My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.
Book 1 in Gill’s Troubadour series opens in Provence, in 1150.A young runaway wakes in a ditch protected by a huge white dog. The girl becomes the celebrated lutist Estela at the court of Alienor of Aquitaine. Her tutor, then lover, is the Queen’s finest troubadour, Dragonetz los Pros. Using Jewish money and Moorish expertise, Dragonetz builds a paper mill, bringing him into desperate conflict with the Christian Church. This is a compelling story woven into real events: the writing is captivating, the history fascinating. Jean Gill is one of those authors who can ‘take you there’. I was watching what was happening and fearing for the safety of the protagonists to the last page. History, action, and a not-too-treacly romance. A great read all round.
Award-winning historical fiction. Like Game of Thrones with real history. 'Believable, page-turning and memorable.' Lela Michael, S.P. Review 1150: Provence, where making love and making paper are crimes against the Church. Death on her heels, Estela runs towards a new identity. Her life depends on her golden voice and the patronage of Eleanor of Aquitaine but her heart cares more for the judgement of her tutor, Dragonetz, a cynical ex-crusader. He knows he must not love this troublesome student but their duet makes its own demands. Will their secrets kill them both? The troubadours, Dragonetz and Estela, are an explosive…
I have loved books where the main character goes from his/her own ordinary existence into another world, with inspiration from The Lion, The Witch, and the Wardrobe by C.S. Lewis, who was a tutor in English Literature. Since I love history, there’s nothing more fun for me than historical time travel, and I wonder how difficult it might be for a modern woman or man, well-versed in the history and literature of the time, to navigate the customs, etiquette, language, clothing, and politics in 1344.
I bought this book as a house gift before I even had the chance to read it. When I finally did, I was struck by the level of detail of the history of these four sisters.
Most importantly, this book could and should inspire a thousand pieces of fiction with its rich descriptions and characters. While the standard assumption that the rights of medieval women were limited to being decorative and useful pawns who would bear heirs, this was an eye-opening book in the breadth of these sisters’ reach throughout Europe.
Set against the backdrop of the turbulent thirteenth century, a time of chivalry and crusades, poetry, knights, and monarchs comes the story of the four beautiful daughters of the count of Provence whose brilliant marriages made them the queens of France, England, Germany, and Sicily. From a cultured childhood in Provence, each sister was propelled into a world marked by shifting alliances, intrigue, and subterfuge. Marguerite, the eldest, whose resolution and spirit would be tested by the cold splendor of the Palais du Roi in Paris; Eleanor, whose soaring political aspirations would provoke her kingdom to civil war; Sanchia, the…
Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.
The American novelist Henry Miller who loved France described Giono as "one of if not the greatest writer of the twentieth century." This novel is set in deep Provence and tells the tale of a lone shepherd who dedicates his life to reforesting a desolate valley area at the foothills of the Alps. Over forty years he plants his saplings, right up until his death, by which time the valley has been transformed into a paradise for men, creatures, and plants. The writing is sublime, poetic, and inspirational. This story is as relevant today as it was when written seventy years ago. A must-read.
Twenty years ago Chelsea Green published the first trade edition of The Man Who Planted Trees, a timeless eco-fable about what one person can do to restore the earth. The hero of the story, Elzeard Bouffier, spent his life planting one hundred acorns a day in a desolate, barren section of Provence in the south of France. The result was a total transformation of the landscape-from one devoid of life, with miserable, contentious inhabitants, to one filled with the scent of flowers, the songs of birds, and fresh, flowing water.
Since our first publication, the book has sold over a…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I love this series because I treasure the original Sherlock Holmes books.
Sherry Thomas reinvents Holmes as a smart and passionate young woman. Down on her luck, Charlotte Holmes sets up a detective consulting business using her imaginary brother, Sherlock. She fools everyone except her longtime friend, Lord Ingram.
After a period of tortured adjustment, Charlotte and Ingram become lovers. Sadly, they cannot spend much time together, because they are pursued by the evil Moriarity.
Charlotte Holmes's life is in peril when her brilliant deductive skills are put to the test in her most dangerous investigation yet, locked aboard a ship at sea.
After feigning her own death in Cornwall to escape from Moriarty’s perilous attention, Charlotte Holmes goes into hiding. But then she receives a tempting offer: Find a dossier the crown is desperately seeking, and she might be able to go back to a normal life.
Her search leads her aboard the RMS Provence. But on the night Charlotte makes her move to retrieve the dossier, in the midst of a terrifying storm…
I love writing about the dark side of human nature, and the devastating secrets and resentments that can simmer beneath the surface between friends before reaching boiling point in the most dramatic and sinister way. It’s a theme pivotal to my latest thriller, which sees friends reuniting in a beautiful yet isolated location for the seemingly perfect celebration, but where things go horribly wrong. I enjoy exploring this topic through multiple characters, all with their own dubious backstories that stir suspicion in readers’ minds and keeps them guessing, while the settings I use play a key role in enhancing that sense of unease and tension conducive to the classic whodunnit.
This is the story of four best friends and their families who head to Southern France for a birthday celebration.
The setting is seemingly idyllic while the atmosphere starts off light and playful, lulling both the readers and characters into a false sense of security when in fact danger looms just around the corner.
The main character is policewoman Kate who uncovers something deeply unsettling almost as soon as she arrives in France. Logan expertly captures her escalating inner turmoil and desperation to discover the truth, while her relationships with others become increasingly strained.
I found his use of interweaving plotlines gripping, focussed on ordinary people in relationships we can all relate to, while keeping me in suspense right up to the exciting finale.
The Sunday Times bestselling Richard and Judy Book Club breakout thriller. Now a major TV drama on NETFLIX starring Jill Halfpenny
Take a holiday you won't forget . . .
Seven days. Three families. One killer.
It was supposed to be the perfect holiday, dreamed up by Kate as the ideal way to turn 40: four best friends and their husbands and children in a luxurious villa under the blazing sunshine of Provence.
But there is trouble in paradise. Kate suspects that her husband is having an affair, and that the other woman is one of her best friends.
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
A dream of many who live in cold climates is to live a second life (or first or third) in sunny France, and in particular Provence. Sands mainlines that dream in this book and especially the healing properties of sunshine and lavender. Her heroine recovers from a painful divorce and is reinvigorated, all the best qualities of a vacation, in reality or in reading.
On the evening of her twenty-second wedding anniversary, Katherine Price can't wait to celebrate. But instead of receiving an anniversary card from her husband, she finds a note asking for a divorce.
Fifty-five and suddenly alone, Katherine begins the daunting task of starting over. She has her friends, her aging mother, and her career to occupy her, but the future seems to hold little promise-until, after a winter of heartbreak, Katherine is persuaded to try a home exchange holiday in the South of France.
In Provence, bright fields of flowers bloom below medieval hilltop villages with winding cobblestone streets. Charmed…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Sadly, when asked about the artist, most people describe Vincent as the man who chopped off his own ear. I hate that they do.
This book though is neither gratuitous nor indulgent. Instead, it offers a detailed, well-researched, and intelligent response to the question - Why did Van Gogh cut off his ear?There has been much speculation about the events that led to Vincent delivering his ear to a maid at a brothel in Arles.
This book is essential reading for any who wishes to open conversations about Vincent’s motivations and the happenings that led to that gruesome act on a specific day in December.
On a dark night in Provence in December 1888 Vincent van Gogh cut off his ear. It is an act that has come to define him. Yet for more than a century biographers and historians seeking definitive facts about what happened that night have been left with more questions than answers.
In Van Gogh’s Ear Bernadette Murphy sets out to discover exactly what happened that night in Arles. Why would an artist at the height of his powers commit such a brutal act of self-harm? Was it just his lobe, or did Van Gogh really cut off his entire ear?…
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
Provence has inspired hundreds of books, but Lawrence Durrell captures better than most what he calls its 'real nature'. His book is both personal response (he lived for many years at Sommières, north of Nimes) and historical reflection, particularly on the Roman legacy – a legacy that includes wine and olive oil, perennial staples of the Provençal table. Although Caesar occupied the whole of France, nowhere is the Roman imprint more omnipresent than in Provence; living near Carpentras, we daily dreamed of finding our fortune in an ancient Roman coin, shining through the dust of a lonely track. Durrell's language is poetic, his imagery evocative: the 'Socratic austerity' of a game of boules, the 'felicity and eloquence' of Provençal skies. As a companion to Provence, Durrell is my pick.
Lose yourself in this classic travelogue evoking the idyllic South of France by the king of travel writing and real-life family member of The Durrells in Corfu.
'Full of stories, landscapes, comedy, history, heresies, animals, food, drink, and songs of the Midi.' Patrick Leigh Fermor
'A richly characteristic bouillabaisse by our last great garlicky master of the vanishing Mediterranean, our old Prospero of the south.' Richard Holmes
Provence, Southern France. Celebrated writer and poet Lawrence Durrell made the Midi his home for more than thirty years: and in his final book, he shares his most evocative, dazzling memories of life…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
Peter Mayle is credited with launching the French fever dream for English speakers when he decamped to Provence and wrote about his life there. All of his Provence memoirs or novels, such as ‘Hotel Pastis’ are delicious treats, full of quirky British wit and his eye for the absurd. It was a special treat for me to hike through his Luberon haunts one year and drink wine made at the vineyard where The Good Year was filmed.
Taking up where his beloved A Year in Provence leaves off, Peter Mayle offers us another funny, beautifully (and deliciously) evocative book about life in Provence. With tales only one who lives there could know—of finding gold coins while digging in the garden, of indulging in sumptuous feasts at truck stops—and with characters introduced with great affection and wit—the gendarme fallen from grace, the summer visitors ever trying the patience of even the most genial Provençaux, the straightforward dog "Boy"—Toujours Provence is a heart-warming portrait of a place where, if you can't quite "get away from it all,"…
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
In December 1970, a group of acclaimed American culinary experts met in Provence, where Julia Child had a holiday house, planning to celebrate Christmas together. Joining them were food writer Richard Olney and novelists Sybille Bedford and Eda Lord, all living relatively close. Barr, Fisher's grandnephew relies on her journal and letters to recreate their sumptuous tables in delectable detail. Alas, hopes for a joyous gathering of friends soured as egos clashed and petty rivalries intervened; MFK left abruptly and spent Christmas alone in Avignon. What interests me is how these authorities on French cuisine engaged with the French, the relationship between the 'French' cooking they portrayed and the food of the French, and their response to the changes creeping into France post-1968.
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later…
