Here are 100 books that The Thousand Faces of Night fans have personally recommended if you like
The Thousand Faces of Night.
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I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
This is a must-read for me to understand the archetypes inherent to women. I have not only read it but also reread it and studied it with other women.
I love anything wild, and so does Dr. Estés. She believes that within every woman, there lives a powerful force filled with good instincts, passionate creativity, and ageless knowing. The wild is instinctual and endangered. Civilization demands women become rigid in roles contrary to the life-giving messages of our own souls. I have always believed this, and this book reinforces my beliefs.
Dr. Clarissa Pinkola Estés uses mythology, fairy tales, folk tales, and stories to assist the reconnection to our wild nature. Her interpretations are so rich, just reading the forward from time to time makes me weep with recognition of truth.
This has very strong and life-giving implications for me as a writer, but it truly is an astounding book…
First published three years before the print edition of Women Who Run With the Wolves made publishing history, this original audio edition quickly became an underground bestseller. For its insights into the inner life of women, it established Dr. Clarissa Pinkola Estes as one of the most important voices of our time in the fields of Jungian psychology, myth, and women's mysteries.
Drawing from her work as a psychoanalyst and cantadora ("keeper of the old stories"), Dr. Estes uses myths and folktales to illustrate how societies systematically strip away the feminine spirit. Through an exploration into the nature of the…
Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.
The Snow Child depicts a maybe real, maybe imaginary little girl bringing joy to a childless, homesteading couple in 1920s Alaska.
In this bestselling debut novel, released in 2016, a couple that yearns for a child of their own is visited by a nymph who appears and disappears in the snow drifts on their homestead. In her novel, Eowyn Ivy manages to sustain the reader’s belief that this girl could in fact be real, without directly saying one way or the other. Why do this in an essentially realist portrayal of hardscrabble life in rural Alaska? Again, I see it as a way to get past the character’s rational mind and open both the character and readers’ hearts to the ineffable.
Here, Mabel, the main character says it better. “You did not have to understand miracles to believe in them, and in fact, Mabel had come to suspect the opposite.…
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"
The Mermaid of Black Conch takes a mythological creature and gives her extraordinary life, as a very real, young woman, called Aycayia.
She is caught – hooked like a prize fish - by greedy anglers, and hauled from the sea, bringing with her an already fascinating and tragic history of injustice and misunderstanding. But, she is also an object of love.
Not all fishermen are commercial opportunists… Not all men are eager to exploit beautiful and unusual women, and so begins an extraordinary rescue, and a life-affirming relationship, with many unpredictable, literally magical, and truly remarkable twists.
This enchanting book, written with breath-taking originality, is likely to spell-bind you – permanently. You’ll never again think of mermaids in the same way.
Near the island of Black Conch, a fisherman sings to himself while waiting for a catch. But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.
When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I hold a master's in writing modern stories based on ancient myth and have always been fascinated by the power of mythology and the idea of the archetypal subconscious, combine this with the wonders of the natural world and beautifully constructed sentences, and you have my dream read. All the books on this list, even though two are historical, have a modern sensibility, all celebrate the power of nature, and all are masterful in their execution. Enjoy!
In the words of the writer herself, "this is an adult fairy tale about rivers, time, and the mystery of love." I have never read anything like this little gem of a book that immerses you in the natural world to such an extent, I felt like I became half-aquatic during the reading of it. It made me want to run away and live in the Tasmanian wilderness by a river, but then again, I’m not half woman, half fish, like the protagonist of the book. A strange and wonderful read.
The River Wife is a simple and subtle fable of love. It tells the story of the river wife - part human, part fish - whose duty is to tend the river, but instead falls in love with a man. Tender and melancholy, it speaks of desire and love, mothers and daughters, kinship and care, duty and sacrifice, water and wisdom. There is a great sternness and sadness here, coupled with gentleness. A love story, an environmental fable, a retelling of the Orpheus myth, The River Wife is grave, tender and otherworldly.
I am an author, illustrator, and book designer. I never lost my childhood wonder at the printed page. When I write my own books, I create stories for both adults and children with deep meaning weaved into seemingly naive text and images. I enjoy creating worlds in which stories are told for children's and adults' imaginations to coexist. I think being dyslexic led me to enjoy aspects of visual storytelling so much. I have worked in publishing for many years and I am well known for my work on the Penguin clothbound classics where I use my visual illustration style to entice readers new and old to read classic stories and escape into new worlds.
As soon as I opened this book, I could see the inspiration from all the things that I personally love had been weaved into this beautiful visual story. I enjoy how illuminated manuscripts and ancient books inspire the pages with tiny detail. This book adds to its rich storytelling by playing with these elements. So beautifully designed and such wonderful integration of text and image. A stunning tale for young and old, with a message that makes my heart happy.
Wolf is a hunter, feared by every creature. But he has a secret: in the middle of the forest lives a girl whose beautiful voice has entranced him . . .
The Wolf longs for friendship. But is he prepared to sacrifice his own true nature in order for his wish to come true?
A beautiful and lyrical contemporary fairy tale about difference, trust and the power of friendship to overcome any obstacle.
This sumptuous hardback gift book, with gold foil detail, is perfect for lovers of fairy tales and fables, new and old. It is gloriously illustrated by acclaimed…
Like Matasha, my eleven-year-old heroine, I am the product of a big-city Midwestern 1970s childhood. I was a rabid reader who always felt that books made the world make more sense. Now as then, I am drawn to characters who are allowed to be complicated and to endings that don’t tie things up with a tidy bow. I believe “unlikeability” in fiction is a myth. I love children’s books that show kids thinking and feeling deeply.
An elderly man goes in search of a cat to make him and his wife less lonely. He comes home with not one but millions of them: how to choose which to keep? The cats solve the problem by fighting among themselves until “they must have eaten each other all up.” But one unexpected little kitten is left….
I couldn’t have articulated this when I first sat raptly turning its pages, but Ga’g’s fable, with its handwritten text and charming 1928 black-and-white drawings, acknowledges both the ferocious and the vulnerable in children’s natures.
An American classic with a refrain that millions of kids love to chant: Hundreds of cats, thousands of cats, millions and billions and trillions of cats.
Once upon a time there was an old man and an old woman who were very lonely. They decided to get a cat, but when the old man went out searching, he found not one cat, but millions and billions and trillions of cats! Unable to decide which one would be the best pet, he brought them all home.
How the old couple came to have just one cat to call their own is…
I’m a sociologist and professor. I’ve written several books about human and animal intersections. From bees to horseshoe crabs to spider goats, I’ve channeled my childhood fascination with animals, both vertebrates and invertebrates, into research projects. Over the past two decades, I use qualitative research methods that put me in direct contact with multiple different species, gently handling the animals as a way to get to know them and understand them. I’m particularly interested in how humans make animals meaningful as companions, research subjects, raw materials, and living factories. I believe we must move past our own speciesism, or our biases that reify human superiority, to fully embrace living in a multispecies world.
It seems we don’t have as many opportunities to read fables as we grow up and this is a loss. That is why The Story of a Goat is such a wonderful chance to remember the power of fables and allegories. This book taught me about our human capacities for cross-species compassion and love. The simple writing style and pacing of the story can sort of sneak up on you as you develop sincere feelings for the main character, a small black goat. Additionally, the back story of why Murugan wrote this particular book is fascinating and adds such depth to the reading experience.
A farmer in India is watching the sun set over his village one quiet evening when a mysterious stranger, a giant man who seems more than human, appears on the horizon. He offers the farmer a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous.
But Poonachi's life is not destined to be a rural idyll: dangers lurk around every corner, and…
Alex Hillman is always thinking about the intersection of people, relationships, trust, and business. He’s an author, educator, and community builder. These days, he splits his time between operating Indy Hall, which is one of the oldest coworking spaces in the world; teaching creative people how to bootstrap their own businesses at Stacking the Bricks; and collaborating with people and organizations towards the goal of helping 10,000 people become sustainably independent by 2029.
This book is not at all what it seems. If you’ve ever struggled with a project or idea, especially as it grows in complexity, the metaphor of the mythical Hydra may have come to mind. In the myths, the Hydra is especially dangerous because every time you cut off one of its heads, two more grow back in its place.
Kinda like a project or business that seems impossible to finish.
Unlike most business books that beat you over the head with case studies, this book uses a single short story styled as a fairytale to unlock and teach dozens of valuable business lessons from across dozens of fields of study: psychology, planning, marketing, negotiation, and more. Half of the fun of reading this book is realizing each time the story is teaching you something useful. It’s like a little treasure hunt of business knowledge all on its own!
A survival manual for ambitious artists entrepreneurs ADVENTURERS
You have a Hydra: a grand, ambitious project you’ve always wanted to tackle. It feels overwhelming, unconquerable. Chop off one of a Hydra’s heads, and two more grow in its place.
How will you ever defeat such a terrifying monstrosity – and live to tell the tale?
In this illuminating fable, productivity expert Josh Kaufman explores the uncertainty and fear inherent in facing down any ambitious challenge, from starting a new business to completing a work of art.
The risks involved can never be eliminated, but they can be understood, anticipated, and…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I wish publishers translated more fantastical fiction from around the world. This collection by Mexican authors offers a buffet of the weird, fabulist, and otherworldly.
The translated prose is masterful. Many stories draw the distant, decaying realm lying between life and death, directly and viscerally, into the homes and lives of the characters.
Anthologies can often suffer from an unevenness between authors, but this collection is consistently surprising and offers something for any reader of fabulist fiction.
A huge, energetic, and ambitious groundbreaking anthology from emerging and established Mexican authors which showcases all-new supernatural folktales, alien incursions, ghost stories, apocalyptic narratives, and more. Stereotypes of Mexican identities and fictions are identified and transcended. Traditional tales rub shoulders with mindbending new worlds. Welcome to the new Mexican fantastic. Eduardo Jimenez Mayo's translations include books by Bruno Estanol, Rafael Perez Gay, and Jose Maria Perez Gay. Chris N. Brown lives in Austin, Texas. He is a contributor to the blog No Fear of the Future. Bruce Sterling lives in Turin, Italy, and blogs at Wired's Beyond the Beyond.
