My professional background is in working with children, my career began as an NNEB nursery nurse and I did many jobs (nanny, childminder, preschool, reception class, after school club, primary school, special school, and in learning support). I then trained as a teacher of adults and went on to be a college lecturer. I am now a senior university lecturer, but my heart has always been in the early years. I am passionate about highlighting the incredible work that is going on in the early years and in schools and have a strength-based, empowering, and optimistic view, which I try to instill in my students. Working with young children is a privilege and a joy.
Reading this book, and others in the series, is like a warm hug! It details a view of a small village school in the 1960s and it is just such a joy to read.
The stories about the school and the children are touching, funny and emotional. This book is a great example of social history and it just makes you want to work in a tiny village school and to be around children like these. It’s such a fulfilling read. Village Christmas is wonderful too, I read it in December every year.
The very first Miss Read novel - set in 1950s England, perfect nostalgia for fans of CALL THE MIDWIFE or Gervase Phinn.
'An affectionate, humorous and gently charming chronicle ... sometimes funny, sometimes touching, always appealing' New York Times
Fairacre is a village of cottages, a church and the school - and at the heart of the school, its headmistress, Miss Read.
Through her discerning eye, we meet the villagers of Fairacre and see their trials and tribulations, from the irascible school cleaner Mrs Pringle, to the young schoolchildren with their scraped knees, hopeful faces and inevitable mischief.
As a writer my storylines almost always develop out of the characters and settings I first create. As a reader, I enjoy a book as much (sometimes more!) for the characters and setting in it as I do for the plot itself. My favorite reads have always featured a quirky or bigger-than-life character and a setting that in some instances may seem ordinary but the circumstances of how the character ended up there are far from that. I love the middle-grade novels on my list because the main characters are brave and resourceful and each has an unusual and intriguing path that has led them to where their story takes place.
Two words. Grandma Dowdel. She is one of the many reasons I love this book. Fifteen-year-old Mary Alice is forced to leave her parents and her home during a difficult time in 1937. A city girl, it’s no easy feat moving from the big city of Chicago to a small town and in with her larger-than-life grandmother who will have you laughing out loud at her very un-granny-like antics. Peck’s punchy, smart, and often hilarious prose, parallels nicely with undertones of a more serious and difficult period of time for many families. Mary Alice is easy to root for as she finds her footing in a year filled with many new adjustments in a place very different from home.
Richard Peck's Newbery Medal-winning sequel to A Long Way from Chicago
Mary Alice's childhood summers in Grandma Dowdel's sleepy Illinois town were packed with enough drama to fill the double bill of any picture show. But now she is fifteen, and faces a whole long year with Grandma, a woman well known for shaking up her neighbors-and everyone else! All Mary Alice can know for certain is this: when trying to predict how life with Grandma might turn out . . . better not. This wry, delightful sequel to the Newbery Honor Book A Long Way…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.
One of the funniest, sharpest novels about love and growing up ever written, Nancy Mitford's classic is now a major BBC and Prime Video series directed by Emily Mortimer and starring Lily James, Andrew Scott and Dominic West
'He was the great love of her life you know.' 'Oh, dulling,' said my mother, sadly, 'One always thinks that. Every, every time.'
Oh, the tedium of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny are on the lookout for the perfect lover.
I’ve always loved history and historical stories, but like the majority of people, didn’t really know very much about WWI. That changed in early 2017 when I read The Zimmermann Telegram by Barbara W Tuchman. I immediately fell into a vortex of further reading, resulting in my writing The War in Our Hearts at the end of that year--because although there is a lot of great non-fiction out there about WWI, there aren’t nearly as many novels that quite scratched the itch I had for fiction…so I wrote the book I wanted to read!
This book is leisurely, reminiscent of Elizabeth Gaskell’s works (such as North and South or Wives and Daughters); it reads and feels like a warm summer day. It takes place in a small English town in the tense and uncertain months leading up to the war and a little beyond, featuring family dramas, romantic entanglements, spunky schoolteachers, Belgian refugees, underage recruits, life, and death, and love.
'Helen Simonson's characters enchant us, her English countryside beguiles us, and her historical intelligence keeps us at the edge of our seats.' - Annie Barrows, co-author of The Guernsey Literary and Potato Peel Pie Society.East Sussex, 1914. It's the end of an idyllic summer and Hugh Grange, down from his medical studies, is visiting his Aunt Agatha in the pretty coastal town of Rye. Casting aside the recent sabre rattling over the Balkans, Agatha has more immediate concerns; she has just risked her carefully built reputation by pushing for the appointment of a woman to replace the Latin master.When Beatrice…
I grew up in suburban Chicago as the middle of five children. My siblings were and are at the center of my world. Now I work with school-age children, and my fascination with the love/annoyance these relationships engender continues. I loved Little Women as a child, and stories of siblings, especially sisters, still tug at my heart. It’s no wonder my first middle-grade novel is just such a tale.
Two African American brothers spend their summer in rural Virginia while their parents navigate a rough patch in their marriage. Genie, 11, and Ernie, 13, get to know their blind grandfather who has a special room filled with plants and songbirds. I identified with Genie, a worrier who likes to pose questions in his notebook. As the two brothers respond differently to their grandfather’s announcement that a brave man learns to shoot a gun at 14, Reynolds is also asking readers to consider what it means to be brave and how we should define family. I loved the themes and vivid setting of the book. As someone who visited a grandparent in a small, rural town each summer, I identified with the boys’ sense that they have travelled not just a state but a whole world away from home.
In this “pitch-perfect contemporary novel” (Kirkus Reviews, starred review), Coretta Scott King – John Steptoe Award-winning author Jason Reynolds explores multigenerational ideas about family love and bravery in the story of two brothers, their blind grandfather, and a dangerous rite of passage.
Genie’s summer is full of surprises. The first is that he and his big brother, Ernie, are leaving Brooklyn for the very first time to spend the summer with their grandparents all the way in Virginia—in the COUNTRY! The second surprise comes when Genie…
I'm
Mitch Cullin, or so I've been told. Besides being the ethical nemesis of the
late Jon Lellenberg and his corrupt licensing/copyright trolls at the Conan
Doyle Estate Ltd., I'm also a documentary photographer, very occasional author
of books, and full-time wrangler of feral cats.
This is
one of my all-time favorite novels, though I'm not quite sure how to explain
it. Set in a small Texas town, Come, The Restorer is a strange,
hallucinatory, and comical novel where nothing is quite normal, in fact far
from it. Among the cast of characters are Mr. de Persia who becomes a prophet
to the townspeople after he is discovered in a glass bathtub with an erection,
the virginal Jewel Adair who following her husband's fiery death begins roaming
the countryside naked, and Addis, Jewel's adopted son, who is on a singular
quest to make himself a Panhandle saint. There's just no other book like this
one.
William Goyen's fifth novel is a fable of Texas country life in the first half of the twentieth century, portraying religious revivalism and the money madness and ecological destruction caused by the oil boom. His narrative is composed of the brief linked episodes and tales that are Goyen's trademark, and is written with an ear for the rhythms of regional speech that was his particular gift.
I love Jane Harper’s novels. Always a rather lonely man with issues, he investigates a death in the Australian outback. But it is so much more than the usual detective story. To me, as someone with no experience living in the outback, Harper writes convincing pen portraits of characters living in a hostile landscape where everyone has secrets. I could almost feel the heat. By the way, I was torn between recommending this and The Dry, both of which share similar themes, as my second favorite book.
I won’t give the plot away other than to say it’s a great mystery story rather than an action-packed adventure. How did this man die, and why? Harper weaves a well-crafted tale, gripping right up to the end.
Two brothers meet in the remote Australian outback when the third brother is found dead, in this stunning new standalone novel from Jane Harper
Brothers Nathan and Bub Bright meet for the first time in months at the remote fence line separating their cattle ranches in the lonely outback.
Their third brother, Cameron, lies dead at their feet.
In an isolated belt of Australia, their homes a three-hour drive apart, the brothers were one another’s nearest neighbors. Cameron was the middle child, the one who ran the family homestead. But something made him head out…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
I was never a little boy who played soldier. But when I was 13, I read Barbara Tuchman’sThe Guns of August, and developed a lifelong fascination (unusual for an American) with the First World War. Decades later, having achieved a happy life as a gay man, I started to wonder during the debate over “Don’t Ask, Don’t Tell”: What would life have been like for two soldiers in the Great War who fell in love? So, I traveled to the battlefields and cemeteries of France, and to the Imperial War Museum in London, and read anything and everything I could about WW1. And then I wrote Flower of Iowa.
Perhaps the most powerful story surrounding The Bitterweed Path concerns the creation of the novel itself. This tale of cross-class, same-sex love set in late 19th century rural Mississippi – a place and time so well evoked you can feel the heat – was originally published in 1950(!). They say historical novels reflect the time in which they’re written at least as much as the time in which they’re set, and there’s a distinct obliqueness to the writing here. That does not detract from the astonishing eroticism of main character Darrell’s first glance at Roger, the boy he will fall in love with (and vice versa). Nor does it diminish the radical shift, in more than one sense of the term, when Roger’s father also emerges as a mutual love interest for Darrell.
This long out-of-print and newly rediscovered novel tells the story of two boys growing up in the cotton country of Mississippi a generation after the Civil War. Originally published in 1950, the novel's unique contribution lies in its subtle engagement of homosexuality and cross-class love. In The Bitterweed Path , Thomas Hal Phillips vividly recreates rural Mississippi at the turn of the century. In elegant prose, he draws on the Old Testament story of David and Jonathan and writes of the friendship and love between two boys--one a sharecropper's son and the other the son of the landlord--and the complications…
Craig Fehrman spent ten years writing Author in Chief, his book on presidents and the books they wrote. When readers would learn about his research, they'd always ask -- "Are any of them worth reading?" The answer turned out to be a definitive yes! Presidential books have won elections, redefined careers, and shaped America's place in the world. It's easy to eye-roll at modern political volumes, but for most of American history, books have been our popular culture -- and presidential books have changed our nation. Here are a few of the books that will reward readers today.
Carter has written a huge number of books, including a historical novel and a volume of poetry, but this one is definitely his best. Like Coolidge's, it’s simple, detail-driven, and always personal, capturing Carter's Georgia childhood and connecting it to bigger issues like the Great Depression and the Jim Crow South. There's a handful of shorter, more intimate books by ex-presidents—not only Carter’s but also Harry Truman’s Mr. Citizen and Dwight Eisenhower’s At Ease—and these books always read better and reveal more than their authors’ official presidential memoirs. I wish more ex-presidents would follow Coolidge in writing that punchy and personal book first, about their White House years. If they tried this approach, they would find that it makes everyone a winner—not just the presidents but also their readers.
In this powerful memoir, former President and bestselling author Jimmy Carter writes about the powerful rhythms of countryside and community in a sharecropping economy. He offers an unforgettable portrait of his father, a brilliant farmer and strict segregationist who treated black workers with his own brand of 'separate' respect and fairness; and his strong-willed and well-read mother, a nurse who cared for all in need. He describes the five other people who shaped his early life, only two of them white; his eccentric relatives; and the boyhood friends with whom he worked the farm and hunted with slingshots and boomerangs,…
