The most recommended screenplay books

I read this book almost 30 years ago, but it’s still one of my all-time favorites—an enthralling blend of romance, history, and paranormal suspense.

For me, this book checks all the boxes: a mysterious haunting, intriguing history, fascinating settings, and star-crossed former lovers who come back into each other’s lives. Madeleine’s Ghost shifts between the past and the present, revealing secrets and layers to the story along the way.

The characters came to life for me, and I relished traveling with them between New York City’s colorful East Village and the sultry bayous and boisterous streets of New Orleans. 

Because of its subject matter, this book was extremely difficult to read, but the story was worth every second.

Barratt is a master at educating readers about the past while also putting human faces and emotions to events often regulated to the pages of textbooks. Transportive, moving, and skillfully written, Within These Walls of Sorrow is the most poignant account of the Holocaust—both the tragedy of collective evil and the triumph of individual good—I have ever read. 

This is an almost forgotten series of books which had a huge impact back in the 1950s and 60s, depicting as they did in fictional form the inside story of politics, science, and academia in Britain at the time. Snow was himself a distinguished chemist and academic, who often acted as an advisor to the UK government. He used his experience and inside knowledge of the corridors of power (a phrase which he coined) to brilliant effect in his novels. Again, as with the previous authors I have mentioned, it is that detail that comes with direct experience of the subject matter, and the personalities involved, which renders the writing authentic and captivates the reader.

I’ve enjoyed most of Grisham’s novels, but I’m picking this legal thriller (as are most of his books) because of the fascinating plot. It’s a David vs. Goliath story, in which the underdogs are seeking righteous justice from a huge corporation by using the legal court system. The planning involved to make it happen and the attempts by the opposition to destroy the effort gives an inside-baseball look at how multi-million dollar lawsuits are put together. The book also made a great movie!

This book was written in the 1930s, yet it feels remarkably contemporary – a glorious romp through a world of parties, sex, and drugs. Miss Pettigrew stumbles into this world when she mistakenly turns up for the wrong job. With little money in her purse she has no option but to take the position and finds herself having an awful lot more fun than she ever has before. And for once she is really appreciated.

Many people will be familiar with Monty Python’s The Life of Brian – the movie. But the screenplay has actually been published as a book!  Available online for less than twenty bucks! So you can have a permanent reference for all your favourite lines!  And if by chance you haven’t heard of it, The Life of Brian has to be on any list about poking fun at religion and gods. To this day, whenever I think of "Always look on the bright side...," I burst into giggles.

I quickly got sucked into the political intrigue of this story, as well as the secrets of the main character, Kelsie.

Throughout the book, the tension mounts as she plots revenge on her deadbeat father. I loved how she gradually started to open up to a relationship with her coworker and then had to figure out how to manage her feelings and balance it with work and her larger goals.

The author has a lengthy pedigree, having written screenplays and best-selling thrillers, and this novel shows the best of his skills in building tension, surprising me with a couple of unexpected twists.

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.

This book breaks every rule I was ever taught about popular Westerns. Sure, it has a handsome cowboy and a damsel in distress, but he doesn’t get the bad guy, and she doesn’t want or need him to rescue her.

I was all the more amazed that it was written more than 100 years ago yet takes on modern topics like marital breakdown, alcoholism, and divorce.

Its story of a Western marriage gone bad really resonated with me because I grew up in similar circumstances, and Bower’s characterization hit very close to home.  

When I was halfway through Billy, Me, and You, I got off the tube I was riding, cancelled my plans, and took the book to a pub to give it my full attention. That was the power it had. So submerged in its world I was unable to put it down. It's so beautifully written and big and painful, it held my hand in my own grief and somehow radiated such warmth and hope like a magic thing.