Here are 100 books that Tender fans have personally recommended if you like
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I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
What I appreciate most about David Mitchell’s novel is how he grounds the history in scenes full of well-developed characters. So, for example, we don’t begin the novel with a long note about the historical period or the lineage of the ruling class, but rather with the urgency of childbirth gone wrong in the house of a concubine in Nagasaki in 1799.
It’s from this rootedness in the sense-based that we move into a wider exploration of both geopolitics and the magical, which I absolutely fell in love with—this sense that there is an element of the supernatural at play in this otherwise very realistic historical world.
The Sunday Times Number One Bestseller, from the author of CLOUD ATLAS and THE BONE CLOCKS.
Longlisted for the Man Booker Prize 2010
'Brilliant' - The Times 'A masterpiece' - Scotsman
Be transported to a place like no other: a tiny, man-made island in the bay of Nagasaki, for two hundred years the sole gateway between Japan and the West. Here, in the dying days of the 18th-century, a young Dutch clerk arrives to make his fortune. Instead he loses his heart.
Step onto the streets of Dejima and mingle with scheming traders, spies, interpreters, servants and concubines as two…
I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I wish publishers translated more fantastical fiction from around the world. This collection by Mexican authors offers a buffet of the weird, fabulist, and otherworldly.
The translated prose is masterful. Many stories draw the distant, decaying realm lying between life and death, directly and viscerally, into the homes and lives of the characters.
Anthologies can often suffer from an unevenness between authors, but this collection is consistently surprising and offers something for any reader of fabulist fiction.
A huge, energetic, and ambitious groundbreaking anthology from emerging and established Mexican authors which showcases all-new supernatural folktales, alien incursions, ghost stories, apocalyptic narratives, and more. Stereotypes of Mexican identities and fictions are identified and transcended. Traditional tales rub shoulders with mindbending new worlds. Welcome to the new Mexican fantastic. Eduardo Jimenez Mayo's translations include books by Bruno Estanol, Rafael Perez Gay, and Jose Maria Perez Gay. Chris N. Brown lives in Austin, Texas. He is a contributor to the blog No Fear of the Future. Bruce Sterling lives in Turin, Italy, and blogs at Wired's Beyond the Beyond.
As an organizational psychologist, I am driven to study and work to improve work activities that are causing great frustration and not working effectively—meetings are the perfect fit. And, for 20 years I have been actively publishing in this space and have spoken to well over 100,000 leaders through my keynotes/events/videos. What excites me is that meeting science can truly help leaders, teams, and organizations. The books I recommend are well-aligned with the science, and can be difference makers. I hope you enjoy them and find them helpful.
This is a really unique and different meeting book – it basically teaches about how to run meeting effectively by inserting them naturally into a fable. The fable is really quite engaging and something most of us can relate to. The learnings, although not extensive, align quite well with the science. Overall it is a fun and informative book.
Casey McDaniel had never been so nervous in his life. In just ten minutes, The Meeting, as it would forever be known, would begin. Casey had every reason to believe that his performance over the next two hours would determine the fate of his career, his financial future, and the company he had built from scratch. 'How could my life have unravelled so quickly?' he wondered. In his latest page-turning work of business fiction, best-selling author Patrick Lencioni provides readers with another powerful and thought-provoking book, this one centred around a cure for the most painful yet underestimated problem of…
Much of my writing is influenced by Fairy Stories. Sometimes I retell the stories in my own words, sometimes I create my own, and sometimes, as in Rose Doran Dreams, I weave them into the narrative so that they shape the central character in a way that affects or explains her development. There is a darkness about Fairy Stories that fascinates me, that gives psychological depth to a character or a narrative as I write. I am dizzy with the notion that Fairy Stories don’t belong to the teller or the writer, the listener or the reader; they transcend time and place.
I was given this book thirty years ago by an Indian poet, who promised me I would love it. It is a feast of stories, told to the central character Devi throughout her life. Through her grandmother’s ancient stories, she learns about love, beauty, riches, and womanhood. Her father-in-law tells her stories that teach her about life, how to survive her lonely marriage, how to belong. Stories and dreams give her wealth and power, but they evaporate and still she is there, empty, alone, and desperate for the love that the old stories are about.
Two other women’s stories weave through the narrative. Her mother Seta, and her husband’s old retainer, Mayamma share exotic tales of ancient India, Gods, mysteries, magic, and rituals.
The Thousand Faces of Night is trancelike and beautiful.
A debut novel which interweaves the fabled myths and legends of India with a young woman's search for self, exploring such universal themes as freedom, independence and desire.
I’m a Filipino illustrator who draws children’s books for both publishers and for private commissions. I also have been reading children’s books as part of my job. My go-to children's stories are often about animals and nature. I hope you'll like the books on this list as much as I do!
I like reading a lot of animal stories and Aesop’s Fables is definitely on top of my list. The Town Mouse and Country Mouse fable is my favorite. When I was young, I never got to appreciate it but reading it as a grown-up, I can totally relate to how Town Mouse and Country Mouse felt about their hometowns. For me, no matter what place I travel to, I will still always prefer to live in my hometown. I recommend this version in particular because it’s geared towards younger readers. The morals are indicated at the start of every story to guide the readers on what lesson is being taught. I love the aesthetic of this book as well. It has a beautiful painterly and cartoony style to it.
A delightful collection of six stories, with lively retellings and colourful artwork by Columbian illustrator, John Joven. A perfect first introduction to Aesop for little children. Stories include well-known classics The Lion and the Mouse, The Town Mouse and the Country Mouse and The Ant and the Grasshopper.
We come to books at different ages, and some of them are more special than others for our own growth and development. I became a writer because of books that influenced me and sparked my imagination. When I became a teacher, I passed on my enthusiasm. I have written 31 books and have taught writing and literature on the college level in the Peace Corps, at Antioch, and UCLA. I’ve interviewed three of the five writers whose books I’m recommending and would have tried to interview Jack London and James Joyce if I had lived when they were alive. These 5 books made me laugh, cry, sing, and dream. They expanded my consciousness.
This comical journey into the heart of a mythical Africa was compared to the Odyssey andDon Quixote by Newsweek. “I am a high-spirited kind of guy,” Eugene Henderson says. “And it’s the destiny of my generation of Americans to go out in the world and try to find the wisdom of life.” I read Henderson the Rain King in high school, and it stayed with me when I joined the Peace Corps after college and journeyed to Africa. I couldn’t get Henderson’s refrain— “I want I want I want”—out of my head. What I wanted was experience. Adventure. To live free. Bellow’s picaresque book—his ideas, his imagination—was a beam lighting the path that I wanted to take as a writer.
Bellow evokes all the rich colour and exotic customs of a highly imaginary Africa in this comic novel about a middle-aged American millionaire who, seeking a new, more rewarding life, descends upon an African tribe. Henderson's awesome feats of strength and his unbridled passion for life earns him the admiration of the tribe - but it is his gift for making rain that turns him from mere hero into messiah.
I hold a master's in writing modern stories based on ancient myth and have always been fascinated by the power of mythology and the idea of the archetypal subconscious, combine this with the wonders of the natural world and beautifully constructed sentences, and you have my dream read. All the books on this list, even though two are historical, have a modern sensibility, all celebrate the power of nature, and all are masterful in their execution. Enjoy!
In the words of the writer herself, "this is an adult fairy tale about rivers, time, and the mystery of love." I have never read anything like this little gem of a book that immerses you in the natural world to such an extent, I felt like I became half-aquatic during the reading of it. It made me want to run away and live in the Tasmanian wilderness by a river, but then again, I’m not half woman, half fish, like the protagonist of the book. A strange and wonderful read.
The River Wife is a simple and subtle fable of love. It tells the story of the river wife - part human, part fish - whose duty is to tend the river, but instead falls in love with a man. Tender and melancholy, it speaks of desire and love, mothers and daughters, kinship and care, duty and sacrifice, water and wisdom. There is a great sternness and sadness here, coupled with gentleness. A love story, an environmental fable, a retelling of the Orpheus myth, The River Wife is grave, tender and otherworldly.
One of the main things I do for work is encourage parents to awaken their playful and empathic hearts and play with their kids—roughhousing play, dramatic play, games—and really listen to their kids. The connection this brings is unmistakable, and irreplaceable. Because so many adults, myself included, seem to have forgotten what it was like to be a child, I am always amazed when someone gets it. These are five books that brought me back there, from writers who somehow remembered, and share that understanding with compassion. (I was limited to books, but if I could have included a movie I would recommend C’mon C’mon.)
I read every Nicholson Baker book as soon as it arrives, and not just because I knew him before he published his first short story.
My favorite novels of his explore what it is to be a thinking (and sometimes, overthinking) human being.
In The Everlasting Story of Nory, he applies his wit and wisdom to the mind of a nine-year-old girl, and he captures beautifully what that time of life is like.
Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying.
Nicholson Baker follows Nory as she interacts with her parents and…
