From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
Kenya was an exotic territory for British colonial interests in the late 19th century. For reasons almost impossible to understand today, the British decided to build a railroad from Mombasa, the seaport on the Indian Ocean, through the Kenyan savannah, to Kampala, a city of some riches in the far interior of what is now Uganda. The story of the building of the railroad at the end of the 19th century is hair-raising, thanks to Miller’s classic history, as imported Indian workers had to endure predatory lions, harsh climates, and raging rivers to forge across the frontier. That the railroad to nowhere was completed is a tribute to those Indian workers and their intrepid British overseers.
Today, one can take the train from Mombasa to Nairobi, some three hundred miles distant, either in the daylight, hoping to spy some wildlife, or in a sleeping berth at night. I…
In 1895, George Whitehouse arrived at the east African post of Mombasa to perform an engineering miracle: the building of the Mombasa-Nairobi-Lake Victoria Railway - a 600-mile route that was largely unmapped and barely explored. Behind Mombasa lay a scorched, waterless desert. Beyond, a horizonless scrub country climbed toward a jagged volcanic region bisected by the Great Rift Valley. A hundred miles of sponge-like quagmire marked the railway's last lap. The entire right of way bristled with hostile tribes, teemed with lions and breathed malaria.
What was the purpose of this 'giant folly' and whom would it benefit? Was it…
I am a journalist, travel writer, and author based in Australia, writing about all sorts of people and on topics that I find personally inspiring and thrilling, and which are guaranteed to raise the spirits of readers. I was born in England but travelled the world for 10 years before ending up in Australia in 1989. I also lecture in travel writing at Boston University’s Sydney campus.
I was entranced by this book when I first read it, and still am. I loved the way Kenyan writer and activist Ngugi wa Thiong'o told a story in such a simple, unadorned way that just manages to get under your skin. It’s an important lesson for any writer about unaffected writing! This was the first major novel in English by an East African writer and is just so redolent of its time and place. It charts the life of a young boy growing up through a major change in his home country, and the rise of the Mau Mau freedom fighters.
This is a powerful, moving story that details the effects of the infamous Mau Mau war, the African nationalist revolt against colonial oppression in Kenya, on the lives of ordinary men and women, and on one family in particular. Two brothers, Njoroge and Kamau, stand on a rubbish heap and look into their futures. Njoroge is excited; his family has decided that he will attend school, while Kamau will train to be a carpenter. Together they will serve their country - the teacher and the craftsman. But this is Kenya and the times are against them. In the forests, the…
I have written about the environment as a journalist since 2005, for magazines and newspapers including National Geographic,The New York Times, and Outside. For my last book, I wanted to write about animals as individuals—not just as units in a species, the way they are often thought of by conservationists. Diving into research about animal selfhood was an amazing journey. It helped shape my book, but it also changed the way I see the world around me—and who and what I think of as “people”!
This book tells the true story of an African couple who adopted a lion cub, raised her to adulthood, and then eventually returned her to the wild.
In my reporting on wild pets and reintroductions of captive animals, I learned that Elsa’s story was a bit of a miracle. Such successful reintroductions are very rare. The Adamsons were complex people and their story has an ambiguous legacy, especially given that it may have inspired people who were not really able to care for big cats to try to keep them as pets.
However, there’s no denying that their experience makes for a fascinating read. And by living so closely with her, they were able to see and describe Elsa as an individual, not just “a lioness” interchangeable with any other.
There have been many accounts of the return to the wild of tame animals, but since its original publication in 1960, when The New York Times hailed it as a “fascinating and remarkable book,” Born Free has stood alone in its power to move us.
Joy Adamson's story of a lion cub in transition between the captivity in which she is raised and the fearsome wild to which she is returned captures the abilities of both humans and animals to cross the seemingly unbridgeable gap between their radically different worlds. Especially now, at a time when the sanctity of the…
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Michela Wrong’s story centres on one country, Kenya, and one person, but it resonates throughout the continent and far beyond it – everywhere, where corruption is as systemic, as it is in Kenya. John Githongo, a journalist who fought corruption, was appointed to head an anti–corruption unit by a new president. As in every decent detective novel, involving corruption, the hero discovers that the roots lead to the very top, finds the proof and, after many adventures, publicizes it. Only this is not a novel, though it certainly reads like one. Wrong’s hero is a real person, who did what he did and who suffered for it. This is a story of personal honesty, decency, and courage. But this is also an inside story of how many African societies work.
A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.
When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.
Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this…
Gufu Oba (Professor) has taught Ecology, Pastoralism, and Environmental History at the Norwegian University of Life Sciences for 21 years. He previously worked for UNESCO-MAB on issues of environmental conservation. He has published four books on social and environmental history. His books include Nomads in the shadows of Empires (BRILL, 2013), Climate change adaptations in Africa (Routledge, 2014), Herder Warfare in East Africa: A social and Spatial History (White Horse Press, 2017), and African Environmental Crisis: A History of Science for development (Routledge, 2020).
In Colonial Kenya, the famines of the mid-1920s led to claims that the crisis in Baringo was brought on by overcrowding and livestock mismanagement. In response to the alarm over erosion, the state embarked on a program for rehabilitation, conservation, and development. Eroding the Commons examines Baringo's efforts to contend with the problems of erosion and describes how they became a point of reference for similar programs in British Africa, especially as rural development began to encompass goals beyond economic growth and toward an accelerated transformation of African society. It provides an excellent focus for the investigation of the broader evolution of colonial ideologies and practices of development.
Colonial Baringo was largely unnoticed until drought and localized famine in the mid-1920s led to claims that its crisis was brought on by overcrowding and livestock mismanagement. In response to the alarm over erosion, the state embarked on a program for rehabilitation, conservation, and development. Eroding the Commons examines Baringo's efforts to contend with the problems of erosion and describes how they became a point of reference for similar programs in British Africa, especially as rural development began to encompass goals beyond economic growth and toward an accelerated transformation of African society. It provides an excellent focus for the investigation…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Etabo dreams of being a camel racer but is thwarted by the fact that his family must now sell their camels because of impending drought.
What I find so interesting about this book is how the narrative does such an amazing job of showing a slice of life amongst the Turkana, a remote people in the deserts of Northwest Kenya. So very little of these amazing people have ever been shown in children’s literature and so I was so captivated by how this book gives such a great opportunity to peek into their world, illuminated by the tender illustrations and enthralling theme of not giving up on one's aspirations.
Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo's father must sell the camels, and his siblings must find work. What will Etabo do now? From acclaimed Kenyan filmmaker Wanuri Kahiu and Italian illustrator Manuela Adreani, this story of love and hope centers on the inspiring Turkana people of northwest Kenya. Told with gentleness and humor, it is a universal story about keeping one's dreams alive.
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Written and photographed by three of Britain’s leading wildlife personalities, The Marsh Lions remains a seminal text when it comes to lions. Scott’s and Jackman’s unrivalled knowledge of what is perhaps Africa’s most famous lion pride (which was immortalised in Big Cat Diary, hosted by Jonathan Scott) shines through in the writing, which is patient wildlife storytelling at its best.
A bestseller when first published in 1982, The Marsh Lions portrays a vivid picture of life and death on the African savannah through the story of a pride of lions in Kenya's world-famous Masai Mara game reserve. The story is essentially a true one. All the central characters are real, and most of the incidents described actually happened. For five years, Brian Jackman and Jonathan Scott followed the Marsh pride and their progeny, painstakingly recording the daily drama of life and death on the African plains. In time they came to regard them as old and familiar friends and real…
I have lived, breathed, and studied peace and conflict since 1998, but what I’m most passionate about is the plight of the people. I spent over a decade in countries such as Iraq, Sudan, and East Timor providing humanitarian assistance followed by another decade writing and working on the consequences of wars. The more we understand the impact of wars the better humanity will be placed to stop them. That is why I chose five beautifully written books that will be difficult to put down while offering an array of voices and perspectives that together provide insights into how we can better respond to outbreaks of war.
Ben Rawlence’s City of Thorns makes the list because of his ability to weave a powerful narrative around the day-to-day lives of refugees living in camps. Far too often our knowledge of refugees is limited to numbers—the number of people who die crossing the Mediterranean, the number living in a camp, or the amount of dollars required to ease the suffering. This book is an antidote to the numbers. Rawlence introduces us to the hopes and challenges of nine residents of what was then the world’s largest refugee camp, Dadaab, Kenya. Unfortunately for the nine, Rawlence’s book covers a period when famine and terrorism hit the Horn of Africa adding another dimension to understanding the plight of the most vulnerable caught up in the vagaries of war.
To the charity workers, Dadaab refugee camp is a humanitarian crisis; to the Kenyan government, it is a 'nursery for terrorists'; to the western media, it is a dangerous no-go area; but to its half a million residents, it is their last resort.
Situated hundreds of miles from any other settlement, deep within the inhospitable desert of northern Kenya where only thorn bushes grow, Dadaab is a city like no other. Its buildings are made from mud, sticks or plastic, its entire economy is grey, and its citizens survive on rations and luck. Over the course of four years, Ben…
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
