I’ve read everything I could lay my hands on since I was young, and like so many others, I’ve always preferred to read about unusual characters, uncommon situations, or both simultaneously. The books I described here fulfill those requirements for me, even though they are superficially very different from one another. Now that I write my own novels, my over-arching goal is for each of my books to be better than the one that precedes it. I do my best to offer my readers interesting characters in compelling situations, and if my readers think I’ve succeeded, I will be a very happy author.
Quirky characters are my favorite, and if they come with a snarky attitude and impending death, so much the better. Nerdy Bill gets invited to a party by a beautiful woman he meets by chance. At the party, he’s turned into a vampire. This is the first book in a series following Bill’s adventures as one of the undead, along with his human friends and a host of other characters, including a 300-year-old vampire girl who claims Bill as her mate, sasquatches, rock people, and the human woman Bill loves from afar.
I’ve read the entire series at least three times, and I’m always entertained. The writing is good and sometimes laugh-out-loud funny, and the storylines are somehow plausible. It's one of my favorites, for sure.
THERE ARE REASONS WE FEAR THE NIGHT. HE'S NOT ONE OF THEM.
Dateless dork Bill Ryder never suspected it would take death to make his life a hell of a lot more interesting, but then he met a girl to die for - so he did.
Now he’s a vampire, surrounded by creatures stronger, deadlier, and much cooler than he is. They’re giving him just ninety days to prove he has what it takes to be an apex predator of the night, assuming he doesn’t give them a reason to dust his ass sooner.
I’ve been a huge fan of D&D and RPG games since I’ve been old enough to play them. The idea of grooming a character, growing it in terms of strength and levels until it becomes powerful enough to take on gods always captured my imagination. LitRPG is a relatively new book genre, and reading it (the good ones at least) makes you feel like you’re playing those games yourselves. Following a new protagonist growth and journey, often illustrated by actual numeric values you can easily keep track of (like skills and levels) is so much fun, and I think more people should be aware it exists.
A great story about the underdog bullied kid who rises up to become a necromancer builds up an undead nation, and rises up to contend with powerful forces against all odds. Great storytelling and compelling character, it’s a pleasure watching Jason grows up from a timid teen to a confident leader – and by using the dark arts. It's a great coming-of-age \ underdog reach the top kind of story – except the underdog does it by embracing necromancy and his tools are the undead soul-wilting powers – yet you can't stop rooting for him to win.
A side quest adventure in the best selling world of Awaken Online!In the aftermath of Thorn's attack on the Twilight Throne, Frank is in an awkward position. Jason and Riley have outpaced him and everyone is hard at work rebuilding the Twilight Throne, establishing new towns, and trying to get their fledgling manufacturing operation off the ground. Everyone except Frank - who finds himself with no immediate task or goal.So Frank decides to strike off on his own. He sets his eyes on the north, heading toward the snow-capped mountains that loom over the undead kingdom's border in the hope…
I love weird situations. I have been writing since I was four years old, and have been patiently waiting for the man who appreciates my wide range of vocal inflections. Books have always been companions for me. It helped me develop empathy for others at a young age. Reading about situations that involve people who are nothing like you helps you think beyond yourself. I think that is partly why I’ve always gravitated towards books with unique plots and characters. There’s something invigorating about a story that breaks the mold and offers something new, even if it’s a little strange. The books I’ve recommended all have heavily influenced me and my writing throughout the years.
I’m amazed that more people aren’t talking about this book. It falls in line with the vampire romance genre so effortlessly, and yet it is egregiously overlooked. I remember reading it years ago when I was a teenager and being totally entranced. There’s this beautiful lilt to the writing, and the plot is so richly complex. It deals with the subject of immortality in such an interesting way, comparing the endless life of this vampire to the swiftly expiring life of this girl’s mother. The romance itself is actually refreshing as well. There’s this soft, sweet gallantry that you don’t see a lot in modern work, in my opinion.
Zoe is wary when, in the dead of night, the beautiful yet frightening Simon comes to her house. Simon seems to understand the pain of loneliness and death and Zoe's brooding thoughts of her dying mother.
Simon is one of the undead, a vampire, seeking revenge for the gruesome death of his mother three hundred years before. Does Simon dare ask Zoe to help free him from this lifeless chase and its insufferable loneliness?
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
The Chronicles of Ghadid follows a family of assassins in a fantastical desert world—but rather than play it safe by following stealthy assassination quests, Doore throws her assassins into the fray against undead armies and unkillable spirits. The result is a truly unique setting with haunting action sequences, bound together by the close ties of family and budding romances. Also, necromancers and undead camels, how could you go wrong?
Thana has a huge reputation to live up to as daughter of the Serpent, who rules over Ghadid's secret clan of assassins. Opportunity to prove herself arrives when Thana accepts her first contract on Heru, a dangerous foreign diplomat with the ability to bind a person's soul under his control.
She may be in over her head, especially when Heru is targeted by a rival sorcerer who sends hordes of the undead to attack them both. When Heru flees, Thana has no choice than to pursue him across the sands to the Empire that intends to capture Ghadid inside its…
Jinua,
the main character, is a strong warrior woman itching to prove herself as a newly
tapped Paladin—and I do love a good warrior woman!
More importantly, I love
a good, flawed character. It leaves a
lot of room for growth. Every
character in this story is fully realized; it's easy to imagine them popping
off the pages.
This
was just the first of C. M. Alongi's books, but there's a reason I've bought
everything she's published so far: she always delivers.
In a world of greed, gods, and monsters, paladins are chosen to do what no mortal human can. Granted divine attributes of their chosen deity, they protect the broken fragments of human civilization from any and all threats. Often from necromancers, those born with the ability to speak with and raise the dead. Such a power inevitably corrupts and turns each and every necromancer evil.
Right?
Jinua has just received her first assignment as paladin: to execute a necromancer terrorizing a small town with an undead army. But what should be a straight-forward mission turns complicated when another necromancer reveals…
Escapism is my drug of choice. As a child, I was angry that my existence was confined to this reality, and I did everything I could to find a way out. Stories made it bearable. Whether it was Thor’s Bifrost, the wardrobe of Narnia, or the mirror in Stephen R. Donaldson’s Mordant’s Need duology, I was hooked. Now, I tell my own stories of escape. I create and invite others to find solace, adventure, love, and passion in fantasy realms, outer space, and reinvented parallel realities. This door is always open.
No matter how long since I entered the world of Magiere and Leesil, I find my mind wandering back occasionally. Perhaps I connected with Magiere’s awareness of her difference to all those around her. Her desire to walk away from life as a mercenary vampire slayer intrigued me because, though she had a hard exterior, the book offered a smattering of opportunities to see beneath her rough surface into the human part of her heart.
Magiere’s emotional dichotomy resonates with me in an unexpected, life-altering manner. In fact, the story might have been a catalytic element in the crucible where the main character for my novel was born. Snarky humor permeates in places that bring levity to long periods of darkness, and a diverse and interesting cast of characters brings depth to the worldbuilding that Hendee crafts through their storytelling.
Magiere has earned a reputation as the most formidable vampire slayer in the land. Villagers far and wide welcome her with both awe and disdain—grateful to her for ridding their towns of the undead menace, but finding themselves made poorer for their salvation. Magiere knows she’s dealing with simple folk, who only wish to have their superstitions silenced, and sees nothing wrong with exploiting them for profit.
Now, tired of the game, Magiere and her partner, the half-elf Leesil, are…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Keith gripped me with his Mountain Man series. If ever there was a reluctant hero who accidentally self-sabotages often, one who is so real and relatable that you can’t help but love him, then Keith’s Gus character is for you. Tackling the zombie apocalypse from the point of view of a regular, everyday man, this series grabs hold and doesn’t let go.
Boomstick.Samurai bat.Motorcycle leather.And the will to live amongst the unliving.Augustus Berry lives a day-to-day existence comprised of waking up, getting drunk, and preparing for the inevitable day when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of a city and scavenging for whatever supplies remain since the demise of civilization, Gus knows that his next visit to undead suburbia could be his last. Not only does he face a corpse-infested urban hell, human scavengers, and unending loneliness, but now a new mystery has risen...The undead are disappearing from the streets.A force…
I’m a fantasy romance author with a love of creating real, in-depth characters with agency. To me, that’s the very definition of a “kick-ass” heroine. It doesn’t matter how she’s kick-ass (e.g., loud/vocal vs. quiet and cunning; the one charging ahead of the army or the one strategizing the attack), just that she’s in control of her own destiny. It’s important for me to have my characters feel like actual people, facing real decisions and the consequences of said decisions, and then I want those characters to have onus and show off their true bad-assery.
Good lord, Kat simply dominates when she enters a scene.
She leaves no room for argument with all her decisions (some of them bad, some of them good) or dialogue, and even in moments where you’re screaming at her or she’s second-guessing herself, she grounds herself in her resolve and pushes forward.
Plus, Bones is swoon-worthy, and she still honors her own feels in the presence of his…well…everything, haha. I also love her evolution through the Night Huntress series and how her viewpoint toward vampires and paranormals shifts in a way that suits her character development. Also the spice? Heck. Yes.
Kicking off the sexiest, smartest, most badass paranormal romance series out there. You won't be able to stop turning the pages.
Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of those deadbeats is her father - the guy responsible for ruining her mother's life.
But when she's captured by Bones, a bounty hunter and a vampire, she finds herself forced into an unholy partnership.
In exchange for his help in finding her father, and still astonished she hasn't ended up as his dinner, Cat agrees to train with the sexy night stalker until her…
Like many of my generation, my formal introduction to the zombie genre started with George A. Romero's Night of the Living Dead. Stories of the zombie apocalypse, and the arterial sprays, dismemberments, and eviscerations that accompanied it, have fascinated me ever since. But, I'm also a psychology professor. Although I was initially captivated by the carnage of the undead, I quickly found that the mindsets of the survivors were equally fascinating. More than anything, I love seeing how fictional worlds represent real-world psychological concepts.
Work smarter, not harder. If you want to survive a zombie apocalypse, you'll need to understand the behavior of the undead. And it all starts with a necrotic brain. If you know why zombies hunt, infect and kill their victims, you can devise effective strategies for avoiding and moving among the undead and, if necessary, killing them. I loved that the neuroscience in this book is very real, even if the zombies are not (yet). It is one of the best applications of nonfictional content to a fictional world available today — a must-read for lovers of brains, both alive and dead.
Even if you've never seen a zombie movie or television show, you could identify an undead ghoul if you saw one. With their endless wandering, lumbering gait, insatiable hunger, antisocial behavior, and apparently memory-less existence, zombies are the walking nightmares of our deepest fears. What do these characteristic behaviors reveal about the inner workings of the zombie mind? Could we diagnose zombism as a neurological condition by studying their behavior? In Do Zombies Dream of Undead Sheep?, neuroscientists and zombie enthusiasts Timothy Verstynen and Bradley Voytek apply their neuro-know-how to dissect the puzzle of what has happened to the zombie…
I was born and raised on the beautiful Canadian prairies and prefer to spend my time outdoors with my family, kayaking, skating, fishing, and hunting. I love to read and write about vampires, witches, fae, and zombies that get to find their own version of happily ever after.
Anyone looking for an addictive urban fantasy series needs to read this. Merit is a strong female lead character that rises to the challenges that come with her new undead way of life. Intense world building with lots of vamp politics. Just the right amount of mystical blended with reality to give me hope that vampires really walk among us.
First in a brand new series about a Chicago graduate student's introduction into a society of vampires.
Sure, the life of a graduate student wasn't exactly glamorous, but it was Merit's. She was doing fine until a rogue vampire attacked her. But he only got a sip before he was scared away by another bloodsucker and this one decided the best way to save her life was to make her the walking undead.
Turns out her savior was the master vampire of Cadogan House. Now she?s traded sweating over her thesis for learning to fit in at a Hyde Park…
