Here are 100 books that Atonement fans have personally recommended if you like
Atonement.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states.
Here’s another book-to-movie entrant on the list. This book follows the exploits of a Confederate soldier who makes his way home to the mountains of North Carolina. It’s like the Odyssey—he has a series of memorable encounters and run-ins along his journey, and things are not as they seem when he eventually returns home. I love the novel's tension and the artfully crafted characters.
In 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves.…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.
Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
Resting Places follows one woman’s journey after the devastating news of her son’s death. Elizabeth ekes out a lonely and strained relationship with her husband while trying to lose her grief in alcohol. A chance meeting with a man on the side of the road spurs her to travel cross-country…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This literary rendering of Dublin at the beginning of the 20th century comprises fifteen stories. Whenever I read them, I can feel Joyce’s adoration for this city—and the last story, "The Dead," is glorious.
The final line always slays me: “His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead”
A definitive edition of perhaps the greatest short story collection in the English language
James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
I was an odd kid—a bookworm worried about why I was different from others. Luckily, my family continuously reminded me that I belonged. Once out of the closet, I was able to appreciate the importance of families, both chosen and unchosen. I became a writer because I was compelled to articulate that importance and maybe help others understand how knowledge, trauma, emotions, and love move between the generations. Queer and family histories have inspired a lot of my journalism and fiction, but especially my new novel, This Is It. I hope it fits alongside these recommendations that explore queer multi-generational stories with wit, intelligence, and wisdom.
This book gripped me from the opening page. It’s everything I usually avoid—comics, suspense, memoir, psychology article—but the way it's calibrated invited me in, then wouldn’t let me leave until I’d lapped up every detail. By setting up her childhood review as a mystery that has to be solved through visual exploration, Alison Bechdel justifies every choice she makes. And they are all correct.
With deadpan humor and wry drawings, Fun Home gave me a thickly layered exploration of how queer elements impacted generations of her family. It never felt navel-gazing, and I found it impossible to imagine the story told any other way than in a graphics.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career…
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
After I visited Sicily at 22 (the same age as Mariella in the book) and stayed with relatives in Siracusa, I fell in love with Sicily (and all of Italy) and wanted to know everything I could about it, its history, its customs, architecture, food, and especially to understand the collective psyche of its people.
My grandmother was born in Sicily and never spoke English even after moving to the United States, and my uncles and father spent a good part of their childhoods in Catania, where the Sicily part of Becoming Mariella takes place. I had never before felt the deep longing of a cultural belonging, and this book, written in 1958, is one of the finest works of twentieth-century fiction (according to Daunt Books), and opened my eyes to the pride and richness of the Sicilian people and its aristocracy, their stubbornness and an understanding of how,…
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.
I am a speaker, author, and academic. Originally from Rome, I now live in the Netherlands, where I lecture and do research on international and diplomatic history. My book examines the ethical and pragmatic dilemmas that characterized the making of the German-Israeli relationship after the Holocaust at the outset of the global Cold War. I value good reads and excellent conversations, and I held visiting fellowships in, among others, Berlin, Jerusalem, and Oxford. My work won a Dutch National Research Council grant, a major research grant from the Alfred Landecker Foundation, and the LNVH award for ‘Distinguished Women Scientists.’ These days, I divide my time between Rome, Berlin, and Utrecht.
Set in 1933-1934 Berlin, the book follows the U.S. Ambassador to Nazi Germany, William E. Dodd, and his daughter Martha, as they witness and experience the early years of Hitlerian rule in Germany.
It is a work of novelistic history that reads like a thriller assessing the dilemmas of diplomacy in the face of dictatorships.
It's Berlin, 1933. William E. Dodd, a mild-mannered academic from Chicago, has to his own and everyone else's surprise, become America's first ambassador to Hitler's Germany, in a year that proves to be a turning point in history. Dodd and his family, notably his vivacious daughter, Martha, observe at first-hand the many changes - some subtle, some disturbing, and some horrifically violent - that signal Hitler's consolidation of power. Dodd has little choice but to associate with key figures in the Nazi party, his increasingly concerned cables make little impact on an indifferent U.S. State Department, while Martha is drawn…
The first books I loved were Gothic classics like Jane Eyre and Rebecca, because of their isolated settings and secretive characters. When I first started writing, it was always stories about communities–the first novel I wrote featured a retirement village and a circus. Maybe that’s because I love observing communities in everyday life, like local pubs in which everybody has their place. When domestic suspense novels really took off, I started devouring crime books with close-knit settings and soon was writing them, too. I love the claustrophobia, the backstories, the landscape, the web of relationships. It can be done in so many different and brilliant ways.
Continuing with the Gothic theme, I have to mention one of my all-time favorite books. The estate of Manderley is almost another character in this novel, looming large over the story along with the legacy of its dead mistress. And the community poses an immediate threat to the book’s unnamed narrator, the new wife of the estate’s owner, when she comes in as an outsider and gets the cold shoulder from Manderley’s staff. Her desperate attempts to win everybody over lead to some gloriously nail-biting moments.
But what I adore about this novel is how it slowly reveals that the community’s loyalties are not what they seem. Even the significance of rooms and objects in the house–like Rebecca’s writing desk or the sound of the sea from a particular window–changes as the story unfolds.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
Dolores Haze is an oft-misrepresented character. I dislike the way Lolita is usually portrayed in a coquettish manner. I find Lolita to be one of the most tragic heroines in classic literature. This child is a manipulated and abused victim of a perverted narrator. Her mother is deeply complicated, too.
I love the complexity of all the characters and how their story arc evolves as the power dynamic shifts. It’s entertaining but also brings up disgust and concern for the heroine. I find myself rooting for her and hating the slimy narrator while at the same time appreciating Nabakov’s ability to build such fleshed-out characters and give us such a window into their minds.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
