I have been writing for the past 21 years on mystical themes with a good dose of Mother Earth Love tossed in. Fifteen years ago, I launched the spoken word website, offering one ten-minute recorded essay monthly on mystical/philosophical themes. Having published three nonfiction books, I decided to take my love of nature and interest in mysticism and write a novel for young philosophers and Earth-loving elders. My book follows the mystical journey of a rather practical eleven-year-old to an enchanted lake in the high Alps. It contains gentle animals, wise trees, kindred spirits, and healing waters.
This book is the story of a boy who runs away from his chaotic but loving home in New York City to try his hand at living in the wilderness of upstate New York.
I found it totally charming and instructive. He hollows out a tree to make himself a comfortable place to observe and embrace the Winter on the side of a mountain. This book is written more for child philosophers than Earth-Loving elders, but I read it to my husband, and we both enjoyed it greatly.
It is a different take on mother nature love than the others I have recommended, yet it still shines.
"Should appeal to all rugged individualists who dream of escape to the forest."-The New York Times Book Review
Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods-all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever.
"An extraordinary book . . . It will be read year after…
Gap Creek drops you into Appalachian mountain life in the nineteenth century with characters so real you forget they don’t exist. You worry about them as you turn each page.
The reader is transported to a place that truly exists. I know it. Robert’s brilliance as a writer is evident from page one. His sense of place and purpose draws us in. We experience with characters Julie and Hank a hard knock life and how the spirit triumphs against all odds. And we’re all the better for having read their story.
A New York Times Bestseller & Oprah's Book Club Pick
Young Julie Harmon works “hard as a man,” they say, so hard that at times she’s not sure she can stop. People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.
But Julie and Hank’s new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it’s…
This topic, adaptive collaborative management, has been dear to my heart for nearly a quarter of a century (indeed longer if one includes my involvement in farming systems research and development, a similar agricultural concept with less emphasis on the environment). I have long felt that deep involvement with local communities is crucial if we want to avoid ‘the sins of the past’ in conservation and development. My hope and that of my colleagues has been that by involving local people in a respectful, iterative, inclusive, learning, collaborative process, together we can steer policies and actions in a benign direction that may in fact endure (unlike most such projects).
This book is as much a manual as a book, but I particularly liked it because it provided me with specific examples of ways that local communities had been involved in forest issues – a topic I was struggling with how to implement in the late 1990s (as we developed the ACM approach on which my own book focuses). Carter’s book also had chapters on collaboration, on learning, on local management – all within a forestry framework, in a variety of tropical countries. As I glance through it again, to consider this description, I realize much of its contents remain relevant in 2022.
I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world.
I recently discovered Reid’s writing and I love the slow literary suspense of Foe, his twist relying upon an unreliable first-person narrator.
Farmer Junior is selected by lottery as a possible candidate for an off-world workforce colonising space. The narrative takes place on earth, however, and it is a domestic portrait of a marriage as much as it is science fiction. Junior is a transparent and sincere narrator. His unreliability comes from what he himself does not know and his hazy memory of his own past. ("Everything blends into a nebulous fog.")
His narrative reveals more than he realises, including through his treatment of a horned beetle in their closet. As with the best fiction, it holds a mirror up to our own humanity.
“Foe is a tale of implacably mounting peril that feels all the more terrifying for being told in such a quiet, elegantly stripped-down voice. Iain Reid knows how to do ‘ominous’ as well as anyone I’ve ever read.” —Scott Smith, author of The Ruins and A Simple Plan
A taut, psychological mind-bender from the bestselling author of I’m Thinking of Ending Things.
We don’t get visitors. Not out here. We never have.
In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
I love the nuanced descriptions of how the four main characters and their families adapt to the changing seasonal availability of food within their households in Western Kenya.
Having worked and observed farm families in a similar environment just across the border in Uganda, I find the author’s description of the “hungry” season when the crops are in the ground but not yet ready for harvest, spot on.
I find his discussion of the importance of seed and fertilizer availability and distribution policy-relevant, and the work of the NGO involved in making it happen is inspiring.
At 4:00 am, Leonida Wanyama lit a lantern in her house made of sticks and mud. She was up long before the sun to begin her farm work, as usual. But this would be no ordinary day, this second Friday of the new year. This was the day Leonida and a group of smallholder farmers in western Kenya would begin their exodus, as she said,"from misery to Canaan," the land of milk and honey.Africa's smallholder farmers, most of whom are women, know misery. They toil in a time warp, living and working essentially as their forebears did a century ago.…
I was a fraternal twin, and my brother died about two hours after birth from a bilateral pulmonary hemorrhage. Knowing this as a child, I became fascinated with death, thinking of it as annihilation. Later, I feared my religion (Christianity) might be false and I would be annihilated at death. Thus I became fascinated by all things philosophical and theological, including theological horror. The works I like most center on themes of the truth of religion and life after death while avoiding preachiness and the trap of telling rather than showing.
I highly recommend The Taking because it continues to haunt me with existential terror—I have never been as frightened by a horror novel in my life. The struggles of a young couple in the face of an apparent alien invasion are frightening enough, but the imagery is overwhelmingly frightening and powerful. When the reveal comes at the end, the surprise was almost too scary to bear, since it concerns entities in which I truly believe. This book lingers with me… and lingers…. and lingers….
On the morning that marks the end of the world they have known, Molly and Neil Sloan awaken to the drumbeat of rain on their roof. A luminous silvery downpour is drenching their small California mountain town. It has haunted their sleep, invaded their dreams, and now, in the moody purple dawn, the young couple cannot shake the sense of something terribly wrong.
As the hours pass, Molly and Neil listen to disturbing news of extreme weather phenomena across the globe. By nightfall, their little town loses all contact with the outside world. A thick…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As a leader in autobiographical fiction, Wolfe writes of a large family dominated by an alcoholic, authoritarian father who is highly dramatic in words and behavior.
His wife’s determination to survive by running a boarding house and investing in real estate leaves little time for parental attention to the needs of their children.
While most grow to repeat the dysfunctional family habits that hinder healthy development, the youngest child, with the help of his teachers, struggles enough to finally take steps away from the pain, and out of the cycle, as I did with my own life.
The spectacular, history-making first novel about a young man’s coming of age by literary legend Thomas Wolfe, first published in 1929 and long considered a classic of twentieth century literature.
A legendary author on par with William Faulkner and Flannery O’Connor, Thomas Wolfe published Look Homeward, Angel, his first novel, about a young man’s burning desire to leave his small town and tumultuous family in search of a better life, in 1929. It gave the world proof of his genius and launched a powerful legacy.
The novel follows the trajectory of Eugene Gant, a brilliant and restless young man whose…
There is such a visceral sense of place in this book. The author clearly knows Northern Ontario's landscape well, and this small town's remoteness and isolation is as much a character in the story as the protagonist and her family.
Orphaned at a young age, the book follows Katie and her siblings as they struggle to forge a life together in a town where their tragedy is just one in a long line of them.
Paralleling the story of her youth, the book weaves in Katie's now-adult life in Toronto, where she has escaped into a life of academia. When her past and present collide, she has to face some truths about herself and the relationship she once shared with her beloved older brother, Matt.
Sibling relationships are almost always complex, whether viewed from a child's perspective or as an adult. This book combines the two in a way that…
The Morrison siblings have been haunted by tragedy since the sudden death of their parents in an accident when they were young.
Kate found an escape from the legacy of their dark past in her passion for the natural world. Now a zoologist far away from the small farming community where she grew up, she thinks she's outgrown her three brothers, who were once her entire world.
But Kate can't seem to escape her childhood or lighten the weight of their mutual past.
'I've been trying to tell everyone I know about Mary Lawson . . . Each one of…
I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.
I’ve lived in Montana for over twenty years, so any books related to Montana get my attention. This book in particular, however, is so much more than just a memoir about growing up in the wilds of Big Sky Country. It’s a beautiful and poetic masterpiece that pays homage to the tiny towns and quirky community members that gave Ivan Doig a sense of home and family as a child. I enjoyed reading the familiar names of towns and mountains that I’ve grown to love during my time in Montana, and I especially appreciate how Doig shows us that the size of people’s hearts is more important than the size of their town.
National Book Award Finalist: A “beautifully written, deeply felt” memoir about growing up in the American West (Los Angeles Times).
Ivan Doig grew up in the rugged wilderness of western Montana among the sheepherders and denizens of small-town saloons and valley ranches. What he deciphers from his past with piercing clarity is not only a raw sense of land and how it shapes us, but also of the ties to our mothers and fathers, to those who love us, and our inextricable connection to those who shaped our values in our search for intimacy, independence, love, and family.
For many years I have enjoyed a grass roots lifestyle. I have lived my research as a beekeeper, milking cows, making cheese and growing food. I am a simple living advocate, and the cottage industry—its slower pace—resonates with me. I create bespoke yarns at the spinning wheel, but for as long as I can recall, I have been wrapped in the arms of stories. Childhood is a dandelion clock, here then gone on a breath of wind. A time of life that’s fleeting. Young hearts can conjure exploration and magic. They are alive to bright possibilities, and this is what makes YA literature so exciting.
There’s a spookiness to this historical story that pulled me in straight away. But the adventure of children soon exposes a deeper chasm of heartbreak, and the vulnerability in young lives. Here in the mountain village superstition houses fear, crippling a community at large. That parents are the guidepost for how a child perceives themselves, and how they function and see the world as adults is something to think on. The Last Sin Eater teaches us all another way to live that is filled with goodness and grace.
The New York Times bestselling author of Redeeming Love and A Voice in the Wind pens a captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s.
In the misty peaks and valleys of Appalachia roams the sin eater—a myth as much as a man, burdened with absolving the sins of villagers passing from this life to the next. But when a young girl uncovers the dark secret behind the tradition, she vows to show her village the truth.
All that matters for young Cadi Forbes is finding the one man who can set her free from…
