series. I grew up in Florida and fell in love with the tropics as I sat on the beach and dreamt of handsome pirates. Once I became a Christian, I started reading Christian romances but found many of them moved a little slow to my liking, so I decided to write one myself! I have a BA in Computer Science and have won several awards for my writing.
Reminiscent of the wildness, adventure, and romance of The Last of the Mohicans, Captive Heart sizzles on every page. This is Michelle Griep's best book yet and one that played out before my eyes like an epic movie I kept wanting to watch over and over. The romance is perfect, the adventure nonstop, and the characters really touch your heart.
The wild American wilderness is no place for an elegant English governess
On the run from a brute of an aristocratic employer, Eleanor Morgan escapes from England to America, the land of the free, for the opportunity to serve an upstanding Charles Town family. But freedom is hard to come by as an indentured servant, and downright impossible when she’s forced to agree to an even harsher contract—marriage to a man she’s never met.
Backwoodsman Samuel Heath doesn’t care what others think of him—but his young daughter’s upbringing matters very much. The life of a trapper in the Carolina backcountry…
Full disclosure: I don’t know much about swords. But as a children’s author and English teacher, I’ve learnt what makes kids want to pick up a book. In short, make it fun! My teenage membership in the Young Archaeologists Club sparked my love of history and archeology. It wasn’t quite as glamorous as Indiana Jones would have you believe, but the idea that hidden treasures might be lurking under our gardens has fascinated me ever since.
An alternate England, which is full of wolves? That should be enough to recommend this book.
I remember sleepless nights, desperate to discover whether Bonny, Sylvia, and Simon managed to thwart the evil plans of the amazingly named Miss Slighcarp. Full of kids rushing about and outsmarting adults, which every children’s adventure should contain.
1832 - a period of English History that never happened. Good King James III is on the throne and the country is ravaged by wolves which have migrated through the newly-opened Channel Tunnel. When Sylvia and Bonnie (both orphans) fall into the hands of evil Miss Slighcarp, they must use all their wits to escape unscathed - for the governess is more cruel and merciless than the wolves that surround the great house of Willoughby Chase.
I’ve loved murder mysteries since I first discovered the genre. As a child, I loved watching Morse, Miss Marple,and other detectives as they got to the bottom of whodunit. I was hooked. It wasn’t long before I started to read books starring these detectives. I really love the way that female amateur detectives often have far more ideas of what’s going on and why things have happened than the men who populate the books. What woman can’t resist reading about another woman who just gets to the bottom of it all? I know I can’t, but these books are some of the very best in the genre.
I fell in love with this book almost instantly when I first read it over ten years ago. It contains many of my favorite things about murder mysteries. I really enjoy books that have a strong sense of place or time, which this one does.
I also love people who almost reluctantly start investigating a murder but can’t help but try to get to the bottom of it. This story has the added bonus of a love interest, which I also really enjoy. I’ve read and reread this book so many times I’ve lost count now.
“What a thoroughly charming book! A beautiful combination of entertaining characters, minute historical research, and a powerful evocation of time and place.” —NYT bestselling author Barbara Hambly
Boston, 1868: The dawn of the Gilded Age, an era of burgeoning commerce and invention, of unimaginable new fortunes and lavish excess—for some. Born into poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
"I really don’t know what we’re going to do with Margaret, Crawfie!" declared Lilibet anxiously to the original nanny diarist. "Poor Lil," responded Margaret, when rumours of her sister’s romance with Philip hit the papers. "Nothing of your own. Not even your love affair!" In the US, this first inside account of life with the modern royals boosted the circulation of the Ladies’ Home Journal magazine by half a million. But in Britain, Buckingham Palace complained that the letters quoted from the princesses breached royal copyright and insisted they be removed. Lilibet never forgave Crawfie for the betrayal embodied in this sickly, but oh-so-revealing tome.
Originally published in 1950, The Little Princesses was the first account of British Royal life inside Buckingham Palace as revealed by Marion Crawford, who served as governess to princesses Elizabeth and Margaret.
A twenty-two year old teacher recruited to look after the Duke and Duchess of York’s young daughters in 1931, Marion Crawford―affectionately known as “Crawfie” by her charges―spent sixteen years with the Royal family as the children’s governess. From King Edward VIII’s abdication of the throne in order to marry American divorcée Wallis Simpson and King George VI’s subsequent crowning, through World War II, and all the way to…
