While I hold a Ph.D. in mass communication, my second love has always been history, especially Roman history. Perhaps it is because I’m of Italian heritage. In fact, my grandfather’s hometown, Chiusano di San Domenico, is the site of an early Roman conquest when the Latin states were developing into a power in central Italy. I genuinely admire the Roman genius in engineering, military, political, and social organization. I have traveled extensively throughout Europe and have visited many Roman historical sites in Italy, France, Hungary, and Great Britain. The Romans continue to fascinate me and always will.
I thoroughly enjoyed this gripping tale of war, whose central plot features individual heroism and the clash of civilizations. Faustus Valerianus is a legionary caught between two worlds: his mother's native Britannia and his father's Roman heritage. Valerianus is a complex character I won't soon forget. Following the death of his parents, he chooses to serve Rome under the eagles.
As legionary, he marches north with Agricola's Roman army to complete the conquest of Britannia. In a climactic battle, the Romans are victorious, and our hero is blooded and hardened into a warrior. He must now face the challenge of negotiating two worlds and threats from within and without. Hunter paints an entertaining introduction to the Roman world of conquest and the Britons' heroic efforts to keep their freedom.
Will Britain take him in... or mark him as its enemy?'A brilliantly realised world of Imperial ambition and native resistance' Simon Scarrow'Wonderful, distinct characters ... this is a terrific read' Conn Iggulden
Faustus Valerianus is the son of a Roman father and a British mother, a captive sold among the spoils after Claudius's invasion.
Now both parents have died within a month of each other, and so he sells the family farm and enlists, joining legendary general Agricola's campaign to conquer the entirety of the British Isles culminating in a devastating battle amongst Caledonia's dark mountains.
I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.
With a dash of sapphic romance and a heartbreaking final twist, this book imagines a sinister, sentient darkness lurking in a small town and egging its residents on into terrible acts. It cuts right to the core of a troubled family and the petty resentments that have built up between them. I totally cried.
"Imagine Riverdale crossing streams with Stephen King's The Outsider and you'll get a sense of this gripping supernatural mystery...Gould's debut begins as a snappy paranormal yarn and unspools into a profound story about the complex interplay between grief, guilt, and identity." - Oprah Daily
Courtney Gould’s thrilling YA debut The Dead and the Dark is about the things that lurk in dark corners, the parts of you that can’t remain hidden, and about finding home in places―and people―you didn’t expect.
The Dark has been waiting―and it won't stay hidden any longer.
Something is wrong in Snakebite, Oregon. Teenagers are disappearing,…
I adore historical fiction but find that it is often (like many things) still centered around male experiences. I love getting to read stories and recommend ones that bring to light women’s roles is moving society forward or the un-sung contributions women have made throughout history.
Growing up in Philadelphia, I remember hearing stories of the fear settlers had on fires breaking out and of course learning about some historic fires always stuck with me for the sheer terror those residence must have felt.
This book perfectly encapsulates that for me with a slightly more modern time setting. With so much focus of 1940s literature on WWII books, I was swept up by the story of a devastating fire in Maine and a mother navigating it with small children.
As a mother myself, I can’t imagine the fear Grace must have felt not only on having to literally wade into the ocean to protect her children, but then not knowing what happened to her husband. Grace’s transformation from the ashes is one that has burned years after I’ve finished reading her story.
The brilliantly gripping new novel from the New York Times best-selling author of The Pilot's Wife (an Oprah's Book Club selection).
Hot breath on Grace's face. Claire is screaming, and Grace is on her feet. As she lifts her daughter, a wall of fire fills the window. Perhaps a quarter of a mile back, if even that. Where's Gene? Didn't he come home?
1947. Fires are racing along the coast of Maine after a summer-long drought, ravaging thousands of acres, causing unprecedented confusion and fear.
Five months pregnant, Grace Holland is left alone to protect her two toddlers when her…
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
The English Wife had me racing to unravel the secrets at the heart of Annabelle and Bay's marriage. And at the same time I was savoring the fascinating characters and brilliant writing.
The twists and turns of the plot had me gasping, but the biggest mystery was understanding the central characters and their relationship.
Annabelle and Bayard Van Duyvil live a charmed life in New York: he's the scion of an old Knickerbocker family, she grew up in a Tudor house in England, they had a fairy-tale romance in London, they have three-year-old twins on whom they dot, and he's recreated her family home on the banks of the Hudson and named it Illyria.
Yes, there are rumours that she's having an affair with the architect, but rumours are rumours and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night ball,…
I’ve been fascinated by history since I was eight. I remember reading through the biography section of my grade school library, cleaning out the names from the Revolution, the Civil War, famous pioneers, and the Wild West. I also had some unbelievable professors in college. One of my first courses was entitled “The World Since 1919.” It began with Herman Muller blinking in the Hall of Mirrors as he signed the Treaty of Versailles. The course material took us from that moment until the morning news on the last day of class. We learned that history isn’t about the past but how we came to the present.
I read this book by James Clavell when I was just out of high school. And while I had always been interested in history and biographies, I'd never really read historical fiction. It blew me away. I became lost in the book.
The heart of the story lies in the intense rivalry between two opium traders, Dirk Straun and Tyler Brock, who come to dominate Britain’s newfound control over Hong Kong in the early nineteenth century. Their shared history as powder monkeys on a British ship during the battle of Trafalgar, where a seven-year-old Dirk Straun was mercilessly whipped by the older Tyler Brock, sets the stage for a lifelong conflict that shapes the course of the narrative.
While the rivalry between Straun and Brock is the driving force of the plot, the true essence of the story lies in the exploration of the integration of Chinese and British culture…
I’ve always loved fantasy books with female main characters, but as I’ve grown older, it’s been difficult to find contemporary women’s fantasy with main characters over the age of thirty-five. So when I discovered paranormal women’s fiction, a new genre label for stories of midlife women with magic, I was instantly hooked. I read everything I could get my hands on. After that, I was so inspired that I decided to write a contemporary fantasy series of my own, one in which every protagonist was a woman over the age of forty.
I love this book because it realistically portrays a middle-aged woman coming out of a bad marriage and adjusting to a new life. One with magical powers, of course!
The main character in Halfway There feels so genuine that you can't help rooting for her to succeed in her quest to solve the mysteries surrounding her newfound powers.
A Paranormal Women's Fiction novel for anyone who thought adventure and magic stopped at forty. Guess again, it’s just the beginning.I never expected I’d be one of those people who had a midlife crisis. Sure, I’m over forty, and married, but my kids are grown and moved out. Life is steady, if predictably boring.That all changes when my husband asks for a divorce and my whole world crashes. Everything I thought I knew, everything I am, gone in an instant.But I am not about to give up. After all, at my age, technically, I’m only halfway there.I am ready to…
I love just how f**ked up this book is (pardon my language). I’m a huge horror fan, knowing Clive Barker as one of the legends of the genre I was very pleased to find out how much he didn’t hold back in this book.
I’ve watched many movies and read many books and this will forever be the book that I remember frowning, squinting and retorting in disgust at while also being unable to put it down. I wouldn’t want to guess how many times I blurted out “what the...” while reading this book.
“[Clive Barker] is a mapmaker of the mind, charting the farthest reaches of the imagination.” —Washington Post
From The Books of Blood to Hellraiser to Imajica, Abarat, and Mister B. Gone, Clive Barker’s extraordinary vision knows no bounds. With Coldheart Canyon, the New York Times bestselling master of dark fantasy who has been called “a cross between Stephen King and Gabriel Garcia Marquez” (Boston Herald) thrills readers with a “Hollywood ghost story” as audacious and chilling as anything he (or anyone else) has ever written.
Film's most popular action hero needs a place to heal after surgery that has gone…
I’m a writer who values telling difficult stories that don’t always cohere to the idea of the “light, fluffy” romance. I write about social issues, grief, trauma, and do my utmost to research whatever topics my characters endure in order to do justice to readers who share these experiences. Having suffered a major trauma myself (my eldest daughter passed away at the age of ten), I’m very interested in stories that deal with characters overcoming tremendous obstacles in order to reach their happily ever afters. I love writing (and reading) stories that go outside the box, that give the reader something more than what they were expecting, couched in solid writing, and possessing all the feels.
I could actually list all of Fisher’s romances or her newer psychological thrillers under this banner of writing that is outside the box. She has taken the idea of “writing fearlessly” and run with it. Lives by it. There is nothing typical about Mud Vein, with prose that feels like mild electric shocks to the brain one minute and brings you to tears the next. It reads as though Fisher doesn’t waste time questioning herself or second-guessing her words—they’re alive and vibrant, and that’s highly aspirational. I have "write fearlessly" literally tattooed on my body, so I take it seriously. ;)
When reclusive novelist Senna Richards wakes up on her thirty-third birthday, everything has changed. Caged behind an electrical fence, locked in a house in the middle of the snow, Senna is left to decode the clues to find out why she was taken. If she wants her freedom, she has to take a close look at her past. But, her past has a heartbeat…and her kidnapper is nowhere to be found. With her survival hanging by a thread, Senna soon realizes this is a game. A dangerous one. Only the truth can set her free.
I started my professional writing career in 1987 having founded the small press writers’ magazine, Quartos, which ran for nine years until its merger with Acclaim in 1996 to become The New Writer, as well as authoring several creative writing how-to books – including Horror Upon Horror. In addition to acting as judge for national writing competitions, I've also tutored at writers’ workshops including The Annual Writers’ Conference (Winchester College), The Summer School (University of Wales), Horncastle College (Lincolnshire), and the Cheltenham Literature Festival. Having been a staunch supporter of the Gothic Society and a regular contributor to its quarterly magazine, Udolpho, I have also created the series of The Vampyre’s Tale novels.
As contemporary Gothic author and artist Franklin Bishop observe, John Polidori ‘was responsible for introducing into English fiction the enduring image of the vampyre in the guise of a suave, cynical, and murderous English Lord. With the presentation of Lord Ruthven [Byron] as a vampyre, Polidori created a personification of evil that countless authors have since imitated in attempting to satisfy the enormous public interest in this genre of literature. The literary-metamorphosed vampire that emerged from the Villa Diadoti ‘ghost story’ contest quickly developed a life force of its own – which was not surprising since it was the collective brainchild of Byron and his physician John Polidori – and created a minor literary scandal when it was published in 1818. The Vampyre was based on Lord Byron’s unfinished story "Fragment of a Novel," but it is arguably the most influential vampire work of the early 19th century.
One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When a famous stolen Velazquez painting from a truck that went missing back in 1945 turns up in present-day Boston, this fast-paced thriller to recover the rest of the “loot” begins. By me, a girl can’t have too many stories about the infamous Nazi theft of priceless art during WWII. The set-up for this kind of tale is just about the opposite of the intimate crimes in a closed community of “stranded” victims and suspects, which I also really like. Here it’s a big canvas: many works of art stolen during wartime by armies (sometimes during the grunt work, with masterminds off planning). It’s the scope of the art crimes themselves that is so compelling – whole swaths of cultural history disappearing from view. These are enormous crimes with dire implications – even before the murders begin. Loot is the kind of story that slams my heart (in a good…
A long-lost painting stolen by the Nazis turns up at a Boston pawnshop-and leads to a string of murders-in this "fast-paced and tightly written thriller" (The Seattle Times).
In April 1945, the Nazis, reeling and near defeat, frantically work to hide the huge store of art treasures that Hitler has looted from Europe. Truck convoys loaded with the cultural wealth of the Western world pour in an unending stream into the compound of the vast Altaussee salt mine high in the Austrian Alps. But with the Allies closing in, the vaunted efficiency of the Nazis has broken down. At Altaussee,…
