I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world.
I recently discovered Reid’s writing and I love the slow literary suspense of Foe, his twist relying upon an unreliable first-person narrator.
Farmer Junior is selected by lottery as a possible candidate for an off-world workforce colonising space. The narrative takes place on earth, however, and it is a domestic portrait of a marriage as much as it is science fiction. Junior is a transparent and sincere narrator. His unreliability comes from what he himself does not know and his hazy memory of his own past. ("Everything blends into a nebulous fog.")
His narrative reveals more than he realises, including through his treatment of a horned beetle in their closet. As with the best fiction, it holds a mirror up to our own humanity.
“Foe is a tale of implacably mounting peril that feels all the more terrifying for being told in such a quiet, elegantly stripped-down voice. Iain Reid knows how to do ‘ominous’ as well as anyone I’ve ever read.” —Scott Smith, author of The Ruins and A Simple Plan
A taut, psychological mind-bender from the bestselling author of I’m Thinking of Ending Things.
We don’t get visitors. Not out here. We never have.
In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the…
I’ve loved both nature and writing since childhood. My birdwatching and prior work as a geologist have taken me to the coasts, forests, and grasslands of New England, the Pacific Northwest, Alaska, Brazil, and beyond. Through it all, I’ve kept my pen busy writing about my adventures. A former writer-in-residence at the Shoals Marine Laboratory in Maine and beach naturalist with the Seattle Aquarium, I now teach at Smith College in Massachusetts, where I live with my family, many notebooks, and a garden full of native plants and wild birds.
Running away to live for a year alone in the woods–as a kid, I couldn’t have dreamed up a better fantasy.
Twelve-year-old protagonist Sam Gribley makes the dream feel realistic. Carving your own home in a huge hollow tree? Check. Learning how to set traps for fish and game? Check. Stitching your own clothes out of a deer hide “borrowed” from a reckless hunter who couldn’t find the carcass? Check. Learning the daily rhythms of wildlife, from chickadees to raccoons to stoats? Oh yes. I could have lived in Sam’s world forever.
Plus, the author’s line illustrations perfectly evoke an outdoor notebook worthy of a young Thoreau. It broke my heart when Sam’s year of wild freedom drew to a close.
"Should appeal to all rugged individualists who dream of escape to the forest."-The New York Times Book Review
Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods-all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever.
"An extraordinary book . . . It will be read year after…
I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.
Not only is the small-town, rural setting of this book beautifully written, it is also so honest and real. Every community faces challenges and has shortcomings, regardless of its size, and I appreciate that Amy K. Sorrells doesn’t shy away from that.Lead Me Homealso includes a neurodivergent character, which really resonated with me because one of my children is neurodivergent as well. Small towns can be a great place for kids with special needs because of the extra safety, slower pace of life, and sense of community. But they can also be a challenging place for kids with special needs because of the lack of resources, diversity, and opportunity. This is my favorite book by Amy K. Sorrells so far.
Amid open fields and empty pews, small towns can crush big dreams. Abandoned by his no-good father and forced to grow up too soon, Noble Burden has set his dreams aside to run the family farm. Meanwhile, James Horton, the pastor of the local church, questions his own calling as he prepares to close the doors for good.
As a severe storm rolls through, threatening their community and very livelihood, both men fear losing what they care about most . . . and reconsider where they truly belong.
I am a former international banker and now a prize-winning author. My books take place in the financial world. However, my writing principle is that behind every crime is a family. In my thrillers, the crime amplifies the family dysfunction. My characters can only survive by growing and coming together. If you like character development, as well as the twists and turns of a good plot, you will like the novels that I recommend.
This is one of the few thrillers that brought tears to my eyes.
Ree, a teenage girl, must save her family by negotiating with the violent inhabitants of the Ozarks. Ree’s father has disappeared from his trial and, if she doesn’t find him, the family will lose everything they own because he pledged it as collateral for his bail bond.
I love how Woodrell portrayed her loyalty and fierceness, as well as how he wrote the deeply flawed characters who love her. His descriptions and metaphorical uses of winter and the landscape are breathtaking.
The book is literary but also has great narrative propulsion.
This is a fiercely original tale of love, heartbreak and resilience in the lonely wastes of the American Midwest. The last time Ree saw her father, he didn't bring food or money but promised he'd be back soon with a paper sack of cash and a truckload of delights. Since he left, she's had to look after her mother - sedated and losing her looks - and her two younger brothers. Ree hopes the boys won't turn out like the others in the Ozark mountains - hard and mean before they've learnt to shave. One cold winter's day, Ree discovers…
I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states.
Here’s another book-to-movie entrant on the list. This book follows the exploits of a Confederate soldier who makes his way home to the mountains of North Carolina. It’s like the Odyssey—he has a series of memorable encounters and run-ins along his journey, and things are not as they seem when he eventually returns home. I love the novel's tension and the artfully crafted characters.
In 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves.…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
"The world had teeth and it could bite you with them anytime it wanted."
It’s more than a creepy opening sentence; it’s a mission statement from the Master of the Macabre, the Poet of the Paranormal, the Chaucer of Chills. It encapsulates what Stephen King does so well – a plucky little girl gets lost in the woods, a shadowy presence stalking her, and something dark, magical, and miraculous emerging from the girl’s soul.
This short novel is so riveting, you will finish it in one sitting.
From the master of horror and suspence, Stephen King, comes a pop-up adaptation of one of his bestselling novels.; Trisha MacFarland had no idea what was in store for her when she wandered away from her mother and brother on a family hike! Readers will travel with Trisha on her journey of horror, where she has only her witts for navigation, her ingenuity as a defence against the elements, and her courage and faith to withstand her mounting fear. For solace, during this terrifying journey, Trisha tuned in her walkman to listen to the broadcasts about her hero, the Red…
My seven novels all celebrate the natural world—while, I hope, telling a good story. Nature has always been my solace and delight. I’ve also had the honor of developing and directing an MFA in Nature Writing at Western Colorado University, one of the few nationwide programs to focus on cutting-edge environmental writing. While I mainly write novels, I’m the author of two nonfiction books and one play and the editor of three environmental anthologies. When not writing or teaching, I can be found sauntering around the West, especially in my home state of Colorado. I love travel and adventuring, and I like looking at birds, stars, clouds, and sea glass.
I direct an MFA in Nature Writing, and something by Barbara Kingsolver is always on my syllabus. This gorgeous novel is perhaps my longest-standing favorite, though. It takes place in Appalachia and is full of that area's natural history.
On top of that, the main character is a wildlife biologist—so there’s plenty to learn from her! There’s an exciting plot, and lots of love stories (I do like a good love story), but what I love most is the underlying ethic of good living on planet Earth.
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
There is such a visceral sense of place in this book. The author clearly knows Northern Ontario's landscape well, and this small town's remoteness and isolation is as much a character in the story as the protagonist and her family.
Orphaned at a young age, the book follows Katie and her siblings as they struggle to forge a life together in a town where their tragedy is just one in a long line of them.
Paralleling the story of her youth, the book weaves in Katie's now-adult life in Toronto, where she has escaped into a life of academia. When her past and present collide, she has to face some truths about herself and the relationship she once shared with her beloved older brother, Matt.
Sibling relationships are almost always complex, whether viewed from a child's perspective or as an adult. This book combines the two in a way that…
The Morrison siblings have been haunted by tragedy since the sudden death of their parents in an accident when they were young.
Kate found an escape from the legacy of their dark past in her passion for the natural world. Now a zoologist far away from the small farming community where she grew up, she thinks she's outgrown her three brothers, who were once her entire world.
But Kate can't seem to escape her childhood or lighten the weight of their mutual past.
'I've been trying to tell everyone I know about Mary Lawson . . . Each one of…
I come from a family of eaters. Food was often at the center of family stories and celebrations. I first became fascinated with apples while I was working on my Ph.D. in history, and my interest has since expanded to include all things related to food history. I’ve taught classes on food history, and a few years ago, I started collecting cookbooks. I blog about my cookbook collection and other historical food oddities on my website.
I think Sanora Babb is an underappreciated author. During the 1930s, Babb worked for the Farm Security Administration and was inspired to write a novel about Dust Bowl migrants. Unfortunately, her publishing contract was canceled when John Steinbeck published The Grapes of Wrath.
As much as I love Steinbeck, I love Babb’s novel more. She paints a vivid picture of life in small-town Oklahoma through small, domestic details. I appreciated the range of characters across the economic spectrum. Her characters are strong, but they are also aware that they are cogs in a machine, caught in circumstances beyond their control. She manages to highlight the plight of farm workers while maintaining their dignity as human beings.
Sanora Babb's long-hidden novel Whose Names Are Unknown tells an intimate story of the High Plains farmers who fled drought dust storms during the Great Depression. Written with empathy for the farmers' plight, this powerful narrative is based upon the author's firsthand experience.
This clear-eyed and unsentimental story centers on the fictional Dunne family as they struggle to survive and endure while never losing faith in themselves. In the Oklahoma Panhandle, Milt, Julia, their two little girls, and Milt's father, Konkie, share a life of cramped circumstances in a one-room dugout with never enough to eat. Yet buried in the…
For many years I have enjoyed a grass roots lifestyle. I have lived my research as a beekeeper, milking cows, making cheese and growing food. I am a simple living advocate, and the cottage industry—its slower pace—resonates with me. I create bespoke yarns at the spinning wheel, but for as long as I can recall, I have been wrapped in the arms of stories. Childhood is a dandelion clock, here then gone on a breath of wind. A time of life that’s fleeting. Young hearts can conjure exploration and magic. They are alive to bright possibilities, and this is what makes YA literature so exciting.
There’s a spookiness to this historical story that pulled me in straight away. But the adventure of children soon exposes a deeper chasm of heartbreak, and the vulnerability in young lives. Here in the mountain village superstition houses fear, crippling a community at large. That parents are the guidepost for how a child perceives themselves, and how they function and see the world as adults is something to think on. The Last Sin Eater teaches us all another way to live that is filled with goodness and grace.
The New York Times bestselling author of Redeeming Love and A Voice in the Wind pens a captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s.
In the misty peaks and valleys of Appalachia roams the sin eater—a myth as much as a man, burdened with absolving the sins of villagers passing from this life to the next. But when a young girl uncovers the dark secret behind the tradition, she vows to show her village the truth.
All that matters for young Cadi Forbes is finding the one man who can set her free from…
