Here are 91 books that Ring of Bright Water fans have personally recommended if you like
Ring of Bright Water.
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I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
At the time, when I read this book, I’d just become a father. Naturally, the story about a father trying to protect his son in a harsh dystopian world was captivating for me and still is to this day.
I loved the book's gritty realism and felt as if I were walking beside the characters during the entire journey. I also found McCarthy’s writing style unique and something new from the best-selling paperbacks I’d often read before picking up his book.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I’ve been fortunate enough to have had a different kind of life. I was brought up by two writers who took me to magical places, far away from cities, to meet magical people. I spent my childhood searching for horse chestnuts and looking for otters. I wasn’t interested in electronic games and loud music: I wanted instead to be out in nature, watching for wild things and listening to the song of birds. It comes back to Iona, to this tiny little island on the west coast of Scotland which I will feel always is my spiritual home. In that place, I have everything I need. Nothing that a big city can offer tempts. Ever.
I choose this book because it gives me the most haunting sense of landscape and place. The author was from the northeast corner of Scotland and it was in his blood. I find it incredible that he’s able to capture it so deeply. We can feel these things, but to put them on paper is something else, a different skill. But somehow he manages to take you with him and to bring that landscape to life in the most incredible and powerful way. I suppose my greatest compliment to this book is that I wish I’d written it myself.
Kenn returns to the Highlands of his youth, back to the river which has haunted his dreams since boyhood. Determined to walk all the way back to its source, Kenn embarks on a journey that will lead him deep into the wilderness of his own heart.
Profound and moving, Highland River is a stirring tale of what is lost and what endures, and the unexpected ways we can be renewed.
As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.
While this book of poems, first published in 1964, does hark back to a past era, the poems themselves are timeless. There’s an underlying sense of peace, which gives me solace when I feel bleak and filled with a nameless anxiety. Despite the sorrows, there’s grace in these poems, and in the world Berry speaks of — a simpler world than the one we live in today. Yet, each time I read them, I’m enriched with comfort and hope that frees me from the melancholy of living in a modern world that appears to be losing its way.
I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the…
I’ve been fortunate enough to have had a different kind of life. I was brought up by two writers who took me to magical places, far away from cities, to meet magical people. I spent my childhood searching for horse chestnuts and looking for otters. I wasn’t interested in electronic games and loud music: I wanted instead to be out in nature, watching for wild things and listening to the song of birds. It comes back to Iona, to this tiny little island on the west coast of Scotland which I will feel always is my spiritual home. In that place, I have everything I need. Nothing that a big city can offer tempts. Ever.
I studied this book at school and found myself coming back to it again and again long after I had grown into adulthood. It’s inspired by a part of France that the author knew well and loved deeply. It was a place of pine forests and great summer heat, and you can smell the trees and feel yourself in that landscape on every page of the work. The book is about an old man nearing the end of his life. He is not a good man nor a kind one: quite the reverse. And yet in these pages, there is redemption: he finds himself and he finds the peace he has longed for all the days of his life.
The masterpiece of one of the greatest modern Catholic writers, The Knot of Vipers tells the story of Monsieur Louis, an embittered ageing lawyer who has spread his misery to his entire estranged family. Louis writes a journal to explain to them, and to himself, why his soul has been deformed, why his heart seems like a foul nest of twisted serpents. Mauriac's novel masterfully explores the corruption caused by pride, avarice and hatred, and its opposite the divine grace that remains available to each of us until the very moment of our deaths. It is the unforgettable tale of…
Born in 1969 as the seventh of eight children to two Harlem-raised parents, I benefited from both the inner-city life of Queens, New York and childhood summers spent on a farm in rural upstate New York. Academic, professional, and physical accomplishments have punctuated my life. An adventurer by nature, I became the first African American to hike to the top of every mountain in the northeast US over 4,000' (115 of them) by September of 2000. At that time, less than 400 people had accomplished this feat; whereas thousands have scaled Mount Everest. My home city’s iconic landmarks create a psychological veil that blinds people to the vast open spaces that dominate New York State.
This book can be more aptly titled “Life”. Klinkenborg’s musings over an eleven-year span while maintaining his farm in upstate New York’s Hudson Valley go well beyond the allotted time and location. His many astute observations about nature, animals, and people are expertly framed with blunt and humorous analogies. The Interlude and final chapter ("Coda") state the importance of the sciences exploring cosmology, biology, and archeology and why knowledge morphs through history. A must-read for any urbanite or suburbanite curious about country living.
Verlyn Klinkenborg's regular column, The Rural Life , is one of the most read and beloved in the New York Times. Since 1997, he has written eloquently on every aspect, large and small, of life on his upstate New York farm, including his animals, the weather and landscape, and the trials and rewards of physical labor, as well as broader issues about agriculture and land use behind farming today. Klinkenborg's pieces are admired as much for their poetic writing as for their insight: peonies are the sheepdog of flowers," dry snow "tumbles offthe angled end of the plow-blade as if…
I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.
Twelve year old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic - hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him. He'll just…
My choice of books reflects a lifelong passion for literature and the natural world. I’ve always enjoyed travelling, to cities or more remote locations, learning as much as I can about the people that live there, and my first published article was about a hotel in Mali, photographed by my sister. Ten years later we published our first book, The Foraged Home. With Living Wild we wanted to look more deeply at how people lived, not just where, focussing not only on day-to-day life and their work, but their relationship with the surrounding landscape, asking big questions about our place in the world.
A gorgeous meditation on friendship, the English countryside, art, and beauty.
Two men spend the spring and summer of 1989 creating crop circles in Wiltshire, working during the ‘arcane mystery of the humming night’ to ‘fuel the myth and strive for beauty, yes, but never the reveal the truth’ of their identities. It’s lyrical and life-affirming, yes, but also a warning.
As Calvert, an ex-soldier, remarks: ‘it’s about the land...getting people to learn to love it so that they don’t take it for granted, and then feel compelled to protect it.'
Summer 1989, deep in the English countryside — during a time of mass unemployment, class war, and rebellion . . . .
Over the course of a burning hot summer, two very different men — Calvert, an ex-soldier traumatized by his experience in the Falklands War, and his affable freind Redbone — set out nightly in a decrepit camper van to undertake an extraordinary project.
Under cover of darkness, they traverse the fields of rural England in secret, forming crop circles in elaborate and mysterious patterns, painstakingly avoiding damaging the wheat to yield designs so intricate that their overnight appearances…
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
In lyrical prose, Rich brings the reader into her real experience as a woman living in the Maine woods during the 1930s.
Rich’s narrative often reads like an adventure story—black bears, raging snowstorms—but some of my favorite scenes center around the endless daily chores necessary to a life in the wilderness. I also love Rich’s stories of the logging camps that surround her and her husband’s homestead.
Her riveting descriptions of the annual river drives, during which logs would be floated from the forest down to the lumber and paper mills, recall a way of life nearly unfathomable for those of us in the modern age. And if all that weren’t enough, Rich’s singular, humorous voice is simply a delight to read.
In her early thirties, Louise Dickinson Rich took to the woods of Maine with her husband. They found their livelihood and raised a family in the remote backcountry settlement of Middle Dam, in the Rangeley area. Rich made time after morning chores to write about their lives. We Took to the Woods is an adventure story, written with humor, but it also portrays a cherished dream awakened into full life. First published 1942.
There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
The Railway Children is a rich family saga set in 1905 told from the perspective of the children, Bobbie, Phyllis, and Peter. They live a happy, comfortable life until their father is suddenly taken away by two police officers. The family is forced to move away and adapt to living in the countryside on a much-reduced income. The separation from their father is keenly felt by the children, whilst their mother hides her own distress to protect them.
We eventually realise that an injustice has occurred, but how can the children hope to reunite with their father? The Railway might provide an answer. Edith Nesbit has created a warm and engaging novel where acts of kindness, sometimes misguided, are integral to the storytelling.
One of the most popular classics of all time, with a wonderful introduction by multi-million bestselling author Jacqueline Wilson.
When Father is taken away unexpectedly, Roberta, Peter, Phyllis and their mother have to leave their comfortable life in London to go and live in a small cottage in the country. The children seek solace in the nearby railway station, and make friends with Perks the Porter and the Station Master himself. Each day, Roberta, Peter and Phyllis run down the field to the railway track and wave at the passing London train, sending their love to Father. Little do they…
I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
I’m always a fan of graphic novels that capture the mood of the book, rather than trying to make everything perfectly accurate to the original. Mariah Marsden’s adaptation of Anne of Green Gables perfectly captures the magic and beauty of one of my favorite childhood books.
I mentioned how much I enjoyed this adaptation to a friend who’s also a fan of L.M. Montgomery. However, my friend hated this adaptation (especially how Anne’s nose is drawn!) which I actually found very liberating as I considered adapting The Great Gatsby. I’d been concerned about how people who loved Gatsby would view my adaptation, but this made me realize that some people would love my book and some people wouldn’t—and that was okay!
The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. - Brian Selznick, author/illustrator of "The Invention of Hugo Cabret" and "The Marvels"
The magic of L.M. Montgomery's treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike.
When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage…
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