I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
This book was written in the 1930s, yet it feels remarkably contemporary – a glorious romp through a world of parties, sex, and drugs. Miss Pettigrew stumbles into this world when she mistakenly turns up for the wrong job. With little money in her purse she has no option but to take the position and finds herself having an awful lot more fun than she ever has before. And for once she is really appreciated.
“Don’t let this delightfully frothy drawing-room comedy get lost between the sofa cushions.”—Salon.com
“Miss Pettigrew is irresistible, a perfect mix of wistfulness and joy, substance and froth.”—Tracy Chevalier, author of Girl with a Pearl Earring
“Miss Pettigrew Lives for a Day is perhaps the happiest, most ebullient piece of fiction ever written for adults.”—Newsday
Miss Pettigrew Lives for a Day is now available as an audio book read by Academy Award–winning actress Frances McDormand, who stars in the film as the down-and-out governess Miss Pettigrew, who finds herself caught up in the life of Delysia LaFloss, a glamorous aspiring actress…
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I have read this book more times than I have read any other book, and on my seventh read, I think I finally figured it out. I love a book that keeps you guessing, that keeps you wondering what’s real and what’s an illusion, and in this short novel, Henry James achieves just that. Are the ghosts real? Is the governess going insane?
James makes both possibilities equally likely—and equally frightening. My favorite ghost stories and horror novels are those that are ”about” something beyond the surface-level plot, and James creates a subtle queer sub-theme that is another reason why I keep reading this book again and again…
'A most wonderful, lurid, poisonous little tale' Oscar Wilde
The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely?
Edited and with an Introduction and Notes by David Bromwich Series…
I am an Oxford local historian, and the only Oxford guide endorsed by the Lewis Carroll Society. I have helped shape Oxford’s annual Alice’s Day since the first one in 2007, and have participated in French, Dutch, Canadian, Brazilian and British TV and radio documentaries, most notably for BBC 2 and BBC Radio 4. My interest is mainly the many Oxford realities which are hidden away within the apparent fantasy of the ‘Alice’ books, an angle which has enabled me to lecture on this internationally famous topic as far away as Assam in India. Subsequently, my appreciation of Carroll’s versatility as a mathematician, photographer, inventor, diarist, and letter writer has grown steadily over the years.
This fictional interpretation of the creation of Alice’s Adventures is seen from the viewpoint of a constant, yet largely unremarked, fixture during these critical years: the Liddell family governess, Mary Prickett. The Oxford context of the time is convincingly depicted, and some of the burning issues of the day – Darwinism and Nonconformism, for instance – are interwoven with the more immediate tensions within the Liddell household, interpreted by an author who has more right than anyone to comment because Tait is the great-granddaughter of the real Alice herself. To sustain the pace she condenses the real events of 1857 to 1863 into a single fictionalised year, drawing on many well-known facts and suppositions – including Carroll’s rumoured amorous interest in Miss Prickett – and some lesser known details from her own family’s archives.
Oxford, 1862. Poor, plain Mary Prickett takes up her post as governess to the daughters of the Dean of Christ Church. When Mary meets Charles Dodgson, a friend of the family, she is flattered by his attentions and becomes convinced he plans to propose marriage. But it is also clear that he is drawn to the little girls in Mary's care, and on a boating trip one sunny day Mr Dodgson tells the story of Alice's Adventures in Wonderland a curious tale about the precocious Alice Liddell
As Mary waits for her life to change, she becomes increasingly suspicious of…
When I was a girl, my grandmother called me an ‘old soul’ and said she thought my fascination with the 19th century meant that I’d lived then in another life. Ever since, this notion that a person might have lived before has always fascinated me! I gravitate to books that bring the past and present together in all sorts of ways–through memory, ghosts, time travel…and reincarnation. Now my own books of suspense for kids and teens deal with many of those same themes. I always write books I would want to read myself!
This is another tale that starts with a
fortune-teller—but this time it’s teenage Jo who gets her future told. The clairvoyant tells her that there is only
one true love for her—but the last time Jo saw him was in a past life! Now she needs to find him in this life. Jo doesn’t believe a word of this, but events
start to unsettle her. Could
reincarnation possibly be true? But
what if she can’t recognize her soul-mate when she finds him again in this
life? I love the suspense elements in
this book as well as the romance.
Unlucky in love Jo is dragged along to see a clairvoyant by her two coupled-up best friends, and is told that there's only one boy for her. The trouble is, the last time she saw him was in a past life, when she worked as a governess to his younger brother. The clairvoyant tells her that as she is back in this life, so is he, and she must find him if she is ever to know true happiness and love.
Jo doesn't believe a word of it - but then a series of events begin to change her mind.…
I’ve been a teacher for over 30 years and a traveler for longer. As a child, I lived in Germany and Japan. When I grew up, I continued to travel, teaching and living in Thailand, London, and China. I’ve written book chapters, poetry, travel pieces, and won a number of writing prizes: the 2023 New York Book Festival prize and a finalist for both the Peter Taylor Prize for Literature and the Gival Press Novel Award. A graduate of Middlebury College (BA) and University of Rochester (PhD), I now live in San Diego with my husband and two cats, teach adult literacy, and work as a volunteer at the San Diego Zoo.
Perhaps the most famous teacher abroad is Anna Leonowens, who was immortalized in the musical The King and I. A lowly Victorian woman single-handedly reshapes the history of Thailand. If you want to read that story you can read Margaret Landon’s Anna and the King of Siam.
Far more interesting is Anna’s true story: a con artist, who lies about everything that happened to her. Habegger’s biography Masked sorts through the lies and fiction. He offers a complicated narrative of a biracial woman who told exaggerated tales of enslavement, romance, and her imagined role in democratizing Thailand. Her life becomes one of fancy and self-invention. Both sadly are traps too often seen in myths crafted by self-absorbed travelers living abroad.
A brave British widow goes to Siam and-by dint of her principled and indomitable character-inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon's best-selling book Anna and the King of Siam and Rodgers and Hammerstein's musical The King and I.
I’ve been writing historical romance novels and novellas for over ten years now and have read extensively from this genre during that time. I’m currently working on my 42nd book where a governess in her mid-thirties finds love with her wealthy boss. Writing romance may seem easy, but it actually requires a lot of research and poses the challenge of being dependent on the gradual emotional development of two protagonists whose journeys intertwine. As a former editor of mine once put it, there are a lot of gears in motion, all of which have to work smoothly together. The stories I’ve chosen to mention are excellent examples of this. I hope you’ll enjoy each one.
This book immediately stood out to me for a couple of reasons: the setting was vividly described, the characters engaged in simple everyday tasks that not only added depth but helped paint a picture of the era, and the author managed to make this story extremely sexy without explicit lovemaking scenes. I stopped writing explicit scenes years ago and have since aimed for a more sensual tone, which actually poses a much bigger challenge. So I’m always interested to see how other authors (of which I’ve encountered only a few), tackle such scenes in a more suggestive manner while still conveying the passion between the hero and heroine successfully. This book is an excellent example of how less truly can be more.
Reeling from the death of her parents, eldest daughter Octavia strives to be a source of strength for her sisters. She defies their grandfather’s high-handed meddling—and his desire to see the Staunton girls married. She forges her own path to independence, which leads to the gates of Caswell Hall. There, the governess has just quit her post, leaving a vacant spot in the local lord’s household.
Simon, Viscount Althorne, is impressed by the sensible, dark-haired beauty, and hires her to teach his wayward young niece. He resents the loss of his carefree bachelor days, and longs to see the child…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.
A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.
Like the other tales collected here - `Sir Edmund Orme', `Owen Wingrave', and `The Friends of the Friends' - `The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they…
I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
There were a lot of juicy secrets to unravel in this gothic thriller. Murder, feral twins, a devastating fire, an abandoned baby, and a ghost child.
Vida Winter, old and ill, has been safeguarding the family’s secrets, but she doesn’t want to take them with her to the grave. She hires biographer Margaret Lea to write her life story. But Vida isn’t the most reliable narrator, forcing Margaret to conduct her own investigation to uncover the truth. Eventually, the secrets are laid bare, but one question remains open at the end...
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
***
Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
What can I say? I’m a hopeless romantic. There’s nothing better than a great romance novel set in the past when chivalry was not dead. I’m a published author of more than twenty-five novels, including a great pirate series. I grew up in Florida and fell in love with the tropics as I sat on the beach and dreamt of handsome pirates. Once I became a Christian, I started reading Christian romances but found many of them moved a little slow to my liking, so I decided to write one myself! I have a BA in Computer Science and have won several awards for my writing.
Reminiscent of the wildness, adventure, and romance of The Last of the Mohicans, Captive Heart sizzles on every page. This is Michelle Griep's best book yet and one that played out before my eyes like an epic movie I kept wanting to watch over and over. The romance is perfect, the adventure nonstop, and the characters really touch your heart.
The wild American wilderness is no place for an elegant English governess
On the run from a brute of an aristocratic employer, Eleanor Morgan escapes from England to America, the land of the free, for the opportunity to serve an upstanding Charles Town family. But freedom is hard to come by as an indentured servant, and downright impossible when she’s forced to agree to an even harsher contract—marriage to a man she’s never met.
Backwoodsman Samuel Heath doesn’t care what others think of him—but his young daughter’s upbringing matters very much. The life of a trapper in the Carolina backcountry…
