I’ve had myriad careers in my life but the through-line has always been Shakespeare. I became smitten with the “words, words, words” seeing a production of Twelfth Night in 3rd grade and it’s been a passion ever since. Acting led to being a “Journalist, Editor, Speaker, Spy” but everything I’ve done was to fund my secret joy of being in a dusty old archive, transcribing manuscripts. Even though my first favorite book was Frances Hodgson Burnett’s The Secret Garden (that was already taken here!), I wasn’t that ‘outdoorsy’, but when the wonderful Japanese artist Sumié Hasegawa showed me her Botanical Shakespeare drawings, I got excited about approaching Shakespeare in a totally new way.
A sizzling tale of competition, grandeur, and royal romance—and it’s true! Shakespeare loved writing about court intrigue and this story of Queen Elizabeth and the courtiers & ministers who created spectacular gardens for her has loads of it. People always focus on what was going on behind palace walls & inside castle corridors, but it turns out the real drama is down in the garden. Imagine gilding rosemary bushes so they glitter in the sun. I certainly think the theatricality of the landscape inspired Shakespeare’s work. In addition to being intricate and fascinating, this book impelled me to further investigate Queen Elizabeth’s effect on the green space of the country and seeding the prospect of garden competition. For me, it uncovered an amazing origin story of green desire and the intricate facets of female leadership.
Taking a fresh and original approach to the life and reign of Queen Elizabeth I, this book tells the incredible story of her great passion for gardens, and how the two most powerful men in England during her reign fought a decade-long duel for their queen's affections by creating lavish gardens for her. It chronicles how, in their quest to woo the queen and outdo each other, Robert Dudley, Earl of Leicester, and William Cecil, Baron of Burghley, competed for Elizabeth’s favor by laying out innovative and extravagant pleasure grounds at their palaces for when she came to visit. As…
Shawn Levy is the author of 11 books of biography and pop culture history, including The Castle on Sunset: Life, Death, Love, Art, and Scandal at Hollywood's Chateau Marmont, Paul Newman: A Life, Rat Pack Confidential, and Ready, Steady, Go! The Smashing Rise and Giddy Fall of Swinging London. He was the longtime film critic of The Oregonian newspaper and KGW-TV in his beloved home city of Portland. He has written a history of the women pioneers of standup comedy which will be published by Doubleday in 2022 and at work on a podcast about the dark connections of politics and show business.
Before he became a writer of potboiler novels and true-crime journalism, Dominick Dunne was a film and television producer and a social butterfly who also happened also to be an avid amateur photographer. This memoir of his Hollywood days, which resulted in a crash-and-burn from which he emerged as a writer, is filled with intimate, candid images of such friends (not all faithful) as Jane Fonda, Elizabeth Taylor, Natalie Wood, Paul Newman, and Frank Sinatra, as well, of course, as Dunne and his family. There are dreamy and even eye-popping tales throughout, and if you're at all familiar with Dunne's books or magazine writing, you'll marvel at how so much of it so neatly dovetails with the life he actually lived and, thankfully, captured on film and in these frank and candid pages.
Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you.
When Dominick Dunne lived and worked in Hollywood, he had it all: a beautiful family, a glamorous career, and the friendship of the talented and powerful. He also had a camera and loved to take pictures. These photographs, which Dunne carefully preserved in more than a dozen leatherbound scrapbooks -- along with invitations, telegrams, personal notes, and other memorabilia -- record the parties, the glittering receptions, the society weddings,…
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
Family is not just a metaphor- it resides in a physical place, and that place is home. I found this book extremely valuable because it takes an anthropological approach to the meaning of home, exploring the sociological, historical, and even scientific reasons why home is so fundamental to the human condition. The image of a hearth stands out most from this book: that the most fundamental way for humans to make food - fire - created the foundation for viewing home as a place that is crucial to our nourishment and flourishing. This basic aspect of human survival led to a space of protection, peace, comfort, and security- a home. And where there is home, there is family.
As the adage goes, home is where the heart is. This may seem self-explanatory, but none of our close primate cousins have anything like homes. Whether we live in an igloo or in Buckingham Palace, the fact that Homo sapiens create homes is one of the greatest puzzles of our evolution. In Home , neuroanthropologist John S. Allen marshals evidence from evolutionary anthropology, neuroscience, the study of emotion, and modern sociology to argue that the home is one of the most important cognitive, technological, and cultural products of our species' evolution. It is because we have homes,relatively secure against whatever…
I first turned to the ‘dark side’ of travel when a student of mine introduced me to ‘dark tourism’. Sadly the world is littered with places of tragedy where our misfortunes are exposed by dark tourism. As a social scientist, I have been writing about visiting our significant dead for over 20 years. I am fascinated as to why particular deaths are remembered, by whom, and how our dead are (re)presented within visitor economies. I have lectured and published extensively within academia, as well as being a media consultant. I continue to tell tales of our dead and how we attach cultural importance to certain kinds of death.
This book enlightened me by learning that people have long travelled to visit the dead. With ‘dark tourism’ initially portrayed as an imitation of postmodernity, Westover dispelled that perspective. Instead, I learnt that travelling to meet the dead had long been a feature of the literary tourism landscape. A provocative play on the word ‘necro’ with visiting deceased authors’ homes, haunts and graves during the Romantic period, Westover offers an inspired contribution to understanding Romanticism within the context of death studies and travel history. I argue that in an age of antiquarian revival and a love of books, the emergent ‘Necromantic’ culture that created touristic habits continues to the present day. To that end, Necomanticism exposes a nexus of book love and memorial ritual that has deeply influenced (Western) literary culture.
Necromanticism is a study of literary pilgrimage: readers' compulsion to visit literary homes, landscapes, and (especially) graves during the long Romantic period. The book draws on the histories of tourism and literary genres to highlight Romanticism's recourse to the dead in its reading, writing, and canon-making practices.
I am a reporter and author with a passion for seeking out stories less told, and there are plenty of those in Central Asia, where I made my home more than two decades ago: first in Uzbekistan and, since 2005, in Kazakhstan. I have found telling overlooked tales from an overlooked region that is overshadowed by its mighty neighbours – the Russian bear to the north and the Chinese dragon to the east – to be both rewarding and valuable. I hope these book selections will bring more stories about the people who populate Central Asia to the attention of readers with inquisitive minds.
As I perched on the ramparts of the citadel in Khiva one sunny morning in autumn of 2001, the scene in the bazaar below of sellers hawking everything from recalcitrant sheep to giant melons and elaborately-carved furniture summoned up the exotic past of a town once traversed by caravans of merchants plying their trade between China and Europe. But what is compelling about this book is its focus not on Khiva’s illustrious history but on the present-day lives of the people the author encountered when he lived among them running a carpet-making workshop. Fascinating both for its forensic exploration of that ancient craft and for the sensitive depictions of the people of Khiva, this book is a true tale of the modern-day Silk Road.
The Silk Road conjures images of the exotic and the unknown. Most travellers simply pass along it. Brit Chris Alexander chose to live there. Ostensibly writing a guidebook, Alexander found life at the heart of the glittering madrassahs, mosques and minarets of the walled city of Khiva - a remote desert oasis in Uzbekistan - immensely alluring, and stayed.
Immersing himself in the language and rich cultural traditions Alexander discovers a world torn between Marx and Mohammed - a place where veils and vodka, pork and polygamy freely mingle - against a backdrop of forgotten carpet designs, crumbling but magnificent…
I am the oldest of four children and was always close to my mom. She was a trailblazer, earning her doctorate in educational psychology in 1963 and teaching at the college level. In her early 70’s her memory started to falter, and she lived with dementia for 10 years before she died. I was a reporter at The New York Times and had published three books by that point. My fourth became All Gone: A Memoir of My Mother’s Dementia. With Refreshments. I spent years in doctors’ and hospital’s waiting rooms and these are some of the books that helped make that time not only tolerable but sometimes, even joyful.
“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”
“Of all the incomparable stable of journalists who wrote for The New Yorker during its glory days in the Fifties and Sixties,” writes The Independent, “the most distinctive was Irish-born Maeve Brennan.” From 1954 to 1981, Maeve Brennan wrote for The New Yorker’s “Talk of the Town” column under the pen name “The Long-Winded Lady.” Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the “most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human…
I know small spaces from first-hand experience. As a writer based in New York City, I have lived in a series of impossibly small spaces, including a 6’ x 8’ bedroom in an apartment with no living room and a teeny-tiny studio that was made livable by installing a Murphy bed. Today I live in less than 700 square feet with my husband and son. When I set out to write my own book, I wanted to inspire readers to make the most of their own small homes and discover the freedom that living small provides. I have an extensive personal library of books about small space design, but these five are my all-time favorites.
There are dozens of small-space books that I could have chosen for decor inspiration, but this one from Monocle is a personal favorite, in part because the photos, while gorgeous, are not overly styled. It features homes from around the world, including many in Europe, and most are primary residences, not guest houses or weekend homes that often fill small-space books. Much like the magazine, this book opens with several thoughtful essays on what it means to live in a “cosy” space. With its linen cover and hefty size, it would make a great housewarming gift for anyone living in a small space.
This Monocle book tells us how to turn a house into a home. Both a practical guide and a great source of inspiration, The Monocle Guide to Cosy Homes presents the interiors, furniture, and locations you need to know about along with portraits of the people who can make it happen. The Monocle Guide to Cosy Homes celebrates the durable and the meaningful through a collection of homes that tell a story. Most architecture and interior books show houses polished to perfection, manicured to the extent that it is hard to imagine anybody acually lives there: they seem to miss…
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
This book of speculative short fiction includes some of the best queer representation I've seen in ages. "A Silly Love Story" includes a gender-fluid character named Merion, and "Before We Disperse Like Star Stuff" includes a trans grad student named Min. Cipri manages to combine the surreal and illogical with a pervasive sense of warmth and humanity, which is a nearly impossible feat, and they make it look easy. Each story will leave you wondering what happens next, but the characters will also live on in your imagination long after you've turned the page.
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients' house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species…
Bruce Hunt is a native Floridian writer and photographer. He has authored eleven Florida travel and history books, and over the last three decades has written and photographed hundreds of articles for magazines and newspapers. For five years he was a regular feature writer and photographer for DuPont Registry Tampa Bay Magazine. His work has also appeared in The St. Petersburg Times (Tampa Bay Times), Tampa Tribune, The Visit Tampa Bay Official Visitors Guide, Backpacker Magazine, Rock & Ice Magazine, Skydiving Magazine, Florida Trend Magazine, Celebrity Car Magazine, Coastal Living Magazine, and Southern Living Magazine, among others.
William McKeen’s account of the evolution of 1960s–1970s Key West reads like a novel. Based largely on his interviews with Tom Corcoran (who was there then and knew everybody), McKeen tells the wild tales of some of Key West’s most eccentric and now famous characters from that era, like Tennessee Williams, Thomas McGuane, Margot Kidder, Jim Harrison, Hunter Thompson, and Jimmy Buffett.
For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation-one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson-there was another moveable feast: KeyWest, Florida.
The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear-and succeeded. No…
My name is B.W. Powe—and I’m a writer, poet, teacher, mentor, and musician. I’ve written since I was a boy, when I began to dream of beautiful sentences, and finding a way to turn music into literary expression. I live in Stouffville, a small edge town near Toronto, Canada—and a portion of the year in Cordoba, Spain, where my wife is from. I was encouraged by my mother, an amateur pianist, and my father, a politician, and novelist. We lived in Toronto through the 60s-90s and witnessed how the city sprawled. I’ve written about the Genesis Overdrive that informs culture and lives. My latest book, Ladders Made of Water, will be available on February 14th, 2023.
A poignant, perceptive memoir of the author’s time in Africa—and her experiences there, her discovery of love and the loss of that love; evocations of people and sky, contemplations of weather and landscape unlike any other I’ve read.
It should be read (and always honoured) because it’s as close to a reverie on sorrow and wonder, the mystery of stark wildernesses and solitudes, as I’ve found. It’s the book I wish I’d written, above so many others.
In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, "Out of Africa" describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton.
